BWV 1002 - Partita No.1 for Solo Violin (Scrolling)
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- เผยแพร่เมื่อ 17 พ.ค. 2014
- Performer & Album Info - 19:40
1. Allemande - 0:21
2. Double - 4:27
3. Courante - 6:41
4. Double - 9:15
5. Sarabande - 12:02
6. Double - 14:13
7. Tempo di Bourree - 15:38
8. Double - 17:39
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I like Bach’s handwriting
it's probably his wife's
Please know that there are people out here in the audience (such as myself) who are infinitely grateful for these videos. I a thousand times prefer listening to music while following the score, and here are these wonderful videos that follow the score for me. Also, as a violinist I'm particularly grateful that you are undertaking the S&P's. Good choice of interpretation, too. Milstein's interpretation of these works is so honest and raw. I mean, there are other recordings that other people might prefer, but I appreciate Milstein's effortless musicality. Again, thanks a bunch for your efforts, friend.
***** Yes, I committed the same oversight in another video of Gerubach's...you have to keep watching till the very end, that's where the performer information is revealed.
Alejandro Duran Me, too!
When I was a boy in the early 80s, I listened to Andres Segovia's take on this piece. Of his collections the Bouree movement in this partita was and always has been my favorite. It wasn't until I could no longer find it that I stumbled upon this interpretation of it, and, "gasp!" I must admit, I have fallen in love with it all over again, and prefer this version to Segovia, which, to me, sounds sacrilegious. th-cam.com/video/wXx4R7qrjBg/w-d-xo.html
pro tip: you can watch movies on Flixzone. Me and my gf have been using them for watching a lot of movies recently.
@Devin Kairo Yup, I've been using flixzone for since december myself :D
Just what I needed after my train wreck of an exam earlier. Thanks :)
I wonder how you exam worked out and what you are up to now? ❤️❤️🙏🏼🙏🏼
K.
You are such a gift to all of us Geru!....A million thanks for your brilliant postings.....To see the hand of the master and the scroll is so moving and illuminating!...Bless you always!!!
The partitas and sonatas nourish my soul. To be able to read the music along with the performance is great fun. To read the original handwritten score along with performance is beyond compare. I don't know how you do this, but thank you from the bottom, middle and top of my heart ... and my ears, eyes and brain! Brilliant work. Just brilliant.
Wow! Geru, you sir, are a scholar and a gentleman.
you're doing great work for aspiring violinists. this helps more than you may realize. thank you!
You truly are a lifesaver: I would never have been able to learn this piece without your videos. They gie a very accurate idea of the rythm and of the general idea behind the piece. Thank you.
You are awesome. Keep sharing these videos brother.
My name is Reghu Nathan ....Nathan Milstein .....Great Sir...please receive a Big Salute from me ... in Heaven...!
The di Bouree sounds really nice!
Thanks for uploading!
Awesome!!
Absolutely UNREAL !
Wonderful
Gerubach, I am loving your scrolling scores.
Please make some videos with Beethoven as well!
You needed Hilary Hahn's performance to put in here
But the job is amazingly good
I'm kinda addicted to your music rollings😂
Thank you so much for this video, and all the others! I especially like the ones with the manuscripts :)
By the way, there's a slight discrepancy in the video: at 14:59, you have a bar ending with f# e d# in the scrolling version that has f# a d# in the manuscript and audio. Is this due to different editions, or just a slip?
+Jonathan G. Abramsohn Is a mistake in the printed edition. The manuscript (and audio) is f#-a-d# , the printed part is f#-e-d#. By the way this performer (good even if quite "old fashion") makes some mistakes according to manuscript: at 0:47 he plays the wrong rithm (he continues with the previous pattern semiquaver-demisemiquaver-semiquaver-demisemiquaver, but Bach changes it on the beginning of the bar in demisemiquaver-semiquaver-demisemiquaver-semiquaver). And at the beginning of the Sarabande (12:07 and 12:32) he plays a 4 notes D Major chord (d-a-d-f#) but the original is a 3 notes chord: d-d-f#, there's no A note in the middle...
