“Did you know that a plane is off course 95% of the time it’s flying?” Sounds a bit like That Pedal Show. You’ll never catch me complaining though! Love it!
The dimension C and D are both based on analog bbd delay (like analog choruses of course), and in 1985 it was all analog. I think they could have just copied the circuit for the waza, and the space savings with SMD would be more than enough to add whatever it needs for the SSD-320 mode. But nothing stops them from using a digital chip for the clock like in recent BBD analog delays like the Rubberneck and the Memory Boy. Other cool facts: the main difference between the D and the C are the use of lower voltage BBDs in the pedals, which mostly means less headroom. The dimension C managed to cram all the original circuit using a single-side through hole board, which is cool in its own regard, and the switches change rate and depth, even if we don't hear the rate because it cancels out. Thanks to aion for their fantastic pedal pages
Time for a new pedal I think: "The D&M Tangent". The pedal will be a random effect sequence generator with the more 'tangent' you dial in the more often the effect will change. It will always finish on the effect it started on however.
I don't really know how but you have perfected a formula that makes talking about how pedals work more interesting than listening to how pedals sound. I want Dan to come to my house and tell me how all my pedals work in great detail.
Man, I have the DC-2W and it is delightful. It sounds good with virtually any pedal I've stacked it with. Throwing some tremolo and delay makes it even more juicy. I never liked chorus, but like I've heard recently, this is the pedal for non-chorus lovers. Ha! So true!
bought a 'regular' boss chorus in 88, took it back the next day after realizing my OCD had me twiddling the knobs constantly. Took it back & got the DC-2 instead. Been on my board ever since
Speaking as a Canadian, I find the level of influence Adams appears to have had over in the UK quite fascinating. It's undeniable that he had a massive footprint in the 80s. Keith's playing certainly deserves credit here, as does Jim Vallance. Adams' work to a sharp turn downward when that partnership dissolved imo. Still, the songs consistently seem to work their way into stuff here and over on Anderton's channel (their go-to being "It's Only Love"). Perhaps I'm jaded. I can turn on one of at least 3 radio stations here and guarantee I'll hear him once a day minimum. Don't take any of this as an indictment. It isn't. Just a very interesting (to me anyway lol) observation.
impedance mismatched signal on the SDD-320, hence the lower output and a more subtle effect. If you are using it a line level it's a much more obvious effect and closer to the Dimension C
On the Bryan Adams thing... Keith Scott what a guitar player. Incredibly underrated. I've always been a song parts guy and the influential players for me were guys like Mike Campbell from Tom Petty, Elliott Easton from The Cars and Keith Scott. Every single thing those guys play is memorable and takes the song somewhere.
Mike Campbell had a nice chorused edgy sound on Tom Petty's 'Breakdown', especially a live version from 1985 (there's a video of it somewhere. A fan throws their stocking to Tom and he wraps it around his neck).
I think it’s a great lesson from Mick on being honest with your ear instead of convincing yourself that since you did something (regret with bigger frets) that you now must convince yourself it was the right decision.
I don't if I can justify the price point for a pedal that is such a specialized sound, one I don't think I would utilize a ton, but man that DC-2 Waza is unreal. What an incredible sound.
I purchased the DC-2 the week it came out in the mid 80's. Remember reading about and wanting it so bad. However never saw any pic's. Drove two hours to Toronto to pick it up and was shocked it had four buttons and that was it for settings, no pots to adjust. Asked the rep why, to which he replied " there wasn't room, two leverls of boards and that was it. Never took it apart so not sure if it was true. Still today one of my fav pedals of all time. Unfortunately stopped playing for many years and sold all my pedals. When I started playing again really missed it. Looked for used but they were way over priced or in crap condition. Very happy that BOSS has brought it back. Thanks guys really appreciate the vid.
Very late to the party on this one but I’ve owned the ce2w, and the neunaber trichorus, along with my roland jazz chorus. I finally bought the dimension waza and it’s genuinely my favorite modulation pedal ever. Subtle sounds is my stuff and this nails it and plays well with gain too. I’m selling my neunaber very soon, this does it for me
Just wanted to say a big thanks to you guys, picked up my first electric after years of playing bass and watching your videos has been such a big help in regards to amps and pedals and tones!
Purple Rain is so linked to "Chorus" that in the manual for Presonus Hybrid AR mixers the description for the Chorus effect mode is simply "Because Purple Rain"
I really like the subtly of the Dimension D over the C. It may have been a line level thing but I liked just a little bit of it. It sounded so natural. I love effects but I love a little of modulation, it seemed to hit that sweet spot.
