Thanks for having me, Yogev! I've been a fan of your channel for a long time. One of the few I can consistently count on for both education and entertainment. Much love! (even if you fumbled how old the song is) ❤️
Couldn't agree more. They destroyed it on that tour. If you missed it/want to hear a line version of that set, there's a very good live version of it on YT. Bloodstock 2023.
Little anecdote for the scene lovers :) Bart (Textures guitarist) and I (Textures drummer) were in same class at highschool. By accident Bart got a sampler from Nuclear Blast somwhere in 1994 with some NB bands on it. One of them was Meshuggah with a unreleased demo of track of Suffer in Truth. Being 13 year old guys, Bart directly discovered something 'funny' was going on here. He really got me into it by telling about the song, although we didn't really figure out what was going on with all that polyrhythm vibe (we just got into metal with Sepultura's Arise and Deicide's Legion - which is a really proggy death metal album by the way). Later on a friend of ours bought the album Destroy Erase Improve in may 1995 directly when it was released. I remember listening to it the first time. Future Breed Machine really got me by the balls directly, but I got really hooked with Soulburn and Inside What's Within Behind. Super paradigm shift there for me!! The world upside down...suddenly. Well...this good friend Elwin Dekkers also asked me to go to their gig in de Blokhut, Rotterdam, as they were supporting for Hypocrisy. So we did, in 1995. There were just 100 people or so in the venue and....almost everybody walked away after hearing one song of Meshuggah. It was really too much for all those death metal guys haha. Actually...it was also a bit too much for us as well. We stayed with a few others, but didn't have the slightest clue what was REALLY going on on stage hahaha. Legendary evening! But me a whole bunch of friends then got really into the Swedes....especially the EP None blasted our speakers non stop. Later on Chaosphere. Most funny thing for me is Meshuggah and Textures came up with the same riff at the same time, later on. What became known as the Bleed riff is also our bridge riff in Old Days Born Anew from album Silhouettes. Released at the same time as Meshuggah's Obzen. We built tons and tons of memories on the music of Meshuggah. And we improved our skills waaaaay beyond because of those lads. Still..I'm 43 now. We supported for Meshuggah on our welcome back show here in the Netherlands, 2 months ago, for a few thousand people. 20 years after we supported for them in Melkweg, Amsterdam on their Nothing tour. Insane! The story carries on it seems. Lots more anecdotes to tell about all this...but for now.... Ciao, Stef - Textures
Hey Man, just want to say that encountering you here feels surreal... Just discovered Textures +-2 years ago, with Silhouettes being one of my favorite metal albums. Everything in it just clicks for me. Never thought I would stumble upon a comment of someone so strongly connected with so many memorable moments from my life, and connected via music he creates. Just surreal... Keep up the good work! Is any new stuff around the corner already? ;>
I'm not a father, but I know for certain that having my first child, holding them in my arms would be the second happiest day of my life behind Yogev finally breaking down Future Breed Machine.
In light of how Joao got that tone (which is super close to the record), its really interesting to me that Destroy Erase Improve was recorded using Mesa Dual Recs, which are notorious for their flubby low end. They must have boosted the ever living crap out of the signal into the amp.
Humiliative + FBM back to back this year was insane. So glad I went to 3 shows in Europe. Also all of those videos never cease to remind you how insanely good those guys are on their instruments. When they play it live it looks like it's nothing else then casually cutting onions and carrots while cooking. Sure they've been playing it for 30 years now, but still. Meshuggah forever 🤘🏼
João’s guitar tone sounds almost exactly like the record, unless it is the record itself. Idk, I’m a little over halfway through the video, so I don’t know yet. Either way, I’ve seen João’s covers of some of Thornhill’s stuff, and damn does he get that tone super close to the actual record, and is an awesome guitarist. Yogev, your genius mind is a curse! Lmao
I went into this video thinking this song was much more simple than others, maybe because it's their early work and I have listened to it so many times that I know it by memory, but I am amazed at how intrincate this riffs are. This band continues to surprisme me after so many years. Also, amazing video!
