Cecilia reminds us that we people have senses and emotions. She feels the music with every particle of her not only physical but also spiritual body and she also presents the music that way. Without any restrictions the resonance flows through her. She reminds us of the beauty of the Infinite. Thank you Cecilia to help people to get rid of their fear of seeing emotions fully expressed let it be by the music, face, body language...
Absolutely beautiful . Bartoli is on of my favourite sopranos and she really puts in a marvellous performance here. Its not only the quality of the sound she creates but also her ability to be expressive , an ability that is essential in operas. The applause goes on for over 2 minutes and is well deserved . Thomas Hampson is also fabulous not only in his singing but the very gentlemanly way he present Miss Bartoli at the end of the aria to the audience. Great performance !
I don't think you people understand this aria at all! It is an attempt by Don Juan (Giovanni) to seduce an "innocent" young bride, and is supposed to be exaggerated for amusing effect. Bartolli expresses the spirit of the piece perfectly, in voice, face and movement while Hampson looks as though he has no idea what is going on, and would rather be anywhere else. Watch Bartolli and Terfel, to see how it should be done.
I've been following Hampson for years. He's just a peerless baritone and a generous artist, to boot. Bartoli is wonderful in her own right. Among the best Bel Canto sopranos, without question.
+Bob Burns The trick is: They are so good that they can get away with anything on a stage. I would have wished Mozart had seen this one. If You are right about Muti holding the stick, then we got a bunch of aggressive artists.Muti got away - handsomely - in Rome with encore of "Va pensiero". But en encore con tutti!!! Including the AUDIENCE! Not only that: But it was so the chorus wept - and the audience flung their tickets so they could not be refunded - before first curtain.
For starters Popp and Moser were much higher voices so its not the same repertoire. I do have a soft spot for Berganza. Flicka lived almost exclusively from Cherubino. So no Cecilia does not compare. I would also not compare her to Kirsten Flagstad. But then again - if You can't take a joke - then Cecilia is not for You.
so much fuss over too much or too little facial expression. close your eyes and just listen to two fine artists. we're so lucky to click a key and hear such wonderful singing
If you had seen Cecelia Bartolli singing with Bryn Terfel at the "98" Richard Tucker Gala, posted earlier, and it seems, withdrawn, you would understand the reactions of the viewers about Thomas Hamson's "wooden stance", in this concert versus her vivacity. She sparkles and emotes, even in a non- operatic setting.....she sings from the heart - Glorious.
Well it's his voice power and skill are which is awesome. Doesn't matter if it's not that beautiful. Not even most singers can do more than he can. Try listening to his other performance.
+Ronaldo Paino I don't know if she is the best, but she can do things nobody could even dream of. And with Thomas Hampson who even Elisabeth Schwarzkopf had praise for (she was an old battleaxe) - he is good and has a beautiful voice. Putting Ci Darem la Mano upside down like this takes charm, chutpa and talent - and get away with it so the orchestra flogs the nodestand with the bows.
Facial expressions or not I couldnt care two hoots. I want to hear great music and I got an auditory festival of great music extremely well sung. Well done folks for sharing your gifts with us.
Very good. Thomas is known as... well, let's call it difficult when it comes to politeness, empathy and good manners in general. Yet, if you don't watch and just listen, it's beautiful. :-)
@amatorynumber- who says he doesn't like women and she doesn't like men? He's been married twice, and is still married. His wife is a countess, I believe. And she's married to a Swiss baritone. Not that it matters if either of them were gay, but why spread false rumors?
Bravo Hampson! This is the way to stop the singers showing off on stage instead of singing! If you leave Bartoli without the opportunity to move, only with "singing" - everybody will hear that she is not able to sing "legato" 2 notes. The great lesson for everyone!
Everyone has their likes and dislikes personally I love cecilia this is not based on great technical knowledge but what pleases the ear and unfortunately some comments about her and others just continue to perpetuate the snobbery associated with opera. Everyone has a right to enjoy what they like and bitchy comments that she is surprised at her rapturous reception because she knows she is not as good as others is totally unfounded.
