Beethoven "EMPEROR" Johanna Haniková

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  • เผยแพร่เมื่อ 21 ก.ย. 2019
  • L. van Beethoven: Piano Concerto no. 5 in E flat major "Emperor"
    Johanna Haniková - piano
    Lukáš Klánský - conductor
    PKF Prague Philharmonia
    LIVE 15. 3. 2019 Bohuslav Martinů Hall, Lichtenstein Palace, Prague

ความคิดเห็น • 15

  • @eugeneschnyder1681
    @eugeneschnyder1681 7 หลายเดือนก่อน +5

    Merveilleuse pianiste merci pour le magnifique concert

  • @gerardleroy3146
    @gerardleroy3146 6 หลายเดือนก่อน +3

    Magnifique performance ! Félicitations à Mme Hanikova ! Merci pour ce merveilleux concert ❤ ❤ ❤

  • @mari-cristiguerra-brieva970
    @mari-cristiguerra-brieva970 7 หลายเดือนก่อน +1

    Maravillosa interpretación!!! Lo he disfrutado tanto !!! Gracias 🙏🏻🌞

  • @zeza4296
    @zeza4296 10 หลายเดือนก่อน +2

    Maravilhosa interpretação. Apaixonante.

  • @user-tt1oo8jv2e
    @user-tt1oo8jv2e 4 หลายเดือนก่อน +1

    Sy ...... Johanna is die beste

  • @waynedossey8984
    @waynedossey8984 2 หลายเดือนก่อน

    Excellent easy listening music. Thank you for sharing this. 🎉

  • @mauriciobarongutierrez3773
    @mauriciobarongutierrez3773 ปีที่แล้ว

    No soy nadie en la música, pero para mi, la pieza musical mejor construida y mejor interpretada, pese a las dos o tres equivocaciones, Johanna Haniková transmite todo lo que quizá Beethowen quiso expresar en éste, el mejor de los conciertos del mejor de todos los tiempos.

  • @cocobbc3653
    @cocobbc3653 3 ปีที่แล้ว +1

    聽慣了德國奧地利樂團的演奏,再來聽波西米亞地區的音樂風格,乍聽之下差異頗大,但細聽下來,發現音樂詮釋不會只有一種,音樂會隨著種族地區及人文文化而不同。
    捷克樂團的演奏風格完全不同於德奧的厚重,也不同於俄羅斯樂團的剛猛,捷克樂團的音樂風格就像波西米亞地區文文風情一樣,非常優閒舒適、自然而流暢。完全一派農村鄉野風光風情。

    • @Eugene_naropojiev
      @Eugene_naropojiev 5 หลายเดือนก่อน

      'Яростный русский оркестр...' можно пример со ссылкой, или вы про Седьмую симфонию Шостаковича? );

  • @cocobbc3653
    @cocobbc3653 3 ปีที่แล้ว +1

    布拉格愛樂總監卡利斯多娃(Kateřina Kalistová)接著說明,布拉格愛樂團明年十月可以來到台灣演出,也很期待可以透過演出,讓過去11年來這個年輕樂團所累積的精彩與經驗。「明年10月8日在高雄演出、10月9日在台中,而10月10日在台北,同時也會演出德佛札克(Antonín Leopold Dvořák)的作品」。

  • @permanentblack9014
    @permanentblack9014 หลายเดือนก่อน

    I have heard Johanna Hanikova's Emperor many times over, and compared it to other fine interpretations by major women pianists, namely Guimar Novaes, Martha Argerich, Idil Biret, Ikuyo Nakamichi, Shoko Sugitani, Hélène Grimaud, Angela Hewitt, and Maria Yudina. Ms Hanikova's interpretation is, in my view, better than any of the others (despite her tempo in the slow movement being a little quicker than I like). This is one of the most magnificent interpretations EVER of the Emperor Concerto, and I have heard more than seventy. Rukun Advani, Publisher, Himalayas, India.

    • @Nogah100
      @Nogah100 หลายเดือนก่อน

      Better than renderings by any pianist, female or male? But no, I admire Hélène Grimaud and Khatia Buniatishvili. And not to forget: The conductor (either male or female)decides general "emotional atmosphere". THIS conductor I think already worn out, very"standard" and pale.

    • @permanentblack9014
      @permanentblack9014 หลายเดือนก่อน

      @@Nogah100 I am happy to enthusiastically disagree with you! Clearly, we listen with different ears. The orchestra and conductor may be little known but they understand the spirit of the concerto perfectly and are highly expressive; moreover, the chemistry of Ms Haniková with Monsieur Klánsky is excellent even if you listen with your eyes closed. At some point in her career I hope Ms Haniková will perform her brilliant interpretation with the Berlin or New York or Vienna Philharmonic -- but will by then have realised that the slow movement needs a more reflective tempo to draw out its melodic poignance.

  • @jimsanford9215
    @jimsanford9215 ปีที่แล้ว +2

    Gorgeous Johanna!

  • @georgehahn2979
    @georgehahn2979 3 หลายเดือนก่อน

    I prefer the Bernstein American approach to all of Beethoven. Bernstein was a Beethoven scholar. A performance scholar. And the soloist who played with any orchestra which Bernstein was conducting elevated their performance to his dominance and excellence.