this was a fun movie...not to be taken seriously. Just be entertained by it. Love the theme...like being played in an austin Powers flick...YEAH BABY, YEAH!!! Oh, and Jane Fonda made it worth the watch!!!
The entire soundtrack to this movie is great and perfectly fits the movie. It is wonderfully listenable without the visuals, but of course, the visuals are the icing on the cake.......
I always wondered how they made her look like she was floating..... she is basically rolling around on a piece of plexiglass with a camera above her while she removes the spacesuit. If you watch really really closely you can tell..... however, it truly is one of the best opening sequences of any film.
i woke up one day about two years ago, smoked a bowl and somehow stumbled across this movie for the first time. it's quite a "stimulating" movie in many ways when stoned. i still recall that day quite vividly... what an odd memory.
Just got out of my COVID-19 isolation and back into the open last week, on a beautiful sunny day with windows down, rolling around town, and I knew exactly what song to play, to match how i felt.
I loved this song the first time I saw the movie ( love the movie too. Still do!!!). This song would go on the soundtrack of my life during my Jane Fonda phase.lol. I collected all her movies and books
HDNMV is running Barbarella today. I can't help myself, I've got to watch it again. Roger Vadim had a creative vision, and succeeded in making a movie worth watching. I totally forgot how much the music influenced the scenes. And the wardrobe!?! His vision for Jane Fonda...
I think I might have broken the repeat button. I’m not sure why I have such a strong connection with this old treasure of a film but thank heavens I discovered it!
In a 60s penthouse, listing to this while my girlfriend is lying on the bed looking like Twiggy and the hippies are outside protesting. Dam the 60s were a time
The (radio) airwaves were alive with this sound. Though the 'visuals' are the complete opposite, listen to "Up, Up And Away" by The 5th Dimension. There was a creative influence through out the music industry. "Like To Get To Know You" by Spanky And Our Gang is a perfect example. Even flat out imitations, like The Monkeys incorporated that mid to late 1960's ambience.
the visuals were mindbending and genre defining. Jane fonda absolutely nailed the role and resplendent in her appearance. Peak of Sci fi sexual revolution. Needs a reboot asap
Why? Why does it need a reboot? You just said it was genre defining and Jane Fonda nailed the role and that it was the peak of sci-fi sexual revolution cinema. Why take away from the masterpiece that is the original to create a soulless, subpar, attention leeching cashgrab? This is exactly what’s wrong with modern cinema. Just leave the classics alone for gods sakes. You want a cheap movie? There’s plenty of marvel shit out there.
@@Woopaloops, seriously!?! Take a look at Jim Starlin's Gamora art. Then look what James Gunn put on the screen (Zoe Saldana). I hold Zoe Saldana's acting ability high but, totally miscast as 'The Deadliest Woman In The Galaxy'.
Wow what a beautiful song those who saw it for the first time the movie Barbarella thought it was ± Ray Conniff † who invited ± Bob Crewe † it was a disappointment it never was it has the same similar style as the conductor although it was composed by Charles Fox .
@@evandrobarros207 foi no final dos anos 1970. Passava também no Museu da Imagem e do Som o MIS no Teatro Castro Mendes. Também no final dos anos de 1970.
Soy la respuesta despues de 9 años tu respuesta de tu comentario, debes tener 31 actualmente???? Pero bien que sepas de estas joyas de culto.. veo peliculas de todas las epocas, porque me encanta el cine, y la evolucíon de la ciencia fitción, me encanto el tema cuando apenas la escuche. Buen gusto y amor al cine tienes... grande jane fonda , 👏🏻👏🏻👏🏻
Curiosidad esta película lo realizó el Narrador de Insertos E Apertura Francisco Colmenero actualmente nunca esta subido tal vez nunca fue tan famosos incluyendo el formato Streeaming sin importar la plataforma o aplicación de algun todo tipo que sea incluyendo TH-cam completo en Latínoamerica ya que el doblaje esta perdido y Lost Media logro encontrar la banda sonora menos completo la película en doblaje y acabo nunca lo podían bajo riesgo de Copyright y esto merecia tener un Remake y hoy en dia es bien dificil remasterizarlo y encontrarlo completo sino fracasarian el original sin que se note en lugar de formato vintage.
