When we see, at the end of the video, after this excellent performance of these two famous baritones, people from the audience clapping softly or not clapping at all, we say to ourselves that there are swine who come to attend this concert just to show themselves and that they are not worthy of the gold that has been given to hear! Quand on voit, en fin de vidéo, après cette excellente prestation de ces deux grands barytons, des personnes du public applaudir mollement ou ne pas applaudir du tout, on se dit qu'il y a des pourceaux qui viennent assister à ce concerts juste pour se montrer et qu'ils ne sont point dignes de l'or qu'on a donné à entendre!
Perfekte Stimmen, perfekte Komödianten, Schwiegervater und Schwiegersohn. So mies kann keine Laune sein, dass man hier beim Zuhören und -sehen nicht sofort schmunzeln oder gar lachen muss. Wohlfühlmusik in Reinkultur!
Pour moi, Luca Pisaroni est le meilleur 'agir' baryton en grand opéra des 20 dernières années. Dans chaque spectacle, il joue son rôle aussi parfaitement comme il le chante, que ce soit l'humour ou pathos. Son catalogue aria, dans le célèbre moderne Salzbourg cadre de l'hôtel de Don Giovanni, est probablement la meilleure version visuelle du grand air actuellement disponible. Mais le plus important, il peut prendre opéras du18e,19e et 20e siècles et les exécuter dans des environnements totalement modernes de façon si convaincante qu'on est jamais distrait par le changement de son expérience originale des années 1950, 60 et 70 comme les lignes de l'histoire, et les livrets, semblent presque avoir été écrit pour le monde du 21e siècle. Avec d'Archangelo, Pisaroni est le plus grand cadeau réalisateurs et producteurs de ce merveilleux art modernes ont été donnés. Dans l'exercice actuel de concert ci-dessus, avec Hampson, sa diction est presque incroyable. Il est dommage que Hampson ne peut pas chanter avec un accent italien. Mais cela est une très petite critique quand on se rend compte de la chance que l'on a d'entendre une telle performance stupéfiante de deux des chanteurs ludiques et magnifiques.
Luca is, without a doubt, one of the best bass-baritones in opera I have ever listened to. Carrying down from Paul Robeson, Norman Treigle, William Warfield, and Sam Ramey, Ildebrando d'Arcangelo, and James Morris, whom both three are still around singing today, I think Luca Pisaroni has a perfect personality and flows well with the great lyric baritone Thomas Hampson, whose daughter happens to be Mrs. Pisaroni. Tom and Luca are a team! They're like brothers.
@@artemsmirnov7067 I got the impression, that you are engaged in someone else's private life and this is not good. Pizarone is a wonderful singer, he sang beautifully in MET Leporello. And in MET, mediocrity does not sing. You may not like him. But you shouldn't become like a dissatisfied and an evil old maid and discuss someone's private life, if you don't have your own. This is one of the seven deadly sins - envy
@@victorchristy1706 Luca Pisaroni can never be a bass-baritone. His speaking voice is even higher and lighter than Hampson’s, and I think Hampson is an undeveloped tenor.
Unfassbar schön, komisch und gekonnt! Luca Pisaroni ist nicht nur einer der weltbesten Baritone aller Zeiten sondern auch ein Komödiant par excellence: bravo, bravo!
@@helmutborn660 wennn sie sagen würden, er ist einer der weltschönsten Baritone, würde ich sie verstehen... aber das andere ist Unfug... er ist totaler Durchschnitt - einmal gehört wird man sich nie mehr an ihn erinnern... solche Baritone gibt es zu Tausenden - aber er hat halt eine gute Agentur und das spricht ja für ihn... beleidigen Sie mir aber nicht die vielen besseren Baritone... - sonst fällt mir ein, welche Baritone vieeeel besser sind als er!!! (angefangen bei Ambrogio Maestri - über Edwin Crossley bis mindestens 150 noch andere und noch lebende...)
