Personally, I had to come back to this stuff since it was a little overwhelming at the time, but after hammering some concepts in, this stuff makes sense to me now that I've got some terminology and mechanics secured. This is advanced-leaning material.
This is excellent and particularly the instruction showing us possible ways to practice. The practice method is so helpful in developing the ear and the "feel" of using scale and arpeggios. Thank you :)
Thank you for posting these great videos. I find a lot of instructional material gets boring or causes me to lose interest pretty quickly, but something about your teaching really resonates with me and I fully intend to spend time learning from you. Thanks once again.
1 million thanks for a video I can't find now when you covered pentatonic substitutions. It has opened up the fretboard all the way for me after years of trying to connect all the dots. Who knew you could play A minor AND/OR B minor pentatonic over an A Dorian jam. The 2 scales blended together connect all the dots!
Great lesson! This makes arpeggio extensions so much easier!Can you please do one on chaining arpeggios? Your lessons are the best and it’s hard to find anything on chaining arpeggios (ascending and descending). Thanks again!
Hi Rob, this is by far one of the best guitar channels ever! The depth and diversity of your musical knowledge, your technique, your way of teaching so structured and supported by graphics and scores/tablatures, that surely take you a lot of time and work, even the humorous notes that relax the tension of the lesson ;-) are all awesome! For all that you give us, thank you very much Rob!
Thanks Rob. I'd never heard of scale arpeggios before. However, I have unknowingly been using one in one of my own compositions. I'll now go away and investigate further.
Practicing arpeggio patterns with scales to develop technique, is pretty much how I learned my way around various moods and emotions expressed via the vibrating strings. Great video.
Great explanation.... I will now spend the rest of my life trying to incorporate the theory I love into my free play. I have used your avoid trick for some time. Thank you
Whew. That was a lot to take in but connects pretty good with where i'm at right now. There'll be PLENTY of hours of practice! Thank you so much for making it.. well, crystal clear :-)
Another awesome video...very useful and nice sounding way to learn this arpegios and get a better understanding of scales sounds-- I really appreciate your videos!
hi there, Please upload the backing tracks for practice routine sections(if we want to practice scale arpeggio patterns of 1 key) . I could not find them
I have to say something, I just have to otherwise I'll suffocate myself uf,ok,calm... Wellll :D "avoid notes" - :) it's a myth, and a false one,why? Because there is something like characteristic notes for each modes :) and by a strange "coincidence", what they call "avoid" at the same time it is characteristic,like... gender of the scale or nationality, or race ("avoid" notes matter!!) looook Characteristic notes: c ionian - 4&7 degree (f,b in context of c) d dorian- 3&6 degree(also f,b but in context of d) e phrygian - 2&5 (f,b in context of e) etc. f lydian - 4&7 (b,e) g mixo. - 3&7 (b,f) a aeolian - 2&6 (b,f) b locrian - 2&5 (c,f) What catches the eye? Triton but! Position of the tritone does not work in lydian and locrian because in root note there is nothing characteristic . in f lydian ,f is root note in b locrian,b is root all scales have root on the first degree and this is why tonic is not a characteristic note. f lydian - 4&7(b,e in context of f) b locrian - 2&5(c,f in context of b) My question is,how to distinguish scales Ionian from locrian if we have the same set of sounds in boat c,f in context of b & f,b in context of c ??? Help!
Love the lessons! I'm an IELTS examiner and instructor. You want some tips to improve your English? Might make you more accessible for those out there who have difficulty understanding.
I just can't understand why he doesn't have way more subs.
Thank you sir for your time and effort
Personally, I had to come back to this stuff since it was a little overwhelming at the time, but after hammering some concepts in, this stuff makes sense to me now that I've got some terminology and mechanics secured. This is advanced-leaning material.
he just picked up another sub 🙂
let him cook
best guitar lessons on TH-cam. Thanks Rob
Another banger!
I will sit for hours taking notes on your videos.
Thank you so much for this contribution to music teaching literature!
Thanks!
Best guitar lessons and tutor on the web. Thanks Rob.
This is excellent and particularly the instruction showing us possible ways to practice. The practice method is so helpful in developing the ear and the "feel" of using scale and arpeggios. Thank you :)
Thank you! I appreciate how thorough and informative your videos are.
Design is super awesome in all your videos!
Right on. Thanks for sharing.
Gracias profesor, saludos desde México!
Sr , es Ud un extraordinario maestro , muchas gracias , saludos desde Argentina.
Thank you for posting these great videos. I find a lot of instructional material gets boring or causes me to lose interest pretty quickly, but something about your teaching really resonates with me and I fully intend to spend time learning from you. Thanks once again.
Very interesting!! And very good teacher!!
Your videos are an inspiration for me to widen the scope of what I hear in my head and the ability to play those ideas. Thank you for sharing.
🎸
Fantastic lesson mate!👍 Youre an awesome teacher!
OUTSTANDING WORK !!!!
Thank you
1 million thanks for a video I can't find now when you covered pentatonic substitutions. It has opened up the fretboard all the way for me after years of trying to connect all the dots. Who knew you could play A minor AND/OR B minor pentatonic over an A Dorian jam. The 2 scales blended together connect all the dots!
Just bought the e-book. Love this shining channel and your crystal-clear teaching method. You rock Rob! Greetings from Italy!
