Bach's manuscript is quite attractive, so much more expressive than any printed score. It is anti-mechanical and the intentions seem clear, picturesque. Not only that, but his calligraphy was very nice too, delicate penmanship. He cut all his quills by hand. Thanks for the work, to show this.
He has writing on some score, his penmanship was very beautiful, especially when he intentionally was doing it, but even his letters look nicely written. www.alamy.com/stock-image-johann-sebastian-bach-letter-in-which-the-german-composer-dedicates-163609599.html Even his doodles look really fancy pants! :) www.classicfm.com/discover-music/latest/composer-manuscript-handwriting/bach-well-tempered-clavier-doodle/
This isn't Bach's original handwriting. It's his wife's. What he did was first write down what he had in his mind(while also erasing when he needed to) and then Anna Magdalena copied it. At least with this partita
@@franceskinskij According to research, this one is Bach's handwriting. His wife's copy is similar and very beautiful but has straighter lines and less swiggles. The word "Chaconne" in Bach's hand begins with an "O" with superscript "c" while Anna's copy has a recognizable "C".
Ist mir unvorstellbar, unfassbar, wie jemand so etwas Wunderbares komponieren kann. Auch unvorstellbar, wie jemand so brilliant spielen kann - womöglich noch auswendig ! Und es ist faszinierend, wie die Animation hier über die Noten gemacht wurde! Ein einziger Genuss, ein Geschenk! Vielen Dank!!
Incroyable le manuscrit de Bach, parfaitement lisible sans aucune rature comme s’il avait écrit ces pages géniales tranquillement en buvant son café. Quel génie cette homme. Un des plus grands de tous les temps. Bach on t’aime. Merci pour tout !
Shoot.......How long did it take to animate all this?! Especially Chaconne when the violin is playing arpeggio? This is really some brilliant work you have done here!
I'm so glad this kind of stuff is around for the ones who don't have private teachers (like me) or else I wouldn't be able to be ahead of everyone else in class and learn on my own :). Thank you!
Oh MY God! The Chaconne, with all the work you did, just blew me away! I had no idea that how Bach got all those chords out of the solo violin! You are just wonderful. Sorry about you cat!
First time I've heard "Chaconne" completely, from end to end. Yeah. Yeah. Yeah. This was f*cking gorgeous. Not gonna mince words here. Joshua Bell, famed violinist, called this the most accomplished masterpiece for the violin he has ever had the pleasure of playing. And Johannes Brahms exclaimed that he would've gone crazy composing this piece. Now I know why. There's no hyperbole here. I am shocked, utterly shocked, that this was written in the 1710s. Wow....
Bach's chamber works, especially the violin and organ music, is the best thing out of the baroque, classical and first half of the romantic period. Such amazing work!
Después de cuántos años que vuelvo a escuchar ésta música espléndida. Dios lo bendiga señor por subirla y en tan excelente versión, que ahora podrán subir música pero mal interpretada, supongo que esa es la idea... Gracias Bach y que mi Señor el Cristo lo bendiga dónde quiera que se encuentre.
"Dem höchsten Gott allein zu Ehren Dem Nächsten, draus sich zu belehren" (Orgelbüchlein, J.S. Bach) Thank you for your superb animation and inspirational work
I received a book with all the sonatas and partitas of Bach a few days ago and I am using this videos to learn how to play them. Great job making these "guides", they are very useful =P
It is great that you have the publication of these magnificent works for Violin. (Dover edition?) There are many things in "score-studies" that must be looked over in a stationary format. My scrolling videos often do little justice for fast 8th, 16th and 32nd runs. (Not to mention the dizziness!). Nevertheless, you are wise to use both!
gerubach I have a clean edition (Bärenreiter), so I am writing fingers and dynamics all the time. To understand how to play these masterpieces with these scrolling videos is very easy. It is a good thing that I have the good fortune to know your channel =)
Great work! I particularly like your very careful animation of all broken double, triple and quadruple stops, paying very close attention to the recording. Lovingly detailed and careful work!
This could probably be a recording by Yehudi Menuhin round 1940 ? So fine to listen to , and at the same time follow the composer's score. And.. it's a pity that this fine music is so rarely played, and it is almost unknown to most of people today.. About the Chaconne (16.11 min) , Menuhins teacher Enescu wrote The Chaconne is on of man's true sublime monuments, a veritable cathedral,the amazing architechture of which obscures for most violinists the emotional life seething inside its walls. Whoever penetrates it's tragedy and it's faith has won the battle for Bach, and through him, for the understanding of the human soul. - ......Brahms wrote : - "The Chaconne is for me one of the most wonderful, unfathomable pieces of music. On one stave, for a small instrument, the man writes a whole world of the deepest thoughts and deepest feelings. If I imagine that I could have created, even conceived the piece, I am quite certain that the excess of exitement and the shattering experience would have droven me out of my mind".
