This is very true. I use to add a bunch of hi hat loops/ shakers to fill up space and while all my friends liked it and it sounded good. I could totally see people had a hard time dancing when I performed it live. The simpler groves where everything has its own space and purpose made people dance every time.
Love this concept and def got me thinking about when and when not to incorporate drum loops into my productions - that being said, as a former almost professional Greek dancer, I just get up and dance to my tracks to see if it works or not haha
It depends on the track, Piero Pirup used a shit ton of layered percussion and Hi Hat loops on his track „We don't need - Club Edit“ and it was a nr1 smash hit because it just woeked
very helpful stuff. i learned this a few years ago but realizing how important rythm is (not just for drums) improved my songwriting so much and it also helps everything else like mixing for example.
As always concise and to the point. I'd love some deeper dives into rhythm building and how you can work with velocities, bc this tutorial doesn't talk about how ghost notes etc can be used to add subtle rhythm without necessarily making things messy.
There is a lot more to it, ghost notes, sound selection, layering, mixing, panning... but a nice tip lining up the groove elements to not make it too complicated for the genre.
I wish i seen this when i first started, instead i was told that adding more loops was good because it fills up space and adds more interest but never told the downsides like competing rhythms.
It does fill space, this only works for genres like this (Tech house). But if you want to make Trance, Techno, House, EDM, your track can sound very empty if you don't fill the space you have. Sidechain and processing MAKE the track
Absolutely great advice. It takes longer to build loops yourself but I've never done anything else. Without control of the swing, velocity and basic pattern for each sound, it's going to sound messy. oh, and knowing when to stop adding things is critical. Just keep working on it and it does start sounding better.
Damn give the guy a break, he’s trying to provide some value and it all boils down to keeping the groove simple and not cluttering it up with too many competing rhythms. It doesn’t matter if you use loops or not. If you do use a loop just be mindful to not clutter the groove with a bunch of random drum loops that are going to overlap and sound like 💩
I typically accomplish a simple arrangement by starting from lots of overlapping grooves and then slowly taking out some slices of it until it is reduced enough. that way the groove doesn't form in the most obvious way but insteads finds a new path that I also haven't heard before sometimes. slightly different swings can be a good thing if 2 sounds are overlapping, but maybe not so much in tight genres like yours
Dude I hope you're rich off TH-cam. This is the first time Ive watched your video. You have a nerd understanding of everything but your music is dope! You're not over the top analytical and your video quality is top notch. You gotta be spending a ton of time on making these vids. Great work bud
This is very important. You have made a similiar video for this tip and I have been implementing that to my Trance tracks. Clear improvement. And if I ever use something out of main groove, I use it in the most background so you dont basically hear, but feel. Amazing tip and totally recommend.
I had the idea of trying to put a mini note for every drum hit to make sure complicated rhythms sounded good but it’s really cool to see somebody else recommends doing it.
In Logic it’s very simple, use the Groove Track feature. Assign one of your tracks as the main Groove Track and assign all the other tracks to follow the main Groove Track simply by adding a ☑️ mark next to the track. This can be done in seconds and you never have to go into the Piano Roll.
In your opinion, which track should typically be the main groove track for best results? The percussion loop track, the vocal track, bassline track, piano/guitar chord track? Thanks.
@@PETSWORLD_ Generally I think the percussion loop makes the most sense to use as the Groove track, simply because it usually has the most subdivisions that all the other instruments can "latch" onto. You really have to use your discretion though, most importantly you have to choose drum loops that would best serve a role as the "Master" Groove track. A lot of what Big Z mentioned applies here, choose the percussion loop that sounds the cleanest and provides the strongest foundation of your song's overall groove.
Great advice! Honestly so true and not something I see people discussing much on TH-cam. Thank you for this video. Most of the time I feel simple is better. When it comes to layering, we must ask ourselves with each layer we add, is this supposed to blend with other layers, or contrast?
