Гениально исполнено, я слушала со слезами на глазах. Обожаю Геннадия Николаевича, как жаль, что его больше нет с нами. Это вершина музыкального мастерства и единения музыкантов, дирижёра и композитора. Спасибо за пост.
Google translate: "Brilliantly performed, I listened with tears in my eyes. I love Gennady Nikolaevich, what a pity that he is no longer with us. This is the pinnacle of musical skill and unity of musicians, conductor and composer. Thanks for the post." ... Thanks for your comments. He conducted this concert at very short notice and it's nice to see him giving a wonderful performance of the Elgar work.
00:22 Theme, Edward Elgar, composer 02:07 Variation I, Caroline, Elgar's wife 03:57 Variation II, Hew, mischievous amateur pianist, Elgar's chamber partner (Elgar played violin) 04:49 Variation III, Richard, teacher at Oxford, who's also a comical amateur theater actor 06:22 Variation IV, William, Richard's brother-in-law, an energetic estate owner 06:51 Variation V, Matthew, a rather philosophical music lover, son of a famous poet 08:59 Variation VI, Isabel, a viola student who's having trouble with string-crossings 10:12 Variation VII, Elgar and his friend Arthur were caught in a thunderstorm during a walk 11:11 Variation VIII, they ran to hide in their friend Winifred's place - a warm 18th-century house, and met with her children 13:17 Variation IX, Augustus, a music editor who continuously encouraged Elgar's career as a composer 17:29 Variation X, Dora, William's step-niece who stutters 20:14 Variation XI, Dan the bulldog, who fell into a river, struggled upstream, and eventually found landing 21:16 Variation XII, Basil, amateur cellist, Elgar's chamber partner, whom Elgar has always been grateful of 24:55 Variation XIII, Helen, who broke off her engagement to Elgar fifteen years ago and left on a boat to New Zealand 27:41 Finale, Edward, Caroline's husband
just look and hear the joy this inspired genius brought with him......dearest man, what a joy to make music with you...forever missed, always treasured, unforgettable
It was quite a long time ago, and I remember when G R took charge of the RPO and. Brought a new dimension to our musical appreciation. A Great Russian gentleman and what a brilliant sound they made. A lot of water passed down the Thames since then. Wonderful memories.
In all my years ,of listening out for new, and unheard performances, of Elgars Enigma Variations. This, is among the very best, made more so, by the first rate recording quality, that anables one to appreciate it all the more.
My Russian is non-existent, yet I think Russia can be justly proud of her musical traditions, from Tchaikovshy, Borodin and Mussorgsky down to the present maestro!
He was a real nutcake and I will never understand how someone so original could survive the USSR but he new how to bring off performances. Great performance and the timpanist has a wonderful sound and attack.
About him surviving the USSR you'll get some clue while and after watching the Euroarts channel here on TH-cam, Bruno Monsaingeon edited together interviews with Rozhdestvensky that happened in the last few decades of his life. They are put together topically so you have chronological events in Gennadiy's life covered with interviews done in different stages and edited topically in the two parts film that lasts almost 4 hours. Historical chronological subjects concerning Rozhdestvensky's life are presented through the cut old and new interviews so the concept is very interesting in hearing the man talking about the same subject from the 3 interviews done in a span od 20 years. I'll not spoil anything but just say that he was a very brave man. And very resilient.
Perhaps it was due to Gennady's assignment to the Bolshoi Ballet at the age of twenty where he was put in a sink or swim situation. Besides conducting the orchestra's musicians, at the same time he had to discover his own way of communicating with the non-musician dancers. Hence, he developed a unique conducting style that included unusual baton movements combined with a variety of facial gestures, so as to realize that delicate balance of music and dance. After Gennady's success at the Bolshoi, the Soviets realized they had a beloved commodity on their hands that was best not to interfere with.
Except for the lapse at 6:17 or so, this is a stellar performance. I only wish the cameramen had focused more on the the conductor's interpretive hand and arm motions rather than on his facial expressions.