The Dimension D was more complicated than the Dimension C. I worked for them for 25 years but still found it hard to get the schematics for both. I made a Dimension C on breadboard so I could evolve it into a custom form factor. The chips used are hard to obtain now. I have some if anyone's interested! Both use interesting and complicated circuits and they are so very analogue that no two Dimension D's or C's would sound alike. If you need reproducibility stick with digital.
That SDD-320 is much more subtle than the ones I have heard in the past. My clear favourite here is the DC-2w. Clearly an improvement from the old one.
In case anyone was wondering... the clean part of Paradise City was recorded on album using a Roland JC-120. Contrary to Dan saying that the chorus effect was added after. I would assume they dialed in the chorus right on the amp.
As an aircraft engineer, I can tell you that you're right Mick, it's a wing, not 2 wings... But just for general knowledge, the skin of the Aircraft is a 1mm thick sheet of aluminum ;)
The crunchyness of the dc-2 is obviously because of less headroom I think, however, the dc2-w is now able to run synths trough. And, this pedal is so amazing, that its just one of the most awesome fx pedals i've now got in my collection. Absolutely adore it, especially the Dimension D setting. The settings are both not equal to their original. But its still one of the best chorusses around, again. And its good its not exactly the same.
Speaking of the TC Mimiq pedal......It truly shines in stereo setup.........and specifically when you want to really 'fill' out that background when you are trying to emulate a record sound. I love playing with it.
Mick, I understand you have one on your board and are still loving it. I’ve just got mine and absolutely love it. I’ve always wanted that purple rain sound. Astounding pedal. Never loved chorus too much but this is exactly what I thought a chorus should be.
This is the sound in my head when I think chorus. All the others I’ve had sound too warbly edit - aaaand I’ve ordered one. I think that’s a record for clicking through your affiliate link. Usually takes a few days to talk myself into these things :D
Dimension D is my secret weapon on my Wet-Dry rig, I use it insert in my console on the 2 mics coming from the Wet amp panned left and right. Usually just using the 1 position and it give a large effect.
I've long daydreamed of someone releasing a pedal version of the Rockman Stereo Chorus rack unit-another iconic 80s modulation. But nobody goes near cloning the Rockman stuff :_(
Last time I saw Boston, Tom was using a bunch of his Rockman stuff. It sounded F'ing Amazing! This was at an amphitheater, outdoor show. The Rockman Chorus is something special indeed.
You really hear a flange(or a phaser?) like effect with the drive on, and that is the one thing you don't really hear with Line 6's M5(9or13) version of the dimension C/D. The dimension C is my always on pedal. I just love what it does.
Dimension D is a beast, you press the button and it sounds amazing, what not to like about that? Most Chorus effects out there sounds cringey at most settings, until you turn it completely off, we have all been there haha. No wonder this unit its so popular and is used in so many studios.
This is great, thank you. I ordered a DC-2W a couple of days ago and this really explained what I’m looking for...actually, I play amped up acoustic guitar in a band and am currently experimenting with overdriven guitar into chorus type effects, something like John Martin achieved in Solid Air. Anyway, a great video, with intelligent commentary; thank you.
The Tri-Avatar is a really great sounding pedal. I think it sounds a bit better than the Dimension C, with less phase cancellation. Despite a digital heart !
I was watching your Vlogs from Japan the other day, and you guys said something a long the lines of "boss are a bit forgotten about and overlooked" and you're right, and they shouldn't be. They build amazing pedals, built like a tank and have been doing it since before I was born! they're unfortunate in that they are the standard by which everything else is measured which l;eaves them a bit unloved. they're great though, and there's a reason boss pedals are on or have been on every board ever.
The highlight and wow moment for me on this episode was when you jumped back and forth the Free The Tone pedal and the Dimension C Waza. Talk about colors!! Dimension Cw sounded wetter but then going back to the Free The Tone glorious clean sounds... aghhh G.A.S. striking for both pedals..
That Pedal Show: compare going on tangents to a plane slowly approaching the runway -> actually go on a tangent talking about planes struggling to land. that is absolutely marvelous! and, as always, bloody good episode! love from Switzerland
Quite by chance I engaged the Dimension setting on DD500, which I realise is only a digital simulation, it sounded great and helped me better understand what the fuss is about, in the room and at your fingertips is quite different from what comes through on youtube (even on reasonable speakers), thank you as ever, Matt.