In ableton you can "extract groove" from one element and apply that quantization to other tracks. Great way to align the rhythm of a loop that you like the texture of with the groove of the track
your style of explaination is exactly what i am looking for ... and damn i like your style of producing ..... i have the feeling that you really know what you are doing..... some other YT producers doesnt have that ..... greetings from vienna ps : i can imagine you have finished some music school or are you a self-taught guy like me.... ?
Great video! The part about simplifying each element into a simple hit in a separate pattern, so you can hear how it sounds with no frills and just get a handle on if the rhythmic health is brilliant!
It's a fun idea, but using the same sound for all of the beats is 100% going to make it sound messy. The first 3 minutes of this video is a service announcement for SideChain. Also depending on the genre, using loops is fine, if you process them correctly
I paid alot more attention to this after a friend of mine said that one of my tracks sounded like two songs playing together. Was easy to fix when someone just pointed it out like that.
it is a interesting topic, I'm not sure if I fully agree with you. There is a lot of house music that got a LOT of different rhythm's layered on top of one another. also rhytms can make space for each other depending on frequency (band) and panorama
Yeah I think it's fine if you have extra percussion rhythms that are lower in the mix and fill out space. But all my favorite house songs have a main repeating rhythm using the main elements that I can pick up on
Agreed, this is nonsense, sometimes drum loops can totally transform and improve things, totally depends on the loop, its groove, how that interacts with programmed drum sounds etc. To make a blanket statement of "drum loops make your track worse" is pure clickbait dumbness
Hi Big Z - I bought the serum presets pack modern synths 2 from your online shop and it only allowed 2x download attempts. Both failed me and stopped downloading and now I can't finish downloading. How can I get the product now?
At first I was thinking, “Hey, ableton’s groove feature kinda fixes these problems.” But nah, the whole point is about breaking down your overall rhythm to its key elements and not overcrowding them. Great process, gonna help me a lot.
Thanks so much for this video. Knew there had to be some level of logic at work in even the most complex of rhythms but hadn’t been able to find any info/tutorials on the subject. Will be cracking open the DAW later to experiment.
Actually if you're on Logic simply enable time flex on the loops, quantize them to whatever quantization you'd like or you can even use a loop as master quantize and have the other loops follow that quantization .
Perhaps they themselves came from a free pack and have just been tweaked enough to hide their origin, alternatively they could have been recorded from real instruments and lastly, there are drum synths that are capable of generating new hats, shakers, toms and snares. Kicks are easy enough to generate, then adding a hat or clap on top can give it an organic feel rather than made using sine sweep
Two issues with loops also - if you want to switch it up a bit, like remove the claps, remove the hi hat etc, you can't, unless you try chopping it up and it being awkward. Then you've got the levels - you can't control each bit, it's either all louder, or all quieter
I agree with the general idea of this video but I also having a whole bunch of different loops can add some interesting things. I do think that there is a best of both worlds solution for this: Start with layering all the loops you think sound cool. Then listen through it carefully and try to pick up on which loop is adding the most at every moment. Then it's just a matter of muting the other loops at that moment. You'll just get the bits of each loop whenever they add to the groove and get rid of the clutter too. It also manages to somehow sound more varied as each loop gets the time to shine.
Thats epic advice and a great tutorial. Really struggled with this concept for years but i love how you mentronomed the rhythm very easy to then keep it all in tune. What about things likes stabs and chord would you also add the same swing?
you can do that. But if you want to add those, you need to create space for them. He's oversimplifying for sure, but you can literally hear him using syncopation in the example he provides at the end. Stay smart, homie
Great video, dude! What about elements that reinforce strong notes (1/4 or 1/8) in the rhythm vs weak notes (any 1/16 note not on the down or off-beat)? Think you could make a follow-up about that?
good points, but (unnecessarily so) slightly manipulative to only "unleash" bass drum and main backbeat in the positive examples and keeping them turned off in the negative ones :-D
Great video! Just one question: You've built a song around a given drum loop, but shouldn't it be the other way round? Can't you make up the rhythm first and use single-shot drum sounds to form the accompanying drum stem?