J'aime beaucoup le scrolling dans le manuscrit : la manière dont tu as représenté les arpèges est vraiment très visuelle. Mais la polyphonie est également très visible, ainsi que les accord plaqués, que l'on voit très bien. En plus le jeu sur les couleurs est très intéressant : bleu pour le majeur, rouge pour le mineur, mais aussi quelques la violets vers la mesure 230, pour mettre en évidence le bariolage. Très astucieux ! Pour ce qui est des coups d'archet, je n'ai pas trop compris lesquels tu avais reproduit en-dessous du manuscrit : un coup ce sont ceux du manuscrit, le coup suivant ceux qu'on entend, puis certaines fois, aucun des deux ! Sinon, malgré mon désaccord avec Milstein sur l'interprétation, c'est vraiment, encore une fois, une très bonne vidéo. Merci ! (sorry, but I just can't tell everything I'd like to say in English !)
I have to listen the Chaconne from Partita 2, at least once every week. It impossible for me not to do it. It is something sacred and I owe it to myself and to Unser Vater JS BACH. It is religious as to for Mass in B minor or Saint Mathew Passion Bach is all!
In this Corrente many musicians are performing "dotted eighth note-16th note" rhythm as written... I think it is not the way mostly that period composers wanted... If that rhythm is combined with 16th notes should be performed as it is, but when it is combined with triplets, then I think it should be performed like triplets (long and short pair... quarter note and eighth notes)... you can see that in 100s of Bach's compositions
Why is the Chaconne so dangerously long as if encountered a pain such powerful that the expression never wants to end! Crying in agony with such a power it possesses! Never wanting to give it up but realizes that he has to because he has no choice, these are the only terms of such a law otherwise there may be a punishment for violation! I wonder, i think it sounds like, is it a divine love? Unknown to us but only expressing the musical code in this secret language only to himself as others do not understand his complicated feeling of such pain. Well, this tells me that Bach had a secret lover, but never got the chance to be her spouse, this will indeed begin to haunt him forever starting from this Chaconne in his expression!! Oh my Goodness, this is such a strong sadness of which I think I can see through the music...
I have a question. Why at 25:28, where the minor 2nd is played, the arrow changes to red for a moment? Is it because it's a dissonance? Or is there any other meaning? Thanks for the magnificent video, btw
If not accidental (I don't think so), it's to highlight the dissonance. Three notes against one, movement oblique, falling to a fourth then fifth in the next chord. Obviously, the implicit harmony is a little more complicated than this, but you get the main point.
I think you have to be more than a Musician in this case and also be an expert at converting musical writings from the early 1700's to modern platforms. Seeing Bach's ink played through is a high that no drug can take you to.
10:03 Dear Gerubach: was it intentional to match your signature with the music theme? Brecause if that was a mere coincidence, it would be one in one gogol!
don't know how and why you did this but Thank You. Anyone else notice that if you pause the video there's some optical ilusion going on as if the sheet is still rolling? No? Just me,after playing the first 2 minutes 10 times?
+vzR Tz your eyes get used to the scrolling, so when the scrolling stops, your eye thinks it is still rolling because it is used to the scrolling. it happens to almost everybody.
On 0:46 there's a C note played as a natural. But isn't the C in D Minor already a 'regular' C? I'm learning this piece on an electric guitar, and that note sounds like Db actually than C.
+FreakyRayman Not really. The natural D minor scale (all notes natural except Bb) isn't the one here, because it doesn't have the tension to build dominant (leading tone C# and tritone C#-G in the A major 7 chord), so the 7th step is raised a semitone (C -> C#). So, everytime you see a music in "X minor", you'll find the 7th step raised a sharp - you need this minor second 7 - 1. But, there's occasions within minor phrases when you use the natural minor (or other borrowed chord/scale) to express some cadence or mood, or just to hidden the dominant tension. In the phrase you pointed, the C natural is part of a downward movement in bass in the 'dominant' minor chord (A minor). It isn't a total modulation to A minor, but some sort of tonicization to this close tone (D minor and A minor are just a perfect 5th apart in harmonic field). I don't know if I'm made this clear to you, or whether I tossed too much information, but if you don't understand something, just let me know here! :D
Alejandro Padillo I know this is 10 months late, but if you still want to know, it's making the quarter note of the last measure dotted. Instead of tying a eighth note to the quarter note, whoever edited this edition just put the dot to the quarter note in the next measure to keep three beats in it and to add the half beat to the top melody line to make it three beats
For bowed instruments like violin family, you should resignificate what "at the same time" means. 😝 Ofc, this isn't true when dealing with viol family.