Here's some fresh research: Dimension effect was meant to give a wide chorus feel without the warble. Phase flipping in the half of the split signals is what gives it depth or breadth, but it's the TRAPEZOID waveform of the LFO that gets rid of the warble. Also, as nice as it is on guitar, this effect is like washing out your ears when used on keyboards. Everything just sounds grand (in the SDD mode).
Ah man - I've got a Dimension D in my rack and it is AWESOME! I absolutely love blending it in underneath a full mix...creates so much width on tracks! :-)
P.S. Think of a plane as the fuselage resting on the wings rather than the wings being stuck to the fuselage :P The magnetic heading compensates for the wind speed & direction...so you'll fly into the wind with a slight crab angle in order to follow a straight track relative to the ground :-)
Cracks me up, video released 3 minutes ago and it’s got 15 likes but the video is 55 minutes long!! See boys people just love it when a new video is released, who cares about the content
I always "like" them at the start in case I forget at the end, especially as TH-cam will probably take me straight on into something from Andertons or friends and I'd have to click "back"!
Well, I'd enjoy that! Here are two possibilities (both Clapton) for starters: Cream - "Badge" @ 1:06 = th-cam.com/video/gSpW6MePb10/w-d-xo.html Blind Faith - "Presence of the Lord" @ 2:34 = th-cam.com/video/g69EWScWE0U/w-d-xo.html They might not take much explaining, though. :^)
Ordered the dc-2w today, Amazon has them for $220 where most sell it for $250-280. I own a walrus Julianna and boss ce-2w so perhaps it’s a bit overkill, however the dc-2w sounds so lush and blissful. Was never big on phasers or flangers but absolutely love chorus and vibrato.
Interesting tangent - the Dual BBD chorus was not a new thing in the 80's - it was a cheaper version of an old trick. BBD chorus ensembles were invented in the 70's and were a huge part of the 70's string machine sounds such as the ARP Solina and ARP Odyssey. These were basically transistor organs that had some attack and release added and then they used a 3 BBD chorus to turn that into a massive ensemble effect. It's worth listening to utubes of ARP Solina to hear this magical sound (actually a lot of 80's synth sounds were 70's string machines). Cguck Monte realised this would be a great effect on electric pianos - so somebody make a 3 BBD Tri chorus called Dyno-My-Piano - and this expensive rack unit was used by some high end 80's session guitar players. These analog tri chorus units are absolutely amazing and make the Dimension effect seem a bit pale. I am still hoping somebody will make an affordable ARP solina chorus. TC certainly have the skills to do this - in fact i've bought 3 of their Tailspin Vibrato pedals to get somewhere close. The ARP Odyssy used three free-running BBD vibratos to make their ensemble. But the ARP Solina is 'the' sound and that requires two lfo's with some complex phase shifting to modulate the three BBD delay lines - it's a unique powerful sound that is begging for a come-back.
I'm also going to chime in on the TC 3rd Dimension - I picked one up for under $40 (not sure how that compares to the 29€ others cited, but probably close) and while I have no idea what's "under the hood" it sounds to my ears just like any demo of the DC-2 that I've heard until now. I really love it and it stands out in a band context because it's not like other modulation. Like Mick, I'm running it after my drives in a two-amp wet/dry setup so the lack of stereo doesn't matter in that context. I love it when you review low-budget "alternatives" alongside pricier pedals - I got a Mooer e-lady on Dan's recommendation and love it - and for a lot of us, $200+ for a Waza pedal isn't realistic no matter how good it sounds. I'd be curious what you think about the TC 3rd Dimension (which also does the multiple-button thing) -- maybe a quick follow-up review in an upcoming "Views & Qs"?
Great That Pedal Show! I really wanted to see a Dimension C comparison since I just got a Boss DC-2W (which I love) and you guys did it. Awesome. Thanks!
I hear modulation sounds that I love but I can never seem to get a sound myself that I like. I'd love to see a video on using mods subtly in different situations, especially in ambient, washy stuff.
That DC-2 sound is just so precise, I love it so much. More than a regular chorus can do (which is still cool!). I think the fight we really want to see is the DC-2 vs. the CE-1, tho. Battle of the crunchy
Steve Stevens used the dc rack on the Rebel Album. Flesh for fantasy most notably . But Wendy Melovin always said she used the original ce-1 into a Mesa Mk1 on Purple rain in older 90's interview.When Purple rain came out this pedal wasn't quite in the music store yet well into 85 while the album and movie was already at its peak ,And I'm telling on my age.
