This recording of Christa Ludwig singing Erlkönig demonstrates why she was one of the finest singer/interpreters who ever lived. She manages to vividly characterize three different personas without the kind of histrionics so many others bring to this piece. And all with superb vocal technique. It's an astounding and moving performance.
An die Musik - 00:00 Auf dem See - 02:50 Auf dem Wasser zu singen - 06:08 Erlkönig - 09:57 Der Musensohn - 13:53 Der Tod und das Mädchen - 16:12 Der Zwerg - 19:13 Gretchen am Spinnrade - 24:30 Im Frühling - 28:02 Rastlose Liebe - 33:19 Suleika I - 34:37 Ständchen - 40:08 An den Mond - 43:49 Sei mir gegrüßt! - 47:34 Die Forelle - 52:07 Litanei Auf das Fest Aller Seelen - 54:17 Nacht und Träume - 59:12 Ave Maria 1:03:30
Em minha alma também, cara desconhecida senhora. Sempre curvo-me ouvindo o canto lírico. Essa divina canção eu descobri hoje. Na década de 1.920, no final de 1.950, ainda muito jovem, descobri uma das expressões máxima do canto lírico, a soprano AMELITA GALLI CURCCI, cantando aquela área de La traviata com Ângela Gheorghiu, um final amargo, mais realista, cuja opera, nascendo das raízes realistas de Alexandre Dunas, filho, mostra-nos a grandeza da literatura francesa e o seu puro realismo.Essa LIED cantada por essa excelente soprano faz-me lembrar da eterna Galli Curci com a sua excepcional canção Deh torna mio bene, Ouça-a!!! No século 20 desceram à terra esse patrimônio italiano, AMELITA GALLI CURCI, e John Ford, o maior cineasta de todos os tempos, com a sua obra-prima de 1.935, O DELATOR e, 17 anos depois, ou seja, em 1.952 DEPOIS DO VENDAVAL , com o mesmo ator VICTOR McLAGLEM. Ja que a senhora tem sensibilidade, assista ao DEPOIS DO VENDAVAL, onde Ford esbarra na aventura, amor, drama, cenas cômicas e, sobretudo, há um toque sociológico neste filme, onde ele aborda o costume e a sociedade irlandesa com os seus tradicionais costume. Felicidades!!! Antonio Manoel Pereira, Belo Horizonte, bairro Nova Suíça.
Favorite timestamps 0:48 chromatic ascension in bass with high note on III7 -> ix -> dim iv -> cadence 1:09 beautiful piano chords returns to tonic 54:40 nice progression, with chromatic maj to min stuff starting from 55:00 1:03:30 Ave Maria opening is really beautiful 1:09:03 voice vibrato in the d natural in the "...ria"?
@@mrgrinch8540 Which one of you idiots on YT liked this guy's comment? Have you, man, even watched the video you're slamming? I suggest you do, it has better information than you'll ever give for a Schubert piece. And he's right, it's a lot for a simple YT comment, so you should stop slamming it and actually listen to it.
hearing those triplet rhythms in the parallel major right after the end of erlkonig gives me visions of the boy’s dead body dancing around like a clown while being possessed by the erlking.
I don't care, one day I will finally find this music I heard on the radio, it keep haunting me, I can't live, I can't eat, I can't even sleep at night! I think I will wake up every composers from their eternal sleep with black magic to ask them if they write a music which does " tada deeee da da, tada deeeeeee da da"... Damn I think I'm over-reacting again
@@squirrel4727 tada deee tada, mein UUU dee dah, daaah dee dadadeeda da da, a deeedadee da da da. and then there is a modulation to the fith and the main motif is repeated. I can't recognize the intervals yet, but the rythm is like (16,16,4,8,4)x2, (4,8,8,8.,16,8.,16)x2 no, it's more like a triolet at the end, like a swing
@@matsmmmaaattsss8495 Yes, well spotted, what an extraordinary error for a professional accompanist to make at the end of Ständchen, especially in such a simple passage, and how odd it was never spotted by singer, accompanist or producer. And he/she played b-natural in both right and left hands (unsurprisingly). It does change the whole atmosphere of the ending. Was it deliberate?! It made me wonder if this was perhaps a disputed passage which had at some other time been thought to be in G-major, but I consulted Graham Johnson's tome on Schubert's songs and could find nothing there. The accompanist is not credited and is otherwise excellent. I searched a little and could not find a recording of Christa Ludwig singing this song (not to be confused with Standchen D920), but it obviously exists. It would be interesting to know who it was!
Kleine Anmerkung: es gibt übrigens auch Sänger, also männliche Interpreten. Das Gekreische der Frauenstimmen ist nicht sehr lange zu ertragen. Vielleicht vielleicht oder auch hoffentlich haben sie auch männliche Interpreten Punkt es gab und gibt genug hervorragende Sänger.