Par quel miracle Roger Vadim avait-il atterri entre les mains du célèbre Dino de Laurentiis ? Son épouse Jane Fonda devait y être pour quelque chose, alors qu’elle effectuait régulièrement des allers-retours entre son pays d’origine et sa patrie d’adoption. On imagine son influence auprès d’un des plus importants pontes des studios. Séduit à l’idée de travailler avec le Français, il souhaitait un film commercial, sans palabres inutiles et efficace. Bref, il en voulait pour son argent. Il fallait que les dollars injectés se voient à l’écran et que chaque spectateur en prenne plein les yeux, quitte à se lancer dans une débauche de trucages saisissants et d’innover en matière de narration. La Nouvelle Vague commençait à lasser un peu partout, même si le cinéma américain ne l’avait jamais vraiment étudiée de près. La commande était claire et ferme à une période où les James Bond faisaient la fortune de la famille Broccoli. Pourquoi ne pas adapter « Barbarella », la bande dessinée futuriste de Jean-Claude Forrest, et lui en confier l’adaptation, la création des costumes limite fétichistes et des décors ? Roger Vadim ne s’était jamais lancé dans un film de genre et il craignait de ne pas se trouver à la hauteur. Les effets spéciaux mécaniques, le rythme trépidant d’un serial et la mentalité américaine l’effrayaient un peu. Puis, la science-fiction n’avait jamais été sa tasse de thé. Il préférait les univers noirs du registre gothique aux districts futuristes et les références littéraires à l’emporte-pièce. Heureusement, Jean-Claude Forrest lui a mitonné un script sur mesure, mélangeant le kitsch, l’érotisme et le second degré dans un cocktail détonant. L’homme était connu pour son travail de dessinateur. Né en 1930 et décédé en 1998, il bénéficiait d’une imagination débordante et adorait tracer les contours d’héroïnes sexy (Marie Mathématique, Hypocrite, Bébé Cyanure) aux formes avantageuses, peu vêtues et confrontées à des situations explicites. De la sorte, Barbarella correspondait parfaitement au cliché de la femme au sex-appeal troublant, peu farouche et qui préfigurait celles d’Hugo Crépax et de Manara. Impossible d’oublier le générique au cours duquel Jane Fonda se livrait à un strip-tease galactique en apesanteur et dont la réputation a énormément servi à la promotion du film, avant même que la post-synchronisation ne soit achevée pour les territoires francophones. Voulant faire bénéficier Michel Magne de l’aubaine de cachetonner chez l’oncle Sam, Roger Vadim lui a soumis le découpage du film et lui a remis le timing des parties à musicaliser. Rien de bien compliqué lorsqu’on travaille au piano et qu’on teste ensuite ses trouvailles en les confrontant au premier montage. La description des situations impliquait une partition moins académique que d’ordinaire, louchant dans des sphères autrement plus hasardeuses. Cette fois, il refusait de décalquer les classiques et devait impérativement revenir à une écriture plus moderne, en mâtinant ses thèmes de sonorités surprenantes et en métissant les influences. Depuis ses musiques tachistes, « Barbarella » (1968) l’obligeait de nouveau à se remettre en question et de tout mélanger dans un joyeux capharnaüm. Le concept voulait que les époques soient effacées et que le futur soit suggéré plutôt qu’imposé, cela pour éviter une impression de redondance. Peu familiers d’Hollywood, tous deux ignoraient que les majors dirigeaient les productions de bout en bout et qu’ils faisaient office d’entrepreneurs, qui élaboraient un projet en faisant appel aux meilleurs artisans sur le marché. Se permettant de licencier, moyennant des indemnités de rupture, lorsque l’un ou l’autre avancement ne semblait pas correspondre au devis.Finalement, Charles Fox a écrit la musique originale. A lire "Michel Magne; un destin foudroyé" de Daniel Bastié
![เปิดใจ “ต้นหอม ศกุนตลา” หลังโดนพาดพิงธุรกิจที่เคยทำ และผลกระทบทำถูกปลดฟ้าผ่า! | แฉ 24 ต.ค.67 [2/3]](http://i.ytimg.com/vi/vCi5OIqlxaE/mqdefault.jpg)
this was a fun movie...not to be taken seriously. Just be entertained by it. Love the theme...like being played in an austin Powers flick...YEAH BABY, YEAH!!! Oh, and Jane Fonda made it worth the watch!!!