Perhaps my earphones have just failed me, but it sounded like you were clipping a bit through your interface on this episode. Amazing comparison and discussion on this episode! Thank you guys, best channel out there! Love the new views & Q’s too!
One of the few reasons I've held on to Line6 M5 is the Dimension D simulation, where you can have all of the four buttons pressed in should you want to (the other reasons are few reverbs and nonexistent resale value)
Which Settings on the Dimension DC-2W SDD-320 mode guitar pedal did Stevie Ray Vaughan use? which buttons settings 1,2,3,4 because you can push down two buttons down at the same time but I don't know which settings SRV used in the studio to get that Spread on pride & joy and texas flood
Don't forget about SRV. Lenny,Riviera paradise,Scuttle buttun,and Couldn' stand the weather... All these songs processed with SDD-320 Rack after the recordings. I guess Dimension effects mixed around 10~15% with dry signal.
Great show :-) Going to have to dig out my DC-2 now.... One other thing that would have been interesting is a quick mono/stereo comparison using one of the DCs. I've only ever used the DC-2 in mono, and my memory is that the effect was very subtle. I think the last time I used it was for playing a cover of an early song from The Church, and it wasn't really a strong enough effect for that.
Didn't know Chorus was on Slash's guitars, but Duff McKagan (the bass player) definitely had one on and is one of the key things that makes his particular tone. Krist Noveselic did too, paired with a Rat I think.
Might have to get an original DC-2. Had one when I was 'growing up' as a guitar player and now have an original DM2 and DD2. Would sit nicely with those. Thanks guys!
“Did you know that a plane is off course 95% of the time it’s flying?” Sounds a bit like That Pedal Show. You’ll never catch me complaining though! Love it!
TeeHee
The dimension C and D are both based on analog bbd delay (like analog choruses of course), and in 1985 it was all analog. I think they could have just copied the circuit for the waza, and the space savings with SMD would be more than enough to add whatever it needs for the SSD-320 mode. But nothing stops them from using a digital chip for the clock like in recent BBD analog delays like the Rubberneck and the Memory Boy.
Other cool facts: the main difference between the D and the C are the use of lower voltage BBDs in the pedals, which mostly means less headroom. The dimension C managed to cram all the original circuit using a single-side through hole board, which is cool in its own regard, and the switches change rate and depth, even if we don't hear the rate because it cancels out.
Thanks to aion for their fantastic pedal pages
Time for a new pedal I think: "The D&M Tangent". The pedal will be a random effect sequence generator with the more 'tangent' you dial in the more often the effect will change. It will always finish on the effect it started on however.
Scott Collier
Yes! 😂
I made a similar comment, but a little different. Your's is much better.
LOL BRILLIANT!!
Or rename the new Vlog Tanned gents digressions.
Ha ha, Perfect, maybe Dan can add it as a custom module to G2 - random loop sequence "tangent" mode :)
And while we're at it: The D&M Horn Pedal. It transforms your guitar in the TPS namedrop horn! Some sort of auto wah filter, I guess.
I don't really know how but you have perfected a formula that makes talking about how pedals work more interesting than listening to how pedals sound. I want Dan to come to my house and tell me how all my pedals work in great detail.
Dan could come to my house and read off the ingredients on my shampoo bottle, and it would still be interesting.
Man, I have the DC-2W and it is delightful. It sounds good with virtually any pedal I've stacked it with. Throwing some tremolo and delay makes it even more juicy. I never liked chorus, but like I've heard recently, this is the pedal for non-chorus lovers. Ha! So true!
Are you running it last or before Trem and reverb?
bought a 'regular' boss chorus in 88, took it back the next day after realizing my OCD had me twiddling the knobs constantly. Took it back & got the DC-2 instead. Been on my board ever since
This comment may have just made my decision for me. 😄 As my dad has said, “I resemble that remark.”
Speaking as a Canadian, I find the level of influence Adams appears to have had over in the UK quite fascinating. It's undeniable that he had a massive footprint in the 80s. Keith's playing certainly deserves credit here, as does Jim Vallance. Adams' work to a sharp turn downward when that partnership dissolved imo. Still, the songs consistently seem to work their way into stuff here and over on Anderton's channel (their go-to being "It's Only Love"). Perhaps I'm jaded. I can turn on one of at least 3 radio stations here and guarantee I'll hear him once a day minimum. Don't take any of this as an indictment. It isn't. Just a very interesting (to me anyway lol) observation.
