The guitars you make are absolutely beautiful. Your craftsmanship is impeccable! And you play amazing. I hope that you do make more TH-cam videos. I love watching them.
Great video - I adore your honesty in this. I empathize with getting the wrong computer files. It’s so difficult to keep them sorted. Microphone placement and room acoustics -are so very challenging. Your excitement and ability to laugh at yourself reminds me of my 29 y/o daughter, Mary. Thanks.
I really enjoyed your comparison. I am just starting to learn, and I want to hear what's happening intelligently. stephen3073's observations will allow me to rehear this in a better way. The flamed sycamore neck is a great contrast to the usual dark tones. Does the neck timber type effect the tone? As for files, as an OCD I always name mine systematically and meaningfully so the contents are obvious. I also have a systematic folder naming routine. It just saves so much time later.
Daisy, I really enjoy your videos. The smaller guitar sounds more expressive and articulate. The large one is just so smooth. The sustain of both was amazing. Guitars are very personal. The love that goes into your work really shows. I'm sure she will be over the moon.
WOW! Raucous applause for Daisy and her creations! Both guitars sound magnificent. Super responsive, very even in balance from low to mid to high, great, colorful overtones developing, sustain is off the charts, and the clarity is pure and crystalline. And to think, as they accrue a bit of age and playing time, they will continue to sound more complex and colorful. It's a kind of alchemy, rendered in wood, and made into the most splendid musical sounds. If they sound this good right out of the starting gate, they will achieve the quality of legend in a very short time. It's also quite evident that your level of craft wisdom is highly advanced. And your aesthetic sensibilities are pure elegance. Daisy, you have greatness all over you!
Oh my word what amazing instruments you make! The jigs weren’t mistakes you have just broadened your ‘catalogue’ and included more potential happy guitarists. To have a guitar like yours as a first guitar will be such a thrill! Well done.
I don't know much about harmonics or tone, but I can spot enthusiasm right off. If your instruments convey the quality of sound that you do in passion, there is no doubt as to the level of craftsmanship. Top shelf, I say.
Beautiful woods used. That Welsh walnut is amazing. Thank you for sharing all the 'Bob Ross' moments it adds a lot. Both those guitars sounded fantastic. Hugo....sounds like a great partnership and yes use his skills
Amazing. Your guitars ring like a bell. I rarely run across a channel that immediately makes me sit up and want to binge watch all of the creators content. I wish you many years of continuing success and happiness.
Wowzers! Those are two absolutely beautiful instruments. When you said about the walnut wood coming from the lady's hometown, I nearly lost it. Silly old fool that I am......
They both sound fantastic. For my own tastes and playing I like the softer attack on the big one, but the sustain and decay on the smaller one is gorgeous -- she rings like a perfectly cast bronze bell.
Wow, great work! Both guitars look and sound incredible. The smaller guitar has a delightful brightness to its tone, while the larger model has a profound depth.
Bonsoir from Canada, Daisy! I am researching "the" sound I am after and I am about to commission a small jumbo guitar from a luthier friend of mine (hopefully for the end of this year, 2024). I applaud this presentation of yours as the microphone picked up the nuances of one guitar size versus the other. I am a dreadnought guy (Larrivée, Martin and a sole Gibson J-45 "sustainable" in the mix), so I am partial to the sound of your bigger one... That was the one with the funky harmonic amplication, right? Anyway, merci so much for making us appreciate a luthier's dedication to his or her craft. Play on, everyone, no matter where your particular musical taste lies... Au revoir!
They are both very beautiful. The Tasmanian Tyger Myrtle is awesome. What a beautiful wood. Love seeing your passion for what you do. Keep it coming Daisy.
Daisy, I would love to learn more about what your thinking ,such as the term ‘attack’. What other thoughts you have would be a great insight into your mind. I love how you genuinely express your feelings:it’s a refreshing intimate moment of how you’re one of those amazing people I’m glad are here in this timeline but sadly will never have the pleasure of having a coffee with. Great videos.
As a guitarist, singer/songwriter, and live sound and recording engineer, I'd love to see how Hugo approaches capturing an acoustic guitar performance on one of your instruments. It is always interesting to see how different people approach it.
I find your vids deeply inspiring. You have an artists sensibility with a masterful craftsman's skill. Could never afford one of your pieces, but damn they are beautiful.
So happy to see you back. I look forward to every build and you make no mistakes, only adjustments. I love the wood choices you use. Excellent work as always.
Always enjoy your contributions, but this was especially interesting. ‘Happy accidents’ happen all the time in hand-building a guitar. I’m just finishing an all Koa body OM-style guitar and ‘accidentally’ applied the same stain to the Mahogany neck. The difference between how it looks on Koa to Mahogany is stunning and strangely complimentary.
Both of those guitars are amazing Daisy! The sound and sustain on both are terrific! Well done and keep up the great work that you do. Would really enjoy hearing you play more often as well. Cheers! 👍👍🎸🎸💖💖
Yeah, artists suck at the formal math and logistics, and it always costs the artist money. You're in good company, Daisy. The guitars both look and sound great. Keep making sawdust.
