@@o.s.h.4613 I wasn't saying you was, but I mean, not only it's a good addition, it's actually very legible. So you can read the hand written too. It kinda gives you an early 18th century vibe when reading the hand written one. Don't you think?
Thanks a lot! I really can't figure how can someone who can manage a computer and come to youtube (someone who has something like a brain inside the head) can give a dislike in such a video. The handwritten part makes the piece sound even more alive. I was deeply touched and I am thrilled with the execution. Thanks again!
So glad this video isn't blocked anymore, I was waiting for so long to be able to listen to this again! 😍😁 I've found someone else play the same piece, and have been listening to that one in replacement for this one, but it wasn't the same you know? 😳😞 This is so wonderfully well played!! 😊👌❤ Thank you gerubach. ☺😘
BWV 29 - Wir danken dir, Gott, wir danken dir, I. Sinfonia. It is the same piece, but in an orchestral arrangement. It is very interesting to hear this synphony first, and then learn about the partita.
Interesting that the (presumably) original written manuscript shows the F# & G# an octave lower in the key signature as well as the 'usual' position - How courteous of Bach to help sight reading that little bit! =] Thanks very much for lining this up, incredibly useful for learning such - Much gratitude!
Bach recycled/repurposed a lot of his own music, a big chunk of the choral sections from his major choral works (the Passions, Mass in B Minor, etc.) consist of repurposed chorales from other cantatas, just a different text
Wow...I love the way the top handwritten note highlights slide around and everything.....Makes the score come to a different kind of life when trying to read this music. That must be a ton of work to go through and stretch those little red highlights! Nice job! How do you do that?
No hay caligrafía musical más bella que la de Johann Sebastian Bach, la pulcritud de las notas, esas claves de sol, la sinuosidad de sus semicorcheas...
He really is such a wellspring of musical ideas. I'm just beginning to be able to play the two-part inventions, and I already feel like I'm a better and less mediocre musician in every way for studying them.
Can someone explain to me how can a violinist play the whole duration of the half note in the second voice while the other voice is doing a melody? (like for example the one at 6:42). I noticed the violinist in the video doesn't play the half notes in their full value, they sound like quavers to me.
Those two voices are played on two strings next to each other, so it is technically possible for the violinist to sustain that half note (minim) on the lower (A) string while the part on the upper (E) string is played by angling the bow onto both strings. Three and four string chords cannot be sustained that way, but the bow can be pulled across those strings to at least sound the full chord at the start. In the case of the violinist in the video, I think it was a conscious (possibly stylistic) decision not to sustain the lower notes ... the reverberation of the recording venue does allow the lower note to sound a bit longer, plus the upper line is the more important one to hear at that point. (Imagine if a harpsichord was playing the lower notes in the various chords, for instance.)
I like the fact I can look at the hand written and the printed versions "side-by-side".
@@o.s.h.4613 his manuscript isn't actually that bad, it's hard to read, but it's legible.
@@o.s.h.4613 I wasn't saying you was, but I mean, not only it's a good addition, it's actually very legible. So you can read the hand written too. It kinda gives you an early 18th century vibe when reading the hand written one. Don't you think?
Oh yeah @@o.s.h.4613 , nice profile cat.
@@o.s.h.4613 is that your cat or something, and made him/her into a pfp?
@@Machodave2020 Isn't it sad that he hasn't replied?
Regards,
D. Shostakovich
Thanks a lot! I really can't figure how can someone who can manage a computer and come to youtube (someone who has something like a brain inside the head) can give a dislike in such a video. The handwritten part makes the piece sound even more alive. I was deeply touched and I am thrilled with the execution. Thanks again!
I think it is some strange algorithms. I find it very difficult to trust TH-cam and the raiting system
I'm speechless.
the facsimile works well .. a reminder of the great craft of writing and the visual beauty of Bach's tunes.
So glad this video isn't blocked anymore, I was waiting for so long to be able to listen to this again! 😍😁 I've found someone else play the same piece, and have been listening to that one in replacement for this one, but it wasn't the same you know? 😳😞 This is so wonderfully well played!! 😊👌❤ Thank you gerubach. ☺😘
La Gavotte en Rondeau es bellísima.
Absolutely beautiful, so mesmerizing in the best way possible. Thank you for sharing, gerubach. :)
Beautiful performance and video! Bach is the man. Thanks for sharing this.
Beautiful! Wonderful and musical playing! I think that the Loure is my favourite section- so lyrical ! ! ! ! : - )
A very well done video. Thank you!!
