This is an incredibly informative video. Content is good but especially noteworthy is the additional insights and presentation. I especially like how you play with the tabs underneath.
Mode 2 of Harmonic Minor: Locrian #6: Locrian #6 is 2nd mode of Harmonic minor scale. Locrian is the 7th mode of the major scale and it has a b6. Locrian #6 is the 2nd mode of the harmonic minor scale and the 6th note has been raised. and although this may seem like only a small adjustment. It's an interval of a #2. 3 semitones which is big for an altered scale. This gives the upper half of the locrian #6 scale an altered like sound.
This locrian #6 or Locrian natural 6 is sometimes called a locrian scale with a major 6th. That's a very uncommon mode and you won't find example that easy. It's darkness with a trace of light. The scales degrees of the Locrian #6 scale are tonic, b2, b3, 4, b5, 6, and b7. The tonic of this mode can be a m7b5 chord the root E the minor 3rd G the diminished 5th B-flat the minor 7th D or a fully diminished chord where the C# is enharmonically equal to the D-flat and served as a diminished 7th chord.
Just finished your video on Modes & I subscribed & will check out as much of your content as I can. Thanks for putting this all together in a comprehensive & interesting way! The combination of easy to understand visuals & explanations are perfect!! 😎 🎸
The 7th mode of Neapolitan minor is even darker: Altered bb3 bb7. (Brightness quotient = -6) The darkest possible heptatonic scale is altered bb3 bb6 bb7. It's the 7th mode of the Locrian natural 7 scale. (Brightness = -7)
Very interesting lesson! Have you published a printable course about harmonic minor scale and modes as you did about melodic minor scale. I should be very interested.
Altered bb7 darkest scale ever? Maybe. I tried to figure it out Altered is darker then locrian. Altered bb7 is darker then locrian bb7. There's only one other worthy competitor. Ultra phrygian (or other names) Phrygian b4 bb7 I know it's just a matter of opinion but I felt like it was a tie personally. I couldn't figure it out. Anybody? Altered bb7 1 b2 b3 b4 b5 b6 bb7 vrs Phrygian b4 bb7 1 b2 b3 b4 5 b6 bb7 I know there's other altered scales. I went all the way down to "double altered". Alt bb7 bb3 Alt bb7 bb3 bb6 Alt bb7 bb3 bb6 bb5 Alt bb7 bb3 bb6 bb5 bb4 1 b2 bb3 bb4 bb5 bb6 bb7 It appeared to me all the scales lost their musical value below altered bb7 and phrygian b4 bb7 (Aka Alt nat5 bb7)
The parent KEY is C MAJOR/Amin Even if I played Bb lyd #6..as Bb, #4, 8, b10, #11 ( A Harmonic min b2) A min D dim G7 into C Maj F min Bb dim E7 into A min E phrygain dominant b5 is from A Harmonic min b2 I still played E7 into A min...borrowed from A harmonic min. it's not that complicated Aeo maj7 Harmonic min dor maj7 melodic min phry maj7 Harmonic min b2 = Bb lyd #6 dor b2 = Melodic min b2 = Bb aug ( lyd #5 , #6) A min Bb, or D aug B min E7 into A min A min D aug Bb dim E7 into A min F Maj G7 into C MAJOR or I can easily say I used the tritone sub of G7 or E7 G7.........................E7 G7.....Bb.......Db....E7 A min Db dim D aug Bb dim E7 into A min C Maj7 F min Db dim G7 into C MAJ.. i didnt shift keys to F min/Ab MAJOR ( I could)
E-BOOK - Modes of the harmonic minor scale
qjamtracks.myshopify.com/products/modes-of-the-harmonic-minor-scale
The best lesson on the topic I've heard, ever... Thank you!!! :)
Thank you, man! The most comprehensive and easy to understand lesson on TH-cam about modes of the harmonic minor, for sure.
Greetings from Brazil!
Thanks!
Thanks Carlos!
Great lesson comprehensive and relatively easy to understand , certain aspects of my playing have suddenly become a lot easier.
One of the few videos on the topic, and more than great , about this wonderful scale!
I've enjoyed every one of your videos and this one is just amazing. You're such a good teacher! Thank you so much!
thank you !!! Crystal clear without blabla ! 20/20 !
One word . . . BRILLIANT! Thank you for sharing this!
Easily the best guitar theory content on TH-cam. Thank you for putting together these well produced, easily understood and crystal clear lessons!
Thanks!
This is an incredibly informative video. Content is good but especially noteworthy is the additional insights and presentation. I especially like how you play with the tabs underneath.
Mode 2 of Harmonic Minor: Locrian #6: Locrian #6 is 2nd mode of Harmonic minor scale. Locrian is the 7th mode of the major scale and it has a b6. Locrian #6 is the 2nd mode of the harmonic minor scale and the 6th note has been raised. and although this may seem like only a small adjustment. It's an interval of a #2. 3 semitones which is big for an altered scale. This gives the upper half of the locrian #6 scale an altered like sound.
