Get 15% Off Tony Kuyper's TK8 PLUGIN For PHOTOSHOP and Videos here: goodlight.us/panels-and-videos.html Use Promo Code DK15 In today's TK FRIDAY tutorial I am going to finish what I started last week. This is PART 2 of Dave Karp's "Mineral Creek Sunrise". This is a FULL EDIT tutorial. Don't forget to DOWNLOAD the Image and PDF NOTES... Image Drop Box LINK: www.dropbox.com/s/iwluv3flgd9mjt8/TK%20Friday%20South%20Mineral%20Creek%20Sunrise%20by%20Dave%20Karp%20.tif?dl=0 PDF NOTES Drop Box LINK: www.dropbox.com/s/k6ohghqlz9vh57t/TK%20Friday-%20South%20Mineral%20Creek%20Sunrise%20by%20Dave%20Karp%20%28Full%20Edit%29.pdf?dl=0 Topaz Affiliate Links: Purchase TOPAZ PHOTO AI and other TOPAZ LABS Products here: topazlabs.com/ref/434/ SAVE $59.98 by purchasing the IMAGE QUALITY BUNDLE: www.topazlabs.com/image-quality-bundle/ref/434/ ATTENTION TOPAZ VIDEO AI IS ON SALE NOW THRU MARCH 31 FOR $249 ($50 Savings): www.topazlabs.com/topaz-video-ai/ref/434/ Purchase Topaz Studio 2: topazlabs.com/studio/ref/434/ TK8 PLUGIN FOR PHOTOSHOP Links: Get 15% Off Tony Kuyper's TK8 PLUGIN For PHOTOSHOP and Videos here: goodlight.us/panels-and-videos.html Use Promo Code DK15 Download a Free Linear Profile for your Camera here: goodlight.us/linear-profiles.html Tony Kuyper's Blog (Good Light Journal): tonykuyper.wordpress.com TK8 Instruction Manual PDF: goodlight.us/writing/TK8/TK8-Instructions-Manual.pdf ON1 Software Affiliate Link: Get 20% OFF ON1 Software Here: on1.sjv.io/kjbNBM Use PROMO CODE DAVIDKELLY Coupon valid for 20% off a purchase at ON1 Coupon is not applicable to subscriptions and cannot be combined with other discounts or promotions. DXO Affiliate Links: DXO PhotoLab 6 Affiliate Link: tidd.ly/3lSV91M DXO Pure Raw 2: tidd.ly/3wlE5KC NIK COLLECTION 5 Affiliate Link: tidd.ly/2Rr4pRr Nik Collection 5 Users Guide: userguides.dxo.com/nikcollection/en/ DXO Filmpack 6 Affiliate Link: tidd.ly/2UGHsrc DXO ViewPoint Affiliate Link: tidd.ly/3fmMUZZ Skylum Software Affiliate Links: LUMINAR AI Affiliate Link: skylum.evyy.net/c/2066209/880106/3255 Use Promo Code DAVEKELLY to receive a $10 Discount Discount does not apply to sale items... Skylum Luminar Neo: skylum.evyy.net/9WQe6y Use Promo Code DAVEKELLY to receive a $10 Discount Discount does not apply to sale items... Contact Me: edenbridgephotography.com/contact Website: edenbridgephotography.com #TKFriday #TK8MultiMaskPanel #TK8ComboCxPanel
I am amazed each and every week when I see what Dave Kelly produces and provides us (the photographic community) for free. I am a student and fan of his superb, high quality, creative educational material. Whether its Topaz products, his weekly TK Friday lessons and his associated detailed notes for reference material (also provided for free), the Nik Collection, Lightroom, Photoshop, etc., every one of his videos is filled with high quality, informative, useful photo editing techniques and information. Thank-you Dave for all of it and everything you provide. You have substantially improved the overall quality of my photo editing and deepened my understanding of each product and for that I am grateful. You make editing a joy. Your student, and fan. Mario Lombardi
Thanks again Dave, for another inspirational edit. The tip for making sharper sky and foreground masks was something I'll be trying on my own images. Keep up the new ideas, great for us all to learn from. I'm really looking for something for editing misty, hazy images without getting them too contrasty and ruining the shot. If you have any ideas, please help me out. (Nigel)
Happiness is TK Friday. I love these full edits. With this mix of new techniques and review of previously demonstrated techniques is extremely helpful. After every TK Friday I am inspired to resume post processing my images. Thanks Dave!!!