Take it seriously! This is straight up 200 proof non-fiction, yo. You best recognize. #facts
🎉 right answer to this wonderful comment 😂 never late until it's too bel late
I was intrigued and fascinated !
Saw the movie twice in '69...a visual and audio masterpiece !
DOB 5/8/1969
It's so cool you were around at the time and aware of what was going on, I remember my childhood vividly! 😊
Very nice quality sound. This is one of the greatest movie soundtracks ever....
yes I totally agree and its the sixties the way most of the best soundtracks came out of the sixties
ikr! i listen everyday when u brush my teeth lol
@@laurenhenderson9574 mvoweather
@@laurenhenderson9574 v
People say Bladerunner is a cult classic. Barbarella is a cult classic. I watched this at the Pillow Cinema in Monterey in 1979.
Möge uns der Matmos ausspucken und uns die Pandemie besiegen lassen !
Oh you know, l'Arroseur arrosé, that was a classic in my youth !
The entire soundtrack to this movie is great and perfectly fits the movie. It is wonderfully listenable without the visuals, but of course, the visuals are the icing on the cake.......
Yummy icing on the cake;)
Good soundtrack for a shit movie
The opening sequence is the greatest.The song has a Burt Bacharach/Austin Powers vibe to it
I always wondered how they made her look like she was floating..... she is basically rolling around on a piece of plexiglass with a camera above her while she removes the spacesuit. If you watch really really closely you can tell..... however, it truly is one of the best opening sequences of any film.
i woke up one day about two years ago, smoked a bowl and somehow stumbled across this movie for the first time. it's quite a "stimulating" movie in many ways when stoned. i still recall that day quite vividly... what an odd memory.
Watched this in Odeon cinema ,Leicester Square, London in the60s , instantly fell in love with Jane Fonda.....!
Its too bad that Bob Crewe didnt sing more songs. He has a very powerful voice. The orchestra backing Bob Crewe kicks ass!
Without Barbarella we would have not had...
Duran Duran
And that might have been a crime.
And we sure wouldn't have had Frankie Valli & The 4 Seasons. We would not have been the same without a song like "Sherry".
Just got out of my COVID-19 isolation and back into the open last week, on a beautiful sunny day with windows down, rolling around town, and I knew exactly what song to play, to match how i felt.
I loved this song the first time I saw the movie ( love the movie too. Still do!!!). This song would go on the soundtrack of my life during my Jane Fonda phase.lol. I collected all her movies and books
HDNMV is running Barbarella today. I can't help myself, I've got to watch it again. Roger Vadim had a creative vision, and succeeded in making a movie worth watching. I totally forgot how much the music influenced the scenes. And the wardrobe!?! His vision for Jane Fonda...
fantastic movie,and perfect soundtrack,full of psychedlic music,a masterpece!!!!!
this theme song is simply terrific. Arrangement is outstanding !!!
This soundtrack is so magical I swell up with joy, tears, of both every time I listen to it!!! I break the repeat button every single time🤩😍
I think I might have broken the repeat button. I’m not sure why I have such a strong connection with this old treasure of a film but thank heavens I discovered it!
Love this song and this movie. I have such a crush on Jane Fonda lol.
+Griseus Lupus join the party
Even tho she is 80 now???
@@juana1483 She's aged like a fine wine. So have Jessica Walter and Hellen Miren.
Juan A at this point it don’t matter, she is more educated than most of the population so
Barbarella/Jane Fonda was the ultimate goddess of beauty - Venus of 1968.
In a 60s penthouse, listing to this while my girlfriend is lying on the bed looking like Twiggy and the hippies are outside protesting. Dam the 60s were a time
is she okay
Wonderful image.
Great theme song!! I like the song, not the movie. Great classic poster for this song of 1968!
Barbarella!!!
I wasn't alive at the time but this is what I imagine the 60's sounded like. This, and maybe a few Burt Bacharach songs.