I just love the quality of these videos. i truly appreciate the work that goes into these and they always deliver! also the collaboration with João is a surprise to be sure, but a welcome one :)
Thrash riff 17+17+17+13/16 Verse 5+5+5+1/4 Pre-chorus has a 5/16 figure Chorus 5+7+5+8/8 (not polymetric) Clean section is 13/8 (not poly) Breakdown 1 and 2 are 7/4 x4 (in 7 bars and not 8) Everything else is 4/4
Well I was mostly right, though the "pre-chorus" could've been more in-depth And also I didn't think that the second part of breakdown was triplets... A lesson (approved by Fredrik!) didn't have this as triplets... Btw it's here th-cam.com/video/qedEXuI0Hc4/w-d-xo.html
Hey Yogev, great stuff, great work, I'm following you along this Meshuggah journey, with great pleasure ! I may advise you to have a look to the band Ulcerate, not as mathematic as Meshuggah but an unique "out of the grid" feeling. The band has evolved along their album, starting from brutal and dissonant to their later more melodic work. You may appreciate the drum work ;)
This song and the mouth licking what you've bleed made me fall in love with meshuggah, I hove we get to see I am colossus, that song is a fking wall of sound that I just with all my heart :')
It's just crazy I first found you on an Berklee Indian Ensemble video years ago, and loved your playing. Then you some how became my metal theory instructor.. haha I'm glad you're back, and love and appreciate all of the research and time you take to do this.
Fun to add that in that tripletty riff at 10:14 the riff changes from a 2:3 polyrhythm perspective (quarter note triplets) at the first part to a 3:4 polyrhythm at the second. In the first part you play 3 notes over 2 beats (and that is why you land on a third beat over the 4 note) and in the second part you play 4 notes over 3 beats (and that is why you fill the 3 beats that the riff is caged into). I think this way to analyse it is so cool.
Still my favorite Meshuggah track. While earlier on in their career, it's still just so accessible, yet showcases their intense creativity along with some top-tier headbanging material. Bravo Yogev, I truly enjoyed every second of this video
I read the title as "Future Bread Machine" and thought you held a piece of bread in the thumbnail. Took my brain a second to make sense of it and realize, that a) it's you in the thumbnail b) you aren't holding a piece of bread c) this is obviously about the Meshuggah song.
This song blew my absolute mind in when I heard it as a young musician in 2006. I could not make any sense of it and it was awesome lol. I just learned to tap it and play it by heart on guitar. It's cool to see it the patterns written out, a lot like I had it in my head actually.
I sometimes worry that Meshuggah has fallen into repeating their own “formula” for song construction in recent years. Listen to “The Abysmal Eye”, for example. Great song… but pretty simple (for them, lol), as far as the arrangement & construction of the different parts. THIS (FBM) is actually quite a bit more intricate and thoughtful than most of what they’ve done lately, I think. 🤷🏻♂️
They are still coming up with new ideas. You can see that by all the breakdown videos this guy does. But now the ideas are so complicated that they aren't noticeable to the ear anymore.
Y’all say this but I don’t think they’ve ever made anything that sounded like broken cog, black cathedral, and god he sees in mirrors, just to name a few
Couldn't click this faster. I think it's the only song (and the album of course) that I can say changed my life. I searched for years after anything similar and couldn't find it. Wasn't until many years later I realized how unique and ahead of its time Meshuggah was.
Thanks for having me, Yogev!
I've been a fan of your channel for a long time. One of the few I can consistently count on for both education and entertainment.
Much love! (even if you fumbled how old the song is) ❤️
Wow!...... it's Joao!
Love your videos man!
yooooooooo my guy joan is in the video!!!!!!!!!!!!!
Ayyyy! Good to see you on here João!
dude your tone is BONKERS
This song coming out in 1995 is crazy. They were so far ahead of their time it’s like if Slayer came out in 1968.
Hilarious and spot on!
I mean Future is in the title...
What exactly do you think is "so ahead" of 1995 for this song? Because literally everything in it had already been done at that point.
@@RafaelCDet yeah what? name a single other band with heavy syncopation rhythms like this pre 2000
@@RafaelCDetdisagree. Burden is on you - what else sounded like this in 1995?
Demiurge leading into future breed machine is the best encore I have ever experienced
+1
brrrRrrRrRrRRRRR
MEEP MEEP MEEP MEEP MEEP
Couldn't agree more. They destroyed it on that tour. If you missed it/want to hear a line version of that set, there's a very good live version of it on YT. Bloodstock 2023.
Agreed
Little anecdote for the scene lovers :)
Bart (Textures guitarist) and I (Textures drummer) were in same class at highschool. By accident Bart got a sampler from Nuclear Blast somwhere in 1994 with some NB bands on it. One of them was Meshuggah with a unreleased demo of track of Suffer in Truth. Being 13 year old guys, Bart directly discovered something 'funny' was going on here. He really got me into it by telling about the song, although we didn't really figure out what was going on with all that polyrhythm vibe (we just got into metal with Sepultura's Arise and Deicide's Legion - which is a really proggy death metal album by the way).
