Sony S-Log Exposure settings: You are doing it WRONG!
ฝัง
- เผยแพร่เมื่อ 2 ก.ค. 2024
- In this video I go over the best ways to expose for S-Log3. Understanding how to properly expose for S-Log3 is crucial for capturing the best footage possible. Don't miss out on transforming your shooting skills!
Intro: 00:00
Overview: 00:19
The wrong way: 00:43
Histogram: 00:57
The Easy way: 2:25
Very Important info: 4:02
The correct way: 4:34
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Useful.
I use light meter and expose the face of the talent (usually myself) for +1 to +1.3 stops. Of course keeping everything else in the range of the proper exposure (the most important is to not overexpose stuff).
Definitely! I'm glad you found this useful :) And 100% I also use my light meter for Incident metering, but not as much now a days for spot metering since the tools in camera are so good. What kind of light meter do you have? I need to upgrade mine, I'm trying to get my hands on the sekonic l-758 cine haha
@@Rene_Arseneau I have Sekonic L-858D, since I used it also for photography, flash and HSS photography metering :D. I guess overtime I would use it less and less, but also quite useful to YT videos to measure output of new video lights I got :D.
Love the intro man!!!
Haha thanks man! It was a fun one to film :)
Subscribed.
Yay! Glad to hear that ☺️
What about when I have several people with different skin tones in the frame? How do I expose this?
At that point there is not really much you can do in camera. You could try to find a middle ground, but if you want your skintone to be properly exposed you would have different lighting for the actors. What I have done in the past is use nets, half scrims or diffusion to affect the specific skintone. Il usually make sure my darker skintones are properly exposed to my key light and then shape my light for brighter skintones with nets or half scrims etc… but yeah in camera there is a limit to what you can do. The rest really relies on lighting for those specific situations. Hope that helps!
What does “clipped “means?
Clipped means that your highlights have lost all information and usually cannot be recovered even in color correction. So the sensor got exposed with too much light and all that information is lost. This usually results in a sky that’s completely white and bright.