Εγώ πάλι δυστυχώς έχω την αίσθηση ότι είναι φάλτσος σε κάποιες νότες ο εκτελεστής του έργου, σε κάποια σημεία έιναι εμφανές. Κατανοώ πόσο δύσκολο είναι να παίξεις αυτό το κομμάτι, αλλά υπάρχουν πιο πετυχημένες εκτελέσεις.
I love how in the Chaconne, the color of the cursor changed from red (minor) to blue (major) and vice versa to signify the key change!
The musical equivalent of King Midas. Everything Bach touched turned into musical gold.
That is such a beautiful comparison
Well said. I've been watching a lot of Gerubach lately, and the comparisons of yours which I've seen are gold, as well.
I feel like Bach COMPOSED gold. Everything that LISZT touched turned to gold.
Edit: Both are brilliant, I don’t mean to be a contrarian, lol.
@@happypiano4810You could say that Bach was the Alchemist of Music.
@@happypiano4810 *made
As if it was not enough this music breaking my soul, the final dedication for Güerowood simply broke my heart.
That recording is musical history, a standard for generations to come. Wow.
Damn good, but check out Julian Olevsky.
arpeggio starts at 20:50 for anyone like me who has been struggling at this piece, thanks a million for your hard work op i cant be more appreciate
That must have been a huge amount of animation work in the Chaconne arpeggio section... Props to you, gerubach!
Bach's manuscript is quite attractive, so much more expressive than any printed score. It is anti-mechanical and the intentions seem clear, picturesque. Not only that, but his calligraphy was very nice too, delicate penmanship. He cut all his quills by hand. Thanks for the work, to show this.
He has writing on some score, his penmanship was very beautiful, especially when he intentionally was doing it, but even his letters look nicely written.
www.alamy.com/stock-image-johann-sebastian-bach-letter-in-which-the-german-composer-dedicates-163609599.html
Even his doodles look really fancy pants! :)
www.classicfm.com/discover-music/latest/composer-manuscript-handwriting/bach-well-tempered-clavier-doodle/
This isn't Bach's original handwriting. It's his wife's. What he did was first write down what he had in his mind(while also erasing when he needed to) and then Anna Magdalena copied it. At least with this partita
@@franceskinskij According to research, this one is Bach's handwriting. His wife's copy is similar and very beautiful but has straighter lines and less swiggles. The word "Chaconne" in Bach's hand begins with an "O" with superscript "c" while Anna's copy has a recognizable "C".
@@franceskinskij I'm hoping you're not one of those idiots who think that A.M. Bach composed his greatest works.
@@therealrealludwigvanbeethoven of course no one takes that conspiracy seriously.
Ist mir unvorstellbar, unfassbar, wie jemand so etwas Wunderbares komponieren kann. Auch unvorstellbar, wie jemand so brilliant spielen kann - womöglich noch auswendig !
Und es ist faszinierend, wie die Animation hier über die Noten gemacht wurde!
Ein einziger Genuss, ein Geschenk! Vielen Dank!!
Incroyable le manuscrit de Bach, parfaitement lisible sans aucune rature comme s’il avait écrit ces pages géniales tranquillement en buvant son café. Quel génie cette homme. Un des plus grands de tous les temps. Bach on t’aime. Merci pour tout !
This language awful. English so much better and more beauty than french…
Thanks Nathan. You're am amazing violinist and you have blessed the world with DIVINE music.
Shoot.......How long did it take to animate all this?! Especially Chaconne when the violin is playing arpeggio?
This is really some brilliant work you have done here!
Exactly ... I thought he was the only one who noticed that.
The effort in learning and playing the piece will be many times more work. But good job on the animation anyway indeed.
Absolute stunning violin playing. Thanks for taking the time and effort to put this up Gerubach . This is what makes TH-cam worthwhile!
I'm so glad you're doing videos on all the Sonatas & Partitas. Looking forward to the E major.