Well, Gerrit, there aren't that many Danes all together :-) The aria is really sooo well performed with such genuine emotion that I had to shed a tear. The aria itself is of course one of Mozarts masterpieces - so powerful in its divine simplicity. One is tempted to say thanks God Renée Fleming took sick .... Bartoli's performance is fantastic! Tom
his voice is magnificent and she feels Zerlinas quandry. . her hesitation knowing aristocrats are unreliable, her tie to her fiance, her attraction to this strong man and then her capitulation to his seduction .
"La ci darem la mano" Là ci darem la mano Don Giovanni: Là ci darem la mano, Là mi dirai di sì: Vedi, non è lontano, Partiam, ben mio, da qui. Zerlina: Vorrei e non vorrei, Mi trema un poco il cor, Felice, è ver, sarei, Ma può burlarmi ancor! Don Giovanni: Vieni, mio bel diletto! Zerlina: Mi fa pietà Masetto. Don Giovanni: Io cangierò tua sorte. Zerlina: Presto... non son più forte. Don Giovanni: Andiam! Zerlina: Andiam! Duet: Andiam, andiam, mio bene, a ristorar le pene D’un innocente amor. Là nous nous donnerons la main Don Giovanni: Là nous nous donnerons la main, là tu me diras « oui ». Vois, ce n'est pas loin ; partons, ma bien-aimée. Zerlina: Je voudrais et je ne voudrais pas ; le coeur me tremble un peu. Je serais heureuse, il est vrai, mais il peut encore me tromper. Don Giovanni: Viens, mon bel amour ! Zerlina: Masetto me fait pitié ! Don Giovanni: Je changerai ton sort !13 Zerlina: Vite... je ne suis plus de force ! Don Giovanni: Allons ! Zerlina: Allons ! Duo: Allons, allons, mon amour, remédier à nos peines par un innocent amour ! Allí nos daremos la mano, Don Giovanni: Allí nos daremos la mano, Allí me susurrarías un dulce 'Sí': Ven aquí, si no es mucha molestia 1 Partamos desde aquí, mi amor Zerlina: Desearía o no desearía, Tiembla un poco mi corazón, Es verídico, estaría feliz Don Giovanni: Ven aquí, amada mía Zerlina: Masetto me da lástima Don Giovanni: Voy a cambiar tu destino Zerlina: Rápido, no puedo resistirme más Don Giovanni: ¡Vayámonos! Zerlina: ¡Vayámonos! Dueto: Vayámonos, vayámonos, amor mío Para recuperarnos de los sufrimientos18 De un inocente amor
Please not another La Ci Darem. My role in Giovanni is Commendatore but I also had to sing it for the previews. Our Massetto sang it with another one of the sopranos. Everyone sings it everywhere. And if you go to a Gala there will always be a couple singing it. It's a minor piece in a great opera. But if you want to do a Mozart highlight why not do one of the concert arias? Mozart wrote arias for all sorts of voices and levels of ability. Papageno is for a non-singer. 'Deh Vieni Non Tardar' is for an average singer. ' Popolo di Tessalia' is for a great singer. La Ci Darem is just a ditty that makes sense in the story but shouldn't be exerpted. It isn't substantial enough musically.
@@Beadle_Bamford It's obvious to you perhaps, but you who the hell are you to be so rude and arrogant? I'm a bass. I've sung Sarastro, Osmin, Bartolo, Alfonso, and Commendatore live in full productions. I've sung almost all the bass concert arias in the studio. I know a little about "the virtuosity it requires" because I used to audition singers for my little opera company. What exactly are your qualifications for being such a pompous, condescending creep?
@@Beadle_Bamford What are your qualifications for being such a rude, condescending and pompous buffoon? I've sung Bartolo, Osmin, Sarastro, Alfonso, and Commendatore. I used to audition singer's for my little opera company. I've heard a lot of singer and singing there and in forty years of opera attendance on both coasts in America and in Europe. I'm not the greatest authority on Mozart style on earth but I do have nearly 100 posted TH-cam videos on Don Giovanni. That might be a record. How about you?
Mamma mia,la Bartoli e Mozart sono agli antipodi...Questo suo modo di cantare è osceno! E con tale compositore emerge tutto. Hampson...Stendiamo un velo pietoso. Inespressivo...Attacchi durissimi...Da dimenticare!
Next to all thrilling purity of the voives - both hers and his- they match perfectly in the romantic mood of what the songs is about- thrilling amour fou between the insolently innocent gal and the knight in shining armor turning bad.... but later...