This man did something incredible years ago with the BSO: he used nothing but his hands, and barely those when he conducted a Sibelius #2. It was magnificent and totally memorable!!!!
Oh YES! I was there, reviewing the concert for a weekly newspaper in Boston. I still regard it as one of the top five BSO e+periences of my life, along with Abbado's Mahler 2nd, Levine's Pathetique Symphony and the concert (with JL and Christian T. in which the "Great Fugue" was performed twice surrounding the Beethoven and Schonberg Violin Concertos). Gennady R. was one of the great, largely unheralded conductors of the 20th century but was, of course, his own worst enemy from a PR standpoint.
Since the quintessential Brit Sir Winston Churchill described Russia "as a riddle wrapped in a mystery inside an enigma," what better than to have a Russian conduct Elgar's Enigma Variations.
I love Elgar's Enigma which has modest, graceful, poetic, dreamy, and colorful notes. I find it is hard to play perfectly and hard to find almost perfect performance.
I have a number of recordings of this great work, including Boult's, but on this showing I think this top Russian conductor would have been usefully employed in recording collections of English music. I wonder, for example, what he would have brought to the likes of "Tintagel" and "Crown Imperial".
May I ThankYou Adam for your musical and visual channel which I have enjoyed utilising for what Seems like years. I used to go to Noirsprit for anything on offer re. S. Sorry, my first wife named Cecilia somehow throws me - got it Silvia Marcovici. --- who in my uneducated opinion, is the finest exponent of virtuoso violin of the current generation, Chang is showing strongly and I feel Miss Marcovici is poorly represented by the musical fraternity in making headway in this commercially motivated atmosphere. Please, powers that be- give her your support. She made appearances on the south bank in the seventies, when I was in the Capital, but minding my own small business at the time missed all knowledge of her.
Curse me for being an ungrateful wretch, but if only this magnificent performance was available at a better technical quality, particularly the audio which is marred by distortion.
Why do you insist on a comment. I enjoy listening, and ITube also freely includes wonderfully imaginative visual recordings for which, many many thanks, signed BCSeals
ry Variations on an Enigma by Orlando Pearson. A new theory of the theme behind the Enigma Variations including why Elgar revealed lots of secrets behind the Enigma but not the Enigma itself. Sherlock Holmes investigates
Yes I remember this concert very well. What you are hearing is mostly the rehearsed version under Gatti which contains all his ideas . Rozhdestvensky is mostly just keeping the orchestra together and beating time.
Unfortunately that is not how conducting works, if you had done much yourself. This performance has a life of its own. and that life, as with all good conducting, comes from Rozh-not from Gatti or anyone else.
@@ric55 ... Indeed, ric55. Scabbycat's comment is really quite nonsensical. For one thing, Rozhdestvensky wouldn't have attended whatever rehearsals Gatti might have managed to conduct before becoming unwell, so would have been quite unaware of his "ideas." Apart from anything else, Rozhdestvensky was a notorious non-rehearser and believed in expecting the players to know their parts thoroughly while leaving him to convey his own interpretation on the actual night. In the case of the "Enigma Variations," the Royal Philharmonic would have known the work backwards and there' s little doubt that the great Russian conductor's performance would have borne no resemblance to whatever "ideas" the Italian might have had. In fact, this next clip is an excellent example of Rozhdestvensky "acting out the music" in front of an audience in a way he'd never have done in a rehearsal, while to dismiss him as a time-beater is ludicrous ... th-cam.com/video/FP342y-mHqc/w-d-xo.html
"just beating time" ok so you are suggesting that the orchestra retained Gatti's suggestions and ignored any contradictory suggestions that Rozhdestvensky suggested via his conducting decisions. given that this is a 35 minute performance, and that the orchestra is clearly not ignoring rozhdestvensky i think thats impossible
@@adam28xx Quite right. I remember sitting behind the principal trombone of the RPO and him playing the whole work without opening the music from memory.