Another great TK FRIDAY edit Dave. This one I'm going to download and try it without the notes this time. Friday mornings are definitely my favorite day of the week.
Thank you for the full edit, final results turned out wonderful. I really enjoyed photographing in this area of the San Juan mountains in Colorado. Great camping to the west of this location, beautiful waterfalls just down the road.
Love your work Dave. I too look forward to TK Friday. Can you explain why you chose a Zone Mask rather than a Colour Mask to adjust the light green areas in the hills in the backround (21.20 min into the video)?
I choose the Zone Mask because I wanted to target a certain zone and there were other green colors in different zones. Good question John. On the lower left corner the Color Mask was perfect.
I've only recently stumbled on these excellent panels - I notice it came out a while ago and was wondering if there is going to be a version 9? I don't want to buy something only for it to be replaced a couple of months later :)
Thank you for your tutorials, Dave. I have a question: Based on your workflow, I gather that it is not critical that your luminosity masks be created always from the original image, ie, the background layer. Some photographers insist that it is for some reason critical that the luminosity masks be created from the "unchanged" version of the image. Would you comment on your views? Thank you.
If you watch my TK Friday videos you will notice that sometimes I put a black mask on a layer. I do this because there are times I want to base the mask off of the image before I add an effect. For instance, if I want to darken a certain luminosity range I might us a Curves Adjustment Layer in the multiply blend mode to darken the image but only in a particular luminosity tone. I place a black mask on the layer so that I can base the luminosity mask (pre-darkening) to create the proper luminosity mask. Now the luminosity mask will only apply the darkening from the multiply blend mode to the areas that the mask I created is targeting. For the most part I like to base my TK8 masks on the image as it has been edited and not on the original unedited background layer.
@@thejoyofeditingwithdavekelly Thanks for your comments, Dave. And, yes, I always watch your TK Friday's tutorials as well as all others and I appreciate them all. Thank you! 😊
I agree with Dave on this. The point of any mask is to properly select the parts of the image that need selecting and to exclude the parts that need excluding. To get locked into the image's "original" light can be quite limiting since it might not make a mask that matches he current light in the image. It might work in some cases, but the beauty of TK8 is that its masks can evolve as the image progresses. I generally prefer to make masks based on the current state of the image as it makes choosing they type of mask (luminosity/zone/color) quite logical. A good example in this video was Dave choosing a zone mask to create the selection for darkening the lighter areas in the background hills. The tonal differences there made a zone mask a logical choice once the image had progressed to this stage. TK8 is all about generating masks on the fly to target a specific need in image's development. Working form the current state of the image will usually make choosing the type of mask easier and result in a "fresh" mask that more precisely targets what needs to be adjusted.
@@TonyKuyper Thank you for expanding on Dave's comments, Tony. What you describe is a process that feels intuitive and logic and I quite agree with it. As I mentioned in my first comment, some fine art photographers from whom I've taken lessons from in the past have insisted in the need to create all the masks from the original "unchanged" image. Perhaps there is a reason for that logic that has escaped my understanding, but somehow that guideline has always seemed puzzling to me. I like your suggestion better, ie, the fluidity with which the masks should be developed, dictated by the stage in which the workflow finds itself. Thank you, Tony.
Get 15% Off Tony Kuyper's TK8 PLUGIN For PHOTOSHOP and Videos here: goodlight.us/panels-and-videos.html
Use Promo Code DK15
In today's TK FRIDAY tutorial I am going to finish what I started last week. This is PART 2 of Dave Karp's "Mineral Creek Sunrise". This is a FULL EDIT tutorial. Don't forget to DOWNLOAD the Image and PDF NOTES...