We all know of Bartolis humour and presentation - she is a consumate stage presence, whether it be sad joyful or angry. To be fair lets forgive Hampson for not having that extrovertness of the Italians - after all he is not Italian, but insted lets listen to his wonderful voice - he did make an effort to warm up to the part later in the aria.
@elizakolo He is not ignoring her, he is just giving her lesson of singing technique and showing her that a REAL singer is supposed to sing with the VOiCE and NOT with his body, gesture and grimaces to camouflage the lack of the voice. I think he did it specially. This is a testimony that Bartoli is not able to sing using her vocal facilities, she cannot produce a note without making grimaces, body movements and aspiration a la "telephone sex" that have nothing to do with the music!
They sing it beautifully, but they could learn a lot about how to interact with each other from Anna Netrebko and Bo Skovhus. Very enjoyable performance.
"Cecilia Bartoli and Thomas Hampson performing a beautiful arrangement of this famous song." What arrangement? This is how it is written. Famous song? Famous, yes, but it is a duet!
She is second to none! Her expression, how delicate, how not to fall in love with? Amazed! I’m happy that audience recognized that too! Bravo!!!
do not look...listen... wonderful voices...
The aupplause was earned
Cecilia bartoli what a voice! It's as if an angel has come down to Earth to sing amongst us.
She makes me crazy! What a voice, what an artist, what a woman! Viva Italia! Viva la musica!
Cecilia always seems so surprised when an audience likes her, true humility. I adore her voice.
I love Cecilia, she's so expressive in her performances.
Cecilia reminds us that we people have senses and emotions. She feels the music with every particle of her not only physical but also spiritual body and she also presents the music that way. Without any restrictions the resonance flows through her. She reminds us of the beauty of the Infinite.
Thank you Cecilia to help people to get rid of their fear of seeing emotions fully expressed let it be by the music, face, body language...
Аbsolutely¡¡¡
Absolutely beautiful . Bartoli is on of my favourite sopranos and she really puts in a marvellous performance here. Its not only the quality of the sound she creates but also her ability to be expressive , an ability that is essential in operas. The applause goes on for over 2 minutes and is well deserved . Thomas Hampson is also fabulous not only in his singing but the very gentlemanly way he present Miss Bartoli at the end of the aria to the audience. Great performance !
Come non amare Mozart con due interpreti così? Splendido !
Cecilia Bartoli: what a wonderful flirt!! Such unparalleled talent and control.
I think this is one of the best performance of this duet!
Cecilia is the expression of our emotions in a great musical talent
Non ho parole di lode per Cecilia Bartoli e' cosi' immaginalmente magnifica!
Magnifique duo . Deux voix superbes un vrai plaisir .
Bravo, grandes Cecilia Bartoli y Thomas Hampson
Beautiful voices, beautiful singing together
I don't think you people understand this aria at all! It is an attempt by Don Juan (Giovanni) to seduce an "innocent" young bride, and is supposed to be exaggerated for amusing effect. Bartolli expresses the spirit of the piece perfectly, in voice, face and movement while Hampson looks as though he has no idea what is going on, and would rather be anywhere else. Watch Bartolli and Terfel, to see how it should be done.
Qaqaaaàà
@@hedarozman5908 Perhaps that gibberish means something to you; it means nothing whatever to me.
It’s not an aria.
@@highbaritone A duet, I believe.
Couldn't find a video, but the audio with Terfel does sound better.
I've been following Hampson for years. He's just a peerless baritone and a generous artist, to boot. Bartoli is wonderful in her own right. Among the best Bel Canto sopranos, without question.
+Bob Burns The trick is: They are so good that they can get away with anything on a stage. I would have wished Mozart had seen this one. If You are right about Muti holding the stick, then we got a bunch of aggressive artists.Muti got away - handsomely - in Rome with encore of "Va pensiero". But en encore con tutti!!! Including the AUDIENCE! Not only that: But it was so the chorus wept - and the audience flung their tickets so they could not be refunded - before first curtain.
I wish I could have been there.
He would have laughed.
For starters Popp and Moser were much higher voices so its not the same repertoire. I do have a soft spot for Berganza. Flicka lived almost exclusively from Cherubino. So no Cecilia does not compare. I would also not compare her to Kirsten Flagstad.
But then again - if You can't take a joke - then Cecilia is not for You.