Daisy: Both guitars are beautiful; beautiful workmanship (make that workwomanship); with beautiful, very resonant sound. The larger one sounds "warmer', with the bass coming through (to my ears) a little more. And as you noted, it is louder. I imagine for many people it sounds more like what they expect a guitar to sound like and, thus, may be preferred. The smaller one is "brighter", "livelier", and has a beautiful tone, too. I'm sure a lot of people would prefer it. Without the side-by-side comparison most people probably wouldn't notice anything different or lacking about its sound. As with most things it comes down to individual taste/preference. And, yes, learning/understanding more is always good, so Hugo should provide you some mic information/coaching. :-)
To my untrained ear they both have wonderful sound. When it comes down to it what fits the layer signifies more. I love the significance of the walnut back.
Yes, size matters but no less important are your personal preferences. I build classical guitars in two distinct sizes. One is traditionally sized and the other is slightly oversized. I arrived at this path after acquiring a luthier built guitar that was oversized and I was immediately smitten. So I built six guitars, two with Engelmann spruce, two with Western red cedar and two with sinker redwood to showcase the difference in the species as well as the effect the size has within the same species of soundboards. Though I was initially smitten, I must confess that I ultimately prefer the traditional size just as I prefer a OOO, OM or parlor over a dreadnought.
Since the mic placement for both tests is the same the comparison works… also, we’re getting a good sense of the indirect ambient sound which may even be preferable… I will often record acoustic instruments this way to prevent false colouration of close micing… acoustic instruments are usually best heard at a distance (which is part of their design) so close micing can lose the point of the entire sound palette of the instrument… in the studio I will often use a combination of close and distant mics and off axis placement… I will listen back to each one individually and blend according to the natural audible tone by ear… love your work by the way… such passion and so inspiring with gentle intelligence! Big fan…
I just now finished watching the build for the Robb guitar. Hard to bring the words to praise you, it's difficult to see the keyboard thru teary eyes. I would think that you hearing the tone / harmonics reverberating brings pride and joy to you.SUBBED.
Fascinating how just hearing the drone resonance of each guitar immediately changed the way I sang a song I'm learning. Even though the melody remained basically the same, I was making a clearer sound and new notes came in certain key places, which improved the phrasing. So, thank you for this video about sound.
Those both sound incredible! (even with the mic mishap) I have truly fallen in love with small body guitars for my style of playing. I play with a melody focused fingerstyle playing that really seems to be accentuated with the smaller more focused body. I'd love to play one of your guitars, even if I couldn't afford to buy it. Thanks for posting these videos. I now have building a guitar on my bucket list.
Fantastic to watch the artist playing and enjoying what she has built. I really enjoyed this. Watching someone use a knife I've made, or read a story I've written, doesn't quite compare to the look on your face as you make music with what you've crafted. Inspirational, Ma'am.
If you aren’t familiar with a mic then I always recommend exploring its pattern by talking into it and finding its sweet spot. I do this even with mics I use fairly often just as good practice. The reason I do this is because I bought a mic and used it wrong for over a year, once I explored it by testing it with my voice I realized the mic wasn’t a crappy mic, instead I found out I was using it backward and was playing into the most off axis part of the cardioid
Another engaging video, Daisy. I too like to listen to strummed harmonics ring across as many strings as possible, depending on the tuning, and listen for the overtones to come out - notes that haven't been played can be heard arising from the interaction of the vibrations. Accurate tuning is needed for that to happen in the most effective way, of course.
I find comparisons very difficult because each instrument has its own life. Some kind of standard process could be helpful. Standard excerpts that emphasize: Articulation Resonance (balance of fundamental to overtones) Sustain are what I am thinking about. Resonance could be measured with a frequency spectrum sweep like we do when measuring loudspeakers (free software called REW). Sustain we can measure in seconds (also using REW) and articulation needs a killer player. In any case, your work is AMAZING and I am looking forward to more sound samples.
The off axis sound isn't bad at all! Both sound lovely! I really like the smaller guitar, but I like smaller bodied instruments in general and walnut is one of my most favourite woods.
Both beautiful guitars Daisy, I have to say, I prefer the smaller guitar, but my own favorite guitar is an OM model. I always find it amazing how guitars sound so different depending on where you are hearing them from, they sound totally different when playing them to being in front of them. Amazing skills, keep the good work up
As far as I can tell, the big one sounds like it has more body (derrr right?) and the smaller one while less body, it isn't lacking, an it sounds slightly brighter. Really, they both sound great. I'm really impressed at how you rolled with the mistakes, and well, making two mistakes in a row is the kind of thing I'd do tbh. You make great work, no reason to be embarrassed.
Holy crap! I didn't know there's a harmonic at the end of the fret board! I've played for 15+ years. Must be because I learned by ear without instruction. It has its pros and cons. Thank you Daisy, you're always great, funny too ;)
Daisy, que sonido tan maravilloso lograste en las dos guitarras. En lo personal me gustó la mas pequeña, la parte de atras con esa columna vertebral blanca es alucinante. ¡¡Felicidades!! ¡¡Eres una GRAN artista!!
Incredible craftmanship - seriously amazing works of art. Both guitars sounded amazing with outstanding sustain. To my ear, through the recording, I preferred the smaller body and there was something unique about the top and bottom sounds too. The new owners are incredibly lucky ! Would love to hear how it turns out and I look forward to seeing what else you have in store.