The (radio) airwaves were alive with this sound. Though the 'visuals' are the complete opposite, listen to "Up, Up And Away" by The 5th Dimension. There was a creative influence through out the music industry. "Like To Get To Know You" by Spanky And Our Gang is a perfect example. Even flat out imitations, like The Monkeys incorporated that mid to late 1960's ambience.
Bob Crewe and Charles Fox were a great team!
The quintessential sound from the 60s!!
Great 60's music !! Sounds like something Quincy Jones would put together.
say burt bacharach...
Some of the best songs are theme songs from movies!?
Agreed! Barbarella, Foxy Brown, Alfie, To Sir With Love, Boys' Night Out, Trouble Man, the list goes on.
@@p994able, "Goldfinger" and "Diamonds Are Forever".
Jane Fonda is a beautiful doll!! I love you Jane!!! From Argentina with love!!!!
the visuals were mindbending and genre defining. Jane fonda absolutely nailed the role and resplendent in her appearance. Peak of Sci fi sexual revolution. Needs a reboot asap
Why? Why does it need a reboot? You just said it was genre defining and Jane Fonda nailed the role and that it was the peak of sci-fi sexual revolution cinema. Why take away from the masterpiece that is the original to create a soulless, subpar, attention leeching cashgrab? This is exactly what’s wrong with modern cinema. Just leave the classics alone for gods sakes. You want a cheap movie? There’s plenty of marvel shit out there.
@@Woopaloops, seriously!?!
Take a look at Jim Starlin's Gamora art. Then look what James Gunn put on the screen (Zoe Saldana).
I hold Zoe Saldana's acting ability high but, totally miscast as 'The Deadliest Woman In The Galaxy'.
I love this movie and the music in it.
Adoro esse filme e essa música de abertura.
Just saw it yesterday high af, where can I find more music like this?
fe bob crew orchestra, or herb alpert ;)
man, how i love casino royal! that´s style, talent, beauty, fun, more fun and awesome music combined to a hilarious masterpiece:)
daytripperarrabal Genuine imitation life album by The four seasons is incredibly similar, The association, The cherry people
just look for Laurindo Almeida, songs like Moon love and The lamp is Low
If you're still looking for music like this 4 years later -- just search up French / Italian film music from the 60s - 70s
Brought back memories from when in school at UT Austin with roommates. Lots of phycadella.
I haven't seen the movie yet, but I'm guessing from this song and the trailer that I saw the other day, that it's psychelic.
TOTALLY AWESOME ESPECIALLY WITH A NAKED JANE FONDA AT THE BEGINNING
Haha this song makes me nostalgic for the 60s and I wasn't even alive then
ENTIRE ALBUM IS GREAT MUSIC ! !
Brilliant Theme and Movie. I saw it yesterday for the first time. Lucky me.
Liked the way this song was used at the end of the trailer.
Awesome !!! No more words. I miss it..
OMFG.......LUV BARBARELLA!!!!! HAHA...WHEN I WAS LITTLE I WANTED TO BE HER!!!!!!
Just think, all those Jane Fonda exercise videos were to keep her in shape .... for this!
This theme song is as analogous to Barbarella as Casino Royale by Herb Alpert & the Tijuana Brass is to the 1967 James Bond film.
Yes both these songs are awesome
*OMG!!! How I would like to have a time machine. How I miss that time*
Love the song and the movie
You've heard of 'A Fish Called Wanda', this is 'A Wish Called Fonda.'
The movie is insane, I loved it and this song, it is amazing
The way he pronounces “shade” the Jane Fonda way on 2:49 ❤️
Hope when the remake comes out they do a cover of this.
Groovy theme song
this shit is so groovy!! love it
A sex opera this movie was.
clobbyhops Thankyou Yoda.
Love this song
good job barbarella you completed your rescue mission everyone is dead
Wonderful song,thaks.....
LINDAAAA !!!!!! MARAVILHOSA !!!!!
It`s out of time !! I love it
Love this song, esp the 60's guitar riff at 1.36, wish I could find more 60's guitar riffs like it elsewhere.
Beautiful...😊 I love this
Saw it in 1968/1969 timeframe, in Saigon.
Beautiful theme!
Loved the themesong.