💜💜💜💜
Beautiful emotional singing of this divine aria. Thank you for posting, ClassicalRelated!
so much fuss over too much or too little facial expression. close your eyes and just listen to two fine artists. we're so lucky to click a key and hear such wonderful singing
But there are times when one needs to feel the lyrics so one acts the lyrics to feel the songs message.
Sembra di essere in paradiso ❤
Una carezza di voce ❤
Grazie
If you had seen Cecelia Bartolli singing with Bryn Terfel at the "98" Richard Tucker Gala, posted earlier, and it seems, withdrawn, you would understand the reactions of the viewers about Thomas Hamson's "wooden stance", in this concert versus her vivacity. She sparkles and emotes, even in a non- operatic setting.....she sings from the heart - Glorious.
You can say the same about his with Kathleen Battle, Hampson and Bartoli are just performing in different styles
But Bryn Terfel was a whole class better.
Such wonderful and beautiful singing. Hampson could have acted more but his voice is velvet!
Hampson's subtle expressions showed he knew she'd give in. Didn't even have to try. His last smile was "gotcha"!
An absolutely fantastic rendition.
I love their singing. They can sing forever with those beautiful voices.
La ci daremo la mano....meravigliosa musica e parole stupende....❤
Well it's his voice power and skill are which is awesome. Doesn't matter if it's not that beautiful. Not even most singers can do more than he can. Try listening to his other performance.
The best mezzo soprano in my opinion.
+Ronaldo Paino
soprano...
+Ronaldo Paino I don't know if she is the best, but she can do things nobody could even dream of. And with Thomas Hampson who even Elisabeth Schwarzkopf had praise for (she was an old battleaxe) - he is good and has a beautiful voice. Putting Ci Darem la Mano upside down like this takes charm, chutpa and talent - and get away with it so the orchestra flogs the nodestand with the bows.
bodiloto Wow! She’s a mezzo-soprano .
Yes it’s true,though I like Thomas Hampson in many arias,but why did she never sing together with Hvorostovsky? Or did she? The best two together?
Superb voices.
Splendidi! Cecilia Bartoli poi è semplicemente divina, unica, grande, indimenticabile!
Facial expressions or not I couldnt care two hoots. I want to hear great music and I got an auditory festival of great music extremely well sung. Well done folks for sharing your gifts with us.
So beautiful !
Mozart rocks! Cecília has a very nice voice.
I went to an Opera performance lately and hey, it was packed! In insecure times, people think about doing something valuable to their soul.
Wonderful voices - my favourite opera ever!
Hello how are you
Brilliant performance. Thank you.
Quanto siete bravi....meravigliosi ..Non mi stancherei mai di ascoltarvi
ma è Riccardo Muti il direttore? non riesco a veder bene, ma dal gesto imperioso e preciso direi proprio di si. BRAVI TUTTI
sensacional! fantastico!
Very good. Thomas is known as... well, let's call it difficult when it comes to politeness, empathy and good manners in general.
Yet, if you don't watch and just listen, it's beautiful. :-)
@Ronaldo: True! I like the baroque control of the orchestra.
Bravo to Mr. Hampson and brava to Ms. Bartoli.
Beautiful... Simply beautiful. Voices from Heaven, no doubt about it.
@amatorynumber- who says he doesn't like women and she doesn't like men? He's been married twice, and is still married. His wife is a countess, I believe. And she's married to a Swiss baritone. Not that it matters if either of them were gay, but why spread false rumors?
I love hampson so much
His music is so beautiful
Para deleitarse con este duo extraordinario
Che musica...un sogno...mi fa volare lontano
The way she sing can also bring out the deep inner emotion not only by good practical opera tenic.💙💙💙💙💙💙
I could listen to this all day 😂
Beautiful voices together. Agree that one should close eyes and listen only. By the way, it is not an arrangement. It is just as Mozart wrote it.
Oh good - I'm glad someone pointed out that Mozart wrote it this way.
Obrigado por compartilhar e nos permitir assistir.
Hampson se apartó psicológicamente del rol, sin embargo, interpreta vocalmente a un excelente don giovanni. Magnifico Riccardo Muti.
La voz de Hampson es maravillosa, aquí es una delicia.
Cierto 😂🤣
Great. I love this opera
esta música me transporta al paraíso
.que maravilla
well deserved
ovation.