You called the smaller-bodied guitar “folky,” it made me think of Led Zeppelin’s acoustic material. That might be a different way of saying the same thing, but having heard the whole video now I think the best way to describe it is “beautiful.” Thanks for sharing the story as well as the instruments.
Your guitars are so sonically articulate, even a low quality microphone will pick up the ultra harmonics that ring out along with the sub octave resonances as the sustain fades. In your case, even a typical Sure SM- 58 bar mic could do it but it comes down to taste and application. Of course I know straight away that your guitars would require vintage AKG C 12s or Telefunkens or Neumann U-87s into silky Neve preamps in a proper studio. that's just one suggestion. Your guitars paint balanced sound so well there is no wrong way to do mic placement but picking or strumming can cause unwanted string spank if a directional microphone is too close, I can also suggest AKG C 414s that have polar patterns you can experiment with. I like to record the sound of the air going past the microphone instead of straight in, again it comes down to taste and art. Angling the mics a bit gives more air and space and dimension, but a guitar like yours would bring out the accuracy in any microphone.
Both are beautiful guitars. I am drawn more to the smaller one. I love the flamed sycamore neck and head plate. Great job!!! You're not an idiot. You made a few honest mistakes and made the best of it.
if i may if not me being too forward but i feel your exitement as to be somewhat like my way of bringing a smile to my self in self reflection , i use the freedom of music as a way to tele port my muse of guitar playing to find my self an unseen aduien but your an inspiration that gives me hope , thank you i loved you work , you are appretiated by a new "viewer" me ..
The sound is very rich, vibrant, good attack and sustain and lots of overtones that make that rich harmonic environment our ears love! You build amazing guitars!
Beautiful sound and gorgeous resonance. Sure, the ambient mic didn't pic up the attack but it does still give us an appreciation of the overall timbre of these beautiful guitars. Social media is so often not a good reflection of reality, and is usually only showing the best parts of people and their days, so it is refreshing to watch a video where someone is being human. 🙂
Hi ! Your guitars are both incredible, as usual. I prefer the big one but both are interesting in a way. Thank you for sharing your smile and your great woodworking! ❤
The larger guitar reminded me a bit of a Japanese built Epiphone Texan I had back in the '70s but yours is deeper and richer. (everyone complemented the sound on that guitar too) I really loved the sweetness of the smaller guitar as is befitting a lady. Small guitar but not weak sounding. Of the two I like the smaller one the best.
They both sound beautiful. The smaller one had a lightly quieter mellow voice. I think both future owners will be so happy with what you have created. Isn't it sooo satisfying bringing something beautiful into existence that wasn't there before?!
I like them both for different reasons. My main guitar is probably a bit closer to the smaller one, and I just like the more even sound you get from a mid-size guitar. Not always a fan of the boominess you get in a dreadnaught. I've been following along since you were apprenticing, I really enjoy your humor and your honesty. Not being afraid to say when you've made a mistake. And as others have said, your playing is great, quit being so hard on yourself 😁
actually the position of the mike may be right for an instrument. This way the sound ins’t being blasted straight at the microphone. Give it a test, microphone pointed directly at the guitar, and thenpointed straight up. Listen and pick the way you like best. Definitely enjoyed this video, and enjoy when you make them. And you don’t need to calm down, love you enthusiasm.
Both of those guitars sound fantastic. You have an amazing ability to play complex cords that showcase the guitar's ability. I was taken by the ability of both guitars harmonic intonations to be so accurate without complex bridge structures. I would love to have either of these guitars. As far as the microphone issues, please just spend two or three hours researching their physical structures because that will push you over the edge to more greatness on TH-cam. I know that those things aren't you're main goal, but it will help you in the long run. Having a condenser diaphragm mike pointed the way you had it will cancel out a large part of the signal. Both sides of the sensor are getting the same air pressure at the same time. It's going to cancel out the sound because the diaphragm isn't going to move much. I'm not trying to be negative but trying to give some constructive feedback. Yes you did pick the correct mic for an acoustic guitar. It's very sensitive at the low end and most have a great range of pressure at the high end.
That's a beautiful sound you've created with that guitar Daisy. Someone's going to be a very proud owner let's hope they create some music that does justice to your creativity.
Wow. They both sound amazing! I've been watching and enjoying for a year, or more but don't think I've actually heard the results of your work before ('cept maybe a uke?). Crisp, clean, tonally beautiful and just wonderful sustain. Beautiful wood, beautifully wrought, And the home grown walnut for the Welsh lass? Utterly priceless. Look forward to hearing how that delivery goes. I'm tearing up just thinking about it, lol.
Well, it that is where accidents lead you, you should welcome them. Two fabulous equally desirable guitars. I guess that since my preference is for smaller bodies I would be looking at the powerful Lady, as you put it. The Welsh Walnut is a definite draw. And would I love to have been at that dinner! Must have been very rewarding for you Daisy. Love your work, oh and your unique Rosette design is Fab.
