FGVTT the MFT version is not that interesting for me.... the FF a bit more. Still, my budget for this channel is limited. If any manufacturer likes me to have a look on a camera, the would need to supply it.
Amazing to watch and to learn from youI'm not only learned from you but actually copying what you doI can't afford the top end gears but I can used the knowledge and your tutorials to help get me up to speedA bit about myself "Refugee arriving in Australia in 1976 from Cambodia with nothing on us , 6 siblings and 2 adults, Each person only carrying one pant and a shirt and shoeNo luggage's when arrivedFilming is my passion and my commitments for my person interest I won't be the top DP in the world but what drive me to get betterThanks to you, your tutorials and advicesI'm sure I will be better off then where I startedOnce again thanks for your replys and always looking forwards to watch and learn from youHave a good dayVeasna Sara
Hey Veasna, that is quite a personal story and development you got there. I'm happy to have a tiny part in your development as a filmmaker. Don't worry to much about the gear, I am sure, you could have filmed this on the BMPCC 4K without seeing a meaningful difference. Good luck and lots of passion for your journey!
I have bought the 80mm 2.8 because of your video, but I finally move to the 1.9. Im going to buy a C/N and I really hope the new coating doesnt mess up the magic.
I was previously leaning towards saving up to make a set of Contax Zeiss lenses, but between this video, your other video on the Mamiya lenses and Lawrence Sher’s gorgeous cinematography on JOKER (which was shot on the Alexa 65 and LF with ARRI-modded vintage Mamiya and Hasselblad Medium Format photography lenses, almost certainly including the Dark Knight 80mm f1.9), I’m starting to consider investing in MF Glass now while they’re still relatively cheap compared to the Contax Zeiss set.
As far as I know (IMDB tech specs) Joker was shot with Hasselblad Prime DNA, so not the old Mamiyas. Still, I really like the Mamiyas. For all day work the CONTAX are the practical choice. www.cinema5d.com/arri-prime-65-s-and-prime-dna-announced/
Media Division Pretty sure the Prime DNAs are a combo of Hasselblad and Mamiya (though it could definitely be mostly Hasselblad), especially the Prime DNA 80mm T2/f1.9. I’m pretty sure Hasselblad only recently started making a lens of that focal length and speed, so it’s probably the Mamiya. Plus there’s a number of shots in Joker where the character of the lens and bokeh resemble what you shot here with the lens and in your other video.
I'm am not quite sure what lenses you are talking about. The Prime DNAs I am aware of are new, and there is no 80mm T2. Any lens fast enough would resemble that Bokeh.... for example the 50mm Contax Zeiss f1.4 (that would be the FF Equivalent).
Amazing footage.
Trying Vince.... always trying.
Damn thats a beautiful picture, love medium format.
Thanks Manny… especially from a man with style like yours… see you at the Calavera Café
@@MediaDivision You know your classics! Geil!
@@Jerbod2 It my favorite game...... ever
I would really love to get your take the Z Cam E2 Full Frame. Once it releases
I would love to give you my take....... give me a cam ;-)
@@MediaDivision The MFT version is already available for rent in Hamburg ;) (18frames Rentals)
FGVTT the MFT version is not that interesting for me.... the FF a bit more. Still, my budget for this channel is limited. If any manufacturer likes me to have a look on a camera, the would need to supply it.
Media Division gotcha! I’ll keep my fingers crossed your channel grows further to make these projects happen. Great stuff, keep it up!
Beautiful image. Such a large sensor! About footage, the canted look felt off for the interviews. Awesome lighting
Thanks a lot Baustin... "canted look"??? What does that mean? Lighting was super simple as we had basically no time to set up.
_Awesome Work_
Thanks a lot San!!!
Nick.. like the song from Britney Spears “you did it again” you rock man... and that voice man... love this! Good music content and cinematography
Thanks man! The voice (for one) is not me... It's Darrin speaking and we did pitch him down a little bit, giving him that nice fat vibe.
Amazing to watch and to learn from youI'm not only learned from you but actually copying what you doI can't afford the top end gears but I can used the knowledge and your tutorials to help get me up to speedA bit about myself "Refugee arriving in Australia in 1976 from Cambodia with nothing on us , 6 siblings and 2 adults, Each person only carrying one pant and a shirt and shoeNo luggage's when arrivedFilming is my passion and my commitments for my person interest I won't be the top DP in the world but what drive me to get betterThanks to you, your tutorials and advicesI'm sure I will be better off then where I startedOnce again thanks for your replys and always looking forwards to watch and learn from youHave a good dayVeasna Sara
Hey Veasna, that is quite a personal story and development you got there. I'm happy to have a tiny part in your development as a filmmaker. Don't worry to much about the gear, I am sure, you could have filmed this on the BMPCC 4K without seeing a meaningful difference. Good luck and lots of passion for your journey!
Many thanks Looking forward to get my Pocket 4K and start telling storiesThumb up to youVisy
I have bought the 80mm 2.8 because of your video, but I finally move to the 1.9. Im going to buy a C/N and I really hope the new coating doesnt mess up the magic.
I don't think so, to me, the versions are indistinguishable
@@MediaDivision Oh thank you so much! I didnt really expect a reply but it helps me out tremendously!
I was previously leaning towards saving up to make a set of Contax Zeiss lenses, but between this video, your other video on the Mamiya lenses and Lawrence Sher’s gorgeous cinematography on JOKER (which was shot on the Alexa 65 and LF with ARRI-modded vintage Mamiya and Hasselblad Medium Format photography lenses, almost certainly including the Dark Knight 80mm f1.9), I’m starting to consider investing in MF Glass now while they’re still relatively cheap compared to the Contax Zeiss set.
As far as I know (IMDB tech specs) Joker was shot with Hasselblad Prime DNA, so not the old Mamiyas. Still, I really like the Mamiyas. For all day work the CONTAX are the practical choice. www.cinema5d.com/arri-prime-65-s-and-prime-dna-announced/
Media Division Pretty sure the Prime DNAs are a combo of Hasselblad and Mamiya (though it could definitely be mostly Hasselblad), especially the Prime DNA 80mm T2/f1.9. I’m pretty sure Hasselblad only recently started making a lens of that focal length and speed, so it’s probably the Mamiya. Plus there’s a number of shots in Joker where the character of the lens and bokeh resemble what you shot here with the lens and in your other video.
I'm am not quite sure what lenses you are talking about. The Prime DNAs I am aware of are new, and there is no 80mm T2. Any lens fast enough would resemble that Bokeh.... for example the 50mm Contax Zeiss f1.4 (that would be the FF Equivalent).
What do you think of the Rolling Shutter? Did you notice something special?
like most large format sensors it has quite a bit… but by far not as bad as the Terra 6K was. Doesn't get in my way.
04:28 - 04:32
Colors 😍
Thanks man!!
Great work! Do you have a vimeo link? Would love to see the footage without the youtube compression...
Thanks Angel... I do, you can download a much higher bandwidth there as well.
vimeo.com/329414013
What are you using to stabilize the first interview
That is handheld
beautiful footage but damnnn why you all up in that mans nostrils?! lol
thanks... because I like unusual perspective and putting viewers in positions they wouldn't be able to be in RL.
@@MediaDivision it definitely was unusual! beautiful bean footage!
@@LizNeptune I like to film beans ;-)