I have 2 original DC-2s (and DC-3s). Got the DC-2W in late December (2018) and absolutely LOVE it! Great unit.
did you try fromel seraph de luxe?
impedance mismatched signal on the SDD-320, hence the lower output and a more subtle effect. If you are using it a line level it's a much more obvious effect and closer to the Dimension C
On the Bryan Adams thing...
Keith Scott what a guitar player. Incredibly underrated.
I've always been a song parts guy and the influential players for me were guys like Mike Campbell from Tom Petty, Elliott Easton from The Cars and Keith Scott. Every single thing those guys play is memorable and takes the song somewhere.
Mike Campbell had a nice chorused edgy sound on Tom Petty's 'Breakdown', especially a live version from 1985 (there's a video of it somewhere. A fan throws their stocking to Tom and he wraps it around his neck).
Wonder how many people have bought gigrig switchers and been gutted when their pedals didn't light up when they turned the loops on 😂
Hahahaha
I think it’s a great lesson from Mick on being honest with your ear instead of convincing yourself that since you did something (regret with bigger frets) that you now must convince yourself it was the right decision.
I don't if I can justify the price point for a pedal that is such a specialized sound, one I don't think I would utilize a ton, but man that DC-2 Waza is unreal. What an incredible sound.
I'm a keyboard player and I've just tuned in to this channel recently ... really loving it. Who knew? Brilliant stuff you two :)
Yet again, TPS manages to reduce my bank balance! Great show as always - the tangents are what makes TPS so great
I purchased the DC-2 the week it came out in the mid 80's. Remember reading about and wanting it so bad. However never saw any pic's. Drove two hours to Toronto to pick it up and was shocked it had four buttons and that was it for settings, no pots to adjust. Asked the rep why, to which he replied " there wasn't room, two leverls of boards and that was it. Never took it apart so not sure if it was true. Still today one of my fav pedals of all time.
Unfortunately stopped playing for many years and sold all my pedals. When I started playing again really missed it. Looked for used but they were way over priced or in crap condition. Very happy that BOSS has brought it back.
Thanks guys really appreciate the vid.
Dc2w ......I am so pumped to receive mine after this.
That’s a sweet sounding strat Mick! Could be a contender!
Very late to the party on this one but I’ve owned the ce2w, and the neunaber trichorus, along with my roland jazz chorus. I finally bought the dimension waza and it’s genuinely my favorite modulation pedal ever. Subtle sounds is my stuff and this nails it and plays well with gain too. I’m selling my neunaber very soon, this does it for me
Niiiice! SUch a cool sound. :0)
Are you running dc2w into gain? I can’t run gain into dc2w because it clips
Just wanted to say a big thanks to you guys, picked up my first electric after years of playing bass and watching your videos has been such a big help in regards to amps and pedals and tones!
Boss did a great job on this pedal - it's been my favourite since I first saw an original and wanted one ever since. Wouldn't sell it.
Purple Rain is so linked to "Chorus" that in the manual for Presonus Hybrid AR mixers the description for the Chorus effect mode is simply "Because Purple Rain"
I really like the subtly of the Dimension D over the C. It may have been a line level thing but I liked just a little bit of it. It sounded so natural. I love effects but I love a little of modulation, it seemed to hit that sweet spot.
The Dimension D was more complicated than the Dimension C. I worked for them for 25 years but still found it hard to get the schematics for both. I made a Dimension C on breadboard so I could evolve it into a custom form factor. The chips used are hard to obtain now. I have some if anyone's interested! Both use interesting and complicated circuits and they are so very analogue that no two Dimension D's or C's would sound alike. If you need reproducibility stick with digital.
That SDD-320 is much more subtle than the ones I have heard in the past. My clear favourite here is the DC-2w. Clearly an improvement from the old one.
In case anyone was wondering... the clean part of Paradise City was recorded on album using a Roland JC-120. Contrary to Dan saying that the chorus effect was added after. I would assume they dialed in the chorus right on the amp.
Flesh for Fantasy was a killer use of this effect! HUGE!
As an aircraft engineer, I can tell you that you're right Mick, it's a wing, not 2 wings...
But just for general knowledge, the skin of the Aircraft is a 1mm thick sheet of aluminum ;)
Ohhh... that started so well. Thank you! :0)
NOW I have a justification for NEVER getting into an aircraft.
* except the 787 right? Carbon Fibre not alloy skin.
The crunchyness of the dc-2 is obviously because of less headroom I think, however, the dc2-w is now able to run synths trough. And, this pedal is so amazing, that its just one of the most awesome fx pedals i've now got in my collection. Absolutely adore it, especially the Dimension D setting.