I've listened to a lot of tracks where people use loops and ethnic instruments and I don't think that you need to "humanize" absolutely everything. There is just no difference between sloppy drums and quantized drums (actually, people learn all their life to play good, not sloppy). So, when everything is electronic - yes, it definitely makes sense. But when listeners know that you are playing instrument that you will add to a looped track - I don't think that adding irregularities will improve the track. This is just my opinion, but thank you so much for the video, very informative as always!!!!
I agree with the concept, but I don't think there's any issue using loops - just to use them sparingly and to be selective, and possibly just by following a philosophy of keeping things simple. I use loops just to start a session quickly, especially if I'm working with singers/songwriters and need something that they can write to quickly. Sometimes I'll edit the loop afterwards, but even then there are times I don't feel it's necessary.
Drum loops can make or break, especially if they are noisy. Clean loops chopped up. One advantage of sampling is the odd timing, your combining feels that wouldn't exist playing to the songs groove. Sometimes they work sometimes they dont, have to listen.
what about Techno where you only have Kick / Bass pattern with bass note playing right after the kick? Just layer the drums on top of the bass note since there's not much rhythm there?
Your use of the word Techno here is a bit ambiguous, but it sounds like in your example the bass instrument is not the main rhythmic element of the track. In the video he says to build around the main rhythmic element of your track, and then he goes into his example track where the bass is that main element. In another track, such as whatever your example is, the main rhythmic element may be different instrument from the bass. A percussion part? Some other lead synth? It depends. But whatever that lead element is, build everything else around it. Even melodies have rhythms built into them and can be dissected in the same manner as in the video.
This is very true. I use to add a bunch of hi hat loops/ shakers to fill up space and while all my friends liked it and it sounded good. I could totally see people had a hard time dancing when I performed it live. The simpler groves where everything has its own space and purpose made people dance every time.
Ambient jungle from the 90s enters the chat:
To be fair modern dance scenes require modern musical solutions
Love this concept and def got me thinking about when and when not to incorporate drum loops into my productions - that being said, as a former almost professional Greek dancer, I just get up and dance to my tracks to see if it works or not haha
Electronic music doesn't need to be danceable you normie
It depends on the track, Piero Pirup used a shit ton of layered percussion and Hi Hat loops on his track „We don't need - Club Edit“ and it was a nr1 smash hit because it just woeked
Simplify simplify simplify. This is SO overlooked when discussing composition. Thank you for an on point reminder.
So true. Some people literally think you need 100 tracks in a song.
Unless you are Frank Zappa
@@adirsab 🤣
very helpful stuff. i learned this a few years ago but realizing how important rythm is (not just for drums) improved my songwriting so much and it also helps everything else like mixing for example.
As always concise and to the point. I'd love some deeper dives into rhythm building and how you can work with velocities, bc this tutorial doesn't talk about how ghost notes etc can be used to add subtle rhythm without necessarily making things messy.
There is a lot more to it, ghost notes, sound selection, layering, mixing, panning... but a nice tip lining up the groove elements to not make it too complicated for the genre.
I wish i seen this when i first started, instead i was told that adding more loops was good because it fills up space and adds more interest but never told the downsides like competing rhythms.
It does fill space, this only works for genres like this (Tech house). But if you want to make Trance, Techno, House, EDM, your track can sound very empty if you don't fill the space you have. Sidechain and processing MAKE the track
@@sorenandrews1078 It works if you edit the audio to standardize the swing... THAT'S the biggest thing here imo
Absolutely great advice. It takes longer to build loops yourself but I've never done anything else. Without control of the swing, velocity and basic pattern for each sound, it's going to sound messy. oh, and knowing when to stop adding things is critical. Just keep working on it and it does start sounding better.
Damn give the guy a break, he’s trying to provide some value and it all boils down to keeping the groove simple and not cluttering it up with too many competing rhythms. It doesn’t matter if you use loops or not. If you do use a loop just be mindful to not clutter the groove with a bunch of random drum loops that are going to overlap and sound like 💩
This brother giving out secret sauce for free. My guy :)
For real 🔥
Great information and often overlooked. A deep dive into a better production. Thank you for sharing.
