You guys are hacks, everyone knows you're not a real filmmaker unless you shoot on 35 mm photography film and pantomom your actors like stop-motion, figures frame by frame and then play it all back together like a flipbook. Amateurs
That true. I tested tons on vintage lenses and keep only Nikkor 35 and 50 mm AI. For my taste it's render better than Minolta MD, Canon FD, Zeiss flektogon and distagon. I do prefer Nikkor's lenses even over the DZO Vespid prime and other "CHEAP" cinema lenses. I also have a separate love for Helios 44-2 and Jupiter 37-A. If i would have unlimited budget i would go for ZEISS Touit which is 100x expensive and slightly better.
Shooting full frame, all I need is a 14mm. If it's s35, all I need is a 14mm. Micro 4/3 I think i could shoot the whole movie with a 14mm. Why waste any time swapping lenses or even zooming.
I prefer a 9mm and a 600mm for my 2 lens set up
Only 600mm? Weak. Real filmmakers shoot with a 1200mm and a 2x tele on super 8
@@Wildridefilms 😂
@@WildridefilmsI kinda want to see a film shot like that.
You guys are hacks, everyone knows you're not a real filmmaker unless you shoot on 35 mm photography film and pantomom your actors like stop-motion, figures frame by frame and then play it all back together like a flipbook. Amateurs
Really? I am quite interested in seeing the movies you produce with those lenses. 🙂
Same! I’ve been shooting on a 12mm and a 1200mm for my feature film. Everything I just crop because…. Yknow, 4k? Anyone heard of it?
Interested in the 20-35mm, how does it perform with Lumix S5 may I ask?
I love my op snoot
It’s the first modifier I go for if I want hard light
LOVE
ive been watching your videos the past couple days they've been very inspiring💪
Glad you like them!
Robert Bresson used exclusively 50mm lens c:
Anamorphic lenses crying watching this....
That true. I tested tons on vintage lenses and keep only Nikkor 35 and 50 mm AI. For my taste it's render better than Minolta MD, Canon FD, Zeiss flektogon and distagon. I do prefer Nikkor's lenses even over the DZO Vespid prime and other "CHEAP" cinema lenses. I also have a separate love for Helios 44-2 and Jupiter 37-A. If i would have unlimited budget i would go for ZEISS Touit which is 100x expensive and slightly better.
What camera did you combine your lenses with
I'm using the Panasonic S5 and these lenses with an adapter.
Shooting full frame, all I need is a 14mm. If it's s35, all I need is a 14mm. Micro 4/3 I think i could shoot the whole movie with a 14mm. Why waste any time swapping lenses or even zooming.
Zack when ever you cross 1M subs give me fx3 with 24-70 sigma ok.
You got it!