Image Drop Box LINK: www.dropbox.com/s/iwluv3flgd9mjt8/TK%20Friday%20South%20Mineral%20Creek%20Sunrise%20by%20Dave%20Karp%20.tif?dl=0
PDF NOTES Drop Box LINK: www.dropbox.com/s/k6ohghqlz9vh57t/TK%20Friday-%20South%20Mineral%20Creek%20Sunrise%20by%20Dave%20Karp%20%28Full%20Edit%29.pdf?dl=0
Topaz Affiliate Links:
Purchase TOPAZ PHOTO AI and other TOPAZ LABS Products here: topazlabs.com/ref/434/
SAVE $59.98 by purchasing the IMAGE QUALITY BUNDLE: www.topazlabs.com/image-quality-bundle/ref/434/
ATTENTION TOPAZ VIDEO AI IS ON SALE NOW THRU MARCH 31 FOR $249 ($50 Savings): www.topazlabs.com/topaz-video-ai/ref/434/
Purchase Topaz Studio 2: topazlabs.com/studio/ref/434/
TK8 PLUGIN FOR PHOTOSHOP Links:
Get 15% Off Tony Kuyper's TK8 PLUGIN For PHOTOSHOP and Videos here: goodlight.us/panels-and-videos.html
Use Promo Code DK15
Download a Free Linear Profile for your Camera here: goodlight.us/linear-profiles.html
Tony Kuyper's Blog (Good Light Journal): tonykuyper.wordpress.com
TK8 Instruction Manual PDF: goodlight.us/writing/TK8/TK8-Instructions-Manual.pdf
ON1 Software Affiliate Link:
Get 20% OFF ON1 Software Here: on1.sjv.io/kjbNBM
Use PROMO CODE DAVIDKELLY
Coupon valid for 20% off a purchase at ON1 Coupon is not applicable to subscriptions and cannot be combined with other discounts or promotions.
DXO Affiliate Links:
DXO PhotoLab 6 Affiliate Link:
tidd.ly/3lSV91M
DXO Pure Raw 2: tidd.ly/3wlE5KC
NIK COLLECTION 5 Affiliate Link: tidd.ly/2Rr4pRr
Nik Collection 5 Users Guide: userguides.dxo.com/nikcollection/en/
DXO Filmpack 6 Affiliate Link:
tidd.ly/2UGHsrc
DXO ViewPoint Affiliate Link:
tidd.ly/3fmMUZZ
Skylum Software Affiliate Links:
LUMINAR AI Affiliate Link:
skylum.evyy.net/c/2066209/880106/3255
Use Promo Code DAVEKELLY to receive a $10 Discount
Discount does not apply to sale items...
Skylum Luminar Neo: skylum.evyy.net/9WQe6y
Use Promo Code DAVEKELLY to receive a $10 Discount
Discount does not apply to sale items...
Contact Me: edenbridgephotography.com/contact
Website: edenbridgephotography.com
#TKFriday #TK8MultiMaskPanel #TK8ComboCxPanel
Great edit
I am amazed each and every week when I see what Dave Kelly produces and provides us (the photographic community) for free. I am a student and fan of his superb, high quality, creative educational material. Whether its Topaz products, his weekly TK Friday lessons and his associated detailed notes for reference material (also provided for free), the Nik Collection, Lightroom, Photoshop, etc., every one of his videos is filled with high quality, informative, useful photo editing techniques and information. Thank-you Dave for all of it and everything you provide. You have substantially improved the overall quality of my photo editing and deepened my understanding of each product and for that I am grateful. You make editing a joy. Your student, and fan. Mario Lombardi
Every week I learn a little bit more thanks to your tutorials. It may be a slow burn but I'm getting there. Thank you as always
Thanks a lot for another great TK Friday lesson with really helpful PDF notes.
Another great edit. I always look forward to TK Friday!
Thanks Dave. Love your full edits.
Thanks again Dave, for another inspirational edit. The tip for making sharper sky and foreground masks was something I'll be trying on my own images. Keep up the new ideas, great for us all to learn from. I'm really looking for something for editing misty, hazy images without getting them too contrasty and ruining the shot. If you have any ideas, please help me out. (Nigel)
Happiness is TK Friday. I love these full edits. With this mix of new techniques and review of previously demonstrated techniques is extremely helpful. After every TK Friday I am inspired to resume post processing my images. Thanks Dave!!!