I typically accomplish a simple arrangement by starting from lots of overlapping grooves and then slowly taking out some slices of it until it is reduced enough. that way the groove doesn't form in the most obvious way but insteads finds a new path that I also haven't heard before sometimes. slightly different swings can be a good thing if 2 sounds are overlapping, but maybe not so much in tight genres like yours
Dude I hope you're rich off TH-cam. This is the first time Ive watched your video. You have a nerd understanding of everything but your music is dope! You're not over the top analytical and your video quality is top notch. You gotta be spending a ton of time on making these vids. Great work bud
This is very important. You have made a similiar video for this tip and I have been implementing that to my Trance tracks. Clear improvement. And if I ever use something out of main groove, I use it in the most background so you dont basically hear, but feel.
Amazing tip and totally recommend.
I had the idea of trying to put a mini note for every drum hit to make sure complicated rhythms sounded good but it’s really cool to see somebody else recommends doing it.
good for certain genres but i find beauty where art clashes.
In Logic it’s very simple, use the Groove Track feature. Assign one of your tracks as the main Groove Track and assign all the other tracks to follow the main Groove Track simply by adding a ☑️ mark next to the track. This can be done in seconds and you never have to go into the Piano Roll.
I've found that feature to rarely work properly.
@@Skrenja I dunno. It's always worked reliably on my computer.
In your opinion, which track should typically be the main groove track for best results? The percussion loop track, the vocal track, bassline track, piano/guitar chord track? Thanks.
@@PETSWORLD_ Generally I think the percussion loop makes the most sense to use as the Groove track, simply because it usually has the most subdivisions that all the other instruments can "latch" onto. You really have to use your discretion though, most importantly you have to choose drum loops that would best serve a role as the "Master" Groove track. A lot of what Big Z mentioned applies here, choose the percussion loop that sounds the cleanest and provides the strongest foundation of your song's overall groove.
Great advice! Honestly so true and not something I see people discussing much on TH-cam. Thank you for this video.
Most of the time I feel simple is better. When it comes to layering, we must ask ourselves with each layer we add, is this supposed to blend with other layers, or contrast?
This will hugely improve my compositions!! Such a eye opener ❤
In ableton you can "extract groove" from one element and apply that quantization to other tracks. Great way to align the rhythm of a loop that you like the texture of with the groove of the track
your style of explaination is exactly what i am looking for ... and damn i like your style of producing ..... i have the feeling that you really know what you are doing..... some other YT producers doesnt have that ..... greetings from vienna ps : i can imagine you have finished some music school or are you a self-taught guy like me.... ?
To use a Groove track in Logic also helps to get drums and percs on the same rythm feel, but you're right Swing quantize is awesome and great use !
Hi,
I forgot to add the free sample pack before purchasing this new drum pack. Is there anyway to get a free pack now! 😢
Great video! The part about simplifying each element into a simple hit in a separate pattern, so you can hear how it sounds with no frills and just get a handle on if the rhythmic health is brilliant!
One of the best production educational channels out there!
Huge appreciation from Australia brother!
It's a fun idea, but using the same sound for all of the beats is 100% going to make it sound messy. The first 3 minutes of this video is a service announcement for SideChain. Also depending on the genre, using loops is fine, if you process them correctly
extract the groove of your main loop and apply it to the accessory loops
Sometimes you have to get surgical with your loops to match the level of swing.
Thanks for this, I used this technique to finally nail the lead riff on a track I'd been banging my head against a wall to make work 😅
Nice! Thanks for the great advice... Syncopation always makes a groove groovier.
Thank you for this! Great help for realizing what's going on when choosing loops.
