Errr I'm not sure if I entirely agree with your guide to singing a song originally performed by a member of the opposite sex.... Male baritones would probably need to raise the pitch ofba 6:44 song by 3 or 4 semitones and sing an octave lower. Females may wish to do the opposite. Another thought and something I consider when covering a song is to listen to where the original artist's voice transitions from upper chest to head and adjust the key to where mine does the same. As a drag artiste, I frequentlly need to perform songs originally sung by females. X
Hi! Thank you for your comment! I'm pleased to hear your perspective. My suggestion is undoubtedly just a place to start. The male and female passages sit 5 semitones apart, so my thinking is that you end up in a similar place in your voice as the opposite gender based on my suggestion. It should potentially do the same thing as your suggestion about finding the same voice transition from upper chest to head. But I agree with you that it won't always be the best in every case. For example, if the tessitura of a song sung by a female sits mainly in the 2nd passage and is still too high for a male to sing in his second passage, your suggestion of raising the key 3-4 semitones and going an octave down would work better. It would put it closer to the male first passage. It takes some experimenting and exploration, and at the end of the day, you have to trust what feels good for you. I appreciate you and your additional suggestions! xo
Thank you!!!!!!
You're welcome!
Errr I'm not sure if I entirely agree with your guide to singing a song originally performed by a member of the opposite sex.... Male baritones would probably need to raise the pitch ofba 6:44 song by 3 or 4 semitones and sing an octave lower. Females may wish to do the opposite. Another thought and something I consider when covering a song is to listen to where the original artist's voice transitions from upper chest to head and adjust the key to where mine does the same. As a drag artiste, I frequentlly need to perform songs originally sung by females. X
Hi! Thank you for your comment! I'm pleased to hear your perspective. My suggestion is undoubtedly just a place to start. The male and female passages sit 5 semitones apart, so my thinking is that you end up in a similar place in your voice as the opposite gender based on my suggestion. It should potentially do the same thing as your suggestion about finding the same voice transition from upper chest to head. But I agree with you that it won't always be the best in every case. For example, if the tessitura of a song sung by a female sits mainly in the 2nd passage and is still too high for a male to sing in his second passage, your suggestion of raising the key 3-4 semitones and going an octave down would work better. It would put it closer to the male first passage. It takes some experimenting and exploration, and at the end of the day, you have to trust what feels good for you. I appreciate you and your additional suggestions! xo
is not the second male passage supposed to be A4 - C5, since middle C is C4 ???
Oh no! Yes, you're totally right. I mistyped it. Thank you for pointing that out. I'll note the correction in the description. Thanks again!
Keep going waerm up bass voice plzz
Hey! Thanks for the comment. Would you like to see more warm-ups for lower voices? I'll do that! What kind of music do you sing?
@@theunlimitedvoiceclassic elivs frank low pich