Hi Daisy. Love your videos 😊. In my very limited experience, heavy guitars can give lots of loudness/sustain. Jumbos and dreadnoughts are often good for low bass register. Both of your guitars sound amazing, even with dodgy mic placement 😂
YOU DON'T GIVE yourself enough credit for your amazing talent Daisy. It is great that you tend and like laughing at yourself, that's a good thing (I'm wishing more people had that). At the end if the day, laughing and poking merciless fun at yourself aside -- what you do, you do fantastically, it's where engineering and art collide. It makes the end product a real tangible force of nature. CONGRATULATIONS.. my dear, you have something special; keep it, nurture it. (I know about these things, I used to be an industrial model maker, same things apply.) As for the two guitars: both models ring, the larger one rings more powerfully, so in that sense maybe size does matter. Yet I think both sizes have purpose, depending on use, application, and surrounding environment. And I can also easily imagine the proper size designed model would bridge the gap rather nicely; thats just physics. Happy accidents.. kudos girl! You rock!
Daisy, I think it's wonderful that you are so committed to your work and that you are looking for perfection. be proud of yourself! The best thing about this video is that you are moved by the great sound your guitar produces. That's called passion for your work! You are great!
The Welsh walnut back is insanely gorgeous. If it weren't on an instrument already, I'd be happy to frame that book matched pattern and hang it on my wall.
I think both guitars sound beautiful. The smaller body seems to have a slightly higher pitch resonance, as one might expect, but they have a kind of tonal equality, in that one can tell the same luthier built them both. How fortunate the new owners are to be able to commission these beauties, and eventually take them home. One of my favorite bands, Del Amitri uses DADGAD for many of their great songs, with/without capo. Would be interesting to hear Justin play a few of their songs on one of your guitars someday. Cheers.
I must say that the Tiger Myrtle sounds very nice. it has both a bright sound and mellow base strings as well sounds lovely. It goes without saying that it also looks amazing as well. I do not have a very well defined ear for sound quite frankly but the Welsh Walnut guitar sound just a lovely and the Tiger Myrtle one. it may have some subtle differences but I can't pick them up very well. It might be more noticeable if you had someone to play one as you played the other at the same time. In my humble opinion not only do they sound very nice they both look lovely as well. The amount of sustain on both guitar is very nice.
As a parlor guitar maker, I am biased toward the smaller guitar. I just love the gentle tone of a smaller guitar. Both guitars are gorgeous and sound fantastic
I love the character of the sustain on both guitars, especially the way the treble holds its own even on the larger guitar, when one might expect bass and mid frequencies to overwhelm. Gorgeous sounds and, of course, looks. I expect the playability will be pretty impressive too.
Both guitars are beautiful and beautifully made. I like how you used the walnut back with the lighter sap wood center. And both outside design of the bodies funneling perfectly to the sound hole with uninterrupted sound flow. 😉
I once had an acoustic guitar that was double the size of a regular. It made me look like the size of a child in pictures, and a pic of it is on the first song's thumbnail from our band. As far as sound difference, I can't remember, but when I got a new ac. guitar, it sounded much different.
You are full of joy and excitement and fun to watch. Beautiful guitars which sound great. I noticed you were not using your index finger while playing the guitar. Why. Thank for posting and I'll check out tempest guitars. cheers
The big one is very rich and full, but the small one is much more interesting. It has a very forward sound with masses of punch, but it has a light bottom end which means it can be close-miked for a live performance without having to do masses of tone modification to balance it. I think you could do great things with this guitar for solo artists. Ain't serendipity a blast?
They both sounded great (given the mike position + any further TH-cam compression of the sound). I have a mild preference for the bigger one, but I guess it would depend on the piece it accompanies.
Ms. Daisy, you don't give yourself enough credit with your playing. It needs to be said. Every time you have, it sounded amazing.
I agree. Luther's never have much regard for their own playing, ND players never have much regard for their set up work.
WOW the resonance is amazing so much harmonic information even unfretted
The guitars you make are absolutely beautiful. Your craftsmanship is impeccable! And you play amazing. I hope that you do make more TH-cam videos. I love watching them.
Sounds incredibly vibrant to my ear.
Great video - I adore your honesty in this. I empathize with getting the wrong computer files. It’s so difficult to keep them sorted. Microphone placement and room acoustics -are so very challenging. Your excitement and ability to laugh at yourself reminds me of my 29 y/o daughter, Mary. Thanks.
I really enjoyed your comparison. I am just starting to learn, and I want to hear what's happening intelligently. stephen3073's observations will allow me to rehear this in a better way.
The flamed sycamore neck is a great contrast to the usual dark tones. Does the neck timber type effect the tone?
As for files, as an OCD I always name mine systematically and meaningfully so the contents are obvious. I also have a systematic folder naming routine. It just saves so much time later.
Daisy, I really enjoy your videos. The smaller guitar sounds more expressive and articulate. The large one is just so smooth. The sustain of both was amazing. Guitars are very personal. The love that goes into your work really shows. I'm sure she will be over the moon.
The contrast is most clearly pointed by the smaller Spanish guitar of the early baroque, by comparison with the huge Mexican beasts.
WOW! Raucous applause for Daisy and her creations! Both guitars sound magnificent. Super responsive, very even in balance from low to mid to high, great, colorful overtones developing, sustain is off the charts, and the clarity is pure and crystalline. And to think, as they accrue a bit of age and playing time, they will continue to sound more complex and colorful. It's a kind of alchemy, rendered in wood, and made into the most splendid musical sounds. If they sound this good right out of the starting gate, they will achieve the quality of legend in a very short time. It's also quite evident that your level of craft wisdom is highly advanced. And your aesthetic sensibilities are pure elegance. Daisy, you have greatness all over you!