A wonderful performance. All on very short notice. Bravo to everyone, including the BBC engineers!
Гениально исполнено, я слушала со слезами на глазах. Обожаю Геннадия Николаевича, как жаль, что его больше нет с нами. Это вершина музыкального мастерства и единения музыкантов, дирижёра и композитора. Спасибо за пост.
Google translate: "Brilliantly performed, I listened with tears in my eyes. I love Gennady Nikolaevich, what a pity that he is no longer with us. This is the pinnacle of musical skill and unity of musicians, conductor and composer. Thanks for the post." ... Thanks for your comments. He conducted this concert at very short notice and it's nice to see him giving a wonderful performance of the Elgar work.
adam28xx Thank you
00:22 Theme, Edward Elgar, composer
02:07 Variation I, Caroline, Elgar's wife
03:57 Variation II, Hew, mischievous amateur pianist, Elgar's chamber partner (Elgar played violin)
04:49 Variation III, Richard, teacher at Oxford, who's also a comical amateur theater actor
06:22 Variation IV, William, Richard's brother-in-law, an energetic estate owner
06:51 Variation V, Matthew, a rather philosophical music lover, son of a famous poet
08:59 Variation VI, Isabel, a viola student who's having trouble with string-crossings
10:12 Variation VII, Elgar and his friend Arthur were caught in a thunderstorm during a walk
11:11 Variation VIII, they ran to hide in their friend Winifred's place - a warm 18th-century house, and met with her children
13:17 Variation IX, Augustus, a music editor who continuously encouraged Elgar's career as a composer
17:29 Variation X, Dora, William's step-niece who stutters
20:14 Variation XI, Dan the bulldog, who fell into a river, struggled upstream, and eventually found landing
21:16 Variation XII, Basil, amateur cellist, Elgar's chamber partner, whom Elgar has always been grateful of
24:55 Variation XIII, Helen, who broke off her engagement to Elgar fifteen years ago and left on a boat to New Zealand
27:41 Finale, Edward, Caroline's husband
Where is famous Nimrod?
@@이정환-x7p variation 9
just look and hear the joy this inspired genius brought with him......dearest man, what a joy to make music with you...forever missed, always treasured, unforgettable
What a glorious performance by venerable conductor Gennadi R.❤
This is a really lovely version. thank you.
Glad you like it!
It was quite a long time ago, and I remember when G R took charge of the RPO and. Brought a new dimension to our musical appreciation. A Great Russian gentleman and what a brilliant sound they made. A lot of water passed down the Thames since then. Wonderful memories.
This piece is a marvel. I love getting lost in it and just letting the music flow around me.
In all my years ,of listening out for new, and unheard performances, of Elgars Enigma Variations. This, is among the very best, made more so, by the first rate recording quality, that anables one to appreciate it all the more.
Thank you for sharing ! My favourite conductor 😄
R.I.P. Gennady Rozhdestvensky (1931 - 2018)
sounds very well, nice performance for this difficult piece.
thanks very much for uploading.
Gennady Rozhdestvensky passed away 16/7/2018. R.I.P. maestro.
A real pleasure to hear this wonderful performance without annoying interruptions...Thanks so much!
This one and Elgar's conducting are the best recordings I have found. Perfect tempo and dynamics! If only the recording had more quality.
Thank you for posting. Fine listening - Nimrod beautiful and moving as always.
Превосходно!!! Браво!!! Музыка, исполнение - чудо! Спасибо огромное!🙋♀️
Google translate: "Fine!!! Bravo!!! Music, performance - a miracle! Thank you very much!"
My Russian is non-existent, yet I think Russia can be justly proud of her musical traditions, from Tchaikovshy, Borodin and Mussorgsky down to the present maestro!
Thanks so much for showing this complete piece of wonderful music. Makes my heart soar, and sore.