Later on a friend of ours bought the album Destroy Erase Improve in may 1995 directly when it was released. I remember listening to it the first time. Future Breed Machine really got me by the balls directly, but I got really hooked with Soulburn and Inside What's Within Behind. Super paradigm shift there for me!! The world upside down...suddenly.
Well...this good friend Elwin Dekkers also asked me to go to their gig in de Blokhut, Rotterdam, as they were supporting for Hypocrisy.
So we did, in 1995. There were just 100 people or so in the venue and....almost everybody walked away after hearing one song of Meshuggah. It was really too much for all those death metal guys haha. Actually...it was also a bit too much for us as well. We stayed with a few others, but didn't have the slightest clue what was REALLY going on on stage hahaha. Legendary evening!
But me a whole bunch of friends then got really into the Swedes....especially the EP None blasted our speakers non stop. Later on Chaosphere.
Most funny thing for me is Meshuggah and Textures came up with the same riff at the same time, later on. What became known as the Bleed riff is also our bridge riff in Old Days Born Anew from album Silhouettes. Released at the same time as Meshuggah's Obzen.
We built tons and tons of memories on the music of Meshuggah. And we improved our skills waaaaay beyond because of those lads. Still..I'm 43 now. We supported for Meshuggah on our welcome back show here in the Netherlands, 2 months ago, for a few thousand people. 20 years after we supported for them in Melkweg, Amsterdam on their Nothing tour. Insane!
The story carries on it seems.
Lots more anecdotes to tell about all this...but for now....
Ciao, Stef - Textures
I discovered Textures thanks to Spotify playlists based on Meshuggah... Great band! Congrats for what you're doing 👍
Still one of nastiest things I’ve heard is that Laments of an Icarus intro with that slow triplet ride on top, love the grooves you come up with
Hey Man, just want to say that encountering you here feels surreal... Just discovered Textures +-2 years ago, with Silhouettes being one of my favorite metal albums. Everything in it just clicks for me. Never thought I would stumble upon a comment of someone so strongly connected with so many memorable moments from my life, and connected via music he creates. Just surreal...
Keep up the good work!
Is any new stuff around the corner already? ;>
Super cool man this is an amazing story!
Amazing anekdote, Stef 👌🏻 thanx for sharing!!
I hope Textures make it back to DK sometime! I always have a blast with you guys 🤗😎
Two Time Consuming episodes in a week? Hell yeah!
We’re not worthy!!!!
It's Mayshuggah
@@sahinlandman4667 The best time of year, and not only because it's my birthday tomorrow
Great news for you, it's not even the first Mayshuggah 😎
I'm not a father, but I know for certain that having my first child, holding them in my arms would be the second happiest day of my life behind Yogev finally breaking down Future Breed Machine.
HAHAHAHAHA I'M NOT WORTHY
Ooh, an I Am Colossus teaser at the end! An awesome job on FBM here by you two djentlemen.
And now it's out !
In light of how Joao got that tone (which is super close to the record), its really interesting to me that Destroy Erase Improve was recorded using Mesa Dual Recs, which are notorious for their flubby low end. They must have boosted the ever living crap out of the signal into the amp.
29 years later and this track still has some of the absolute top teir headbanger grooves.
"dentist-inspired guitar solo" lmao I'm fucken dead
9:00 this part has such a subtle change but it adds a TON. It's like they're crushing you more and more
Also I would've loved a small part about the china accents on the "riff 2" part
Humiliative + FBM back to back this year was insane. So glad I went to 3 shows in Europe.
Also all of those videos never cease to remind you how insanely good those guys are on their instruments. When they play it live it looks like it's nothing else then casually cutting onions and carrots while cooking. Sure they've been playing it for 30 years now, but still. Meshuggah forever 🤘🏼
I am so pumped that MAYshuggah is back. Best month of the year
João’s guitar tone sounds almost exactly like the record, unless it is the record itself. Idk, I’m a little over halfway through the video, so I don’t know yet. Either way, I’ve seen João’s covers of some of Thornhill’s stuff, and damn does he get that tone super close to the actual record, and is an awesome guitarist. Yogev, your genius mind is a curse! Lmao
hahahahahaha I agree with everything you said hahahaha
I love this album's style, this is what I wish they still sounded like. The faster, more aggressive sound they had back then was so unique
12:50 That's why it sounds like a different song when they slowed it down for Future Breed Machine(Mayhem Version).