Oh my word what amazing instruments you make! The jigs weren’t mistakes you have just broadened your ‘catalogue’ and included more potential happy guitarists. To have a guitar like yours as a first guitar will be such a thrill! Well done.
I don't know much about harmonics or tone, but I can spot enthusiasm right off. If your instruments convey the quality of sound that you do in passion, there is no doubt as to the level of craftsmanship. Top shelf, I say.
Good Morning Daisy!! Always a joy to see you!
Beautiful woods used. That Welsh walnut is amazing.
Thank you for sharing all the 'Bob Ross' moments it adds a lot.
Both those guitars sounded fantastic.
Hugo....sounds like a great partnership and yes use his skills
Amazing.
Your guitars ring like a bell.
I rarely run across a channel that immediately makes me sit up and want to binge watch all of the creators content.
I wish you many years of continuing success and happiness.
Wowzers! Those are two absolutely beautiful instruments. When you said about the walnut wood coming from the lady's hometown, I nearly lost it. Silly old fool that I am......
Both guitars are absolutely stunning, both in looks, size and sounds, thank you for sharing your fantastic skills with us.😊
They both sound fantastic.
For my own tastes and playing I like the softer attack on the big one, but the sustain and decay on the smaller one is gorgeous -- she rings like a perfectly cast bronze bell.
Wow, great work! Both guitars look and sound incredible. The smaller guitar has a delightful brightness to its tone, while the larger model has a profound depth.
Bonsoir from Canada, Daisy! I am researching "the" sound I am after and I am about to commission a small jumbo guitar from a luthier friend of mine (hopefully for the end of this year, 2024). I applaud this presentation of yours as the microphone picked up the nuances of one guitar size versus the other. I am a dreadnought guy (Larrivée, Martin and a sole Gibson J-45 "sustainable" in the mix), so I am partial to the sound of your bigger one... That was the one with the funky harmonic amplication, right? Anyway, merci so much for making us appreciate a luthier's dedication to his or her craft. Play on, everyone, no matter where your particular musical taste lies... Au revoir!
They are both very beautiful. The Tasmanian Tyger Myrtle is awesome. What a beautiful wood. Love seeing your passion for what you do. Keep it coming Daisy.
Daisy, I would love to learn more about what your thinking ,such as the term ‘attack’. What other thoughts you have would be a great insight into your mind. I love how you genuinely express your feelings:it’s a refreshing intimate moment of how you’re one of those amazing people I’m glad are here in this timeline but sadly will never have the pleasure of having a coffee with. Great videos.
It's easy to tell when you're passionate about something because your wpm almost doubles. I admire all your talents.Delightful playing to boot.
You young lady are absolutely amazing. What an amazing talent you have.
As a guitarist, singer/songwriter, and live sound and recording engineer, I'd love to see how Hugo approaches capturing an acoustic guitar performance on one of your instruments. It is always interesting to see how different people approach it.
I find your vids deeply inspiring. You have an artists sensibility with a masterful craftsman's skill. Could never afford one of your pieces, but damn they are beautiful.
So happy to see you back. I look forward to every build and you make no mistakes, only adjustments. I love the wood choices you use. Excellent work as always.
Always enjoy your contributions, but this was especially interesting. ‘Happy accidents’ happen all the time in hand-building a guitar. I’m just finishing an all Koa body OM-style guitar and ‘accidentally’ applied the same stain to the Mahogany neck. The difference between how it looks on Koa to Mahogany is stunning and strangely complimentary.
Both of those guitars are amazing Daisy! The sound and sustain on both are terrific! Well done and keep up the great work that you do. Would really enjoy hearing you play more often as well. Cheers! 👍👍🎸🎸💖💖
Yeah, artists suck at the formal math and logistics, and it always costs the artist money. You're in good company, Daisy. The guitars both look and sound great. Keep making sawdust.
I was missing videos from this channel. Brilliant, educational and amusing stuff Daisy. Glad to see things going very well indeed.
Daisy: Both guitars are beautiful; beautiful workmanship (make that workwomanship); with beautiful, very resonant sound. The larger one sounds "warmer', with the bass coming through (to my ears) a little more. And as you noted, it is louder. I imagine for many people it sounds more like what they expect a guitar to sound like and, thus, may be preferred. The smaller one is "brighter", "livelier", and has a beautiful tone, too. I'm sure a lot of people would prefer it. Without the side-by-side comparison most people probably wouldn't notice anything different or lacking about its sound. As with most things it comes down to individual taste/preference. And, yes, learning/understanding more is always good, so Hugo should provide you some mic information/coaching. :-)
That sounds beautiful. Thanks, Daisy.
To my untrained ear they both have wonderful sound. When it comes down to it what fits the layer signifies more. I love the significance of the walnut back.
Thank you for sharing the sound comparison. The sustain in both instruments is outstanding. Very lovely.