Kritik über einen der weltbesten Bariton aus Wien... Das gelang Luca Pisaroni für die vier Bösewichter den ganzen Abend lang nicht. Pisaroni hat einen angenehmen Bariton, am besten für Mozart, aber sonst ermangelte es an fast allem: Zuerst an Kraft und Nachdruck, was die vier Rollen dringlich verlangen. Weiters an der Dämonie der Stimme und des Ausdrucks. Und schließlich an der ganzen Bühnenpersönlichkeit - da konnten ihn die Maskenbildner in den vier Rollen noch so schaurig herrichten, der Interpret schien seine Töne nicht ohne Mühe (das Ende der “Diamant”-Arie peinlich verhauend), aber vor allem ohne glaubhaftes Interesse herunter zu singen. Das war nicht eine Nummer zu klein, sondern mindestens zwei, wenn nicht drei…
For me Luca Pisaroni is the best 'acting' baritone in grand opera of the past 20 years. In every performance he plays his part as perfectly as he sings it, be it humour or pathos. His catalogue aria in the famous modern Salzburg hotel setting of Don Giovanni is probably the best visual version of the great aria currently available. But most importantly he can take 18th, 19th and 20th century operas and perform them in totally modern settings so convincingly that one is never distracted by the change from one's natal experience of the 1950s, 60s and 70s as the story lines and the libretti seem almost to have been written for the 21st century world. With d'Archangelo, Pisaroni is the greatest gift modern directors and producers of this wonderful art have been given. In the above concert performance with Hampson his diction is almost unbelievable. It is just a shame that Hampson cannot sing with an Italian accent. But that is a very small criticism when one realises how lucky one is to hear such a staggering performance from two such entertaining and magnificent singers.
Per me Luca Pisaroni è il miglior 'agire' baritono nella grande opera degli ultimi 20 anni. In ogni performance che gioca la sua parte, come perfettamente come lui canta, che si tratti di umorismo e pathos. Il suo catalogo Aria, nel famoso hotel moderno ambiente di Salisburgo di Don Giovanni, è probabilmente la migliore versione visiva della grande aria attualmente disponibili. Ma soprattutto si può prendere 18, 19 e le opere del 20 ° secolo e di eseguire in ambienti totalmente moderne in modo convincente che uno non è mai distratto dal passaggio da una propria esperienza natale degli anni 1950, '60 e '70, come le linee di storia, e la libretti, sembrano quasi essere stato scritto per il mondo del 21 ° secolo. Con D'Arcangelo, Pisaroni è il dono più grande registi e produttori di questa meravigliosa arte moderne sono state date. Nel concerto di cui sopra con Hampson la sua dizione è quasi incredibile. E 'solo un peccato che Hampson non può cantare con un accento italiano. Ma questa è una molto piccola critica quando ci si rende conto quanto fortunato uno è quello di ascoltare una ariettanta così sconcertante da due di questi cantanti divertenti e magnifici.
Creo que Thomas Hampson ha cometido algunos errores en esta interpretación. El principal cuando dice en 4:29: "(...)non vede il semplice, non vede il semplice che nella trappola di se medesimo (non vede il semplice che) nella trappola di se medesimo (...)" Donde la parte entre paréntesis sobra, pues hace que se vea obligado a terminar el verso prematuramente, aunque tal vez sea lo que le indicó el director, pero si fuera el caso, no me parecería un buen cambio. Por otro lado, en 5:13 casi se adelanta.
Bravissimo Pisaroni! Non male neanche Hampson, ma è un po' troppo caricato il suo italiano (e va be', cade nel sillabato, ma questo anche tanti altri).
It seems to me that Mr Hampson is somewhat better at the very fast patter than his son-in-law.
2 ปีที่แล้ว +2
1:32 His low B is almost inaudible. Pisaroni is at least a baritone, but I still suspect he's a tenor. And Hampson.... Can't reach a low B. Unfortunate....
great artists and performers....boring voices. Saw both of them live and even sat in on a televised masterclass with Hampson teaching. Very musical and thorough...but....yawn. Great artists!
@@nickevershedmusic8927 theres nothing exciting about their voices. Hampson the artist and professional he is just doesn't in my opinion have a voice I would find myself wanting to listen to aside from his artistry and how he interprets the music. I saw Pisaroni at HGO in Faust...outstanding performer but I didn't find his voice to be anything special. If anything 'dull' in his tone. Re your last question...I don't know who you are and haven't heard you sing. Just a reminder...the above is just my opinion.
2 ปีที่แล้ว +4
0:54 a bass-baritone almost dying to reach a low F? NAH Pisaroni are not a bass dude. He is far from a bass baritone. And Don Pasquale should be a basso
because Pisaroni has the voice of a small Baritone very "magro"... having not the necessary flexibility of a Buffo Voice - an not the sonour Sound... like the voices of Corena... Panarei e soprattutto Taddei... and by the way the "Parlando" of the two is really a shame... very "dirty"...