I didn't expect João to be here! A pleasant surprise for sure.
He's DA MAN
I loved the very serious display of you being a "drummer" in the corner pop out. 😅
I went into this video thinking this song was much more simple than others, maybe because it's their early work and I have listened to it so many times that I know it by memory, but I am amazed at how intrincate this riffs are. This band continues to surprisme me after so many years. Also, amazing video!
Man i love that snare
Can't wait! Still my favourite song!
My favourite part about the big breakdown at 8:14 is that every few times round the snare lands in the little gap
I just love the quality of these videos. i truly appreciate the work that goes into these and they always deliver! also the collaboration with João is a surprise to be sure, but a welcome one :)
Nasty Riff is actually the same as Riff 2 but skipping the first three 16th - with accents on gtr2 🤯
Great job as always, Yogev ! 🔥🤘
So glad you‘re back with mayshuggah ♥️
I remember my former drummers brother introducing me to them in 1996 and I've been a fan ever since
Future Breed Machine is one of my all time favorites
This video was both adorable and helpful.
You wait nearly a year for a new Time Consuming video, and then two come along at once! Back with a vengeance Yogev!
Slowly but surely !
The collaboration I didn't know I needed, but I now appreciate being alive to see
6:48 Me when I'm agreeing with something my mom is saying (but secretly, I'm listening to Meshuggah in my head)
When Destroy Erase Improve dropped it was the only thing I listened to for weeks.
the crossover i didnt expect hahaha amazing job Joao
ps: yogev should sub to joao
João is a legend.. great video as always
Hope we all can ignore our problems away and enjoy mayshuggah
Thank you for doing this.
Yogev giving us life again. 🤩
Thank you.
Обалдеть, одна из самых любимых моих песен Meshuggah была разобрана по мелочам... Как ты вообще это услышал?!?!?!
Congrats on the joao medeiros collab
It's crazy that they recorded this album with no click. That surely gives alot of intensity.
1:38 ok that was perfect
You literally gave me math class flashback
I love this series. I will never get bored of rhythmic breakdowns of complicated songs!
SAME hahahaah
0:52
"Bona he's still here"
Legend.
HAHAHAHAH for the few Israelis that get that word
Thrash riff 17+17+17+13/16
Verse 5+5+5+1/4
Pre-chorus has a 5/16 figure
Chorus 5+7+5+8/8 (not polymetric)
Clean section is 13/8 (not poly)
Breakdown 1 and 2 are 7/4 x4 (in 7 bars and not 8)
Everything else is 4/4
Bro just pre-fired the whole video...
Well I was mostly right, though the "pre-chorus" could've been more in-depth
And also I didn't think that the second part of breakdown was triplets...
A lesson (approved by Fredrik!) didn't have this as triplets...
Btw it's here th-cam.com/video/qedEXuI0Hc4/w-d-xo.html
Hey Yogev, great stuff, great work, I'm following you along this Meshuggah journey, with great pleasure !
I may advise you to have a look to the band Ulcerate, not as mathematic as Meshuggah but an unique "out of the grid" feeling. The band has evolved along their album, starting from brutal and dissonant to their later more melodic work. You may appreciate the drum work ;)
Will definitely listen !
This song and the mouth licking what you've bleed made me fall in love with meshuggah, I hove we get to see I am colossus, that song is a fking wall of sound that I just with all my heart :')
well.
Wait an hour and a half.
It's just crazy I first found you on an Berklee Indian Ensemble video years ago, and loved your playing. Then you some how became my metal theory instructor.. haha I'm glad you're back, and love and appreciate all of the research and time you take to do this.
AHHHH yeh I love that band !
@@YogevGabay that high pitched snare you used ❤️
Super cool as always!
Wow two of my favorite internet people in one video.
9:25 or more simply you can think about it like a 4 over 3, just like the 3 over 2 in the previous riff
Check out their live version of this at Bloodstock. It's the best sounding version out there.
Oh I did ! It's crazy!
I'm supposed to be at work by now. Meh, it's Mayshuggah!
...is the first patron in that list Nolly??
Yogev is BACK!!! 😃😃
Cool to see Joao here. His cover are great!
Finally!!!!!! Fuq Yeah!!! 🙌🏻🤟
fuck yes Yogev, I love you! Mayshuggah is the best
I love that yogev is making videos again! And even better with collabs ✌️
More to come!
you should do violent sleep of reason!!! awesome fuckin riff abt 2/3rds into it
we need followups on the campfire (spongebob) and mayhem (NiN) versions
A wild Joao appears! That was pleasantly unexpected!