The settings are both not equal to their original. But its still one of the best chorusses around, again. And its good its not exactly the same.
I wish someone would montage every time Dan has difficulty explaining complicated pedal physics on camera. It's one of my favorite TPS tics.
Speaking of the TC Mimiq pedal......It truly shines in stereo setup.........and specifically when you want to really 'fill' out that background when you are trying to emulate a record sound. I love playing with it.
You had me at that first chord, Mick
Yeeeeeeeeeeah, the Gretsch is back!
Love my Waza Dimension C. I hit it with the Double Rock. Sounds mega.
Mick, I understand you have one on your board and are still loving it. I’ve just got mine and absolutely love it. I’ve always wanted that purple rain sound. Astounding pedal. Never loved chorus too much but this is exactly what I thought a chorus should be.
This is the sound in my head when I think chorus. All the others I’ve had sound too warbly
edit - aaaand I’ve ordered one. I think that’s a record for clicking through your affiliate link. Usually takes a few days to talk myself into these things :D
Same here. Ryan Adams last two records sound like it's littered with the Dimension C and that's exactly what i want my "chorus" to sound like.
Remember 2-3 years ago when everyone hated chorus pedals? Pepperidge Farms remembers.
Everyone huh
That purple rain at the start is just lovely.
Dimension D is my secret weapon on my Wet-Dry rig, I use it insert in my console on the 2 mics coming from the Wet amp panned left and right. Usually just using the 1 position and it give a large effect.
I've A/B'd them and love both. I really like the darkness of the original and the brightness of the new one I guess that means i need both haha.
You missed out the DC-3 Digital Dimension which was an excellent pedal. Had a mix knob for extra subtlety and tone control.
I've long daydreamed of someone releasing a pedal version of the Rockman Stereo Chorus rack unit-another iconic 80s modulation. But nobody goes near cloning the Rockman stuff :_(
CaptPostmod UAD has a plugin of the Dytronix Tri-chorus!
Rocktron tsunami?
Last time I saw Boston, Tom was using a bunch of his Rockman stuff. It sounded F'ing Amazing! This was at an amphitheater, outdoor show. The Rockman Chorus is something special indeed.
You really hear a flange(or a phaser?) like effect with the drive on, and that is the one thing you don't really hear with Line 6's M5(9or13) version of the dimension C/D. The dimension C is my always on pedal. I just love what it does.
Dimension D is a beast, you press the button and it sounds amazing, what not to like about that? Most Chorus effects out there sounds cringey at most settings, until you turn it completely off, we have all been there haha. No wonder this unit its so popular and is used in so many studios.
So glad you guys did a show on these!
This is great, thank you. I ordered a DC-2W a couple of days ago and this really explained what I’m looking for...actually, I play amped up acoustic guitar in a band and am currently experimenting with overdriven guitar into chorus type effects, something like John Martin achieved in Solid Air. Anyway, a great video, with intelligent commentary; thank you.
The Tri-Avatar is a really great sounding pedal. I think it sounds a bit better than the Dimension C, with less phase cancellation. Despite a digital heart !
.
I was watching your Vlogs from Japan the other day, and you guys said something a long the lines of "boss are a bit forgotten about and overlooked" and you're right, and they shouldn't be. They build amazing pedals, built like a tank and have been doing it since before I was born! they're unfortunate in that they are the standard by which everything else is measured which l;eaves them a bit unloved. they're great though, and there's a reason boss pedals are on or have been on every board ever.
Yay, tangents still intact in un-edited HD goodness. It’s like Star Wars back in the 80s on laser disc... only with pedals.
This channel has SO grown on me. Great stuff guys.
The little harmonic at 30:14 kinda reminded me of the gameboy advance startup sound haha
The highlight and wow moment for me on this episode was when you jumped back and forth the Free The Tone pedal and the Dimension C Waza. Talk about colors!! Dimension Cw sounded wetter but then going back to the Free The Tone glorious clean sounds... aghhh G.A.S. striking for both pedals..
The dimension (D or C) is the sound of the 80’s, doesn’t matter what genre of music, could be anything from pop to metal. Cool experiment
That Pedal Show:
compare going on tangents to a plane slowly approaching the runway
-> actually go on a tangent talking about planes struggling to land.
that is absolutely marvelous!
and, as always, bloody good episode! love from Switzerland
Get Slash in and ask him. 👍
RE: Slash & paradise city. I recall an interview where he said he recorded that intro on a Jazz chorus amp.
The waza stuff has been awsome(i have the dm 2w) defiantly want to try the dc 2
Hell yea, rep that Pantheon! Friggin love that pedal.