Terrible. Pisaroni is a lyric baritone without high notes. So he is bassbaritone. He is a goodlooking singer without special voice. Pizarro and golaud, I can hardly imagine.
![[#2024MAMA] ROSÉ (로제), Bruno Mars - APT. | Mnet 241122 방송](http://i.ytimg.com/vi/dgGqD28J6aQ/mqdefault.jpg)
When we see, at the end of the video, after this excellent performance of these two famous baritones, people from the audience clapping softly or not clapping at all, we say to ourselves that there are swine who come to attend this concert just to show themselves and that they are not worthy of the gold that has been given to hear!
Quand on voit, en fin de vidéo, après cette excellente prestation de ces deux grands barytons, des personnes du public applaudir mollement ou ne pas applaudir du tout, on se dit qu'il y a des pourceaux qui viennent assister à ce concerts juste pour se montrer et qu'ils ne sont point dignes de l'or qu'on a donné à entendre!
Perfekte Stimmen, perfekte Komödianten, Schwiegervater und Schwiegersohn. So mies kann keine Laune sein, dass man hier beim Zuhören und -sehen nicht sofort schmunzeln oder gar lachen muss. Wohlfühlmusik in Reinkultur!
Absolutely wonderful.
Meraviglioso, congratulationsa to both of them, wonderful performances,,,,JRT
Pour moi, Luca Pisaroni est le meilleur 'agir' baryton en grand opéra des 20 dernières années. Dans chaque spectacle, il joue son rôle aussi parfaitement comme il le chante, que ce soit l'humour ou pathos. Son catalogue aria, dans le célèbre moderne Salzbourg cadre de l'hôtel de Don Giovanni, est probablement la meilleure version visuelle du grand air actuellement disponible. Mais le plus important, il peut prendre opéras du18e,19e et 20e siècles et les exécuter dans des environnements totalement modernes de façon si convaincante qu'on est jamais distrait par le changement de son expérience originale des années 1950, 60 et 70 comme les lignes de l'histoire, et les livrets, semblent presque avoir été écrit pour le monde du 21e siècle. Avec d'Archangelo, Pisaroni est le plus grand cadeau réalisateurs et producteurs de ce merveilleux art modernes ont été donnés. Dans l'exercice actuel de concert ci-dessus, avec Hampson, sa diction est presque incroyable. Il est dommage que Hampson ne peut pas chanter avec un accent italien. Mais cela est une très petite critique quand on se rend compte de la chance que l'on a d'entendre une telle performance stupéfiante de deux des chanteurs ludiques et magnifiques.
Che meravigliosa contrattazione! !
Luca is, without a doubt, one of the best bass-baritones in opera I have ever listened to. Carrying down from Paul Robeson, Norman Treigle, William Warfield, and Sam Ramey, Ildebrando d'Arcangelo, and James Morris, whom both three are still around singing today, I think Luca Pisaroni has a perfect personality and flows well with the great lyric baritone Thomas Hampson, whose daughter happens to be Mrs. Pisaroni. Tom and Luca are a team! They're like brothers.
@@artemsmirnov7067 I got the impression, that you are engaged in someone else's private life and this is not good. Pizarone is a wonderful singer, he sang beautifully in MET Leporello. And in MET, mediocrity does not sing. You may not like him. But you shouldn't become like a dissatisfied and an evil old maid and discuss someone's private life, if you don't have your own. This is one of the seven deadly sins - envy
@@artemsmirnov7067 OK thank. Good luck and health
Bass-baritone??????
@@BaroneVitellioScarpia1 I changed my mind about him now.
@@victorchristy1706 Luca Pisaroni can never be a bass-baritone. His speaking voice is even higher and lighter than Hampson’s, and I think Hampson is an undeveloped tenor.
Nagy melegben érdemes ezt hallgatni - mert az énekesek zseniális virtuozitásától a lúdbőrzés elindul rajtad..
BRAVISSIMO!!!!
Bravissimo!!!!!
What son-in-law, and what father-in-law! Wow! 🙏🙏🙏🙏🎼🎵🎶🤗🤗🤗🤗🥰🥰🥰⭐🌟✨⭐🌟👏👏👏👏🎶🎼🎵🎶
È la più amabile ed orecchiabile opera buffa!!!
Unfassbar schön, komisch und gekonnt! Luca Pisaroni ist nicht nur einer der weltbesten Baritone aller Zeiten sondern auch ein Komödiant par excellence: bravo, bravo!
da haben Sie aber sehr wenig Baritone gehört... und sind also bald mal zufrieden...