Essa mulher tem a voz divina !!!! ❤❤❤ linda.
al minuto 2: 42 Cecilia è semplicemente divina: quel sospiro...mamma mia...perfetta.
Ma brava e bravi!!!!
Bravo Hampson! This is the way to stop the singers showing off on stage instead of singing! If you leave Bartoli without the opportunity to move, only with "singing" - everybody will hear that she is not able to sing "legato" 2 notes. The great lesson for everyone!
los dos buenísimos intérpretes
Cecelia looks like a doll, about to wet herself, next to Thomas. Her expressions are priceless.
So beautiful ... Dios mio ...
EXCELENTE !!!!!!!!!
Everyone has their likes and dislikes personally I love cecilia this is not based on great technical knowledge but what pleases the ear and unfortunately some comments about her and others just continue to perpetuate the snobbery associated with opera. Everyone has a right to enjoy what they like and bitchy comments that she is surprised at her rapturous reception because she knows she is not as good as others is totally unfounded.
she's so lovely.
Brava to both
Magnificent!
+Murph3579
cosa!
le voci?
o l'interpretazione?...
Well, Gerrit, there aren't that many Danes all together :-)
The aria is really sooo well performed with such genuine emotion that I had to shed a tear.
The aria itself is of course one of Mozarts masterpieces - so powerful in its divine simplicity.
One is tempted to say thanks God Renée Fleming took sick .... Bartoli's performance is fantastic!
Tom
Adoroooo ❤
Que hermosura, BIELIS 🌹💐🌹👋
his voice is magnificent and she feels Zerlinas quandry.
. her hesitation knowing aristocrats are unreliable, her tie to her fiance, her attraction to this strong man and then her capitulation to his seduction .
"La ci darem la mano"
Là ci darem la mano
Don Giovanni:
Là ci darem la mano,
Là mi dirai di sì:
Vedi, non è lontano,
Partiam, ben mio, da qui.
Zerlina:
Vorrei e non vorrei,
Mi trema un poco il cor,
Felice, è ver, sarei,
Ma può burlarmi ancor!
Don Giovanni: Vieni, mio bel diletto!
Zerlina: Mi fa pietà Masetto.
Don Giovanni: Io cangierò tua sorte.
Zerlina: Presto... non son più forte.
Don Giovanni: Andiam!
Zerlina: Andiam!
Duet:
Andiam, andiam, mio bene,
a ristorar le pene
D’un innocente amor.
Là nous nous donnerons la main
Don Giovanni:
Là nous nous donnerons la main,
là tu me diras « oui ».
Vois, ce n'est pas loin ;
partons, ma bien-aimée.
Zerlina:
Je voudrais et je ne voudrais pas ;
le coeur me tremble un peu.
Je serais heureuse, il est vrai,
mais il peut encore me tromper.
Don Giovanni: Viens, mon bel amour !
Zerlina: Masetto me fait pitié !
Don Giovanni: Je changerai ton sort !13
Zerlina: Vite... je ne suis plus de force !
Don Giovanni: Allons !
Zerlina: Allons !
Duo:
Allons, allons, mon amour,
remédier à nos peines
par un innocent amour !
Allí nos daremos la mano,
Don Giovanni:
Allí nos daremos la mano,
Allí me susurrarías un dulce 'Sí':
Ven aquí, si no es mucha molestia 1
Partamos desde aquí, mi amor
Zerlina:
Desearía o no desearía,
Tiembla un poco mi corazón,
Es verídico, estaría feliz
Don Giovanni: Ven aquí, amada mía
Zerlina: Masetto me da lástima
Don Giovanni: Voy a cambiar tu destino
Zerlina: Rápido, no puedo resistirme más
Don Giovanni: ¡Vayámonos!
Zerlina: ¡Vayámonos!
Dueto:
Vayámonos, vayámonos, amor mío
Para recuperarnos de los sufrimientos18
De un inocente amor
Это шедевр
MARAVILLOSOS
Maybe Cecilia Bartoli's voice too much "baroque", but I like this rendition!
അതിമനോഹരം🌷🌷🌷🌷🌷
As of 3:00 it just knocks my socks I could cry.