0:21
Performed by Nathan Milstein
What's with the incorrect time signatures in the last two movements (2/4 and 12/4 for 2/2)
I was fascinated to find out that the GERMAN violin and GERMAN curved bow of Bach's area and time enabled the player to play the multiple stops as the CHORDS Bach wrote versus today's arpeggios that are the best that can be done with the Italian style bows and violins we have today. It would be interesting to have someone find or build said German instrument and have it performed as Bach intended. So much musical knowhow has been lost over the centuries, so when folk try to tell me how advanced we are in our knowledge, I just roll my eyes and sigh. In Bach's day they had to know 7 clefs and 3 languages well among many other things but today's Americans don't even know proper English! Such is what happens when the knowledge of God is lost, the driving inspiration for all Bach did.
Does anyone know why the second double bar is not played in Sarabande's Double (14:30)?
If it's b minor why are there three sharps in the original as the key sig?
Ray, the 3rd # is an ancient (or individual) way of writing (the heightening of F is written in 2 octaves).
when u born at the false time, oh whoah nice patiture
4:27
Milstein’s recording?
Bach's violin partitas sound the best on baroque violin.
9:15
6:41
10:02
12:02
17:39
www.discogs.com/Nathan-Milstein-J-S-Bach-Sonatas-Partitas/release/4510830
This must have been a lot of work to make this video. But it's a pity that you haven't chosen one of the best performances on a Baroque violin. It would not have been more work. On my channel I always try to choose the best recording of the work of which I make a video. (Though tastes are different, of course, but I believe in 20 years hardly anyone will listen to Bach performed in the Romantic manner on modern instruments.)
Double all over the Partita
07:40
What is the difference between a sonata and a partita?
I always thought that, at least for what it concerns the terms as they were used in the bachian period, there was no difference whatsoever. AFAIK both are multimovement works, a collection of dances intended to be played by a single instrument.
But i'm curious to hear what a scholar/musicologist has to say about this.
Sonata - an instrumental musical composition typically of three or four movements in contrasting forms and keys.
Partita - originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722) and his successor Johann Sebastian Bach used it for collections of musical pieces, as a synonym for dance suite
Partita - sonata for violin.
there are partitas for other instruments
As far as I understand it, in the Baroque Period there were two forms of sonata. Sonata di chiesa (church sonata) and Sonata di camera (chamber sonata).
The former was standardised into four movements (Slow-Fast-Slow-Fast), where the first tended to be a prelude; the second an energetic piece, generally imitative in some way - this was eventually standardised as a fugue; an aria or slow dance of some kind, and then a final fast dance. Bach's solo violin sonatas follow this structure, as do some of Handel's concerti grossi, a couple of Boyce's Symphonies (no. 8, for example), and various other pieces of the time.
The latter is basically a suite of dances. A Partita is also a suite of dances. A Suite is also a Suite of dances. There's no real difference.
Also, these are distinct from the classical sonata, which is in effect a symphony for solo instruments - Sonata form movement, slow movement, optional minute/scherzo, finale. This was derived from the Italian Overture, or 'sinfonia'.
This pieces are so awkward to practice. Awful finger contortions 😝😂
Jackson is Bach...The King !!!!!!
bpm??
It's funny how much ignorant people there are who find it unbelievable that Mozart's manuscripts "showed no corrections of any kind" (even though they have.). They surely should look at Bach's manuscripts and also acknowledge that the result of Bach's work is way greater than any other composer's.
Better than heifetz.
waaay too much rubato for me
Some time ago i could enjoy this but not anymore :(
Baroque violín sounds so bad when is vibrated so much. Sorry. You can't tell if this is baroque music or something more modern.
14:13
4:26
14:06
15:38