Maravilloso tema !
great movie
Wow what a beautiful song those who saw it for the first time the movie Barbarella thought it was ± Ray Conniff † who invited ± Bob Crewe † it was a disappointment it never was it has the same similar style as the conductor although it was composed by Charles Fox .
Fuzzbox did a great cover of this song. Look it up!
Jane Fonda at her best boom I love the words to this groovy tune in my next life I'll be there LOL
I had this on an old VHS tape many many moons ago.
Me too, I had an insane gf at that time who erased it.
O filme Barbarella eh considerado filme de Arte e passava na sessao de cinema do Regente a meia noite prum publico restrito campineiro.
Que experiência interessante! Adoraria ver esse filme no cinema, numa sessão de cinéfilos! Que ano foi isso?
@@evandrobarros207 foi no final dos anos 1970. Passava também no Museu da Imagem e do Som o MIS no Teatro Castro Mendes. Também no final dos anos de 1970.
@@aidapaiva9759 obrigado por compartilhar sua experiência! Sou de 1975 e infelizmente não poderia ir nessa sessão! Tudo de bom para vc!
This movie was like taking an acid trip in the 60's
Alot of movies in the late 60's were
The song "Magic Carpet Ride" by Steppenwolf had that same effect without 'dropping' acid.
Yeah, baby, yeah!
That is so gay and yet so awesome sounding. One of the best themes of all time.
if I'd seen this movie when I was 12, it would've been my lesbian awakening.
this movie was better than star wars
True, it doesn't take much though
for real ???!!!?
Lol
Lavitaoperosa my cute neighbor is proud to have never seen one...I want to show her lazer sword.
This and dune were better than star wars.
Ame esta pelicula y eso que apenas tengo 22. Me enamore de jane fonda. Lastima no la conoci unos 30 años antes
Soy la respuesta despues de 9 años tu respuesta de tu comentario, debes tener 31 actualmente????
Pero bien que sepas de estas joyas de culto.. veo peliculas de todas las epocas, porque me encanta el cine, y la evolucíon de la ciencia fitción, me encanto el tema cuando apenas la escuche. Buen gusto y amor al cine tienes... grande jane fonda , 👏🏻👏🏻👏🏻
Cool ...original theme ... I like it
Amo essa música. E um show
cool sixties sound //thanks for posting
It's a stimulating movie even when you're straight!
Any groovy 60s tunes anyone can put me onto like this ex
cept the big hits..Cheers!
Try "Little Sister" by Orpheus from the movie "Marlowe" (1969).
Il nous faut une version de Barbarella version mec ... c’est exactement cela !
"are you an angel?"
Ai meus doze aninhos, onde vcs foram parar?😥
NICE SONG VERY NICE BEAT 👌👍
Bob crewe music.band glitterhouse also were on the soundtrack?
🎵 You're So Wild and Wonderful!🎵.
Love it!
Ted Turners fave wallet photos are from this "film"
Curiosidad esta película lo realizó el Narrador de Insertos E Apertura Francisco Colmenero actualmente nunca esta subido tal vez nunca fue tan famosos incluyendo el formato Streeaming sin importar la plataforma o aplicación de algun todo tipo que sea incluyendo TH-cam completo en Latínoamerica ya que el doblaje esta perdido y Lost Media logro encontrar la banda sonora menos completo la película en doblaje y acabo nunca lo podían bajo riesgo de Copyright y esto merecia tener un Remake y hoy en dia es bien dificil remasterizarlo y encontrarlo completo sino fracasarian el original sin que se note en lugar de formato vintage.
bellissima lei unica la mondo mai visto piu unadonna cosi bella
Love this music
I love this song and this soundtrack to death, BUUUUUT was always annoyed that this version was NOT on the soundtrack release!
+CaptainGoofysstash I agree with you, it's like a "Big Band" version!
The acoustic guitar and tambourines identify this a song of the 1960's.
And brass/horns give the quality the music is known for from that era.