Yes, size matters but no less important are your personal preferences. I build classical guitars in two distinct sizes. One is traditionally sized and the other is slightly oversized. I arrived at this path after acquiring a luthier built guitar that was oversized and I was immediately smitten. So I built six guitars, two with Engelmann spruce, two with Western red cedar and two with sinker redwood to showcase the difference in the species as well as the effect the size has within the same species of soundboards. Though I was initially smitten, I must confess that I ultimately prefer the traditional size just as I prefer a OOO, OM or parlor over a dreadnought.
Since the mic placement for both tests is the same the comparison works… also, we’re getting a good sense of the indirect ambient sound which may even be preferable… I will often record acoustic instruments this way to prevent false colouration of close micing… acoustic instruments are usually best heard at a distance (which is part of their design) so close micing can lose the point of the entire sound palette of the instrument… in the studio I will often use a combination of close and distant mics and off axis placement… I will listen back to each one individually and blend according to the natural audible tone by ear… love your work by the way… such passion and so inspiring with gentle intelligence! Big fan…
I just now finished watching the build for the Robb guitar. Hard to bring the words to praise you, it's difficult to see the keyboard thru teary eyes. I would think that you hearing the tone / harmonics reverberating brings pride and joy to you.SUBBED.
The light marble on the walnut back, floating into the neck is really beautiful!
I think your customer is going to be really happy with that smaller guitar. It sounds lovely.
Fascinating how just hearing the drone resonance of each guitar immediately changed the way I sang a song I'm learning. Even though the melody remained basically the same, I was making a clearer sound and new notes came in certain key places, which improved the phrasing. So, thank you for this video about sound.
I was surprised at the sound brightness and sustain of the smaller guitar but I'd gladly take either of them with profound pleasure! You're a Gem!!
Those both sound incredible! (even with the mic mishap) I have truly fallen in love with small body guitars for my style of playing. I play with a melody focused fingerstyle playing that really seems to be accentuated with the smaller more focused body. I'd love to play one of your guitars, even if I couldn't afford to buy it. Thanks for posting these videos. I now have building a guitar on my bucket list.
The smaller guitar sounds so good! Love the matching colour of the Rosetta and the woods! I wouldn’t mind one myself!!!!
Very happy accident!!!👏👏
Woa! The resonance of that larger one is outrageous. It just rang and rang. And a very delicate tone. Nice!
Yeah, it rang and rang, and the sound kept developing, and actually got louder a moment after the chord was played. Awesome.
Fantastic to watch the artist playing and enjoying what she has built. I really enjoyed this. Watching someone use a knife I've made, or read a story I've written, doesn't quite compare to the look on your face as you make music with what you've crafted. Inspirational, Ma'am.
Geez. Listen to the warmth, projection, sustain, and amazing harmonics!! Absolute masterpiece!!
If you aren’t familiar with a mic then I always recommend exploring its pattern by talking into it and finding its sweet spot. I do this even with mics I use fairly often just as good practice. The reason I do this is because I bought a mic and used it wrong for over a year, once I explored it by testing it with my voice I realized the mic wasn’t a crappy mic, instead I found out I was using it backward and was playing into the most off axis part of the cardioid
It is amazing that you are a modern day Luthier! I look forward to more of your spectacular work!!!
Another engaging video, Daisy. I too like to listen to strummed harmonics ring across as many strings as possible, depending on the tuning, and listen for the overtones to come out - notes that haven't been played can be heard arising from the interaction of the vibrations. Accurate tuning is needed for that to happen in the most effective way, of course.
I find comparisons very difficult because each instrument has its own life. Some kind of standard process could be helpful. Standard excerpts that emphasize:
Articulation
Resonance (balance of fundamental to overtones)
Sustain
are what I am thinking about. Resonance could be measured with a frequency spectrum sweep like we do when measuring loudspeakers (free software called REW). Sustain we can measure in seconds (also using REW) and articulation needs a killer player.
In any case, your work is AMAZING and I am looking forward to more sound samples.
The off axis sound isn't bad at all! Both sound lovely! I really like the smaller guitar, but I like smaller bodied instruments in general and walnut is one of my most favourite woods.
Wonderful resonance on both. I know which I prefer. Bot that doesn't matter as long as the recipient enjoys her new instrument.
Both beautiful guitars Daisy, I have to say, I prefer the smaller guitar, but my own favorite guitar is an OM model. I always find it amazing how guitars sound so different depending on where you are hearing them from, they sound totally different when playing them to being in front of them. Amazing skills, keep the good work up
As far as I can tell, the big one sounds like it has more body (derrr right?) and the smaller one while less body, it isn't lacking, an it sounds slightly brighter. Really, they both sound great.
I'm really impressed at how you rolled with the mistakes, and well, making two mistakes in a row is the kind of thing I'd do tbh.
You make great work, no reason to be embarrassed.
Holy crap! I didn't know there's a harmonic at the end of the fret board! I've played for 15+ years. Must be because I learned by ear without instruction. It has its pros and cons. Thank you Daisy, you're always great, funny too ;)
So many people discount the sapwood on walnut. You did a fantastic job integrating it into the look. Love it.
Daisy, que sonido tan maravilloso lograste en las dos guitarras. En lo personal me gustó la mas pequeña, la parte de atras con esa columna vertebral blanca es alucinante. ¡¡Felicidades!!