![[TH]FFWS SEA Spring 2024 Knockout Stage - Day 11](http://i.ytimg.com/vi/Qr0L1ab9dLE/mqdefault.jpg)
Gretchen am Spinnrade sent shivers down my spine
Some of the most beautiful music ever composed.
I agree! Schubert is my favorite composer and it seems to me that the more I discover, the more I love him 💕
@@marinameilenstein I dare recommend you the lied, Der Hirt auf dem Felsen(the shepherd on the rock), really good...
Perfection!
And to think, like others, he was not as famous as he is now. How many other composers of that past have been lost or forgotten.
43:49
Schubert (to Beethoven): "Can I copy your Moonlight sonata?"
Beethoven: "Yeah, just change it a bit so they won't look identical"
47:34
Schubert (to Mozart): "Can I copy your K.331 sonata?"
Mozart: "Yeah, just change it a bit so they won't look identical"
Beethoven to Mozart - can i copy the murder scene from your opera for my Moonlight sonata?
@@Archiekunst Mozart; 'you won't be copying it all - you'll be writing sublime stuff that even I could never manage'
@@militaryandemergencyservic3286 sabía eso, pero puedes decirme de qué parte es exactamente?
@@CarlosMendoza-zn5fu what - the Mozart opera?
This recording of Christa Ludwig singing Erlkönig demonstrates why she was one of the finest singer/interpreters who ever lived. She manages to vividly characterize three different personas without the kind of histrionics so many others bring to this piece. And all with superb vocal technique. It's an astounding and moving performance.
Totally agree. Here M.Goerne singing, make sure to hear it, you will not regret ! m.th-cam.com/video/4aHx-jobRMU/w-d-xo.html
This is not Cgrista Ludwig you ignorant.
Four, if you count the narrative voice!
Ludwig was a tour de force!
Lott is a lott better
An die Musik - 00:00
Auf dem See - 02:50
Auf dem Wasser zu singen - 06:08
Erlkönig - 09:57
Der Musensohn - 13:53
Der Tod und das Mädchen - 16:12
Der Zwerg - 19:13
Gretchen am Spinnrade - 24:30
Im Frühling - 28:02
Rastlose Liebe - 33:19
Suleika I - 34:37
Ständchen - 40:08
An den Mond - 43:49
Sei mir gegrüßt! - 47:34
Die Forelle - 52:07
Litanei Auf das Fest Aller Seelen - 54:17
Nacht und Träume - 59:12
Ave Maria 1:03:30
Thank you
Grazie
Thank you
Vielen dank
Teşekkürler :)
Danke aus Flandern.
Eine Stunde voller Wunder! Vielen danke für den fantastische Zusammenstellung!
pa Si
Ich gehe nach haüse - Fantastische
Wunderbar!!!! Grüsse aus Brasilien!!!!
Im Frühling. Thanks Mister.
Encantada! Em meu corpo habita uma alma apaixonada pela obra de Schubert!
you are so stupid!
Em minha alma também, cara desconhecida senhora. Sempre curvo-me ouvindo o canto lírico. Essa divina canção eu descobri hoje. Na década de 1.920, no final de 1.950, ainda muito jovem, descobri uma das expressões máxima do canto lírico, a soprano AMELITA GALLI CURCCI, cantando aquela área de La traviata com Ângela Gheorghiu, um final amargo, mais realista, cuja opera, nascendo das raízes realistas de Alexandre Dunas, filho, mostra-nos a grandeza da literatura francesa e o seu puro realismo.Essa LIED cantada por essa excelente soprano faz-me lembrar da eterna Galli Curci com a sua excepcional canção Deh torna mio bene, Ouça-a!!! No século 20 desceram à terra esse patrimônio italiano, AMELITA GALLI CURCI, e John Ford, o maior cineasta de todos os tempos, com a sua obra-prima de 1.935, O DELATOR e, 17 anos depois, ou seja, em 1.952 DEPOIS DO VENDAVAL , com o mesmo ator VICTOR McLAGLEM. Ja que a senhora tem sensibilidade, assista ao DEPOIS DO VENDAVAL, onde Ford esbarra na aventura, amor, drama, cenas cômicas e, sobretudo, há um toque sociológico neste filme, onde ele aborda o costume e a sociedade irlandesa com os seus tradicionais costume. Felicidades!!! Antonio Manoel Pereira, Belo Horizonte, bairro Nova Suíça.
Corrigindo: tradicionais costumes...
thank you, what a wonderful cluster of masterpieces!
Wonderful, simply exquisite.
so beautiful
Magnificent performances!!
Thank you.
Amazing work
Sencillamente soberbio.....las canciones de Schubert sublimemente seleccionadas e interpretaras.....🎼🎵🎶👏🏻👏🏻👏🏻👍🏻
Ow thanks❤️
Incredible! Thank you so much for this selection. Fantastic! Fantastic!
loved it. Thank you for uploading this beautiful music.
emociona muito !!!