I'm glad you are enjoying them. I can't wait to get the E Major scrolling too! Coming soon.
I hope so
La grand école du violon russe : les sonates et partitas de Bach par Milstein sont toujours un moment de pure exaltation.
The animation done over the manuscript in the chaconne is pure brilliance
0:20
4:25
7:57
11:58
16:11
Ονειροι Νύχτα thanks this helps. i just want to check out the Chaconne part
well thank you J man!
I'm so glad this kind of stuff is around for the ones who don't have private teachers (like me) or else I wouldn't be able to be ahead of everyone else in class and learn on my own :). Thank you!
Oh MY God! The Chaconne, with all the work you did, just blew me away! I had no idea that how Bach got all those chords out of the solo violin! You are just wonderful. Sorry about you cat!
First time I've heard "Chaconne" completely, from end to end. Yeah. Yeah. Yeah. This was f*cking gorgeous. Not gonna mince words here. Joshua Bell, famed violinist, called this the most accomplished masterpiece for the violin he has ever had the pleasure of playing. And Johannes Brahms exclaimed that he would've gone crazy composing this piece. Now I know why. There's no hyperbole here. I am shocked, utterly shocked, that this was written in the 1710s. Wow....
Bach's chamber works, especially the violin and organ music, is the best thing out of the baroque, classical and first half of the romantic period. Such amazing work!
Im sorry?? That statement is utterly sacrilegious, there is nothing in the second half of the romantic period that can ever dream to get close to this
I can't believe this amazing work from the original manuschript. Nice animation. Wonderful. Thanks.
Just playing the Chaconne with it,perfect feeling,thank you so much.
Después de cuántos años que vuelvo a escuchar ésta música espléndida. Dios lo bendiga señor por subirla y en tan excelente versión, que ahora podrán subir música pero mal interpretada, supongo que esa es la idea... Gracias Bach y que mi Señor el Cristo lo bendiga dónde quiera que se encuentre.
この曲を聴くとバッハって実在したのかなと思いますね、ひとが創造できるレベルを超えてます
Absolutely agree
Magnífica manera de disfrutar más de esta obra para los que no sabemos música. ¡Gracias por compartir este trabajo!
"Dem höchsten Gott allein zu Ehren
Dem Nächsten, draus sich zu belehren"
(Orgelbüchlein, J.S. Bach)
Thank you for your superb animation and inspirational work
I received a book with all the sonatas and partitas of Bach a few days ago and I am using this videos to learn how to play them. Great job making these "guides", they are very useful =P
It is great that you have the publication of these magnificent works for Violin. (Dover edition?) There are many things in "score-studies" that must be looked over in a stationary format. My scrolling videos often do little justice for fast 8th, 16th and 32nd runs. (Not to mention the dizziness!). Nevertheless, you are wise to use both!
gerubach I have a clean edition (Bärenreiter), so I am writing fingers and dynamics all the time. To understand how to play these masterpieces with these scrolling videos is very easy. It is a good thing that I have the good fortune to know your channel =)
Love the gigue, such an arpeggio rollercoaster ride :)
Thank you for this, so much! Your notations really helped me understand the piece much better!
Great work! I particularly like your very careful animation of all broken double, triple and quadruple stops, paying very close attention to the recording. Lovingly detailed and careful work!
This could probably be a recording by Yehudi Menuhin round 1940 ? So fine to listen to , and at the same time follow the composer's score. And.. it's a pity that this fine music is so rarely played, and it is almost unknown to most of people today.. About the Chaconne (16.11 min) , Menuhins teacher Enescu wrote The Chaconne is on of man's true sublime monuments, a veritable cathedral,the amazing architechture of which obscures for most violinists the emotional life seething inside its walls. Whoever penetrates it's tragedy and it's faith has won the battle for Bach, and through him, for the understanding of the human soul. - ......Brahms wrote : - "The Chaconne is for me one of the most wonderful, unfathomable pieces of music. On one stave, for a small instrument, the man writes a whole world of the deepest thoughts and deepest feelings. If I imagine that I could have created, even conceived the piece, I am quite certain that the excess of exitement and the shattering experience would have droven me out of my mind".
You can see the performer and album at 30:17.
Been waiting for this one... great work
Good things come to those who wait! Thank you for you positive comment!
ditto!
Unser Vater JS BACH never got tired of composing. Absolute perfection.
Omg so beautiful all of them are just amazing 😣😣
Was für ein herrlicher Klang!