He was a real nutcake and I will never understand how someone so original could survive the USSR but he new how to bring off performances. Great performance and the timpanist has a wonderful sound and attack.
About him surviving the USSR you'll get some clue while and after watching the Euroarts channel here on TH-cam, Bruno Monsaingeon edited together interviews with Rozhdestvensky that happened in the last few decades of his life. They are put together topically so you have chronological events in Gennadiy's life covered with interviews done in different stages and edited topically in the two parts film that lasts almost 4 hours. Historical chronological subjects concerning Rozhdestvensky's life are presented through the cut old and new interviews so the concept is very interesting in hearing the man talking about the same subject from the 3 interviews done in a span od 20 years.
I'll not spoil anything but just say that he was a very brave man. And very resilient.
Perhaps it was due to Gennady's assignment to the Bolshoi Ballet at the age of twenty where he was put in a sink or swim situation. Besides conducting the orchestra's musicians, at the same time he had to discover his own way of communicating with the non-musician dancers. Hence, he developed a unique conducting style that included unusual baton movements combined with a variety of facial gestures, so as to realize that delicate balance of music and dance. After Gennady's success at the Bolshoi, the Soviets realized they had a beloved commodity on their hands that was best not to interfere with.
One of the greatest conductors show us his way of seeing music. ¡Thanks!
Beautiful. That one persons brain can interpret and translate every little ink blob on a manuscript into this !
I love the way GR loves conducting this music, appreciating its great simplicity, which he mirrors with the simplicity of his conducting...
Except for the lapse at 6:17 or so, this is a stellar performance. I only wish the cameramen had focused more on the the conductor's interpretive hand and arm motions rather than on his facial expressions.
This is the best variations performance on youtube.
RIP Gennady Rozhdestvensky.
R.I.P. our beloved friend Gennady...
This is perhaps the most convincing example of orchestral conducting as an exercise in telepathy. Maestro-you are much missed.
All the power of men in this master piece
Mesmerizing performance
This man did something incredible years ago with the BSO: he used nothing but his hands, and barely those when he conducted a Sibelius #2. It was magnificent and totally memorable!!!!
Oh YES! I was there, reviewing the concert for a weekly newspaper in Boston. I still regard it as one of the top five BSO e+periences of my life, along with Abbado's Mahler 2nd, Levine's Pathetique Symphony and the concert (with JL and Christian T. in which the "Great Fugue" was performed twice surrounding the Beethoven and Schonberg Violin Concertos). Gennady R. was one of the great, largely unheralded conductors of the 20th century but was, of course, his own worst enemy from a PR standpoint.
Probably Best Performance in the World!!!
Since the quintessential Brit Sir Winston Churchill described Russia "as a riddle wrapped in a mystery inside an enigma," what better than to have a Russian conduct Elgar's Enigma Variations.
I was pleased to see that G.R. (died about a week ago) was able to include the organ part at the end of the Variations for this performance.
sublime ......................
Elgar sparkles during the coda. You must hold your breath!
Found this maestro late in life. Wow.
Holy smokes that musical direction is incredible
I love Elgar's Enigma which has modest, graceful, poetic, dreamy, and colorful notes. I find it is hard to play perfectly and hard to find almost perfect performance.
You should check out the Berlin Symphony version.....❤️
Have a listen to the Warsaw Philharmonic.....
condolences、ありがとう。安らかにおやすみください。
He reminds me in many ways of Boult: could and would conduct anything and always you were left feeling satisfied.
What a brilliant performance!
RIP maestro
Best Russian conductor ever
Beautiful ! Thank you for posting !
Спасибо!
RIP Noddy Thank you
Rozhdestvensky super. What a colossal luck missing a honest craftsman and gaining a Genius in conducting.......
Yes, yes, and yes. I feel the same way. The music under G.R. was self-creating in some strange way-as with Beecham and Bruno Walter.
Such perfect tempi!!!
Brilliant performance
MAESTRO!
Sublime!!
