WOW, the slow-mo magic is breathtaking! The 1500 FPS footage is incredible. I love how the camera captures the subtle details of the martial arts moves. The Gemini Man clip in 120FPS is also impressive, the fluidity is stunning. Thanks for sharing!
I just woke up from a dream about filmriot, I dreamt with josh and the little sister when they were young. Even thou I’m not in filmmaking I always watched their videos just for fun. Wow yeah that was like ten years ago 😮
Just curious, would yall ever do like a Day in the life of style vlog? Know yall are working on some big stuff and would love to get a behind the scenes view of it! Anyways everything you do is phenomenal, probably been watching you guys for 10 years or so now.
I'll be honest that gemini man clip was quite helpful because it made me realise my monitor doesn't display 60fps stuff properly, it was stuttering a tiny bit, so I went down a rabbit hole and ended up fixing it and I rewatched the clip and yeah it's a pretty nice display test, I can imagine it being played in stores.
Ryan, I think the world needs more people like you. More people that talk about how bad a video played back at high frame rates looks. Also, how bad TV:s with a "motion enhance" feature that adds frames to a perfectly looking 24-30fps footage to make it 50-60fps. Couldn't we just standardize having EVERYTHING played back at 24-30fps?
I'm glad you're getting sponsors and it's a perfectly good thing to advertise, but I want to point out that 20% of this video was an ad. I can just skip it but I think for your own retention metrics you might be able to make that make more sense in the future by dropping the ad time, or reserving ads that must be a certain length for longer videos.
Don't forget, you'll also get a lot of artifacting and noise when you film stuff like the sand, due to limitations in inter-frame compression. Tom Scott has a nice video on the issue: 'Why Snow and Confetti Ruin TH-cam Video Quality.' Bitrate on delivery needs to be kept high, or else you'll always get a blocky noisy mess, with these types of subjects. This is one of the things that excites me now as a macro video artist, as every year it gets easier to deliver higher bitrate content straight to the user.
The slomos you shot and the ones you have shown from the movies in the start are very distinct. Yours looked videoish and the the other very filmic. Can you explain me why?
Thanks!, but why do you prefer to use the Ember S5K in 2k for more FPS over the Ember 2.5k with full sensor!?? and could be cool to Compare the new Chronos 4k 1.000 fps raw image (for less price) and Ember compressed image.
Cool camera. Might want to spruce up your audio though. You've got some phase delay issues going on (recording stereo or using multiple mics?), or early reflections in your studio, which can be treated acoustically.
@@drshadowsfilms6059 it use to be so much more fun.. they use to do a lot of shorts and teach you stuff.. now a days it's just products and film theory stuff but they post like once every couple months.. there use to be so many more episodes... I use to religiously watch the channel but I find myself not watching them now.. despite holding on and hoping something changes because I love them but it's just not the same.
@@drshadowsfilms6059 I suggest checking out corridor crew they have always been killers and I'm always learning new things from them but they are also just super fun. I was fortunate enough to work with Jordan on a Chris Brown music video and they are exactly how they are on the show haha
I am a Phantom Flex and Veo operator in England, I have used the Freefly 5k and yes it is a great ‘entry’ level camera but it still doesn’t compare to the image quality and sensor that you get in the phantom. Also having to plug the body into the computer or handing the camera to the DIT isn’t great, especially when the camera crew have set the camera up and you have to remove the camera and download the footage meaning you can’t film anything else until you have downloaded. Freefly need to build an external SSD mount so you can leave the camera in position and offload the media separately
![ปฏิเสธไม่ไหว (Crush on you) - LIPTA feat. No One Else [Official MV]](http://i.ytimg.com/vi/NBw1jF342vw/mqdefault.jpg)
Thanks to Milanote for sponsoring this video! Sign up for free and start your next creative project: milanote.com/filmriot0624
Why is it so easy to watch these random filmmaking things. Its actually really helping me create stuff for my own channel 👌
WOW, the slow-mo magic is breathtaking! The 1500 FPS footage is incredible. I love how the camera captures the subtle details of the martial arts moves. The Gemini Man clip in 120FPS is also impressive, the fluidity is stunning. Thanks for sharing!
Absolutely loved that Gemini man clip (Ge-mini). Props to them for trying something new and making an actually crazy good action sequence.
I missed you guys!!
Film riot, you prolly wolnt ever know the exact amount of people that youve inspired and helped. But I know 2, so thanks!!! Great video btw!!!
*Slow-Mo Guys and Smarter Every Day have entered the chat*
I would put out there that another factor to consider is storage space.
Great video! We kove our Ember S5K!!
I just woke up from a dream about filmriot, I dreamt with josh and the little sister when they were young.
Even thou I’m not in filmmaking I always watched their videos just for fun.
Wow yeah that was like ten years ago 😮
*_that GEMINI MAN vdo felt like a TV movie quality typpa thing....a low Budget TV Show_* 🎉
I just hope that the people at blackmagic watch this video and create a camera like this available to everyone 😅
Just curious, would yall ever do like a Day in the life of style vlog? Know yall are working on some big stuff and would love to get a behind the scenes view of it! Anyways everything you do is phenomenal, probably been watching you guys for 10 years or so now.
