The piece is beautiful. Love the breakdown. So helpful. I’m working on a piece where I have used spitfire Albion one but I need a great string crescendo sample. Do you have any recommendations on how to achieve that?
I’d love to see a video on how to best work with predelay times and how to get every articulation line up in sync with grid. Do you for example have a documentation with the delay times? That would be awesome!
Yes, actually I just made a video about that topic on my channel: Why You Should Quantize + Negative Track Delays Explained th-cam.com/video/Cd8KOOm_Ktk/w-d-xo.html
@@-Meric- never said they did. However, OT acts as of this is an amazing idea of having CS strings in a library - yet spitfire chamber strings has already been doing this. Even Amadeus symphony orchestra has that option If I remember correctly. Just feels a little late to game and making a rather big deal about nothing.
@@landonp629 Berlin Con Sordino is the most detailed Con Sordino library out there. That is the thing. It's Con Sordino strings done at the same flagship level as the Berlin Series. Berlin has multiple con sord legato types, and various other articulations. SCS has like what, 5 Con Sord articulations? Berlin has like 20+ or something. Cannot say it is anything like the stuff on the market. Now why anyone would need such a detailed con sordino library with all these various random special articulations is beyond me, but you cannot say it's not a new thing lol. That's just being delusional
![Berlin Con Sordino Strings [REVIEW and SCORING DEMO]](http://i.ytimg.com/vi/sPRogvKL0Yk/mqdefault.jpg)
Beautiful! Thank you for sharing your process.
Don't know what to love more: the composition itself or the CS strings :) Well done David & OT!
Stunning composition Dave love the question and answer and the counter melodies great production quality too best wishes Phil UK England 👍
David, you’re amazing composer!) 🤗👍🏻
Man this piece is grand and amazing...♥
Excelente, como siempre.
Uhh I was hoping this wouldn't be great so my wallet could get a break - RIP wallet lol! 7:00 just fantastic
Hi David, great piece, are you using only the mod wheel for the dynamics or also the expression cc11?
this is awesome 👏👏👏
The piece is beautiful. Love the breakdown. So helpful. I’m working on a piece where I have used spitfire Albion one but I need a great string crescendo sample. Do you have any recommendations on how to achieve that?
I’d love to see a video on how to best work with predelay times and how to get every articulation line up in sync with grid. Do you for example have a documentation with the delay times? That would be awesome!
Yes, actually I just made a video about that topic on my channel: Why You Should Quantize + Negative Track Delays Explained
th-cam.com/video/Cd8KOOm_Ktk/w-d-xo.html
The composition sounds amazing, however as a violinist, I find all string Midis lacking and husky especially when played softly.
Thank you the honest feedback!
:,)
So basically its doing what Spitfire Chamber Strings have been doing for a long time now?
I was not aware Spitfire invented con sordino
@@-Meric- never said they did. However, OT acts as of this is an amazing idea of having CS strings in a library - yet spitfire chamber strings has already been doing this.
Even Amadeus symphony orchestra has that option If I remember correctly.
Just feels a little late to game and making a rather big deal about nothing.
@@landonp629 Berlin Con Sordino is the most detailed Con Sordino library out there. That is the thing. It's Con Sordino strings done at the same flagship level as the Berlin Series.
Berlin has multiple con sord legato types, and various other articulations. SCS has like what, 5 Con Sord articulations? Berlin has like 20+ or something.
Cannot say it is anything like the stuff on the market. Now why anyone would need such a detailed con sordino library with all these various random special articulations is beyond me, but you cannot say it's not a new thing lol. That's just being delusional