26.38 - Perfect for some 'Spirit of The Radio' riffing.
Fantastic show again guys.
Quite by chance I engaged the Dimension setting on DD500, which I realise is only a digital simulation, it sounded great and helped me better understand what the fuss is about, in the room and at your fingertips is quite different from what comes through on youtube (even on reasonable speakers), thank you as ever, Matt.
Here's some fresh research: Dimension effect was meant to give a wide chorus feel without the warble. Phase flipping in the half of the split signals is what gives it depth or breadth, but it's the TRAPEZOID waveform of the LFO that gets rid of the warble.
Also, as nice as it is on guitar, this effect is like washing out your ears when used on keyboards. Everything just sounds grand (in the SDD mode).
Ah man - I've got a Dimension D in my rack and it is AWESOME! I absolutely love blending it in underneath a full mix...creates so much width on tracks! :-)
P.S. Think of a plane as the fuselage resting on the wings rather than the wings being stuck to the fuselage :P The magnetic heading compensates for the wind speed & direction...so you'll fly into the wind with a slight crab angle in order to follow a straight track relative to the ground :-)
6:25 Rumor Mill - Slash's clean guitar was reamped through a JC-120 during the mixing phase
Cracks me up, video released 3 minutes ago and it’s got 15 likes but the video is 55 minutes long!!
See boys people just love it when a new video is released, who cares about the content
Speaks volumes to the consistent quality content of TPS, eh? 🎸👍🏻
I always "like" them at the start in case I forget at the end, especially as TH-cam will probably take me straight on into something from Andertons or friends and I'd have to click "back"!
Content matters to me, the content of this episode was somewhat unappealing to me. Only watched 15 mins, then turned it off.
Exactly, and if I decide I hates it, I can easily unclick it.
Saw the title, and knew I was in for a wobbly time. I was right!
Purple rain was originally played with a CE-1 according to Wendy Melvoin in a vertex effects interview
Correct.
How about an episode on the 10 greatest recorded sounds/riffs and the pedals that shaped them, as suggested by TPS viewers?
Well, I'd enjoy that! Here are two possibilities (both Clapton) for starters:
Cream - "Badge" @ 1:06 = th-cam.com/video/gSpW6MePb10/w-d-xo.html
Blind Faith - "Presence of the Lord" @ 2:34 = th-cam.com/video/g69EWScWE0U/w-d-xo.html
They might not take much explaining, though. :^)
@@erajad Good call! I just want Dan to get the Electric Mistress and other classic gear out ;-)
the Edge near the End of One Tree Hill
Ordered the dc-2w today, Amazon has them for $220 where most sell it for $250-280. I own a walrus Julianna and boss ce-2w so perhaps it’s a bit overkill, however the dc-2w sounds so lush and blissful. Was never big on phasers or flangers but absolutely love chorus and vibrato.
Interesting tangent - the Dual BBD chorus was not a new thing in the 80's - it was a cheaper version of an old trick. BBD chorus ensembles were invented in the 70's and were a huge part of the 70's string machine sounds such as the ARP Solina and ARP Odyssey. These were basically transistor organs that had some attack and release added and then they used a 3 BBD chorus to turn that into a massive ensemble effect. It's worth listening to utubes of ARP Solina to hear this magical sound (actually a lot of 80's synth sounds were 70's string machines). Cguck Monte realised this would be a great effect on electric pianos - so somebody make a 3 BBD Tri chorus called Dyno-My-Piano - and this expensive rack unit was used by some high end 80's session guitar players. These analog tri chorus units are absolutely amazing and make the Dimension effect seem a bit pale. I am still hoping somebody will make an affordable ARP solina chorus. TC certainly have the skills to do this - in fact i've bought 3 of their Tailspin Vibrato pedals to get somewhere close. The ARP Odyssy used three free-running BBD vibratos to make their ensemble. But the ARP Solina is 'the' sound and that requires two lfo's with some complex phase shifting to modulate the three BBD delay lines - it's a unique powerful sound that is begging for a come-back.
I'm a big fan of Boss Chorus pedals, thanks for the video !
