🎸Tuning / Afinação: EADG 🎸Bass / Contrabaixo: Tagima JMJ-4 (jazz pickups only / somente os captadores jazz) 🎸Strings / Cordas: Strinberg SB40 (0.40 - 0.95) 🎸Learned by ear / Tirado de ouvido. 🎧 Please listen with headphones for best sound. / Favor ouvir de fones para o som ideal. 🎧 ⭐If you like what I do and would like to support the channel, you can do so through the links below /Se você curte o que eu faço e gostaria de apoiar o canal, você pode o fazer nos links abaixo. ➡Patreon: www.patreon.com/NicolleDias ➡Paypal: paypal.com/donate/?hosted_button_id=MTE4NCQLPLL4G ➡Ko-fi: ko-fi.com/nbordeaux ⚠ I apologize for any errors in the transcription; I'm learning transcription and music theory in my free time by myself completely self-taught and I never had any formal training. / Peço desculpas por quaisquer erros na transcrição; estou aprendendo transcrição e teoria no meu tempo livre de forma autodidata e nunca tive aulas antes. ⚠ Thank you for watching! / Obrigada por assistir!
You did an amazing job tackling the changing time signatures for this song. Every time I try to practice this song on Guitar or Bass, the changing time signature always trips me up. I can never count the correct number of quavers for the 4/4 part, and it's even more difficult on Guitar. I've been practising "Sinews" as well, and the bridge for that song is pretty tricky to play without stuffing up to. The hardest song off that album by far in regards to time signatures is "New Math." That is almost impossible to play at full speed on Guitar, with the time changing from 6/4, to 3/8, to 9/8, to 12/8, to 4/4.
Yeah, those transitions from 6/4 to 4/4 are pretty jarring. Something about the _feel_ in the 4/4 parts throws me off sometimes and I end up playing more notes than I should if I'm not concentrating.
🎸Tuning / Afinação: EADG
🎸Bass / Contrabaixo: Tagima JMJ-4 (jazz pickups only / somente os captadores jazz)
🎸Strings / Cordas: Strinberg SB40 (0.40 - 0.95)
🎸Learned by ear / Tirado de ouvido.
🎧 Please listen with headphones for best sound. / Favor ouvir de fones para o som ideal. 🎧
⭐If you like what I do and would like to support the channel, you can do so through the links below /Se você curte o que eu faço e gostaria de apoiar o canal, você pode o fazer nos links abaixo.
➡Patreon: www.patreon.com/NicolleDias
➡Paypal: paypal.com/donate/?hosted_button_id=MTE4NCQLPLL4G
➡Ko-fi: ko-fi.com/nbordeaux
⚠ I apologize for any errors in the transcription; I'm learning transcription and music theory in my free time by myself completely self-taught and I never had any formal training. / Peço desculpas por quaisquer erros na transcrição; estou aprendendo transcrição e teoria no meu tempo livre de forma autodidata e nunca tive aulas antes. ⚠
Thank you for watching! / Obrigada por assistir!
One of my fav Jehu songs. Well done Nicolle!
Yes!! As always, you never disappoint. Great job!
Great job as always! Really cool to see you do Drive Like Jehu!
damn i remember hearing this band for the first time and never having heard something so heavy
Adoro seus covers de guitarra e baixo ❤ seria muito legal se você fizesse um de mad society do ratos de porão
🖥
You did an amazing job tackling the changing time signatures for this song. Every time I try to practice this song on Guitar or Bass, the changing time signature always trips me up. I can never count the correct number of quavers for the 4/4 part, and it's even more difficult on Guitar.
I've been practising "Sinews" as well, and the bridge for that song is pretty tricky to play without stuffing up to. The hardest song off that album by far in regards to time signatures is "New Math." That is almost impossible to play at full speed on Guitar, with the time changing from 6/4, to 3/8, to 9/8, to 12/8, to 4/4.
Yeah, those transitions from 6/4 to 4/4 are pretty jarring. Something about the _feel_ in the 4/4 parts throws me off sometimes and I end up playing more notes than I should if I'm not concentrating.