¡¡Eres una GRAN artista!!
Incredible craftmanship - seriously amazing works of art. Both guitars sounded amazing with outstanding sustain. To my ear, through the recording, I preferred the smaller body and there was something unique about the top and bottom sounds too. The new owners are incredibly lucky ! Would love to hear how it turns out and I look forward to seeing what else you have in store.
You called the smaller-bodied guitar “folky,” it made me think of Led Zeppelin’s acoustic material. That might be a different way of saying the same thing, but having heard the whole video now I think the best way to describe it is “beautiful.” Thanks for sharing the story as well as the instruments.
Great work as always, I prefer the brightness of the smaller guitar. Shame we couldn’t see the reaction of the girlfriend receiving her gift guitar.
The harmonics …..phenomenal.. love them both. The swelling … my God you make beautiful instruments.
Your guitars are so sonically articulate, even a low quality microphone will pick up the ultra harmonics that ring out along with the sub octave resonances as the sustain fades. In your case, even a typical Sure SM- 58 bar mic could do it but it comes down to taste and application. Of course I know straight away that your guitars would require vintage AKG C 12s or Telefunkens or Neumann U-87s into silky Neve preamps in a proper studio. that's just one suggestion. Your guitars paint balanced sound so well there is no wrong way to do mic placement but picking or strumming can cause unwanted string spank if a directional microphone is too close, I can also suggest AKG C 414s that have polar patterns you can experiment with. I like to record the sound of the air going past the microphone instead of straight in, again it comes down to taste and art. Angling the mics a bit gives more air and space and dimension, but a guitar like yours would bring out the accuracy in any microphone.
Both are beautiful guitars. I am drawn more to the smaller one. I love the flamed sycamore neck and head plate. Great job!!! You're not an idiot. You made a few honest mistakes and made the best of it.
if i may if not me being too forward but i feel your exitement as to be somewhat like my way of bringing a smile to my self in self reflection , i use the freedom of music as a way to tele port my muse of guitar playing to find my self an unseen aduien but your an inspiration that gives me hope , thank you i loved you work , you are appretiated by a new "viewer" me ..
The sound is very rich, vibrant, good attack and sustain and lots of overtones that make that rich harmonic environment our ears love! You build amazing guitars!
Small one sounds really sweet but the big one has as expected more of everything. Proportions of the bigger one are fantastic.
You are amazingly talented. Make more videos. 🥰great storytelling. A delightful little lady. 🤗
Beautiful sound and gorgeous resonance. Sure, the ambient mic didn't pic up the attack but it does still give us an appreciation of the overall timbre of these beautiful guitars.
Social media is so often not a good reflection of reality, and is usually only showing the best parts of people and their days, so it is refreshing to watch a video where someone is being human. 🙂
Hi ! Your guitars are both incredible, as usual. I prefer the big one but both are interesting in a way.
Thank you for sharing your smile and your great woodworking! ❤
The larger guitar reminded me a bit of a Japanese built Epiphone Texan I had back in the '70s but yours is deeper and richer. (everyone complemented the sound on that guitar too) I really loved the sweetness of the smaller guitar as is befitting a lady. Small guitar but not weak sounding. Of the two I like the smaller one the best.
I love how Beautifully Honest and Expressive You are! It's a real joy and very educational, watching your videos. 💖
They both sound beautiful. The smaller one had a lightly quieter mellow voice. I think both future owners will be so happy with what you have created. Isn't it sooo satisfying bringing something beautiful into existence that wasn't there before?!
I like them both for different reasons. My main guitar is probably a bit closer to the smaller one, and I just like the more even sound you get from a mid-size guitar. Not always a fan of the boominess you get in a dreadnaught. I've been following along since you were apprenticing, I really enjoy your humor and your honesty. Not being afraid to say when you've made a mistake. And as others have said, your playing is great, quit being so hard on yourself 😁
actually the position of the mike may be right for an instrument. This way the sound ins’t being blasted straight at the microphone. Give it a test, microphone pointed directly at the guitar, and thenpointed straight up. Listen and pick the way you like best. Definitely enjoyed this video, and enjoy when you make them. And you don’t need to calm down, love you enthusiasm.
Both of those guitars sound fantastic. You have an amazing ability to play complex cords that showcase the guitar's ability. I was taken by the ability of both guitars harmonic intonations to be so accurate without complex bridge structures. I would love to have either of these guitars.
As far as the microphone issues, please just spend two or three hours researching their physical structures because that will push you over the edge to more greatness on TH-cam. I know that those things aren't you're main goal, but it will help you in the long run. Having a condenser diaphragm mike pointed the way you had it will cancel out a large part of the signal. Both sides of the sensor are getting the same air pressure at the same time. It's going to cancel out the sound because the diaphragm isn't going to move much. I'm not trying to be negative but trying to give some constructive feedback. Yes you did pick the correct mic for an acoustic guitar. It's very sensitive at the low end and most have a great range of pressure at the high end.
That's a beautiful sound you've created with that guitar Daisy. Someone's going to be a very proud owner let's hope they create some music that does justice to your creativity.
Wow. They both sound amazing!
I've been watching and enjoying for a year, or more but don't think I've actually heard the results of your work before ('cept maybe a uke?). Crisp, clean, tonally beautiful and just wonderful sustain.
