Such comparision vids show us how different actors can interpret one role. I think my fav is Mark Seibert - not that aggressive, kind of gentle (if you can call pushing someone to the floor gentle, but u know what I mean 😅) but still powerful at the same time. And his small jumps before "doch ich weiß" are so cute, I can't 😂 Thank u for this Video ❤
Mark Seibert is the same in every performance - purely technical, only played emotion. No high notes. Not the best for me. Maté Kamaras is on a high personal risk with his voice and emotion, but the most thrilling one in this role to me. For me the best one.
@@parfumelise6217 I find myself agreeing with you, but I would also like to add Park Hyo Shin, whilst not as rock-growl bone thrilling as Maté, it's just as thrilling in a slightly less 'unhinged' way, if you get me?
Definitely the type of content I need in my life. Everyone is so good (but Mate is one love). I guess it's that type of role that makes an actor show the best they've got. Wish there were full productions in English and Russian, but oh well ... :( Also, to Deaths that do not do the hip push - shame on you.
I love these types of comparison vids!! Everytime I watch them I find about a new production I didn't know about!! Mate and Martin are def high up on my list! Also was anyone going to tell me Leo from VIXX plays Der Tod or was I just going to learn that from this video!?!?🤣
I got tickets to see the Dutch production next year (will go see this in May and October) and I'm exicted. As for seeing other productions, I'd say my favorite Der Tod are done by Uwe Kröger, Máté Kamarás (he's my top favorite), Szabó P. Szilveszter and Leo (from K-Pop group VIXX, although there is no footage of him aside from his concerts).
I went to Seoul in 2018 just to see Junsu perform in this musical but wish I could have seen the others! Hoping to see it performed in Japan and other countries someday.
I thought exactly the same when I saw Felix Martin... "why is this man so stiff??" Answer: Rigor Mortis (I know, bad joke) But nice compilation, always interesting to see different takes by actors on the same character.
Did someone know that Jesper tyden and Uwe kröger both playing in Dracula das musical as Jonathan Harker and Van Helsing???? They both are good, but no one is that good like Máté Kamarás
God, YES. Another amazing musical. Those Austrians know how to make kickass gothic musicals (Elisabeth, Tanz der Vampire, Dracula, even though the latter was originally American, but they seriously upgraded it) that would make the phantom go and cry in the corner.
@@efBME and it's always Austria that makes the original production. Somehow I never like the latter german takes on the show that much. Funny, as none of the authors is Austrian.
Mate always gives it 110%, not just here either😂 - the growling - the hip thrusts - he also gets real up close and personal wit Rudolph later 😂 - more growling - the movement speed. His death has that UNHINGED vibe 😂
Idk if it's bc I'm a lesbian but personally máté's is too much for me lol, i understand the attention that the performance brings but it's agressive and i got sick of the constant growling way too quickly, but that's just my opinion and taste
I'm ace, but same. I can see why people like Máté's portrayal, but the constant growl-singing and his Death being *very* sexually aggressive turned me off his portrayal real quick, to the point I have a difficult time watching the 2005 Vienna production the whole way through. He's good in some places but really needs to chill in others. And I don't know, maybe it's me preferring Pia and Uwe, but I just don't see the chemistry between Maya's Sisi and Máté's Death? Maya!Sisi always seems more *afraid* of Death than anything else?
@@twicebornwitchlighter7606 omg you worded everything i thought about his portrayal perfectly, i absolutely agree that he's sexually agressive and the way he grabs her and looks at her just doesn't work for me. Uwe is my favorite (performance wise) bc of the perfect balance of dominance and grace yk? And in his production there's way more androgyny which is something that i think is important to Death, in Máté's version it's what it mostly lacks and it should've definitely include a mix of masculine and feminine, plus the relationship feels like some type of Stockholm syndrome tbh. Thank you for agreeing with me, i thought I was being too salty but i guess a lot of the attention comes from the appeal that i don't care about and neither get.
I agree. I love Máté's voice, so much power and energy. (I saw him in concert and on stage in Hungary, he's fantastic!) But I don't like the way of his Tod in Wien. That's the failure of directing also, not only his. His hungarian Elisabeth performances are much better, than this. But, to be honest, he's overacting almost everytime... =) th-cam.com/video/fG4Wp5kQdds/w-d-xo.html
@@holdtunder79 i just watched the video and you're so right! I like that one much much better, the figurine, make-up, performance and vocals are on point. Thank you
@@holdtunder79 Yeah, I also like Máté's voice and portrayal of Death in the Hungarian production, but not in Vienna. His take in the 2005 Wien production is not my thing at all, but I don't really know how to explain it other than he sounds different singing/acting in the Hungarian version vs German.
