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Your comments always kill me 😂❤

Who else here is solely for Mark Siebert?

Hnnnnng Maté is so hot

Okay but why does Uwe look like an 80 year old man perched on his chair at 0:33?

martin my beloved,,,

8:30 , perhaps it's Rudoph's lover, Maria? As they died together...

uwe 1994 cleared

Máté has become my favorite Death. The way he brings the character to life with his agressiveness, but also with his seducive facial expressions. No one can beat him for me.

"Oliver struggling with the swishes for 30 seconds straight" - still one of my fav der Tod though😂

8:27 i think that's supposed to be mary in the background

I'm weak for Maté's portrayal of Der Tod. He looks so handsome and he looks even better in that damn dress <3 . Loads of people have Uwe as their favorite Tod but mine is by far Maté, followed by Szilveszter, Martin, Oliver (in Flemish productions only) and Stanley.

Bei Uwe wirkts einfach 🔥 attraktiv

I dont know sign language and I am not hard of hearing but I would actually love to watch an entire murical with either interpreters or performed in sign language. Idk its just always cool to hear or well see other languages

This song works so well when they just ACT AT EACH OTHER. My two favourite types of Rudolphs are 1) wet cat, sad prince Rudolph whos only true friend is fucking DEATH 2) unhinged Rudolph who wants to die so bad he pulls death into the Mayerling Kiss himself

Everyone else: *dramatic swish* Oliver Arno: YEET

tragam o vestido de volta !!!

Mate Kamaras' Tod always feels at least a little bit unhinged and I cant explain it. Its really fun though I think I figured it out😂 its because he moves so quickly!

Genial!

Enttäuschend, nichts im Vergleich zu Willemijn Verkaik

Mate always gives it 110%, not just here either😂 - the growling - the hip thrusts - he also gets real up close and personal wit Rudolph later 😂 - more growling - the movement speed. His death has that UNHINGED vibe 😂

I gotta say the more recent performances just LACK something.. I think Mark does a great job at the intimidating yet seductive vibe, his eyes seem to really pin you in place. But I really liked the twirl, bc it feels like a kind of distorted almost pardoy of a lovers embrace, like when they do the thing of spinning the partner around bc they're happy you know? And that is just so ICONIC and tragic. Rudolph embraces death and holds onto them with desperation. More recently it feels more like death is mahandling him fully. Its also a good interpretation, but I personally prefer the earlier ones.

Kim Junsu!!! you gotta see him live ❤️‍🔥

I got tickets to see the Dutch production next year (will go see this in May and October) and I'm exicted. As for seeing other productions, I'd say my favorite Der Tod are done by Uwe Kröger, Máté Kamarás (he's my top favorite), Szabó P. Szilveszter and Leo (from K-Pop group VIXX, although there is no footage of him aside from his concerts).

m.th-cam.com/video/HZevWloui6o/w-d-xo.html&pp=ygUaRGUgZnJhbnNlIHppZWt0ZSBlbGlzYWJldGg%3D Ganz ehrlich… Ich finde das Stanley Burleson aus der niederländischen Produktion hier gewinnt… 1:52

Where can i watch jesper tyden 2001?

lmao who drew on his brows???

are those cornrows???

Junsu❤❤❤❤

Draco Malfoy's great-great-great grandad and Raoul de Chagny

They turned into Phantom! As if this show need more Andrew Lloyd Webber allusions.

Dance lift of Kroger is very powerful, he spins a guy with the same height and weight easier than I do it with my dog while training it. It's hard for me even look at this but its very cool.

I Love the Mark Seibert one, it looks unhinged

Where is Junsu? He is like THE Korean Tod. He won rhe best actor award for it

Can anyone translate the interview part, by any chance?

I just saw Elisabeth live in Hungary for the first time ever and I loved this schene, they did it a lot differently tho. Rudolph was dancing with the angels of death the whole time who were taunting him with rifles, and only in the end of the song he is the one who runs to Death, kissing him and shooting himself, without any taunting from Death's side, showing how badly he really wanted to die.

I’m not gonna lie, this makes me really wish I could have the opportunity and skill to perform as Death in a production of this show, just to bring back the dress and Uwe’s twirl. The new choreography works super well, of course, but something about that drag backwards into a wild, leg-swinging twirl feels almost jarringly *joyous,* which makes what’s actually happening all the worse. Or maybe I just like the way the skirts move! 😂🖤🖤🖤

11:00 okay this one gives me chills. the dissonance between the gentle caress as he hands him the gun vs how coldly he drops him to the floor. Just... wow.

This is the content that I come to TH-cam for After all those Arno ones duds, I knew Seibert was going to kill it

Also an accidental comparison of how meh Der Tod's costuming has gotten in the German versions over the years. *sigh*

Seeing Máté Kamarás in three different languages really impressed me. Thx for the interesting compilation! Máté, Uwe und Martin are my favorites in this scene. 👌

Uwe slays so hard everytime 🫶

No one does it like Pia!

Wow the voice😮❤

i need the 12/12/2003 elisabeth recording so bad mate seems to be going ham in it

do you have any idea where to find the Takarazuka productions on video?

this is so important thank u for ur service

Though I'm not usually a Máté fan, I have to say he's great for this scene (second only to Uwe because he can't compare to the sheer drama)

I'm guessing the director has some thesis about mirror and/or reflections as a theme of the musical XD

What shocked me is that the fact that Paul kribbe twirled eight times as soon as he picked rudolf up is very interesting

Uwe is truly the master of spins.