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The man from Skye lived not two miles away from me, and he was one of, if not the best, piper I've ever heard. He had great stories to tell about his piping days.
Hi Jim,Any chance of examining a set of older Lawrie's and/or Henderson's down the road?Thanks Jim for the info and thanks Matt for playing them.
Possibly! I do these as I get my hands on pipes!
Weren’t earlier Robertson projecting mounts much less ‘mushroom’ shaped?
Why the mixed tenor reeds? I've always played matched tenors and a different bass. Just curious...thanks!
It's really largely about achieving a unique, customized resonance and sound (a helpful positioning in solo competitions).
Definitely robust sound
The man from Skye lived not two miles away from me, and he was one of, if not the best, piper I've ever heard.
He had great stories to tell about his piping days.
Hi Jim,
Any chance of examining a set of older Lawrie's and/or Henderson's down the road?
Thanks Jim for the info and thanks Matt for playing them.
Possibly! I do these as I get my hands on pipes!
Weren’t earlier Robertson projecting mounts much less ‘mushroom’ shaped?
Why the mixed tenor reeds? I've always played matched tenors and a different bass. Just curious...thanks!
It's really largely about achieving a unique, customized resonance and sound (a helpful positioning in solo competitions).
Definitely robust sound