@@leoploner8929 Dummes Ding! Was weißt denn DU!
@@helmutborn660 wennn sie sagen würden, er ist einer der weltschönsten Baritone, würde ich sie verstehen... aber das andere ist Unfug... er ist totaler Durchschnitt - einmal gehört wird man sich nie mehr an ihn erinnern... solche Baritone gibt es zu Tausenden - aber er hat halt eine gute Agentur und das spricht ja für ihn... beleidigen Sie mir aber nicht die vielen besseren Baritone... - sonst fällt mir ein, welche Baritone vieeeel besser sind als er!!! (angefangen bei Ambrogio Maestri - über Edwin Crossley bis mindestens 150 noch andere und noch lebende...)
Kritik über einen der weltbesten Bariton aus Wien... Das gelang Luca Pisaroni für die vier Bösewichter den ganzen Abend lang nicht. Pisaroni hat einen angenehmen Bariton, am besten für Mozart, aber sonst ermangelte es an fast allem: Zuerst an Kraft und Nachdruck, was die vier Rollen dringlich verlangen. Weiters an der Dämonie der Stimme und des Ausdrucks. Und schließlich an der ganzen Bühnenpersönlichkeit - da konnten ihn die Maskenbildner in den vier Rollen noch so schaurig herrichten, der Interpret schien seine Töne nicht ohne Mühe (das Ende der “Diamant”-Arie peinlich verhauend), aber vor allem ohne glaubhaftes Interesse herunter zu singen. Das war nicht eine Nummer zu klein, sondern mindestens zwei, wenn nicht drei…
Deux grands qui s'amusent avec Donizetti! Fabuleux!
je suis du même avis....SUPERBE
J'adore ces deux chanteurs !
For me Luca Pisaroni is the best 'acting' baritone in grand opera of the past 20 years. In every performance he plays his part as perfectly as he sings it, be it humour or pathos. His catalogue aria in the famous modern Salzburg hotel setting of Don Giovanni is probably the best visual version of the great aria currently available. But most importantly he can take 18th, 19th and 20th century operas and perform them in totally modern settings so convincingly that one is never distracted by the change from one's natal experience of the 1950s, 60s and 70s as the story lines and the libretti seem almost to have been written for the 21st century world. With d'Archangelo, Pisaroni is the greatest gift modern directors and producers of this wonderful art have been given. In the above concert performance with Hampson his diction is almost unbelievable. It is just a shame that Hampson cannot sing with an Italian accent. But that is a very small criticism when one realises how lucky one is to hear such a staggering performance from two such entertaining and magnificent singers.
Cannot agree more. I have loved this talented artist since the Glyndebourne Cosi and the Saltzburg Don Giovanni. He is just superb.
Thanks. I only spoke the truth, my wife bought me the Glyndebourne dvd soon as it came out! btw Ilike you & the dogs too :) ciao. Anton
Amazing.
Gorgeous!!
che coppia di splendidi uomini e cantanti
I'm so in love with them.
Bravissimi!!❤❤👌👏👏👏👏👏🌹
Per me Luca Pisaroni è il miglior 'agire' baritono nella grande opera degli ultimi 20 anni. In ogni performance che gioca la sua parte, come perfettamente come lui canta, che si tratti di umorismo e pathos. Il suo catalogo Aria, nel famoso hotel moderno ambiente di Salisburgo di Don Giovanni, è probabilmente la migliore versione visiva della grande aria attualmente disponibili. Ma soprattutto si può prendere 18, 19 e le opere del 20 ° secolo e di eseguire in ambienti totalmente moderne in modo convincente che uno non è mai distratto dal passaggio da una propria esperienza natale degli anni 1950, '60 e '70, come le linee di storia, e la libretti, sembrano quasi essere stato scritto per il mondo del 21 ° secolo. Con D'Arcangelo, Pisaroni è il dono più grande registi e produttori di questa meravigliosa arte moderne sono state date. Nel concerto di cui sopra con Hampson la sua dizione è quasi incredibile. E 'solo un peccato che Hampson non può cantare con un accento italiano. Ma questa è una molto piccola critica quando ci si rende conto quanto fortunato uno è quello di ascoltare una ariettanta così sconcertante da due di questi cantanti divertenti e magnifici.
Marvelous bravo!
Einfach Umwerfend,,,Sängerisch wie auch Schauspielerisch👏🏻👏🏻👏🏻👏🏻🎶👏🏻👏🏻👏🏻🎉
Excellents !
Bravo!
