Out of curiosity, do you happen to know why Matt chose to go with two different tenor reeds? I know it's not completely unheard of, but I was intrigued. They sound lovely, to say the least.
I’ll ask Matt, but I’d assumed it was to achieve a specific sound and resonance (to offer a more rounded middle possibly.) They do sound great though and may help differentiate in solo competitions.
Out of curiosity, do you happen to know why Matt chose to go with two different tenor reeds? I know it's not completely unheard of, but I was intrigued. They sound lovely, to say the least.
I’ll ask Matt, but I’d assumed it was to achieve a specific sound and resonance (to offer a more rounded middle possibly.) They do sound great though and may help differentiate in solo competitions.
I enjoy Matt’s playing. I have a set of silver and ivory Robertson pipes hallmarked for 1952. Thank you.