Beautiful wood, beautifully wrought, And the home grown walnut for the Welsh lass? Utterly priceless. Look forward to hearing how that delivery goes. I'm tearing up just thinking about it, lol.
Well, it that is where accidents lead you, you should welcome them. Two fabulous equally desirable guitars. I guess that since my preference is for smaller bodies I would be looking at the powerful Lady, as you put it. The Welsh Walnut is a definite draw. And would I love to have been at that dinner! Must have been very rewarding for you Daisy. Love your work, oh and your unique Rosette design is Fab.
Hi Daisy. Love your videos 😊. In my very limited experience, heavy guitars can give lots of loudness/sustain. Jumbos and dreadnoughts are often good for low bass register. Both of your guitars sound amazing, even with dodgy mic placement 😂
YOU DON'T GIVE yourself enough credit for your amazing talent Daisy.
It is great that you tend and like laughing at yourself, that's a good thing (I'm wishing more people had that). At the end if the day, laughing and poking merciless fun at yourself aside -- what you do, you do fantastically, it's where engineering and art collide. It makes the end product a real tangible force of nature.
CONGRATULATIONS.. my dear, you have something special; keep it, nurture it. (I know about these things, I used to be an industrial model maker, same things apply.)
As for the two guitars: both models ring, the larger one rings more powerfully, so in that sense maybe size does matter.
Yet I think both sizes have purpose, depending on use, application, and surrounding environment. And I can also easily imagine the proper size designed model would bridge the gap rather nicely; thats just physics. Happy accidents.. kudos girl! You rock!
Daisy, I think it's wonderful that you are so committed to your work and that you are looking for perfection. be proud of yourself! The best thing about this video is that you are moved by the great sound your guitar produces. That's called passion for your work! You are great!
The Welsh walnut back is insanely gorgeous. If it weren't on an instrument already, I'd be happy to frame that book matched pattern and hang it on my wall.
11:20 this gives me goosebumps plus tearing up a bit. The overtones are amazing. Wow 😳... The sustain is impressive.
I think both guitars sound beautiful. The smaller body seems to have a slightly higher pitch resonance, as one might expect, but they have a kind of tonal equality, in that one can tell the same luthier built them both. How fortunate the new owners are to be able to commission these beauties, and eventually take them home. One of my favorite bands, Del Amitri uses DADGAD for many of their great songs, with/without capo. Would be interesting to hear Justin play a few of their songs on one of your guitars someday. Cheers.
Beautiful guitars.
I love the design and wood choice.
Just wow !!!
Your instruments sound so beautiful and the sustain is just amazing!
Both sound great. But love the big one.... It has a depth and smoothness that is amazing.
I must say that the Tiger Myrtle sounds very nice. it has both a bright sound and mellow base strings as well sounds lovely. It goes without saying that it also looks amazing as well. I do not have a very well defined ear for sound quite frankly but the Welsh Walnut guitar sound just a lovely and the Tiger Myrtle one. it may have some subtle differences but I can't pick them up very well. It might be more noticeable if you had someone to play one as you played the other at the same time. In my humble opinion not only do they sound very nice they both look lovely as well. The amount of sustain on both guitar is very nice.
As a parlor guitar maker, I am biased toward the smaller guitar. I just love the gentle tone of a smaller guitar. Both guitars are gorgeous and sound fantastic
Your work is fantastic and I enjoy watching your videos too! here's too many years of continued success . You deserve it
Wow! Just wow! Love the shape and appointments.
I love the character of the sustain on both guitars, especially the way the treble holds its own even on the larger guitar, when one might expect bass and mid frequencies to overwhelm. Gorgeous sounds and, of course, looks. I expect the playability will be pretty impressive too.
Daisy, you have a winner there, you are very talented. Cheers!
Both guitars are beautiful and beautifully made. I like how you used the walnut back with the lighter sap wood center. And both outside design of the bodies funneling perfectly to the sound hole with uninterrupted sound flow. 😉
I once had an acoustic guitar that was double the size of a regular. It made me look like the size of a child in pictures, and a pic of it is on the first song's thumbnail from our band. As far as sound difference, I can't remember, but when I got a new ac. guitar, it sounded much different.
Amazing instruments with wonderful sustain and resonance. Love the harmonic overtones. If pushed I would go for the myrtle. Wonderful!
Both sounded good. I'm a big dude, but I'm starting to appreciate small guitars more and more. Looking forward to your next happy accident!
I don't play guitar, and never plan on building one, but I love your channel. I think both guitars are awesome!
You are full of joy and excitement and fun to watch. Beautiful guitars which sound great. I noticed you were not using your index finger while playing the guitar. Why. Thank for posting and I'll check out tempest guitars. cheers
The big one is very rich and full, but the small one is much more interesting. It has a very forward sound with masses of punch, but it has a light bottom end which means it can be close-miked for a live performance without having to do masses of tone modification to balance it. I think you could do great things with this guitar for solo artists. Ain't serendipity a blast?
I think they both sound great ! You are an amazing maker stunning works of art ! And they sound wonderful .cheers
They both sounded great (given the mike position + any further TH-cam compression of the sound). I have a mild preference for the bigger one, but I guess it would depend on the piece it accompanies.