J'aime beaucoup le scrolling dans le manuscrit : la manière dont tu as représenté les arpèges est vraiment très visuelle. Mais la polyphonie est également très visible, ainsi que les accord plaqués, que l'on voit très bien. En plus le jeu sur les couleurs est très intéressant : bleu pour le majeur, rouge pour le mineur, mais aussi quelques la violets vers la mesure 230, pour mettre en évidence le bariolage. Très astucieux !
Pour ce qui est des coups d'archet, je n'ai pas trop compris lesquels tu avais reproduit en-dessous du manuscrit : un coup ce sont ceux du manuscrit, le coup suivant ceux qu'on entend, puis certaines fois, aucun des deux !
Sinon, malgré mon désaccord avec Milstein sur l'interprétation, c'est vraiment, encore une fois, une très bonne vidéo. Merci !
(sorry, but I just can't tell everything I'd like to say in English !)
Hearing the player's breath at 23:15 was magical
TH-cam should be made exactly for this. Thank your for the great work!
Excellent work gerubach
You are amaizing! great work :) can't wait for next Sonata
Esse bach era um genio que composição linda de mais era um Deus magnifico
28:54 is amazing!
You deserve standing ovation!!!
Superb music. Thank you very much for the scrolling (manuscript and modern).
That's cool that you've included the manuscript with scrolling in it as well!
+Clark Orion Really cool!
Phenomenal! I was sure it was the famous live recording from Saint John's Smith Square, London (1978)
Itzhak Perlman - violin
I have to listen the Chaconne from Partita 2, at least once every week. It impossible for me not to do it. It is something sacred and I owe it to myself and to Unser Vater JS BACH. It is religious as to for Mass in B minor or Saint Mathew Passion
Bach is all!
You have stolen words from my mouth sir. I have to listen to Chaconne every day. It's like air for my lungs. I can't live without it.❤
Very nice! Waiting for Partita III !
Through the violin, it feels like God and humans are talking to each other.
Thanks for uploading!
How long did it take you to do the arpeggios in the Chaconne? It seems like an unbelievable amount of work!
Chaconne starts at 16:10
Awesome work!
Very fine and very, very useful.
thanks to your video,I'm trying to practice the Chaconne and like its arpeggios very much.
esta partita contém a monumental Chacona. é prova do gênio de Bach.
E Brahms fez uma versão bem interessante para piano!
Marlon Dias
Vou "caçar" essa versão!
"Chacona em Ré para a mão esquerda"
Marlon Dias
Gratíssimo pela indicação, "xará". Forte abraço!
This is so useful! Thank you!
WOW!!!!! Amazing!!
In this Corrente many musicians are performing "dotted eighth note-16th note" rhythm as written... I think it is not the way mostly that period composers wanted... If that rhythm is combined with 16th notes should be performed as it is, but when it is combined with triplets, then I think it should be performed like triplets (long and short pair... quarter note and eighth notes)... you can see that in 100s of Bach's compositions
Well done! It is interesting to follow the old score. I feel I could play like this.：）
Why is the Chaconne so dangerously long as if encountered a pain such powerful that the expression never wants to end! Crying in agony with such a power it possesses! Never wanting to give it up but realizes that he has to because he has no choice, these are the only terms of such a law otherwise there may be a punishment for violation! I wonder, i think it sounds like, is it a divine love? Unknown to us but only expressing the musical code in this secret language only to himself as others do not understand his complicated feeling of such pain. Well, this tells me that Bach had a secret lover, but never got the chance to be her spouse, this will indeed begin to haunt him forever starting from this Chaconne in his expression!! Oh my Goodness, this is such a strong sadness of which I think I can see through the music...
Set the video speed 0.5 and try to sing along with the notes. Very helpful to improve your solfege ability...
I always rely on gerubach for music. Thank you so much for your support you've given me
thanks for sharing! 🐅
The very beginning of the second part played in the video (immediately after the first pause) reminded me of Bach's fourth two part invention.
Daniel Hartnett Yeah me too
20:50 That's the spot for me...
Sammeee
@@hishamdemmisse6044 it's 23:17 for me
❤🐈❤thanks for shering 🖖
Wonderful!
"unAccompanied" at 0:06. Nonetheless, awesome!
love how you picked Milstein
I have a question. Why at 25:28, where the minor 2nd is played, the arrow changes to red for a moment? Is it because it's a dissonance? Or is there any other meaning? Thanks for the magnificent video, btw
If not accidental (I don't think so), it's to highlight the dissonance. Three notes against one, movement oblique, falling to a fourth then fifth in the next chord. Obviously, the implicit harmony is a little more complicated than this, but you get the main point.
