Very beautiful piece and, as always from Liz, immaculately presented. I had the privilege to hear first few bars live, and it definitely intrigued me. The final piece is a treasure. Keep up the good work Liz 👏
Quel son magique , bravo pour votre technique.Pendant quelques mns je vais pouvoir m'imaginer en Don Quichotte , mais la tache est ardue car les moulins à vent ont été remplacés par des éoliennes.
Hi there! 👋 I am not a modern classical guitarist and I am approaching the instrument as a lute and vihuela player. Historical evidence underpins my performance philosophy and technique. I play with no nails on gut strings and on an instrument with double courses. To get a beautiful rich tone from this set up, my technique is very different to that of a modern guitar player using nylon and overwound single strings. The modern use of the nail in the right hand significantly changes the hand position too. Many classical guitarists will play the baroque guitar with a modern technique, I approach it from it's roots, from the repertoire of the Spanish lute. (vihuela) The music of this genre, for example; Mudarra and Luis de Milan, then evolved and branched off into the world of the 4c renaissance guitar to the 5c and the late romantic guitar.
@@luteweb I still feel that you are rejecting many years of trial and error that has produced the modern guitar and improved modern techniques. Btw, your right hand position is found in lots of self taught folky type guitarists and they produce a weak tone and volume.
Eso de concatenar las cuerdas delanteras y traseras es realmente mágico. Excelente guitarrista 🤗
Thanks so much and for supporting luteweb! It means so much! 💕
Beautiful atmospheric courtly Latin sound perhaps, best wishes from Ireland
Thank you so much for listening! 💕
Que hermosa la música española de esa época.
Además del profesionalismo de la guitarrista
Thanks you for your kind words! Yes, this Spanish music is just beautiful! Thank you for listening! 💕
Simply wonderful! Thank you.
Thanks so much for your support! 💕
Дуже файно👍🇺🇦🤘
Thanks! 😎
Refreshingly interpreted. Lovely!
Thank you James as always! 💕
Amazing❤!!!
Thanks so much for listening! 💕
Lilting, enchanting, beautiful. A wonderful find on a winter morning that's on my forever-after list.
Such lovely words! You've made my day! 💕 Thanks so much for watching! ✨
Masterly!
Thank you for watching! 💕
Beautiful ! Exquisite playing …..what a nice composition and such a great interpretation!
Thank you for watching your kind words! More lutey videos are in the pipeline for the Autumn.
Olé!!👏🏼👏🏼👏🏼👏🏼🌹
Thank you so much for your support as always Mercedes! 💕
Sounds very nice Elizabeth. I always enjoy listening to your playing. 👏👏👏
Thank you so much Renzo! 💕
@@luteweb 🙏🙇🏻
Gosh this is a marvellous interpretation Liz - you really let the guitar speak and find such reflective moments ❤
Thank you.💕 The Jácaras is a fantastic ground to play on!
What a gorgeous piece, I've never heard it before and you play it beautifully. Many thanks. Best wishes. Gérard. X. ,
Very beautiful piece and, as always from Liz, immaculately presented. I had the privilege to hear first few bars live, and it definitely intrigued me. The final piece is a treasure.
Keep up the good work Liz 👏
Thank you so much Trevor! It's wonderful to have your support for luteweb! 💕
Popular yes, but still one of my favourite pieces on a baroque guitar by far, amazing.
Thank you for your kind words! 💕
Listened to this 3 times now and still want to listen more. It’s exquisite.
Thank you so much Georgine for your kind words! 💕 Liz
C'est tellement surprenant pour une pièce de 1674. Bravo, belle interprétation.
Thank you for listening Patrick! 💕
A new one for the Greatest Hits CD! This is wonderful Liz🎼🎶
Thank you for listening Brian! 💕
Perfect emotional perspective. Thank you for your effort ❤❤
Thanks for listening! 💕
Execuçao limpa e perfeita! bravoo👏🏻👏🏻👏🏻👏🏻👏🏻!
So kind! 💕 Thanks for the support! ✨
Beautiful. Thank you for the voyage.
Thank you for listening! 💕
Beautifull sounds bless you Franchesco.
You are welcome Franchesco! 💕 Thank you for supporting luteweb! ✨
Quel son magique , bravo pour votre technique.Pendant quelques mns je vais pouvoir m'imaginer en Don Quichotte , mais la tache est ardue car les moulins à vent ont été remplacés par des éoliennes.
Thanks so much for watching Jacques! 💕 I love the scene you paint! Thank you for your kind words! ✨
Enjoyed this much. Like the sound you get on the b. guitar.
Beautifully done! Thank you.
¡Hermoso! ¡Gracias!
Thank you! 💕
is there a way the wonderful performer would share the measurements of the guitar ?
Hi there! 👋 My guitar has a 65cm string length. Thanks for watching! 💕 More lutey videos are in the pipeline for this Autumn.✨
❤
👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋
Thank you! 💕
This is lovely. Do you teach baroque guitar?
Yes I do! Feel free to email - elizabeth.pallett@luteweb.com
@@luteweb I did 🤗
@@frogslips Ooops! Sorry! Being a ninny!🤣
Wow. Just wow. Amazing. I can't say anything but thank you.
You are welcome and thank you so much for your kind words! You've made my day! 💕
whats the tuning on your guitar?
Hi! 👋 It's a Spanish lute called a vihuela. It's tuned in G! Thanks for listening! 🤓
What maker is this guitar?
Klaus Jacobsen, London. Thanks for watching! 💕
Sounds larger than it looks.
The hand position? Why adopt a hand position that has been rejected by modern classical guitarists?
Hi there! 👋 I am not a modern classical guitarist and I am approaching the instrument as a lute and vihuela player. Historical evidence underpins my performance philosophy and technique. I play with no nails on gut strings and on an instrument with double courses. To get a beautiful rich tone from this set up, my technique is very different to that of a modern guitar player using nylon and overwound single strings. The modern use of the nail in the right hand significantly changes the hand position too. Many classical guitarists will play the baroque guitar with a modern technique, I approach it from it's roots, from the repertoire of the Spanish lute. (vihuela) The music of this genre, for example; Mudarra and Luis de Milan, then evolved and branched off into the world of the 4c renaissance guitar to the 5c and the late romantic guitar.
@@luteweb I still feel that you are rejecting many years of trial and error that has produced the modern guitar and improved
modern techniques. Btw, your right hand position is found in lots of self taught folky type guitarists and they produce a weak tone and volume.
Gotta attack those strings. Hispanic music sets your heart on fire and makes it jump.
It’s baroque guitar so the aesthetic ideas and physical technique is different to the music of the gypsies and dock workers, totally different era.