Very! Tnx!!!
I have a number of recordings of this great work, including Boult's, but on this showing I think this top
Russian conductor would have been usefully employed in recording collections of English music. I
wonder, for example, what he would have brought to the likes of "Tintagel" and "Crown Imperial".
Good night sweet prince
Nice tempi
A conductor we should be hearing a great deal more from. Would you believe he's also an excellent Delius interpreter?
Has he any recorded Delius to hear?
MAESTRO
名曲で、名演奏ですね。
Yes.
May I ThankYou Adam for your musical and visual channel which I have enjoyed utilising for what Seems like years. I used to go to Noirsprit for anything on offer re. S. Sorry, my first wife named Cecilia somehow throws me - got it Silvia Marcovici. --- who in my uneducated opinion, is the finest exponent of virtuoso violin of the current generation, Chang is showing strongly and I feel Miss Marcovici is poorly represented by the musical fraternity in making headway in this commercially motivated atmosphere. Please, powers that be- give her your support. She made appearances on the south bank in the seventies, when I was in the Capital, but minding my own small business at the time missed all knowledge of her.
Curse me for being an ungrateful wretch, but if only this magnificent performance was available at a better technical quality, particularly the audio which is marred by distortion.
it depends on the quality of the signal sourse. the R.A.H has notoriously poor sound reverberation, although improved in recent years.
That's for sure
Why do you insist on a comment. I enjoy listening, and ITube also freely includes wonderfully imaginative visual recordings for which, many many thanks, signed BCSeals
❤nimrod
As fine a performance as any I have heard
❤
Who,s Idea was it to stick an advert in the middle of Nimrod. Sacrilege
Nimrod 13:18
Jaeger
ry Variations on an Enigma by Orlando Pearson. A new theory of the theme behind the Enigma Variations including why Elgar revealed lots of secrets behind the Enigma but not the Enigma itself.
Sherlock Holmes investigates
It's well understood to be drawn from the Whines of Elgar's Pet Dog. No disrespect intended. Must have been a very nice dog.
6:52
The cougher who ruined a sublime NIMROD must be executed!
🤣
Ugh I have to do this for school
me too
Bad luck! Try to go to some live performances. If you are lucky you may come across a really great occasion. Then things will be ok again...
Yes I remember this concert very well. What you are hearing is mostly the rehearsed version under Gatti which contains all his ideas . Rozhdestvensky is mostly just keeping the orchestra together and beating time.
Unfortunately that is not how conducting works, if you had done much yourself. This performance has a life of its own. and that life, as with all good conducting, comes from Rozh-not from Gatti or anyone else.
@@ric55 ... Indeed, ric55. Scabbycat's comment is really quite nonsensical. For one thing, Rozhdestvensky wouldn't have attended whatever rehearsals Gatti might have managed to conduct before becoming unwell, so would have been quite unaware of his "ideas." Apart from anything else, Rozhdestvensky was a notorious non-rehearser and believed in expecting the players to know their parts thoroughly while leaving him to convey his own interpretation on the actual night. In the case of the "Enigma Variations," the Royal Philharmonic would have known the work backwards and there' s little doubt that the great Russian conductor's performance would have borne no resemblance to whatever "ideas" the Italian might have had. In fact, this next clip is an excellent example of Rozhdestvensky "acting out the music" in front of an audience in a way he'd never have done in a rehearsal, while to dismiss him as a time-beater is ludicrous ... th-cam.com/video/FP342y-mHqc/w-d-xo.html
"just beating time" ok so you are suggesting that the orchestra retained Gatti's suggestions and ignored any contradictory suggestions that Rozhdestvensky suggested via his conducting decisions. given that this is a 35 minute performance, and that the orchestra is clearly not ignoring rozhdestvensky i think thats impossible
you silly twisted boy
@@adam28xx Quite right. I remember sitting behind the principal trombone of the RPO and him playing the whole work without opening the music from memory.