Please not another La Ci Darem. My role in Giovanni is Commendatore but I also had to sing it for the previews. Our Massetto sang it with another one of the sopranos. Everyone sings it everywhere. And if you go to a Gala there will always be a couple singing it. It's a minor piece in a great opera. But if you want to do a Mozart highlight why not do one of the concert arias? Mozart wrote arias for all sorts of voices and levels of ability. Papageno is for a non-singer. 'Deh Vieni Non Tardar' is for an average singer. ' Popolo di Tessalia' is for a great singer. La Ci Darem is just a ditty that makes sense in the story but shouldn't be exerpted. It isn't substantial enough musically.
+Patrick Boyle Mozart was a genius. love him!!!
U re 100% right
You obviously don’t know much about singing Mozart style and the virtuosity it requires.
@@Beadle_Bamford
It's obvious to you perhaps, but you who the hell are you to be so rude and arrogant? I'm a bass. I've sung Sarastro, Osmin, Bartolo, Alfonso, and Commendatore live in full productions. I've sung almost all the bass concert arias in the studio. I know a little about "the virtuosity it requires" because I used to audition singers for my little opera company.
What exactly are your qualifications for being such a pompous, condescending creep?
@@Beadle_Bamford
What are your qualifications for being such a rude, condescending and pompous buffoon? I've sung Bartolo, Osmin, Sarastro, Alfonso, and Commendatore. I used to audition singer's for my little opera company. I've heard a lot of singer and singing there and in forty years of opera attendance on both coasts in America and in Europe. I'm not the greatest authority on Mozart style on earth but I do have nearly 100 posted TH-cam videos on Don Giovanni. That might be a record.
How about you?
super
Bravo
Mamma mia,la Bartoli e Mozart sono agli antipodi...Questo suo modo di cantare è osceno! E con tale compositore emerge tutto.
Hampson...Stendiamo un velo pietoso. Inespressivo...Attacchi durissimi...Da dimenticare!
Cecilia ti adoro
Next to all thrilling purity of the voives - both hers and his- they match perfectly in the romantic mood of what the songs is about- thrilling amour fou between the insolently innocent gal and the knight in shining armor turning bad.... but later...
Cecilia Bartoli is far the best Elvira of all times.
This is not the role of Elvira, though.
I have a dream: Cecilia Bartoli performing this duet together with Cesare Siepi ...
We all know of Bartolis humour and presentation - she is a consumate stage presence, whether it be sad joyful or angry. To be fair lets forgive Hampson for not having that extrovertness of the Italians - after all he is not Italian, but insted lets listen to his wonderful voice - he did make an effort to warm up to the part later in the aria.
Hampson--no fault with the voice, but he could try acting the part a little, even if just to stop her from looking foolish.
I'll take Keenlyside.
@elizakolo He is not ignoring her, he is just giving her lesson of singing technique and showing her that a REAL singer is supposed to sing with the VOiCE and NOT with his body, gesture and grimaces to camouflage the lack of the voice. I think he did it specially. This is a testimony that Bartoli is not able to sing using her vocal facilities, she cannot produce a note without making grimaces, body movements and aspiration a la "telephone sex" that have nothing to do with the music!
They sing it beautifully, but they could learn a lot about how to interact with each other from Anna Netrebko and Bo Skovhus. Very enjoyable performance.
Mozart tunes are incomparable.
minchia che espressività, questa! Da paura!
Cecilia, cecilia, why are you so magnificent?
Il Don Giovanni di Mozart è forse la mia opera preferita. Cecilia Bartoli è una splendida Zerlina.
0:51, la ci darem
2:24, Ma, b. 38
2:58, andiam andoam
🇧🇬💞💐O. BRILLIANT, MAESTRI!!!🐘🍀
🌸BRAWISSISSISSIMO, MAESTRA 🦋BARTOLI, BRAWISSISSISSIMO, MAESTRO
HAMPSON!!!🦄
🪷🐞BRAWISSISSISSIMO MAESTRI!!!🐝🏡🌞🌈♾️🎼🎶🎵🎶
Cecilia Bartoli immensa.
"Cecilia Bartoli and Thomas Hampson performing a beautiful arrangement of this famous song." What arrangement? This is how it is written. Famous song? Famous, yes, but it is a duet!
On the hapsichord: John Lennon
some response to Cecilia, dear Hampson
nevertheless both voices are one of the greatest😊
@kneelandpray1 Your point being? The part was written for a baritone/bass after all :/
Zo mooi