I'll be honest that gemini man clip was quite helpful because it made me realise my monitor doesn't display 60fps stuff properly, it was stuttering a tiny bit, so I went down a rabbit hole and ended up fixing it and I rewatched the clip and yeah it's a pretty nice display test, I can imagine it being played in stores.
Yessss, Game of Shadows is the first shot 💯💯
Ryan, I think the world needs more people like you. More people that talk about how bad a video played back at high frame rates looks. Also, how bad TV:s with a "motion enhance" feature that adds frames to a perfectly looking 24-30fps footage to make it 50-60fps. Couldn't we just standardize having EVERYTHING played back at 24-30fps?
I'm glad you're getting sponsors and it's a perfectly good thing to advertise, but I want to point out that 20% of this video was an ad. I can just skip it but I think for your own retention metrics you might be able to make that make more sense in the future by dropping the ad time, or reserving ads that must be a certain length for longer videos.
Those cameras look super fun!
Don't forget, you'll also get a lot of artifacting and noise when you film stuff like the sand, due to limitations in inter-frame compression. Tom Scott has a nice video on the issue: 'Why Snow and Confetti Ruin TH-cam Video Quality.' Bitrate on delivery needs to be kept high, or else you'll always get a blocky noisy mess, with these types of subjects. This is one of the things that excites me now as a macro video artist, as every year it gets easier to deliver higher bitrate content straight to the user.
Some of those shots would make for sick wallpaper on a computer!!!
The slomos you shot and the ones you have shown from the movies in the start are very distinct. Yours looked videoish and the the other very filmic. Can you explain me why?
I think it is because of the dynamic range. The Freefly Ember has a relatively low dynamic range.
Thanks!, but why do you prefer to use the Ember S5K in 2k for more FPS over the Ember 2.5k with full sensor!?? and could be cool to Compare the new Chronos 4k 1.000 fps raw image (for less price) and Ember compressed image.
DO NOT let Zack Snyder find out about this
Gemini sent Ang Lee straight to ' movie Jail ' and I know there is a Bruce lee biopic project on the way but it's on the way unless he's on parole 😂 😂
9:50 sherlock holmes 2 - the 1st shoot the slowmo guys ever did in film :)
Yea but can I put RF lenses on it?
That's an awesome camera! ❤
But can we see more of effects tutorials 🫡
Do you know how to make a wandavision hex in after effects?
Cool camera. Might want to spruce up your audio though. You've got some phase delay issues going on (recording stereo or using multiple mics?), or early reflections in your studio, which can be treated acoustically.
Cool slowmos.. missed chance to slap Josh and slow it down
We only didn't because we've done it before. 🤣
Damn it’s been a few years….but I’M BACK!!
are you guys still making narrative films?
Nice.
brother great job 👍👍👏👏❤❤
When’s the next short/feature coming out ?
Camera Conspiracies entered the chat. Unless you film yourself running across a street, it no real slowmo test.
I miss the old film riot so much 😢.
What was the difference? I'm kinda new.
@@drshadowsfilms6059 it use to be so much more fun.. they use to do a lot of shorts and teach you stuff.. now a days it's just products and film theory stuff but they post like once every couple months.. there use to be so many more episodes... I use to religiously watch the channel but I find myself not watching them now.. despite holding on and hoping something changes because I love them but it's just not the same.
@@drshadowsfilms6059 I suggest checking out corridor crew they have always been killers and I'm always learning new things from them but they are also just super fun. I was fortunate enough to work with Jordan on a Chris Brown music video and they are exactly how they are on the show haha
What changed?
too polished with content based on the sponsor of the day. Old film riot was fun, funny and focused a lot on the actual film making process
So now its only doing an advertising clip ☹️?
What’s up with the long gap on uploading videos
We've shifted to bi-weekly for now as we working toward bigger projects behind the scenes.
They're just releasing them in slowmo
Phantom v2511 captures 25,600 frames per second at 1,280 x 800 resolution and only know about that camera because of the slo-mo guys.
I'm your big fan
Thank you!
Anyone know anywhere in NYC that someone with no acting experience could go and work with a small crew for some experience?
Try bulletin board NYU
@@jedgould5531 cheers, thanks bud!
We live in a world where 2K is considered "low resolution"
Excuse me?!?! Comic books? When do we get to see that?
You had the most resolution trouble when you needed depth of field.
Can we also talk about the great sound design that heightens the visuals? 👌🏻
I am a Phantom Flex and Veo operator in England, I have used the Freefly 5k and yes it is a great ‘entry’ level camera but it still doesn’t compare to the image quality and sensor that you get in the phantom. Also having to plug the body into the computer or handing the camera to the DIT isn’t great, especially when the camera crew have set the camera up and you have to remove the camera and download the footage meaning you can’t film anything else until you have downloaded.
Freefly need to build an external SSD mount so you can leave the camera in position and offload the media separately
I want....but $18k is...tought.
Eigth.
You are film school
lol why would anyone pay money to go watch a film in that framerate, felt like i was watching a daytime show on telemundo
"Comic book that you're writing"? Are we just glossing over that? Do tell...