Beautifully explained. Tuitions are paid to receive this caliber of instruction. Thank you.
Bravoooo!
beautiful sounding examples 🏆
I loved this.Thank you for the heads up on your videos.Evidently the hard work shows. Great explanation, perfectly paced !
Ótima aula sobre modos, faz uma falando aula falando sobre a escala maior harmonica e seus modos, abraços.
This locrian #6 or Locrian natural 6 is sometimes called a locrian scale with a major 6th. That's a very uncommon mode and you won't find example that easy.
It's darkness with a trace of light. The scales degrees of the Locrian #6 scale are tonic, b2, b3, 4, b5, 6, and b7. The tonic of this mode can be a m7b5 chord the root E the minor 3rd G the diminished 5th B-flat the minor 7th D or a fully diminished chord where the C# is enharmonically equal to the D-flat and served as a diminished 7th chord.
Just finished your video on Modes & I subscribed & will check out as much of your content as I can.
Thanks for putting this all together in a comprehensive & interesting way!
The combination of easy to understand visuals & explanations are perfect!! 😎 🎸
Thank you Ryan!!
You’re the great man 🙏🙏🙏
Ur contents are helpful to my musical education,thz man
Excellent
U r one of the best! Thnx bro ❤
Aula fantástica 👍
Thank you.
Very well presented, thank you 😉
Thanks ,great lesson. Great teacher
Let me know if you are here because of Jeff Loomis. Haha, what a great lesson and channel man, instant Sub. Thank you for the great content.
Music theory that doesn't confuse??? Right on man!!!
The 7th mode of Neapolitan minor is even darker: Altered bb3 bb7. (Brightness quotient = -6)
The darkest possible heptatonic scale is altered bb3 bb6 bb7. It's the 7th mode of the Locrian natural 7 scale. (Brightness = -7)
Thanks for sharing!
Love it......coming from Arabian background ....this resonates like a bell
Very interesting lesson! Have you published a printable course about harmonic minor scale and modes as you did about melodic minor scale. I should be very interested.
I'm quite confident that part of my brain just melted out my right ear.
Geweldig!
Truly an ultimate guide on the Harmonic minor. Harmonic major next?
What a cool guy 👍
Great video, had to leave a comment for the algorithm lol
Thanks!! That's how the algorithm works :)
Now can you do a video regarding the modes of the melodic minor scale?
Thanks!
Already did that :)
th-cam.com/video/C1R5cQEw5_o/w-d-xo.html
Salu2!!
Muy bueno
Esperamos también la melódica y sus modos😁😁😁😁😁
Next
Make on harmonic major
for the romanian (4th mode) is very usual to play it descending from the roof note
Altered bb7 darkest scale ever?
Maybe. I tried to figure it out
Altered is darker then locrian.
Altered bb7 is darker then locrian bb7. There's only one other worthy competitor. Ultra phrygian (or other names)
Phrygian b4 bb7
I know it's just a matter of opinion but I felt like it was a tie personally. I couldn't figure it out.
Anybody?
Altered bb7
1 b2 b3 b4 b5 b6 bb7 vrs
Phrygian b4 bb7
1 b2 b3 b4 5 b6 bb7
I know there's other altered scales. I went all the way down to "double altered".
Alt bb7 bb3
Alt bb7 bb3 bb6
Alt bb7 bb3 bb6 bb5
Alt bb7 bb3 bb6 bb5 bb4
1 b2 bb3 bb4 bb5 bb6 bb7
It appeared to me all the scales lost their musical value below altered bb7 and phrygian b4 bb7
(Aka Alt nat5 bb7)
Thanks for sharing!
You say C but you play A on demostration
The parent KEY is C MAJOR/Amin
Even if I played Bb lyd #6..as Bb, #4, 8, b10, #11 ( A Harmonic min b2)
A min D dim G7 into C Maj F min Bb dim E7 into A min
E phrygain dominant b5 is from A Harmonic min b2
I still played E7 into A min...borrowed from A harmonic min.
it's not that complicated
Aeo maj7 Harmonic min
dor maj7 melodic min
phry maj7 Harmonic min b2 = Bb lyd #6
dor b2 = Melodic min b2 = Bb aug ( lyd #5 , #6)
A min Bb, or D aug B min E7 into A min
A min D aug Bb dim E7 into A min F Maj G7 into C MAJOR
or I can easily say I used the tritone sub of G7 or E7
G7.........................E7
G7.....Bb.......Db....E7
A min Db dim D aug Bb dim E7 into A min C Maj7 F min Db dim G7 into C MAJ..
i didnt shift keys to F min/Ab MAJOR ( I could)
SHCALE
Hungarian minor next!