![Elisabeth das Musical [Comparison] - Mayerling Kiss](http://i.ytimg.com/vi/9cfndtYr62c/mqdefault.jpg)
![Elisabeth das Musical [Comparison] - Mayerling Kiss](/img/tr.png)
![[New] Elisabeth das Musical - Der Letzte Tanz (Multi-language)](http://i.ytimg.com/vi/g5jGaxXyJ04/mqdefault.jpg)
![30 ชั่วโมงคนเดียว บนรถไฟชั้น 3 โซเวียต [Around The World Ep. 2]](http://i.ytimg.com/vi/MlE9boAVqDA/mqdefault.jpg)
Idk who wants it but here:
Uwe Kröger
1992: 0:00 - 0:13
1994: 0:13 - 0:27
2002: 1:20 - 1:33
2008: 3:03 - 3:16
Máté Kamarás
2004: 1:45 - 1:58
2005: 1:58 - 2:11
2005 (2): 2:11 - 2:23
2007: 2:11 - 2:38
Mark Seibert
2012: 3:40 - 3:53
2012 (2): 3:53 - 4:07 (Alicesissi resisting)
2014: 4:07 - 4:22
2015: 4:22 - 4:36
Jesper Tyden
2001: 0:54 - 1:08
2001(2): 1:08 - 1:20
Oliver Arno
2009: 3:16 - 3:28
2010: 3:28 - 3:40
Martin Markert
2015: 4:36 - 4:50
2015(2): 4:50 - 5:03
2016: 5:03 - 5:17
Paul Kribbe
1996: 0:27 - 0:41
Felix Martin
1998: 0:41 - 0:54
Steven Seale
2004: 1:33 - 1:45
Tod in Thun
2006: 2:38 - 2:49
Olegg Vynnyk
2006: 2:49 - 3:03
Christoph Apfelbeck
2015: 5:17 - 5:29
Bonus Korean clips
5:29 - 7:03
Mate's gets me feeling all kinds of ways ngl >////> (especially the laugh growl, oh my lord)
Máté definitely has the most raw sexual energy in that move, my god
Uwe slays so hard everytime 🫶
Such comparision vids show us how different actors can interpret one role. I think my fav is Mark Seibert - not that aggressive, kind of gentle (if you can call pushing someone to the floor gentle, but u know what I mean 😅) but still powerful at the same time. And his small jumps before "doch ich weiß" are so cute, I can't 😂 Thank u for this Video ❤
Mark Seibert is the same in every performance - purely technical, only played emotion. No high notes. Not the best for me. Maté Kamaras is on a high personal risk with his voice and emotion, but the most thrilling one in this role to me. For me the best one.
@@parfumelise6217 I find myself agreeing with you, but I would also like to add Park Hyo Shin, whilst not as rock-growl bone thrilling as Maté, it's just as thrilling in a slightly less 'unhinged' way, if you get me?
I am absolutely in love with Jesper's cape flap, he also did that movement in Mayerling Walzer
Definitely the type of content I need in my life. Everyone is so good (but Mate is one love). I guess it's that type of role that makes an actor show the best they've got. Wish there were full productions in English and Russian, but oh well ... :(
Also, to Deaths that do not do the hip push - shame on you.
I love these types of comparison vids!! Everytime I watch them I find about a new production I didn't know about!!
Mate and Martin are def high up on my list!
Also was anyone going to tell me Leo from VIXX plays Der Tod or was I just going to learn that from this video!?!?🤣
This. Was. DELIGHTFUL. Something i needed that I didn't think I need. Very. Very. Entertaining. Love it.
I got tickets to see the Dutch production next year (will go see this in May and October) and I'm exicted. As for seeing other productions, I'd say my favorite Der Tod are done by Uwe Kröger, Máté Kamarás (he's my top favorite), Szabó P. Szilveszter and Leo (from K-Pop group VIXX, although there is no footage of him aside from his concerts).
Mark has really perfected that jump huh
I went to Seoul in 2018 just to see Junsu perform in this musical but wish I could have seen the others! Hoping to see it performed in Japan and other countries someday.
It has been in Japan since 1996
I thought exactly the same when I saw Felix Martin... "why is this man so stiff??"
Answer: Rigor Mortis (I know, bad joke)
But nice compilation, always interesting to see different takes by actors on the same character.