Dude, I❤U
"Dentist inspired guitar solo"
yeah seems about right.
João's the best.
Now I'm a happy man!
wow and joao its here too, thast amazing
you should totally make a video on the tony danza tapdance extravaganza
Amazing work as always man, i hope you explain Violent Sleep of Reason on day, keep up the good work.
Contradiction Collapse(None), Destroy Erase Improve and Chaosphere are hella underrated. Thank you for Mayshuggah, Yogev, loving every episode of it!
Whoa hey slow down haha. Gonna have to watch this 12 times in .25x
Fun to add that in that tripletty riff at 10:14 the riff changes from a 2:3 polyrhythm perspective (quarter note triplets) at the first part to a 3:4 polyrhythm at the second. In the first part you play 3 notes over 2 beats (and that is why you land on a third beat over the 4 note) and in the second part you play 4 notes over 3 beats (and that is why you fill the 3 beats that the riff is caged into). I think this way to analyse it is so cool.
You're right ! that is true !
YOOOOOOOOOgev
Still my favorite Meshuggah track. While earlier on in their career, it's still just so accessible, yet showcases their intense creativity along with some top-tier headbanging material. Bravo Yogev, I truly enjoyed every second of this video
Thanks a lot !
Dude i’ve been waiting on this😂
Your intro is too good.
I read the title as "Future Bread Machine" and thought you held a piece of bread in the thumbnail. Took my brain a second to make sense of it and realize, that
a) it's you in the thumbnail
b) you aren't holding a piece of bread
c) this is obviously about the Meshuggah song.
hahahhha
god i love this song. great video!
This song blew my absolute mind in when I heard it as a young musician in 2006. I could not make any sense of it and it was awesome lol. I just learned to tap it and play it by heart on guitar. It's cool to see it the patterns written out, a lot like I had it in my head actually.
Programmed to love pea soup
I wish Meshuggah still did weird stuff like this rather than the same weird stuff every time.
I sometimes worry that Meshuggah has fallen into repeating their own “formula” for song construction in recent years. Listen to “The Abysmal Eye”, for example. Great song… but pretty simple (for them, lol), as far as the arrangement & construction of the different parts.
THIS (FBM) is actually quite a bit more intricate and thoughtful than most of what they’ve done lately, I think. 🤷🏻♂️
@@magmag1059I only think this is relevant for immutable. Tvsor had a lot of unique and cool tracks
They are still coming up with new ideas. You can see that by all the breakdown videos this guy does. But now the ideas are so complicated that they aren't noticeable to the ear anymore.
@@JBrooksNYS Yeah that's the issue. It tends to all sound the same.
Y’all say this but I don’t think they’ve ever made anything that sounded like broken cog, black cathedral, and god he sees in mirrors, just to name a few
please do Soul Burn!
Was Alan Holdsworth a Dentist??? 🤣🤣
hygienist at least !!
Crazy stuff! All hail Meshuggah 🤘
Kudos to you guys for breaking it down and enlightening us with all the madness happening in the song!
Couldn't click this faster. I think it's the only song (and the album of course) that I can say changed my life. I searched for years after anything similar and couldn't find it. Wasn't until many years later I realized how unique and ahead of its time Meshuggah was.
Man, you've come back strong. This is awesome!
Isn't the "Nasty Break" just the first note of each verse pattern without the others?
I came for the grooves, but stayed for the laughs 😄
Please do ObZen. I have been trying to understand it for years
Really psyched to see you and Joao collab ! Looking forward to checking all of Mayshuggah videos
Man he is great !!
Still my alarm sound, got a love/hate relation with this song.
So, we just get videos from you during the month of May now?
No no hahahaha it's just the beginning !
Yogev, BIIIIG respect for this work. Few people are able to do this. Thank you. this is an absolute enrichment for three e music world.
Foof, too fast....but niiice! thanks!.
BTW, why you still don't have TESSERACT on you channel?
You're right !
What song would you want to see?
@@YogevGabaywe can start from latest ‘war of being’ song from same named album. )
@@YogevGabayor
The Impossible - Concealing Fate, Pt. 3
Song by Tesseract
From “One” album
Next week is I am colossus 😮
Yes! I needed this episode. You rock Yogev \m/
PORTUGAL MENTIONED !!!!!!!!!!!!!!!!!!!!! WHAT THE FUCK IS A GOOD SALARY
YEEEEEEEEES
Meshuggah mostly plays in 4/4. They're just really good at syncopation.