Another great TK FRIDAY edit Dave. This one I'm going to download and try it without the notes this time. Friday mornings are definitely my favorite day of the week.
Thank you for the full edit, final results turned out wonderful. I really enjoyed photographing in this area of the San Juan mountains in Colorado. Great camping to the west of this location, beautiful waterfalls just down the road.
You are welcome Dave and thanks for letting us use your image.
Nice video once again 👍❤
Love your work Dave. I too look forward to TK Friday. Can you explain why you chose a Zone Mask rather than a Colour Mask to adjust the light green areas in the hills in the backround (21.20 min into the video)?
I choose the Zone Mask because I wanted to target a certain zone and there were other green colors in different zones. Good question John. On the lower left corner the Color Mask was perfect.
Very good Dave. The TK panels are the best. What would you do without the colour grading tool 🙂
I've only recently stumbled on these excellent panels - I notice it came out a while ago and was wondering if there is going to be a version 9? I don't want to buy something only for it to be replaced a couple of months later :)
Thanks
Thanks!
Thanks for the Super Thanks Steve.
Hola Dave, de nuevo al teclado...je, je... Creo que en el paso 1 del PDF falta la calculadora , ¿no?... Gracias por todo.🤠👍
Haciendo un repaso, me he dado cuenta que ya lo explicas......sorry 🤠👍
Thank you for your tutorials, Dave. I have a question: Based on your workflow, I gather that it is not critical that your luminosity masks be created always from the original image, ie, the background layer. Some photographers insist that it is for some reason critical that the luminosity masks be created from the "unchanged" version of the image. Would you comment on your views? Thank you.
If you watch my TK Friday videos you will notice that sometimes I put a black mask on a layer. I do this because there are times I want to base the mask off of the image before I add an effect. For instance, if I want to darken a certain luminosity range I might us a Curves Adjustment Layer in the multiply blend mode to darken the image but only in a particular luminosity tone. I place a black mask on the layer so that I can base the luminosity mask (pre-darkening) to create the proper luminosity mask. Now the luminosity mask will only apply the darkening from the multiply blend mode to the areas that the mask I created is targeting. For the most part I like to base my TK8 masks on the image as it has been edited and not on the original unedited background layer.
@@thejoyofeditingwithdavekelly Thanks for your comments, Dave. And, yes, I always watch your TK Friday's tutorials as well as all others and I appreciate them all. Thank you! 😊
@@photonsonpixels Thanks Jorge. Thanks for being a part of TK Friday. Happy Editing.
I agree with Dave on this. The point of any mask is to properly select the parts of the image that need selecting and to exclude the parts that need excluding. To get locked into the image's "original" light can be quite limiting since it might not make a mask that matches he current light in the image. It might work in some cases, but the beauty of TK8 is that its masks can evolve as the image progresses. I generally prefer to make masks based on the current state of the image as it makes choosing they type of mask (luminosity/zone/color) quite logical. A good example in this video was Dave choosing a zone mask to create the selection for darkening the lighter areas in the background hills. The tonal differences there made a zone mask a logical choice once the image had progressed to this stage. TK8 is all about generating masks on the fly to target a specific need in image's development. Working form the current state of the image will usually make choosing the type of mask easier and result in a "fresh" mask that more precisely targets what needs to be adjusted.
@@TonyKuyper Thank you for expanding on Dave's comments, Tony. What you describe is a process that feels intuitive and logic and I quite agree with it. As I mentioned in my first comment, some fine art photographers from whom I've taken lessons from in the past have insisted in the need to create all the masks from the original "unchanged" image. Perhaps there is a reason for that logic that has escaped my understanding, but somehow that guideline has always seemed puzzling to me. I like your suggestion better, ie, the fluidity with which the masks should be developed, dictated by the stage in which the workflow finds itself. Thank you, Tony.
Problem with pdf notes link
I checked it everything seems to be working. Please try again.
Thanks!
Mario thanks for the Super Thanks.
Thanks
Thank you for the Super Thanks.