This is what I call a PERFECT recording. A golden moment in time that could never be repeated the same way, live in a studio with the greatest names in jazz history, simple, direct, no artifice, no pretence, straight ahead perfection. I never get tired of listening to this.
Love Dizzy's tritone subs from these early bebop years. They really add a fresh new coloration to the ballads. Just a few years earlier, one would never had heard a horn player play like that - in any jazz context.
Viggo - I know what a tritone substitution is. I take it you are not referring to the chords though. Can you be a little more specific - which passages are examples of Dizzy using tritone subs in his playing?
Just listened to this on Pandora, and had to find out who the vocalist was. No surprise to learn it was the one and only Miss Vaughn. Thanks for all the info provided in everyone's posts.
"I heard it said that the thrill of romance could be like a heavenly dream - I go to bed with a prayer that you'll make love to me" one of the saddest things ever sung.
1845/! I was 10. The war was winding down. Even at that age, I could appreciate Sassy whose audience undoubtedly -- just from the lyric -- was far beyond 10.
was für ein wundervoller Song. Auf einer Laserlight-Compi aus den frühen 90ern gab es eine sehr ordentlich remasterte Version. Leider sind die frühen Günstig-CDs mittlerweile sehr fehleranfällig und diese ganz und gar. Musik für den frühen Morgen mit sehr guten Freunden
This is what I call a PERFECT recording. A golden moment in time that could never be repeated the same way, live in a studio with the greatest names in jazz history, simple, direct, no artifice, no pretence, straight ahead perfection. I never get tired of listening to this.
She was so vocally gifted, just as Ella said - her breath and pitch control were bullet-proof so she had no need to use technique to cover problems.
Love Dizzy's tritone subs from these early bebop years. They really add a fresh new coloration to the ballads. Just a few years earlier, one would never had heard a horn player play like that - in any jazz context.
Viggo - I know what a tritone substitution is. I take it you are not referring to the chords though. Can you be a little more specific - which passages are examples of Dizzy using tritone subs in his playing?
This is regarded as Miss Vaughan's breakout song, that really launched her legendary career. The 78 must be worth at least hundreds.
Just went and looked through my mom's massive 45 collection, and she totally has this!
Parker's background... oh man.
Sarah Vaughn maravillosa !!!
Just listened to this on Pandora, and had to find out who the vocalist was. No surprise to learn it was the one and only Miss Vaughn.
Thanks for all the info provided in everyone's posts.
Oh, so great !! What a golden voice !!
amazing fascinating ... this is what I call my home
Magnifica versione!
"I heard it said that the thrill of romance could be like a heavenly dream - I go to bed with a prayer that you'll make love to me" one of the saddest things ever sung.
🎼A prerequisite song for improving musicians learning foundational BeBop.
This is like the best aged tea(500k & up).My cup of tea indeed!!!
göttlich! Dizzy und Sarah zusammen, das ist einfach göttlich!
You can really hear how she was an influence on Dionne Warwick here
Que belleza por Dios !!!!
1845/! I was 10. The war was winding down. Even at that age, I could appreciate Sassy whose audience undoubtedly -- just from the lyric -- was far beyond 10.
Oops! I guess I meant NINETEEN45. Funny!
Oh haha right, there’s no way you’re 184 years old
@@dylanr4854 😅😂
@@DaughterOfChrist1997 lol i don’t remember this. Also… 174
was für ein wundervoller Song. Auf einer Laserlight-Compi aus den frühen 90ern gab es eine sehr ordentlich remasterte Version. Leider sind die frühen Günstig-CDs mittlerweile sehr fehleranfällig und diese ganz und gar.
Musik für den frühen Morgen mit sehr guten Freunden
Genial!
That ending
indeed!!
Résonances divines d'un mariage dantesque.
Bird was schmecked on bad heroin on this...yet it became an icon...& other alto players copied his mistakes, to Bird's chagrin....
Billie 'Rawdoc' Weinmeister not this version - u talking about the dial version