I'm also going to chime in on the TC 3rd Dimension - I picked one up for under $40 (not sure how that compares to the 29€ others cited, but probably close) and while I have no idea what's "under the hood" it sounds to my ears just like any demo of the DC-2 that I've heard until now. I really love it and it stands out in a band context because it's not like other modulation. Like Mick, I'm running it after my drives in a two-amp wet/dry setup so the lack of stereo doesn't matter in that context. I love it when you review low-budget "alternatives" alongside pricier pedals - I got a Mooer e-lady on Dan's recommendation and love it - and for a lot of us, $200+ for a Waza pedal isn't realistic no matter how good it sounds. I'd be curious what you think about the TC 3rd Dimension (which also does the multiple-button thing) -- maybe a quick follow-up review in an upcoming "Views & Qs"?
10 minutes in. Mick...."so it's the inter-relationship of the phases". Excellent use of language = job done.
Well words was my mainest thing when I done a career.
Did I watch a one hour long video on chorus pedals???
Damn...
Great That Pedal Show! I really wanted to see a Dimension C comparison since I just got a Boss DC-2W (which I love) and you guys did it. Awesome. Thanks!
Although I have no taste for most modulation sounds I learned much from this.
I hear modulation sounds that I love but I can never seem to get a sound myself that I like. I'd love to see a video on using mods subtly in different situations, especially in ambient, washy stuff.
That DC-2 sound is just so precise, I love it so much. More than a regular chorus can do (which is still cool!). I think the fight we really want to see is the DC-2 vs. the CE-1, tho. Battle of the crunchy
CE-1 will win that one.
@@petejt lol
I just realised Dimension is the sound of 90's Van Halen! Wow!
Steve Stevens used the dc rack on the Rebel Album. Flesh for fantasy most notably . But Wendy Melovin always said she used the original ce-1 into a Mesa Mk1 on Purple rain in older 90's interview.When Purple rain came out this pedal wasn't quite in the music store yet well into 85 while the album and movie was already at its peak ,And I'm telling on my age.
Perhaps my earphones have just failed me, but it sounded like you were clipping a bit through your interface on this episode. Amazing comparison and discussion on this episode! Thank you guys, best channel out there! Love the new views & Q’s too!
It was a bit crunchy in the high end. No clipping, just crunchy drive with plenty of sizzle.
That explains it! Thanks guys! Keep up the “Guitar-God’s” good work! See you next episode!
TPS time :-)
One of the few reasons I've held on to Line6 M5 is the Dimension D simulation, where you can have all of the four buttons pressed in should you want to (the other reasons are few reverbs and nonexistent resale value)
Hahahaha!!! NERV. That is now a thing - you’ve just made it one!
Cool sounds! I would however like a mix/blend button on the Waza.
Which Settings on the Dimension DC-2W SDD-320 mode guitar pedal did Stevie Ray Vaughan use? which buttons settings 1,2,3,4 because you can push down two buttons down at the same time but I don't know which settings SRV used in the studio to get that Spread on pride & joy and texas flood
It really is the early 90's in a box... Reminds me of Type O Negative honestly.
It absolutely nails the In Praise of Baccus clean sound
Don't forget about SRV. Lenny,Riviera paradise,Scuttle buttun,and Couldn' stand the weather... All these songs processed with SDD-320 Rack after the recordings. I guess Dimension effects mixed around 10~15% with dry signal.
I’ve never wanted a Gretsch, except for all the times Dan plays his. Very cool guitar.
Hands up who now wants to hear the Kung-Fu record through the Dimension?
Awesome Show Mates!!!!
Another brilliant episode.
Wow. Pedal Jesus is no more (with TC). That’s a huge loss for them but big win for UA.
Bizarre. I was only looking at some pictures of the Dimension D literally moments before I got the notification that this vid had dropped.
Great show :-) Going to have to dig out my DC-2 now.... One other thing that would have been interesting is a quick mono/stereo comparison using one of the DCs. I've only ever used the DC-2 in mono, and my memory is that the effect was very subtle. I think the last time I used it was for playing a cover of an early song from The Church, and it wasn't really a strong enough effect for that.
Had to stop at 21:15 and order a DC-2w. That is THE wibbly-wobbly sound!
Didn't know Chorus was on Slash's guitars, but Duff McKagan (the bass player) definitely had one on and is one of the key things that makes his particular tone. Krist Noveselic did too, paired with a Rat I think.
Awesome video! Thanks guys ❤
Oooh this is serious nerdiness right there! The buffer situation... Ahahaha
Might have to get an original DC-2. Had one when I was 'growing up' as a guitar player and now have an original DM2 and DD2. Would sit nicely with those. Thanks guys!
And we are off! Straight in with Prince. Obvs.
Micks pick attack.Wicka wicka wacka.lol.So cool
DC-2W also works brilliantly on bass. Love mine.
Dude just answered the question that just popped in my head 😊