How to Play in Hypermeter | Chopin Scherzo No. 1 | Will Daniels Piano Studio

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  • เผยแพร่เมื่อ 21 ส.ค. 2020
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    A walkthrough of the metrical and rhythmic terrain of the first section of Chopin's Scherzo No. 1. I discuss how to accentuate the hypermetrical structure, the hemiola, and syncopation.
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ความคิดเห็น • 33

  • @surgeonmd729
    @surgeonmd729 3 ปีที่แล้ว +13

    I have been working on this intermittently for years, but haven't performed it publicly yet. This explanation makes so much sense, and illustrates the beauty of the deeper structure of the piece, and illustrates Chopin's brilliance so clearly. This gives me a lot of insight into how to interpret this challenging yet very beautiful work. Thanks very much

  • @benjaminwashington2087
    @benjaminwashington2087 3 ปีที่แล้ว +14

    THIS IS A GREAT VIDEO THANK YOU FOR THIS EXAMPLE!

    • @willdaniels1608
      @willdaniels1608  3 ปีที่แล้ว

      Thank you for your feedback Benjamin!

  • @jonapilas
    @jonapilas 2 หลายเดือนก่อน +1

    Great tutorial, thanks man!

  • @leonardseidel1118
    @leonardseidel1118 2 ปีที่แล้ว +4

    This is a great lesson on this difficult beginning passage of the No. 1 Scherzo. Excellent!

  • @angellinashma
    @angellinashma 7 วันที่ผ่านมา

    This is so helpful thank you so much!!!

  • @ciararespect4296
    @ciararespect4296 2 ปีที่แล้ว +2

    Brilliant stuff no wonder a great teacher helps rapid improvement. Better than just sitting down and trying to read the music

  • @leonardseidel1118
    @leonardseidel1118 2 ปีที่แล้ว +3

    Excellent instruction!! Just when you think you know as a musician and teacher/performer you can miss some things. This happened with this post. Thanks for sharing.

  • @shooshieroberts3913
    @shooshieroberts3913 11 หลายเดือนก่อน +1

    Thank you very much for that. It illuminates what I had kind of avoided learning, and now I want to give it a read.

  • @htasul
    @htasul 3 ปีที่แล้ว +1

    Great video! Thank you

  • @jerrylee2589
    @jerrylee2589 2 ปีที่แล้ว +5

    What a great and fascinating lesson on this masterpiece! I've always loved this piece (my favorite out of the four scherzos) - and after watching your video, I appreciate and admire Chopin's genius and originality even more! Thanks so much! 🥰🎹

    • @angelobonacci461
      @angelobonacci461 5 หลายเดือนก่อน

      Sono d'accordo però il n 3....tanta roba forse eseguito bene il 3 è il più bello e il più difficile

  • @wlodar3333
    @wlodar3333 2 ปีที่แล้ว +1

    Great video ! Thanks for that!

  • @bergraff
    @bergraff 3 ปีที่แล้ว +2

    Excellent vidéo! It’s helping me greatly to understand and execute correctly these sections of this scherzo! Thanks a lot!!

  • @user-zj3ig7uh5m
    @user-zj3ig7uh5m ปีที่แล้ว

    bravo all the way!! you know your stuff!! and great hand position....!!

  • @Chris56Y
    @Chris56Y 3 ปีที่แล้ว +2

    Great job! Dramatic, and highlights the restless metric ambiguity and large phrases.

  • @TheBeatBrothersBand
    @TheBeatBrothersBand 3 ปีที่แล้ว +2

    Great stuff Will!

  • @joanne1487
    @joanne1487 2 ปีที่แล้ว +1

    Your scherzo no.1 video is very good. your explain about scherzo no.1 is very helpful. I studied this piece 2 years ago. my music teacher also told me "Put an accent on the first beat."
    I will start ptacticing this piece again. thank u🙏👍👍

  • @esauponce9759
    @esauponce9759 ปีที่แล้ว

    Very helpful!

  • @lawrencejuanlin9113
    @lawrencejuanlin9113 2 ปีที่แล้ว +1

    Very very helpful

  • @murielkhelifa5587
    @murielkhelifa5587 2 ปีที่แล้ว

    Merci beaucoup explications très utiles pour la compréhension de cette pièce

  • @tompol7537
    @tompol7537 3 ปีที่แล้ว +1

    SUPER !

  • @jeuxdeau2009
    @jeuxdeau2009 ปีที่แล้ว

    thank you !!!

  • @granddaddy_funk
    @granddaddy_funk 11 หลายเดือนก่อน +1

    I played the second scherzo in college and i used this technique to count. My teacher was like "im only sad i didn't think of it" lol

  • @rachelbarnett6890
    @rachelbarnett6890 ปีที่แล้ว +1

    This was the last piece I was learning before I stopped taking lessons because of college (I didn't major in music). I decided to see if I could pick it back up and this video is so helpful in guiding me through it!

  • @AnoNym-fz9me
    @AnoNym-fz9me หลายเดือนก่อน

    thanks

  • @bjornviir3333
    @bjornviir3333 3 ปีที่แล้ว +1

    in section 2 is it ok to substitute lh fingers here and there for the rh...seems less akward at times...this whole piece has suck awkward fingerings which makes it the hardest scherzo...its kind of like an etude...any help with this piece greatly appreciated...it is a damn cool piece though....one of my favs...

  • @bjornviir3333
    @bjornviir3333 3 ปีที่แล้ว

    at Agitato, first measure LH plays f# and d then g and bflat...then similar stuff at measure 5...could you play the upper D with RH instead as if i use LH for both d and the f# its quite tough to play the g and bflat after smoothly...kinda awkward wrist movement...same idea at bar 5 etc...only drawback is than now its harder to keep rhythm. so many technical challenges in this piece, ive abandoned it many times when progress gets too slow but i keep coming back for more punishment...

    • @willdaniels1608
      @willdaniels1608  3 ปีที่แล้ว +1

      The technical challenges you are having would require an assessment of your technique directly. I would avoid delegating LH notes as you said to the RH if possible because it is supposed to be an interplay of trading off between the two hands, but that would mix them together and make it a bit complicated I think. To play the initial group in your LH at Agitato, you must move in a straight line with your wrist and forearm to the final Bb under your pinky, moving seamlessly to the left and in towards the piano. Otherwise, I would be happy to examine your current technique over Zoom, let me know.

  • @benharmonics
    @benharmonics ปีที่แล้ว

    7:49