29:30 this little phrase is nothing short of beautiful
Maravilhoso Shubert
Ein wahrer Schatz!
THESE ARE ALMOST ALL GREAT. Thanks - it's on my Schubert Best Works playlist.
What a wonderful selection of Schubert lied and to put the notes with it makes this channel one of my favourites Thank you!
Favorite timestamps
0:48 chromatic ascension in bass with high note on III7 -> ix -> dim iv -> cadence
1:09 beautiful piano chords returns to tonic
54:40 nice progression, with chromatic maj to min stuff starting from 55:00
1:03:30 Ave Maria opening is really beautiful
1:09:03 voice vibrato in the d natural in the "...ria"?
I thought I was the only one who noticed the serene change in voice texture in Ave Maria, thank goodness I wasn't alone
24:30 this piece of music really hits different when you know the whole backstory to it.
what is it?
@@lucaskenui6379 Little much too explain, like at inside the score his video. Explains the whole piece.
@@Jimbarleyy I feel like the guy who said "what is it?" is smarter than you
because this dude don't need videos to visit the lieder of schubert
@@mrgrinch8540 Which one of you idiots on YT liked this guy's comment? Have you, man, even watched the video you're slamming? I suggest you do, it has better information than you'll ever give for a Schubert piece. And he's right, it's a lot for a simple YT comment, so you should stop slamming it and actually listen to it.
@@mrgrinch8540 What an unneccessarily insulting comment
Uma escolha com a qual concordo plenamente. Coisa mais linda..
I sometimes sing these songs in native language(German). Melodies are really good...
Wolf, el mejor
hearing those triplet rhythms in the parallel major right after the end of erlkonig gives me visions of the boy’s dead body dancing around like a clown while being possessed by the erlking.
💓
4:30 symphony 10
🧡🧡🧡🧡🧡🧡🧡🧡🧡🧡
An den Mond=Moonlight Sonata
0:08
0:33
I don't care, one day I will finally find this music I heard on the radio, it keep haunting me, I can't live, I can't eat, I can't even sleep at night! I think I will wake up every composers from their eternal sleep with black magic to ask them if they write a music which does " tada deeee da da, tada deeeeeee da da"...
Damn I think I'm over-reacting again
Which music?
@@squirrel4727 tada deee tada, mein UUU dee dah, daaah dee dadadeeda da da, a deeedadee da da da. and then there is a modulation to the fith and the main motif is repeated. I can't recognize the intervals yet, but the rythm is like (16,16,4,8,4)x2, (4,8,8,8.,16,8.,16)x2 no, it's more like a triolet at the end, like a swing
@@Yo_ca_va With only this vogue rhythm, without knowing the pitches, it’s hard to determine which song it is.
@@squirrel4727 I know... I know.
@@Yo_ca_va ok😍
30:50 Doesn't the pianist play the C note an octave higher? To me, it sounds somewhat different from what the score indicates.
Some of these are definitely better when sung by men :)
6:28 7:00 7:33 8:36 9:10
It’s weird hearing Erlkönig sung in a female voice.
Do you know Jessye Norman's interpretation? I think hers is actually one of the best :)
Also, the speed of this piece is too fast for the piano player in this video
43:27 - Piano part - should be g minor, not g major
Why?
@@squirrel4727 Cause that is exactly what's written in sheet music, just read it lol
@@matsmmmaaattsss8495 Yes, well spotted, what an extraordinary error for a professional accompanist to make at the end of Ständchen, especially in such a simple passage, and how odd it was never spotted by singer, accompanist or producer. And he/she played b-natural in both right and left hands (unsurprisingly). It does change the whole atmosphere of the ending. Was it deliberate?! It made me wonder if this was perhaps a disputed passage which had at some other time been thought to be in G-major, but I consulted Graham Johnson's tome on Schubert's songs and could find nothing there. The accompanist is not credited and is otherwise excellent. I searched a little and could not find a recording of Christa Ludwig singing this song (not to be confused with Standchen D920), but it obviously exists. It would be interesting to know who it was!
28:02
魔王が入力オーバーでクリップしてます。
残念です(T-T)
"Leise flehen meine Lieder" singt eine Frau? Ulkig.
Mein liebes Schubert lied...
Diese Bemerkung ist ziemlich bis fast ulkig 😂😂😢
Monteverdi >>>>>>> Schubert. Sorry, but the music doesnt fit the text often times.
Kleine Anmerkung: es gibt übrigens auch Sänger, also männliche Interpreten. Das Gekreische der Frauenstimmen ist nicht sehr lange zu ertragen. Vielleicht vielleicht oder auch hoffentlich haben sie auch männliche Interpreten Punkt es gab und gibt genug hervorragende Sänger.
Hohe Stimmen können anstrengend zu hören sein.
Schön .... 🎉
Wenn man buw frau keine Ahnung hat, sollte man die Klappe halten. ..
Agreed - besser wenn die Frauen Stimme mehr schweigen.