Try this SUPER Versatile 4-note ARPEGGIO for Modes and the II-V-I
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- เผยแพร่เมื่อ 11 ก.ค. 2024
- Try this super versatile 4-note Arpeggio for Modes and the II V I. Create a fusion sound over a minor ii-V-i progression to sound awesome and sophisticated. Try this little gem of a shape to discover its immense versatility and how you can use this one shape for a lot of beautiful extended and colorful chord arpeggios. This shape will be you friend forever once you discovered the power of this Jack of all trades arpeggio!
Use the same shape for half diminished arpeggios, minor arpeggios, maj7 arpeggios and altered dominant arpeggios to creates modes like Phrygian, Dorian, Lydian and Locrian.
Subjects in this video:
- 4-note arpeggio shape.
- Arpeggio shape repeated in the octave.
- The min7b5(sus4) arpeggio shape.
- The Maj7b5 or Maj7#11 arpeggio shape.
- The MinSus4b9 or minor b9 arpeggio shape.
- The min6/9 arpeggio shape
- The Altered dominant arpeggio shape
- The ii V I in a minor key
- The ii V I vi progression
- The II V I Turnaround
- Improvise over the II V I in a minor key
CHAPTERS:
0:00 Introduction
0:23 The Arpeggio Shape
1:27 Every note can be the root
1:48 Sus4(b9) arpeggio
2:52 Maj7#11 of Maj7b5 arpeggio
4:19 Min7b5(sus4) arpeggio
5:23 Min6/9 and Altered dominant arpeggios
7:48 Overview / Summary
8:18 The Dark ii-V-I turnaround
12:14 The final Result (examples)
Crystal Clear E-BOOKS with audio files:
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(c)2023 Rob van Hal, Netherlands
Note to self: don't watch this channel on a Friday night after cracking a few beers open. My head hurts!
I'm going to watch this again, pause it and work some of these chords out myself. 😂
Hahaha. Yes better be sober for this one ;)
💃 Super Way kool share 💜🕺🏻
Thanks 😃 will be back often ,
✌️😎🥁💕🎷🎶🎸💙🌎👍🌲🌲🌲🤗
Bongo Dave - Good Happens / Love Shall Prevail
Fantastic Thankyou for these lessons.
You are a great teacher and player
Dude this is awesome. Marty Friedman loves this shape and use over all sorts of chords. I'm sure he's doing something similar. Anyway I love moving the same arpeggio shape over changes, it creates interesting sounds without a lot of effort finger-wise
FuZion!
love it! Every time I watch your videos I learn a lot!
Brilliant!
My favorite music lesson channel on TH-cam. You're a great teacher.
clear as mud...but l love it anway
You 're a really expert in Musical 's instruction, clear, sharp, efficient !! Thank you very much, I hope you successed, I 'm going to buy your book
Jason Becker - Hold my Beer!
Great lesson once again ! Always detailed reviews on particular subjects rarely discussed on web videos. Gonna have a look on your ebooks. Thanx a lot for everything you bring !
Your videos are so inspirational! We use your videos as challenges for our next sessions! You make it so easy to keep it fresh!
Thank you!
good stuff man, amazing lesson.
This is awesome! Thanks!
Sounds very close to the mysterious intro of No Quarter by Led Zeppelin! Thanks for sharing those tips
3:36 - Or as Vai speaks about his audition with Zappa, Frank told him (jokingly) "I hear Linda Ronstadt is looking for a rhythm guitar player".
Best Regards and Best Wishes!
Hahaha. Best wishes for you too!
Thank you for this video. I added a C on the low E string, and an E flat on the A string and came up with a cool kind of spy movie theme song progressions. That's not at all what you were getting at but that simple initial pattern gave me inspiration and I ran with it.
That's the spirit and the idea. You are being creative :) Keep it up!
Maj7b5 is the hidden chord of the major scale. Not alot of people know about or discuss this chord. It can be used as the IV chord. Its on the root of lydian.
Yes that's true and a beautiful sound on that 4th degree (F-A-B-E in C major). Many people will play it as Fmaj7#11.
Love it!
It's an awsome presentation and extremely well explained. Nevertheless Even I understand it when watching, i guess I can't transfer this to another ii V i due to this massive complexity in detail
If you want to transpose it to another key, simply change the position of the arpeggio on the neck of the guitar in order to match the root arpeggio shpae with the root of the chord that you ar playing over...
well, you did warn us! 🔥😊
:)
Great video! Thanks.
Nice. Also the books! I know my christmas wish now.
Alright, I finished the video... definitely intrigued thumbs up and subscribed.... definitely crystal clear and great examples....
I'll byte.... haven't looked at this stuff for awhile been playing for many years.... there's always something to learn..... easy peasy great vid..... you can integrate all what your going over in many styles of playing.... trippy
Great content and presentation! Yes, I like this type of content but I can't subscribe again 😭.
Great lesson thank you 🙏 😊
First arpeggio is in the D minor master key, follow my L-MALIDP system for total neck breakdowns. Follow the D root note with Aeolian diatonic scale at the 10th fret low E to see and hear.
❤❤❤❤
We are on a similar track with this. I have been using the MaJ7#4 chord a lot recently. And, if you add an F to these 4 notes you have a D Hirajhoshi scale, which I have been working with deeply for years. This is cool I will play around with it. Thanks!
The Hirajhoshi scale is a wonderful scale indeed.
Epic
This is the classic Japanese Pentatonic scale when the note G is added.
Good as it gets in the clarity department! Bravo. Do you have a lesson on the Dorian mode as this is a baffling stick in the mud for me… 🙈🦑🙏
I will make a video about the Dorian mode :)
Plenty of food for the train, thanks
I create stuff like this…BUT I have no idea what any of the notes or the relation between the notes are called………🤷🏼
I have no idea what’s going on here. I feel like I’m in kindergarten and I wandered into a high school class
Interesting insight but I wish you'd play the arpeggios without all the reverb. It's hard to hear the notes clearly against the chord.
I'll keep it mind for the next time.
. Sometimes my girlfriend is frigidian. I don't like that.😢
:)