I paid alot more attention to this after a friend of mine said that one of my tracks sounded like two songs playing together. Was easy to fix when someone just pointed it out like that.
love the explanation! i will admit, that '1up' sample is what took it to the next level lmao
never thought about that. very simple but effectiv! thanks BigZ
it is a interesting topic, I'm not sure if I fully agree with you. There is a lot of house music that got a LOT of different rhythm's layered on top of one another. also rhytms can make space for each other depending on frequency (band) and panorama
Yeah this concept is stupid
Yeah I think it's fine if you have extra percussion rhythms that are lower in the mix and fill out space. But all my favorite house songs have a main repeating rhythm using the main elements that I can pick up on
Agreed, this is nonsense, sometimes drum loops can totally transform and improve things, totally depends on the loop, its groove, how that interacts with programmed drum sounds etc. To make a blanket statement of "drum loops make your track worse" is pure clickbait dumbness
@@BigZMusic yeah for like world's most derrivate beatport house music maybe
@@1wibble230Good lord stop being so defensive. The main point of this video is solid
Great content bro this is exactly what I was trying to explain earlier today session, I'm going to play this for the guys good stuff man
Hi Big Z - I bought the serum presets pack modern synths 2 from your online shop and it only allowed 2x download attempts. Both failed me and stopped downloading and now I can't finish downloading. How can I get the product now?
At first I was thinking, “Hey, ableton’s groove feature kinda fixes these problems.” But nah, the whole point is about breaking down your overall rhythm to its key elements and not overcrowding them. Great process, gonna help me a lot.
Thanks so much for this video. Knew there had to be some level of logic at work in even the most complex of rhythms but hadn’t been able to find any info/tutorials on the subject. Will be cracking open the DAW later to experiment.
Actually if you're on Logic simply enable time flex on the loops, quantize them to whatever quantization you'd like or you can even use a loop as master quantize and have the other loops follow that quantization .
Really loved this video lesson! Keep it up man! 👏🏼
Is there a way to add swing to a percussion loop?
Yes, chop it up using beat splice or beat detection then stretch it to your swung grid.
How do you produce drum sounds for sale? I mean, how do you make it original? Or are they original?
Perhaps they themselves came from a free pack and have just been tweaked enough to hide their origin, alternatively they could have been recorded from real instruments and lastly, there are drum synths that are capable of generating new hats, shakers, toms and snares. Kicks are easy enough to generate, then adding a hat or clap on top can give it an organic feel rather than made using sine sweep
My 11month old son loves this song 😂 great seminar man, I rarely make house music but this gave me a good foundation
Inspiring brother
Two issues with loops also - if you want to switch it up a bit, like remove the claps, remove the hi hat etc, you can't, unless you try chopping it up and it being awkward. Then you've got the levels - you can't control each bit, it's either all louder, or all quieter
Clean track.. sounds awesome! Excellent tut as well. Quality channel. : )
I agree with the general idea of this video but I also having a whole bunch of different loops can add some interesting things.
I do think that there is a best of both worlds solution for this:
Start with layering all the loops you think sound cool. Then listen through it carefully and try to pick up on which loop is adding the most at every moment. Then it's just a matter of muting the other loops at that moment.
You'll just get the bits of each loop whenever they add to the groove and get rid of the clutter too. It also manages to somehow sound more varied as each loop gets the time to shine.
great sounds, totally worths it ! and nice Serum sounds pack for free, you made my day !
Great insights Big Z, thanks. Track sounds awesome !
this is goldddd
Simple and Great Tip! Thank you!
as always simplicity is key.
Thats epic advice and a great tutorial. Really struggled with this concept for years but i love how you mentronomed the rhythm very easy to then keep it all in tune. What about things likes stabs and chord would you also add the same swing?
Very good video once again. I have made tracks and taken the loops out for this reason. Cheers Z 🍻
2:20 😂😂 o wow, that's impressive, thx for showing us this, you are the best man!
Are you putting the same swing you used there on hats and snare?
I inadvertently put 2 different grooves into my track, but I was able to switch the hit hats up a tad and get something cohesive using the 2 grooves
I feel personally attacked 😆
Big Z do you start your songs with bass line and taps
Love Big Zee's channel 👍
What if you extract the grooves from one sample and apply it to the other samples?
Thank you Big Z , you're the King 🙌
I think this is the dynamite I've been looking for....
Thank you Big Z...