How do I become barbarella in the film
Par quel miracle Roger Vadim avait-il atterri entre les mains du célèbre Dino de Laurentiis ? Son épouse Jane Fonda devait y être pour quelque chose, alors qu’elle effectuait régulièrement des allers-retours entre son pays d’origine et sa patrie d’adoption. On imagine son influence auprès d’un des plus importants pontes des studios. Séduit à l’idée de travailler avec le Français, il souhaitait un film commercial, sans palabres inutiles et efficace. Bref, il en voulait pour son argent. Il fallait que les dollars injectés se voient à l’écran et que chaque spectateur en prenne plein les yeux, quitte à se lancer dans une débauche de trucages saisissants et d’innover en matière de narration. La Nouvelle Vague commençait à lasser un peu partout, même si le cinéma américain ne l’avait jamais vraiment étudiée de près. La commande était claire et ferme à une période où les James Bond faisaient la fortune de la famille Broccoli. Pourquoi ne pas adapter « Barbarella », la bande dessinée futuriste de Jean-Claude Forrest, et lui en confier l’adaptation, la création des costumes limite fétichistes et des décors ? Roger Vadim ne s’était jamais lancé dans un film de genre et il craignait de ne pas se trouver à la hauteur. Les effets spéciaux mécaniques, le rythme trépidant d’un serial et la mentalité américaine l’effrayaient un peu. Puis, la science-fiction n’avait jamais été sa tasse de thé. Il préférait les univers noirs du registre gothique aux districts futuristes et les références littéraires à l’emporte-pièce. Heureusement, Jean-Claude Forrest lui a mitonné un script sur mesure, mélangeant le kitsch, l’érotisme et le second degré dans un cocktail détonant. L’homme était connu pour son travail de dessinateur. Né en 1930 et décédé en 1998, il bénéficiait d’une imagination débordante et adorait tracer les contours d’héroïnes sexy (Marie Mathématique, Hypocrite, Bébé Cyanure) aux formes avantageuses, peu vêtues et confrontées à des situations explicites. De la sorte, Barbarella correspondait parfaitement au cliché de la femme au sex-appeal troublant, peu farouche et qui préfigurait celles d’Hugo Crépax et de Manara. Impossible d’oublier le générique au cours duquel Jane Fonda se livrait à un strip-tease galactique en apesanteur et dont la réputation a énormément servi à la promotion du film, avant même que la post-synchronisation ne soit achevée pour les territoires francophones. Voulant faire bénéficier Michel Magne de l’aubaine de cachetonner chez l’oncle Sam, Roger Vadim lui a soumis le découpage du film et lui a remis le timing des parties à musicaliser. Rien de bien compliqué lorsqu’on travaille au piano et qu’on teste ensuite ses trouvailles en les confrontant au premier montage. La description des situations impliquait une partition moins académique que d’ordinaire, louchant dans des sphères autrement plus hasardeuses. Cette fois, il refusait de décalquer les classiques et devait impérativement revenir à une écriture plus moderne, en mâtinant ses thèmes de sonorités surprenantes et en métissant les influences. Depuis ses musiques tachistes, « Barbarella » (1968) l’obligeait de nouveau à se remettre en question et de tout mélanger dans un joyeux capharnaüm. Le concept voulait que les époques soient effacées et que le futur soit suggéré plutôt qu’imposé, cela pour éviter une impression de redondance. Peu familiers d’Hollywood, tous deux ignoraient que les majors dirigeaient les productions de bout en bout et qu’ils faisaient office d’entrepreneurs, qui élaboraient un projet en faisant appel aux meilleurs artisans sur le marché. Se permettant de licencier, moyennant des indemnités de rupture, lorsque l’un ou l’autre avancement ne semblait pas correspondre au devis.Finalement, Charles Fox a écrit la musique originale. A lire "Michel Magne; un destin foudroyé" de Daniel Bastié
The Glitterhouse!
que maravilla de música...
ADOREI!
Yes before there was Star Wars.... there was Barbarella!! 😂👍
Those are two totally different classified sci-fi tales. smh
@@whatwhy447 uh oh.... didn’t mean to offend your galaxy..... may the force (or 4th!!) be with you.... 🙏🏻
that is friggin awesome ;)~
any other songs like this?
Didn't Burt write the music?
A 13yr went. What the fuck is this . 1976. Brilliant
Cinderella Rockefella Barbarella Umb(e)rella! Just sayin'.