DAPHNIS & CHLOË - orchestral flute tutorial
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- เผยแพร่เมื่อ 13 ก.ค. 2024
- DAPHNIS & CHLOË - orchestral flute tutorial
by Emily Beynon
Music
Concertgebouw Orchestra conducted by Bernard Haitink
recorded live 19 March 1999 (flute solo: Emily Beynon)
• Video
Links to the sheet music:
imslp.org/wiki/Daphnis_et_Chl...)
(full orchestra score & complete flute parts)
The story of Pan & Syrinx:
www.greek-gods.info/monsters/...
WATCH the ballet:
• Daphnis and Chloe - Ro...
Daphnis and Chloe by Maurice Ravel
choreography by Frederick Ashton
The Royal Ballet at Gala for the re-opening of Covent Garden
principals: Inaki Urlezaga, Federico Bonelli, Marianela Nunez, Thiago Soares
Broadcast by the BBC
the flute solo: • D&C 8
Painting:
Pan and Syrinx, 1723
Painted originally by: Coypel Noel Nicolas
Many thanks to these wonderful people who have provided translations:
Chinese (traditional & simplified): Marco Leung
German: Julia Maier
Italian: Agnese Lecchi
Japanese: Reiko Watanabe
Portuguese: Frederico Paixão
© Emily Beynon - เพลง
Having studied with a former member of the Montreal Symphony, I wished I sought out an opportunity to study with you. A fan to your instruction and performances.
Thanks for watching! 🙏
I absolutely LOVE your tutorials. Thank you.
You’re very kind. Thank YOU for watching - glad you like them. ☺️
I didn't know about the note groupings of 3 and how much you can do structurally with those. Wonderful insights!
Thank you so much for watching Brenn! Glad you found it helpful.
Thank you SO much for the wonderful tutorials. You go into so many details that I don't think I would have looked into or figured out!
So very glad to hear that you found it helpful! Thanks for watching 🙏
Sooo fantastic, Emily!! I sooo love this and all of your videos! Thank you for doing these -- incredibly important and helpful and oh, so inspiring to us all!
Thank you so much, dear Sara!! 💛 So glad you liked it!!
Thank you very much for your clear explanations based on a detailed analysis of the music. I was very impressed. Yes, I was much more impressed than I usually am when I listen to music.
Hi there! Thanks for your kind words ☺️ Happy listening…
great video 👍 I am so happy to catch the live on time toady. thank you very much for presents this gift for us!
You are so welcome - thanks for watching!
I can’t believe this is the first of your videos I’ve come across; I’m already a huge fan. Thank you!
Thank YOU for watching, Liz! Enjoy!!
Amazing analysis!! Now I feel ready to start learning this excerpt!!
Great! Have fun with it, Ella and use beautiful sounds and colours! 👍
Superb video on one of my favorite works. Brava.
Glad you enjoyed it!
Really clear and cultivated ideas for this excerpt . Always remembering your playing in Santa Fe , Argentina. Kisses!!
Thanks so much, Jose Cristian! Happy memories indeed of my trip to Argentina! 🇦🇷
Wonderful video!
Thanks so much, Diana! 🙏
Another great video to look forward to🙏🙏🙏 thank you Emily
Hope you enjoy it!...
Thank you for another great video. I really appreciate if you talk about tone resonance, to resonate tone rich and deep, to reach as far as possible, even pp.
Thanks for your suggestion, k. There is a video in my planning about dynamics and tone colours... keep watching!!🤞
I was recently given a part for an audition with a D# and E natural in the opening scale! That was not any of the options you've discussed. What do you think I should do with that?
Gosh, that’s a combination I’ve seen before. I would be ready to play any combination and ask when you get there on the day.
Hello, I got a lot of help from watching your video. May I ask for Korean subtitles?
Hi there M_ju_! Thanks for watching and for your request. Sungwon Cho has very kindly done all the videos until this point but has had to stop due to getting back to her studies in London. I'm currently looking for someone to make the Korean subtitles... watch this space!
I never hear the "p" at the beginning of the solo taken literally. It all sounds "mf" so there's no difference where it IS marked "mf" at 177. Is this the way it should be?
Thanks for your question Leo - it is markes solo and piano, so a "soloistic p" which in practical terms does indeed probably mean something more like mf. It certainly shouldn't sound shy, but as I say in the video - do leave some space to develop through the first 3 G#s. Hope this helps!
Pls japanese caption！
The Japanese subtitles will be coming soon! Thank you for your patience 🙏
The Japanese subtitles are there now! 🇯🇵😊