Máté is the one and only for me 😏❤
Did someone know that Jesper tyden and Uwe kröger both playing in Dracula das musical as Jonathan Harker and Van Helsing???? They both are good, but no one is that good like Máté Kamarás
God, YES. Another amazing musical. Those Austrians know how to make kickass gothic musicals (Elisabeth, Tanz der Vampire, Dracula, even though the latter was originally American, but they seriously upgraded it) that would make the phantom go and cry in the corner.
@@efBME and it's always Austria that makes the original production. Somehow I never like the latter german takes on the show that much. Funny, as none of the authors is Austrian.
martin my beloved,,,
Bei Uwe wirkts einfach 🔥 attraktiv
Ja, er hat die Rolle des Tods einfach super verkörpert. Hab ihn 2x in dieser Rolle gesehen und war begeistert.
Kim Junsu!!! you gotta see him live ❤️🔥
thank you god
im going feral
Am I the only one who's favourite death is Mark? Even though when I realised I had a bit of a crush on him I thought 'that's just so predictable'
Love it
Mátés Performance was with so much sexuell tention and i am all here for it
Mate always gives it 110%, not just here either😂
- the growling
- the hip thrusts
- he also gets real up close and personal wit Rudolph later 😂
- more growling
- the movement speed.
His death has that UNHINGED vibe 😂
The first clip of 2005 Mate has such high quality, better than all other 2005 Elisabeth I've seen online...is there a link to the full version?
in case you're still looking for the whole thing: th-cam.com/video/7nCp6OtDqVA/w-d-xo.html it's divided into two parts but here's the first one
Junsu❤❤❤❤
Is there a whole recording of Mate‘s 2007 performance? It sounds like he‘s doing some variation there 😍
Yeah there is! And he does sing Der Letzte Tanz a bit diff. He literally runs out of breath at that part, it's pretty funny lol
@@ser_maximilian5301 do u happen to know where that is i must see it
Where can i watch jesper tyden 2001?
wow, the 2005 version is with such high resolution, mind if I ask where I can find the source?
Oh I have a copy of the remastered DVD, that's where I got the vid from :)
@@ser_maximilian5301 How do I sell you my soul to get a copy? In Argentina, finding or exporting that content is almost impossible. xD
@@ser_maximilian5301 I beg you, is there a way I could get it
I Love the Mark Seibert one, it looks unhinged
Bro... You got the full video on Mate Kamaras from 2004? I need it for scientific purposes 😂
Also an accidental comparison of how meh Der Tod's costuming has gotten in the German versions over the years. *sigh*
Idk if it's bc I'm a lesbian but personally máté's is too much for me lol, i understand the attention that the performance brings but it's agressive and i got sick of the constant growling way too quickly, but that's just my opinion and taste
I'm ace, but same. I can see why people like Máté's portrayal, but the constant growl-singing and his Death being *very* sexually aggressive turned me off his portrayal real quick, to the point I have a difficult time watching the 2005 Vienna production the whole way through. He's good in some places but really needs to chill in others.
And I don't know, maybe it's me preferring Pia and Uwe, but I just don't see the chemistry between Maya's Sisi and Máté's Death? Maya!Sisi always seems more *afraid* of Death than anything else?
@@twicebornwitchlighter7606 omg you worded everything i thought about his portrayal perfectly, i absolutely agree that he's sexually agressive and the way he grabs her and looks at her just doesn't work for me.
Uwe is my favorite (performance wise) bc of the perfect balance of dominance and grace yk? And in his production there's way more androgyny which is something that i think is important to Death, in Máté's version it's what it mostly lacks and it should've definitely include a mix of masculine and feminine, plus the relationship feels like some type of Stockholm syndrome tbh.
Thank you for agreeing with me, i thought I was being too salty but i guess a lot of the attention comes from the appeal that i don't care about and neither get.
I agree.
I love Máté's voice, so much power and energy. (I saw him in concert and on stage in Hungary, he's fantastic!) But I don't like the way of his Tod in Wien. That's the failure of directing also, not only his. His hungarian Elisabeth performances are much better, than this. But, to be honest, he's overacting almost everytime... =)
th-cam.com/video/fG4Wp5kQdds/w-d-xo.html
@@holdtunder79 i just watched the video and you're so right! I like that one much much better, the figurine, make-up, performance and vocals are on point. Thank you
@@holdtunder79 Yeah, I also like Máté's voice and portrayal of Death in the Hungarian production, but not in Vienna. His take in the 2005 Wien production is not my thing at all, but I don't really know how to explain it other than he sounds different singing/acting in the Hungarian version vs German.