I love the viola part for this!! ;P
lol
There's no viola part, this is the violin.
+Girlee Girl he/she is just kidding
It sounds better on viola anyway ;-)
Sachin Shukla You wish mate
BWV 29 - Wir danken dir, Gott, wir danken dir, I. Sinfonia. It is the same piece, but in an orchestral arrangement. It is very interesting to hear this synphony first, and then learn about the partita.
Interesting that the (presumably) original written manuscript shows the F# & G# an octave lower in the key signature as well as the 'usual' position - How courteous of Bach to help sight reading that little bit! =] Thanks very much for lining this up, incredibly useful for learning such - Much gratitude!
...the Prelude is exactly the same as the Sinfonia of "Wir danken dir Gott, wir danken dir" (BWV 29) ;-)
mooi !
Bach apparently loved the Prelude that he used it on two separate cantatas, one being BWV 29. :D
Bach recycled/repurposed a lot of his own music, a big chunk of the choral sections from his major choral works (the Passions, Mass in B Minor, etc.) consist of repurposed chorales from other cantatas, just a different text
The only thing different is the key.
th-cam.com/video/7ERqr_1Knfk/w-d-xo.html
Bravo
some next level note scrolling. thumbs up!
Astounding
Wow...I love the way the top handwritten note highlights slide around and everything.....Makes the score come to a different kind of life when trying to read this music. That must be a ton of work to go through and stretch those little red highlights! Nice job! How do you do that?
That was written by Bach himself
@@ceanamahima5129 Obviously. He's talking about the red rectangle that follows the notes the video creator added.
Thanks for sharing this wonderful work with score to follow along! :)
No hay caligrafía musical más bella que la de Johann Sebastian Bach, la pulcritud de las notas, esas claves de sol, la sinuosidad de sus semicorcheas...
GRACIAS.
Превосходно! Благодарю!
Wow I Like violin
Great job!
Excellence
very nice video. very nice job brother. appriciate.. u have my respect.
Starts at 0:39
I play Bach every day like the bible still learn new things every time I play like Casals play Bach 6 cello suite my favorite is the Gigue
He really is such a wellspring of musical ideas. I'm just beginning to be able to play the two-part inventions, and I already feel like I'm a better and less mediocre musician in every way for studying them.
"the Bible" lmao
TwoSetViolin plays 8:25
First time seeing Bach wrote in treble clef. Usually he would use soprano clef which is hard to read.
I think It was just his keyboard music he wrote in Soprano.
it's posible to hear the Violinist's breathing.
+gerubach necesitaría por favor la Partita No 2 para violín solo
Can someone explain to me how can a violinist play the whole duration of the half note in the second voice while the other voice is doing a melody? (like for example the one at 6:42). I noticed the violinist in the video doesn't play the half notes in their full value, they sound like quavers to me.
Those two voices are played on two strings next to each other, so it is technically possible for the violinist to sustain that half note (minim) on the lower (A) string while the part on the upper (E) string is played by angling the bow onto both strings. Three and four string chords cannot be sustained that way, but the bow can be pulled across those strings to at least sound the full chord at the start.
In the case of the violinist in the video, I think it was a conscious (possibly stylistic) decision not to sustain the lower notes ... the reverberation of the recording venue does allow the lower note to sound a bit longer, plus the upper line is the more important one to hear at that point. (Imagine if a harpsichord was playing the lower notes in the various chords, for instance.)
Porqué el violinista no sigue las indicaciones dinámicas?
心情好
for the cello, please!
0:38
IT'S QUITE WONDERFUL BUT THE interpretation feels very academic.......
well done! who's playing pls..??!!
Alejandro Sosa Performer & Album Info - 19:04
Such a shame that this video has been seen/listened only 11k times
***** true!
I love the video but I can't stand the way the person breathes while playing.
willy philhower He's still alive, everybody breathes once in a while.......
PDF?
What major/minor is this played in?
Teru テル E Major
Nathan Milstein
8:27
www.discogs.com/Nathan-Milstein-J-S-Bach-Sonatas-Partitas/release/4510830
08:25
lol !!!!!
The two scores don't match, different notes,, drives me out of my perfectionist mind,,
Rory Eilers I agree. Unfortunately the score shown on the bottom is not an ‘Urtext’ edition. It’s copyrighted by Bärenreiter and Henle Verlag.
The accidentals are interesting.
wrong articulations
Well, it's a stylistic thing.