Thanks Fabio!
Best guitar lesson and teacher..thumb up
Top notch. Can't wait for the e-book for this one.
Great lesson! This makes arpeggio extensions so much easier!Can you please do one on chaining arpeggios? Your lessons are the best and it’s hard to find anything on chaining arpeggios (ascending and descending). Thanks again!
I'll put it on my list :)
@@QJamTracks thank you!
Hi Rob, this is by far one of the best guitar channels ever!
The depth and diversity of your musical knowledge, your technique, your way of teaching so structured and supported by graphics and scores/tablatures, that surely take you a lot of time and work, even the humorous notes that relax the tension of the lesson ;-) are all awesome!
For all that you give us, thank you very much Rob!
Thank you Rafa!
Thanks Rob. I'd never heard of scale arpeggios before. However, I have unknowingly been using one in one of my own compositions. I'll now go away and investigate further.
Another great and useful post. Thank you.
Practicing arpeggio patterns with scales to develop technique, is pretty much how I learned my way around various moods and emotions expressed via the vibrating strings. Great video.
Great explanation.... I will now spend the rest of my life trying to incorporate the theory I love into my free play.
I have used your avoid trick for some time. Thank you
Whew. That was a lot to take in but connects pretty good with where i'm at right now. There'll be PLENTY of hours of practice! Thank you so much for making it.. well, crystal clear :-)
just WOW! very cool ideas and i thought the whole tone sounded 🔥 thanks so much Rob
i still owe you that beer if i ever cross the pond
I'll keep an eye on the North Sea Channel ;)
Thank you!
Another awesome video...very useful and nice sounding way to learn this arpegios and get a better understanding of scales sounds--
I really appreciate your videos!
I was hoping that you had an E Book course for this. Thanks for the video.
The ebook is coming up :)
@@QJamTracks Thank you.
Best guitar teacher
another great guitar lessons, thanks sir🙏
hi there, Please upload the backing tracks for practice routine sections(if we want to practice scale arpeggio patterns of 1 key) . I could not find them
Support files like, PDF, Tabs and black dots, backing tracks, diagrams, etc.:
www.patreon.com/qjamtracks
E-books:
qjamtracks.myshopify.com
I appreciate that you made Locrian sound so good
I actually said "...holy shit!" Out loud when this clicked! 😂😂😂 Awesome! Thank you!
Thank you!
mindblowing
thank u sir
Gracias Maestro 😊
📗E-Book "Scale Arpeggios" available here:
qjamtracks.myshopify.com/products/e-book-scale-arpeggios-a-whole-scale-in-one-arpeggio
📗Other e-books & e- booklets:
qjamtracks.myshopify.comth-cam.com/users/sgaming/emoji/7ff574f2/emoji_u1f4d8.pngth-cam.com/users/sgaming/emoji/7ff574f2/emoji_u1f4d8.png
Love this lesson. Thanks!
interesting.
i don't play guitar, but will try to make an arpeggiator with this kind of logic.
This is year 2 music school secret sauce content. Love the visuals
Rob, Don't feel bad about "preferably". English is my first and only language and I can't pronounce it half the time. Just bought the E-Book.
Thanks Jeffrey! It's a difficult word :)
Can’t help but notice how much the tone and style is reminiscent of Eric Johnson.
You got all the modes down but couldn't get your pattrens right?
👍🏻👍🏻👍🏻
I subbed
Thanks
"remember, always keep smiling" 😂
:)
*The video sounds Danish.* His teaching is excellent.
I have to say something, I just have to
otherwise I'll suffocate myself
uf,ok,calm...
Wellll :D
"avoid notes" - :) it's a myth, and a false one,why?
Because there is something like characteristic notes for each modes :)
and by a strange "coincidence", what they call "avoid"
at the same time it is characteristic,like... gender of the scale
or nationality, or race ("avoid" notes matter!!) looook
Characteristic notes:
c ionian - 4&7 degree (f,b in context of c)
d dorian- 3&6 degree(also f,b but in context of d)
e phrygian - 2&5 (f,b in context of e) etc.
f lydian - 4&7 (b,e)
g mixo. - 3&7 (b,f)
a aeolian - 2&6 (b,f)
b locrian - 2&5 (c,f)
What catches the eye? Triton
but!
Position of the tritone does not work in lydian and locrian
because in root note there is nothing characteristic .
in f lydian ,f is root note
in b locrian,b is root
all scales have root on the first degree
and this is why tonic is not a characteristic note.
f lydian - 4&7(b,e in context of f)
b locrian - 2&5(c,f in context of b)
My question is,how to distinguish scales Ionian from locrian
if we have the same set of sounds in boat
c,f in context of b & f,b in context of c ???
Help!
A.Holdswworth would have appreciate...
Hi Rob, as usual, great contents from your channel @ #QJamTracks Thanks a lot! Best wishes 🎸
Thank you Nuno
Love the lessons! I'm an IELTS examiner and instructor. You want some tips to improve your English? Might make you more accessible for those out there who have difficulty understanding.
Thanks! When I start to get complaints about my English I will consider it :)
Is it good for DEATH METAL 🤔
i was listening to this while driving and fell asleep and caused a 4 lane traffic accident
Are you being srs or are you joking 😂😂😂😂
Sounds like you deserved it