Két szuper énekes !!!
Mindig szuper !!
Pues lo hacen muy però que muy bien
04:35 eh?????
When is the duet coming to South Africa
Duet for two tenors
@Barone Vitellio Scarpia si credono due bassi ma sono solo due tenori i schifosi. Ah e ovviamente 1 Pisaroni= Infiniti JNF
1 Hampson= Infiniti JNF
Parole sante.
Tenori ??? 😵😵😵
@@BaroneVitellioScarpia1 Beh...Pisaroni almeno sa cantare in italiano, cosa che al genero non riesce di fare😆
Micsoda VIRTUOZITÁS!!! Mégis jó itt a földön élni...Pandémia ide, oda...
Creo que Thomas Hampson ha cometido algunos errores en esta interpretación. El principal cuando dice en 4:29:
"(...)non vede il semplice, non vede il semplice che nella trappola di se medesimo
(non vede il semplice che) nella trappola di se medesimo (...)"
Donde la parte entre paréntesis sobra, pues hace que se vea obligado a terminar el verso prematuramente, aunque tal vez sea lo que le indicó el director, pero si fuera el caso, no me parecería un buen cambio.
Por otro lado, en 5:13 casi se adelanta.
Due giganti!
Fun fact Luca is actually Thomas’ son in law 😊
🤣🤣🤣🤣🤣🤣👍👍👍👍👍👍
Il duetto necessita di basso e baritono. Io sento due baritoni.
@Barone Vitellio Scarpia beh anche io sento due tenori anche belli ingolati e pessimi
Io sento due "undeveloped" tenori :D
Bravissimo Pisaroni! Non male neanche Hampson, ma è un po' troppo caricato il suo italiano (e va be', cade nel sillabato, ma questo anche tanti altri).
entrambi fuori repertorio .
remek
It seems to me that Mr Hampson is somewhat better at the very fast patter than his son-in-law.
1:32 His low B is almost inaudible. Pisaroni is at least a baritone, but I still suspect he's a tenor. And Hampson.... Can't reach a low B.
Unfortunate....
Lack of parental love leads to people like you
@@pauloalexandrebaptistaafon9809 falta de conhecimento também deixa as pessoas como você
Can you even reach it?
@@nickevershedmusic8927 Yes
@ proof?
Povero Donizetti...
0:54 First time I see a "bass-baritone" almost dying to reach a low F
Donizetti è morto un'altra volta. Questi due maledetti hanno rovinato l'opera
@ Luca Pisaroni is a TENOR.
@@BaroneVitellioScarpia1 Yes, I was being ironic
@@BaroneVitellioScarpia1 Neanche Hampson è 'sto granché.
Per contro, l'orchestra sa il fatto suo.
great artists and performers....boring voices. Saw both of them live and even sat in on a televised masterclass with Hampson teaching. Very musical and thorough...but....yawn. Great artists!
How are they boring?! How boring is mine to you
@@nickevershedmusic8927 theres nothing exciting about their voices. Hampson the artist and professional he is just doesn't in my opinion have a voice I would find myself wanting to listen to aside from his artistry and how he interprets the music. I saw Pisaroni at HGO in Faust...outstanding performer but I didn't find his voice to be anything special. If anything 'dull' in his tone. Re your last question...I don't know who you are and haven't heard you sing. Just a reminder...the above is just my opinion.
0:54 a bass-baritone almost dying to reach a low F? NAH Pisaroni are not a bass dude. He is far from a bass baritone. And Don Pasquale should be a basso
Same thing as before....
vergogna .
Un baritono e un tenore
Ужасно
BAH. Hampson impreparato. Non mi sembra una grande interpretazione
i love hampson but here im very dissapointed
me too... and much more about Pisaroni... this is not italian buffo style..
+Pol Power why? for me Pisaroni is one of the best italian's Baritoni Buffi of the new century... he is very good in this repertoire
because Pisaroni has the voice of a small Baritone very "magro"... having not the necessary flexibility of a Buffo Voice - an not the sonour Sound... like the voices of Corena... Panarei e soprattutto Taddei... and by the way the "Parlando" of the two is really a shame... very "dirty"...
Are you serious?
just very serious... try to lissen it with other singers.. you will understand how serious I am..
Terrible. Pisaroni is a lyric baritone without high notes. So he is bassbaritone. He is a goodlooking singer without special voice. Pizarro and golaud, I can hardly imagine.
Lazy tenor vs. lazier tenor
so embarassing
I feel you