Wouldn’t want to confuse our listeners with any sort of syncopation or god forbid, polyrhythms, right?
you can do that. But if you want to add those, you need to create space for them. He's oversimplifying for sure, but you can literally hear him using syncopation in the example he provides at the end. Stay smart, homie
Cymatics sweating nervously...
Always excellent teaching. Thanks!
never thought about this, damn
Great video, dude! What about elements that reinforce strong notes (1/4 or 1/8) in the rhythm vs weak notes (any 1/16 note not on the down or off-beat)? Think you could make a follow-up about that?
Great advice man! Thanks!
Nothing left to take out > nothing left to add!
nothing left to add? -- start dividing into smaller subdivisions!!
Down until infinity?
This can also prevent phase issues between samples (Sounds) Loops are the worse offender.
great tutorial bro!
good points, but (unnecessarily so) slightly manipulative to only "unleash" bass drum and main backbeat in the positive examples and keeping them turned off in the negative ones :-D
Great video! Just one question: You've built a song around a given drum loop, but shouldn't it be the other way round? Can't you make up the rhythm first and use single-shot drum sounds to form the accompanying drum stem?
Sometimes I like to use the percussion as a grit layer to the bass or leads following the same rhythm.
That swing makes me feel 100 years ago! 💃🕺
solid video, good advice, thanks for making it.
Man thx 🙏 love it!!!!
You videos are really insightful!!! Unlike the majority who upload daily and keep circulating the same duplicate content
очень рад что нашёл это видео, спасибо огромное за понятное объяснение !! ты вселил в меня новый запал))!!
Or just gate the loops to only play when bass is playing.
Big Z you're killing it!
I dig it, thank you.
I've listened to a lot of tracks where people use loops and ethnic instruments and I don't think that you need to "humanize" absolutely everything. There is just no difference between sloppy drums and quantized drums (actually, people learn all their life to play good, not sloppy). So, when everything is electronic - yes, it definitely makes sense. But when listeners know that you are playing instrument that you will add to a looped track - I don't think that adding irregularities will improve the track. This is just my opinion, but thank you so much for the video, very informative as always!!!!
Heard of j dilla?
in the end of they day we still do electronic music, produced on and with a computer. I join your opinion.
@@DeadpoolPlayz No, I will listen! I was talking about Garmarna and Danheim.
@@Gedagnors his whole thing is that he made beats that were off the beat and not perfect
very informative. kudos
I agree with the concept, but I don't think there's any issue using loops - just to use them sparingly and to be selective, and possibly just by following a philosophy of keeping things simple. I use loops just to start a session quickly, especially if I'm working with singers/songwriters and need something that they can write to quickly. Sometimes I'll edit the loop afterwards, but even then there are times I don't feel it's necessary.
Yeah there's no problem using loops. It's just important to be aware of what rhythm those loops are adding to your track so things can fit together
amazing! great one as always!
This is super informative. Totally makes sense! Thank you.
Great vid! Simple and I’m sure very effective. I recognise these problems in my own tracks..
Thanks! Subbed..
That was helpful for sure
Wow… this was an incredible video. Feel like this advice changed the way I write drums
Drum loops can make or break, especially if they are noisy. Clean loops chopped up. One advantage of sampling is the odd timing, your combining feels that wouldn't exist playing to the songs groove. Sometimes they work sometimes they dont, have to listen.
THIS IS AWESOME! THANX!
what about Techno where you only have Kick / Bass pattern with bass note playing right after the kick? Just layer the drums on top of the bass note since there's not much rhythm there?
Your use of the word Techno here is a bit ambiguous, but it sounds like in your example the bass instrument is not the main rhythmic element of the track. In the video he says to build around the main rhythmic element of your track, and then he goes into his example track where the bass is that main element. In another track, such as whatever your example is, the main rhythmic element may be different instrument from the bass. A percussion part? Some other lead synth? It depends. But whatever that lead element is, build everything else around it. Even melodies have rhythms built into them and can be dissected in the same manner as in the video.
just copped pro drums! bless up
Banger
very tasteful and soulful
great vid, very insightful, thanks !
Great tips!!!
excellent😁
So informative!❤