Having two types of scrolling (moving the indicator (small orange) and moving the manuscript with steady orange bar is helpful..I use both...
Nathan and Bach we're geniuses. Thank you for the work you put into this. @
gerubach
Seeing all those notes kind of makes my brain itch..
I think you have to be more than a Musician in this case and also be an expert at converting musical writings from the early 1700's to modern platforms. Seeing Bach's ink played through is a high that no drug can take you to.
Bonito gatito que era Güerowood. RIP
10:03 Dear Gerubach: was it intentional to match your signature with the music theme? Brecause if that was a mere coincidence, it would be one in one gogol!
Gracias!
Does anyone know why Bach wrote 2 f-sharps in the key signature when the Chaconne modulates to major?
In the fifth line and in the first space? A oldschool custom.
How can they know how to play the arpeggiato? It seems so difficult!
The top manuscript is more precise than the scrolling bar but, the original handwritten
manuscript is hard to read.
20:44 Bach invented metal?
Before I go, I want to hear this
don't know how and why you did this but Thank You.
Anyone else notice that if you pause the video there's some optical ilusion going on as if the sheet is still rolling? No? Just me,after playing the first 2 minutes 10 times?
+vzR Tz your eyes get used to the scrolling, so when the scrolling stops, your eye thinks it is still rolling because it is used to the scrolling. it happens to almost everybody.
Great scrolling !!
What does color change mean on upper sheet? (red to purple and purple to red 28:19 )
It shows the two parts being played (notice some notes are upwards and other downwards) using two different colours
Great job. I would like to download (for free or not) the original sheet. Does anyone know how to get it?🙏
Gerubach is to youtube what Bach is to music
On 0:46 there's a C note played as a natural. But isn't the C in D Minor already a 'regular' C? I'm learning this piece on an electric guitar, and that note sounds like Db actually than C.
+FreakyRayman Not really. The natural D minor scale (all notes natural except Bb) isn't the one here, because it doesn't have the tension to build dominant (leading tone C# and tritone C#-G in the A major 7 chord), so the 7th step is raised a semitone (C -> C#). So, everytime you see a music in "X minor", you'll find the 7th step raised a sharp - you need this minor second 7 - 1.
But, there's occasions within minor phrases when you use the natural minor (or other borrowed chord/scale) to express some cadence or mood, or just to hidden the dominant tension. In the phrase you pointed, the C natural is part of a downward movement in bass in the 'dominant' minor chord (A minor). It isn't a total modulation to A minor, but some sort of tonicization to this close tone (D minor and A minor are just a perfect 5th apart in harmonic field).
I don't know if I'm made this clear to you, or whether I tossed too much information, but if you don't understand something, just let me know here! :D
In the previous bar there was a C sharp so in the following bar there's a natural sign to clarify that it is NOT a C sharp anymore
Chaconne: red,d minor. blue,d major
In the last measure there's a little F without stem. It's played in the recording. What's the meaning of it?
Alejandro Padillo I know this is 10 months late, but if you still want to know, it's making the quarter note of the last measure dotted. Instead of tying a eighth note to the quarter note, whoever edited this edition just put the dot to the quarter note in the next measure to keep three beats in it and to add the half beat to the top melody line to make it three beats
Yeaahh Bach \m/
Your sweet cat is in heaven with mine🙏
'Haven't started yet but this transcript could be played on the classical guitar...
On violin all chords (3 or four tones) are arppegios.
For bowed instruments like violin family, you should resignificate what "at the same time" means. 😝
Ofc, this isn't true when dealing with viol family.
20:51 who performed this? Very rarely do I hear people actually use fantasies and play the cold chords by themselves
Nathan Milstein, I think. It’s stated at the end of the video
Epic!!
Посредством какой программы создаются ваши видеоролики?
press the gear icon and sloooow downnn,,,
Εγώ πάλι δυστυχώς έχω την αίσθηση ότι είναι φάλτσος σε κάποιες νότες ο εκτελεστής του έργου, σε κάποια σημεία έιναι εμφανές. Κατανοώ πόσο δύσκολο είναι να παίξεις αυτό το κομμάτι, αλλά υπάρχουν πιο πετυχημένες εκτελέσεις.
marvelous!