Haydn’s players at Eszterhaza were very good indeed; he would have heard the quartet played extremely well by professional players at court, and probably in Vienna as well.
If my business was embarrassing me by doing too well, if I urgently needed to earn it a foul reputation, I would place an advert for it right in the middle of Haydn's most ethereal slow movement. Well done, _SUPERLEARNING_, you've just shot right to the top of the (anagram of 'hits') list.
This is the first I've heard of this ensemble - clearly all supremely gifted. I had an LP of Op20/4 many years ago. A great early quartet and a great performance. I'll look out for this Polish (?) quartet in the future. Fresh, lively sound from players who enjoy their music. Thank you!
absolutely flawless interpretation. May I ask one question though? In the 1st movement, those 3 tied quarter notes, you seem to be playing some of them up-bow simile and some down-bow sim. Was the distinction in using up vs. down tied to dynamic contrast, or was there something about those phrases that gave you reason to do it differently? The reason I ask is my group is working through this one now, and I tend to favor the up-bow sim. as opposed to the down-bow. But I do see some usage for down-bow as well. Sorry for the long rambling post. You all absolutely nailed this piece. Bravo!
for viola and violin playing is more confortable to play standing up. Being sit you loose freedom on the bow hand and is less confortable, but to be at the same level of the cello most of chamber music groups choose to play sit :)
Haydn ... the gift that keeps giving. Extraordinary work played wonderfully.
What a pitty that Haydn himself never heard it this way!!! Heavenly!!
Haydn’s players at Eszterhaza were very good indeed; he would have heard the quartet played extremely well by professional players at court, and probably in Vienna as well.
1st movement - 0:24
2nd movement - 8:15
3rd movement - 18:58
4th movement - 20:44
If my business was embarrassing me by doing too well, if I urgently needed to earn it a foul reputation, I would place an advert for it right in the middle of Haydn's most ethereal slow movement. Well done, _SUPERLEARNING_, you've just shot right to the top of the (anagram of 'hits') list.
One of Haydn’s very best played superbly. Nice. Thanks.
Thank you!
How breathtaking
Fantastica esecuzione !❤😊
This is the first I've heard of this ensemble - clearly all supremely gifted. I had an LP of Op20/4 many years ago. A great early quartet and a great performance. I'll look out for this Polish (?) quartet in the future. Fresh, lively sound from players who enjoy their music. Thank you!
Wow! Increíble interpretación!
😢❤ BRAVÍSSIMO 👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽
A wonderful piece of music. Haydn, of course! Beautiful playing, nice camera work and recording. Hats off to all! Thank you for posting.
😮beautiful
Great performance!!! Bravo!!!
Beautiful!! Standing gives much more freedom. This way it shows that each musician has his/her own part to play apart from playing ensemble
Thank you very much! Yes. We agree :)
This is so amazingly Beautiful! And life! Bravo!
magnifique
Beautiful!
Комплименты! А 2.ое движение - просто чудо.
Fantastic!! Thanks a lot!
absolutely flawless interpretation. May I ask one question though? In the 1st movement, those 3 tied quarter notes, you seem to be playing some of them up-bow simile and some down-bow sim. Was the distinction in using up vs. down tied to dynamic contrast, or was there something about those phrases that gave you reason to do it differently?
The reason I ask is my group is working through this one now, and I tend to favor the up-bow sim. as opposed to the down-bow. But I do see some usage for down-bow as well.
Sorry for the long rambling post. You all absolutely nailed this piece. Bravo!
One of my most favorite quartets. Thank you so much. Question: Why do you choose to stand instead of sit? Thank you again.
As someone once said '"Standing gives much more freedom" ;)
@@MeccoreStringQuartet love it. It seems stressful, but I should try it out
Great! By why don't they sit down and be comfortable?
for viola and violin playing is more confortable to play standing up. Being sit you loose freedom on the bow hand and is less confortable, but to be at the same level of the cello most of chamber music groups choose to play sit :)
"Przecież to tylko takie dylu-dylu na skrzypeczkach..." :)