47:17 Just witnessed the emotional transition from euphoria to despair. She is an amazing interpreter. I really can feel Chopin through her performance.
I feel the pain and sadness now for Aimi. For me she was the best. Maybe her playing was not universal, best for everybody, but she is in her own way..special. Her music goes through me and bring me in beautiful and dramatic and colorful world. She should get better than this.. hopefuly she is happy and not sad now..like me.
This performance of the preludes is going to set the benchmark for generations to come. There are elements of sadness, darkness and melancholy that connect each piece like they really are a single giant unit. I felt so transported in this uncertain, foggy, almost uncomfortable and beautifully painful atmosphere that kept me so focused throughout the entire performance. At times I couldn't really believe at her magic. This was an incredible experience just sitting on the couch in front of the TV. Imagine being there! Every person in the world should listen to Ms Kobayashi playing this. Astonishing! Also she is very beautiful ;)
Was simply stunning. A historic performance of the Preludes for the ages. And I would add that her Mazurkas were also the only ones that actually moved me in this competition.
MAGNIFICENT, TRANSCENDENTAL-almost SPIRITUAL-playing! Aimi’s the epitome of GRACE, BEAUTY and SERENITY combined. Never too harsh or aggressive for the sake of showmanship, unless required by the music itself. She serves the music, and not vice versa. The range and complexity of characters she brought out in the Preludes are astounding. From the paining sorrow and sense of inevitability of No. 4 16:10, the warm gentleness and childhood nostalgia of No. 7 21:23, the heavenly forgiveness and sense of possibility of No. 13 28:51, the natural beauty and loving embrace of No. 15 33:20, the burning anguish and lost glory of No. 20 47:21, the flowing fury of no. 22 51:17, to the conflicting chains of thoughts and unsettling truth of No. 24 53:04. INCREDIBLE! CANNOT WAIT to see her in the final!
in my humble opinion, she is the absolute winner of the competition until the final stage. and also the 2nd movement of the concerto was out of this world. but in the first and specially in the last movement of the concerto, she was not "in touch" with the orchestra, playing her own story, sometimes "aganist" the conductor. i also love this kind of "fight" but not the jury i can imagine. Anyway Aimi you're the one who figure out Chopin's music in a totally personal adn different way. I love it. Thank you and take care of your gift. Paolo from Italy
Aimi got 2nd highest average score in the third round, but was still behind Bruce. If she did well in the concerto it would probably be 2nd or 3rd prize, to be fair.
그의 연주가 매력적인 이유는, 그가 다음에 올 음과 멜로디를 0.1초라도 앞서 생각하지 않기 때문이다. 너무나도 완벽하게 현재에 머물러있다. 👍👍 AIMI는 이미 우승을 초월했다고 생각한다. 이미 그 너머에 있다. 단 한 번이라도 연주회에서 볼 수 있다면 좋겠다. Love from Korea!
I wish they could publish these preludes on an official album. I'm so addicted to Aimi's version of them - pure beauty. Can't stop listening to them. They stay with you forever.
Divina in tutto!!!! Molto Raffinata, Elegante, una vera Signora del Pianoforte, che non ha tic, non deve fare boccucce e occhieggiamenti per esprimere ciò che il Compositore desidera! Qualità Rarissime in un tempo in cui certi pianisti/e sembrano più divi/e e caricature cinematografiche... Questa Pianista è completa in tutto insieme a Sorita, ossia sono i miei preferiti in assoluto 👍🏻👌🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻 Auguriamo con tutto il cuore ad Aimi e a Sorita di essere tra i Vincitori e tifiamo per loro con tutto il cuore ❣❣❣ Anna e Luigi.
@@ovidiupiceorusbentoi8464 dopo Lang Lang vi è una schiera di seguaci contagiati dalle stesse problematiche, da far persino impallidire lo stesso Lang Lang 😂😂
Aimi Kobayashi (Japan) *18th International Chopin Competition* *Third Round/Session One* *Philharmonic Hall* *Warsaw, Poland 🇵🇱 October 16, 2021* Frédéric Chopin (1810-1849) Mazurkas, Op. 30 *(1837)* 00:36 No. 1 in C Minor 02:38 No. 2 in B Minor 04:04 No. 3 in D-Flat Major 07:01 No. 4 in C-Sharp Minor Préludes, Op. 28 *(1835-39)* 11:50 No. 1 in C Major - _Agitato_ 12:35 No. 2 in A Minor - _Lento_ 15:08 No. 3 in G Major - _Vivace_ 16:09 No. 4 in E Minor - _Largo_ 18:36 No. 5 in D Major - _Molto allegro_ 19:16 No. 6 in B Minor - _Lento assai_ 21:23 No. 7 in A Major - _Andantino_ 22:19 No. 8 in F-Sharp Minor - _Molto agitato_ 24:17 No. 9 in E Major - _Largo_ 25:51 No. 10 in C-Sharp Minor - _Molto allegro_ 26:26 No. 11 in B Major - _Vivace_ 27:18 No. 12 in G-Sharp Minor - _Presto_ 28:52 No. 13 in F-Sharp Major - _Lento_ 32:35 No. 14 in E-Flat Minor - _Allegro_ 33:22 No. 15 in D-Flat Major - _Sostenuto_ 39:52 No. 16 in B-Flat Minor - _Presto con fuoco_ 41:10 No. 17 in A-Flat Major - _Allegretto_ 44:44 No. 18 in F Minor - _Molto allegro_ 45:48 No. 19 in E-Flat Major - _Vivace_ 47:21 No. 20 in C Minor - _Largo_ 49:28 No. 21 in B-Flat Major - _Cantabile_ 51:17 No. 22 in G Minor - _Molto agitato_ 52:01 No. 23 in F Major - _Moderato_ 53:04 No. 24 in D Minor - _Allegro_ _appassionato_ 55:48 *Applause* Aimi Kobayashi, piano
My Goodness…. Kobayashi! . She is a beast in a way she brings her inner reflection into the story of the very pieces.. She said the preludes have many “characters” to show, and she really proved it. All the characters she delivered are the truth itself. . I especially love it when she takes time in a small reflection: 26:26 .
am immortal performance for the ages. Will be listening again and again. It strikes me that perhaps Gould's relationship to Bach is somewhat analogous to Aimi's and Chopin.
The best preludes I have heard, ever. Thank you Ms. Kobayashi for you Chopin's music expressed by your interpretation and your soul. Best regards from Warsaw.
Among the best. But: Grigory Sokolov, Martha Argerich Tokyo 1976, or Pogorelich's. This last one is genius level. You might say you like Aimi's better, but one cannot really say they _are_ better. But she is correctly slowing down the little notes at the end of that last one which is rare for some reason.
Aimi is the best! She leaves the stage and lets her music shine magically! She is the only only who did that during the competition. No ego! Just Chopin's music. FIRST PLACE!
@@vivianrfjblaw There was one a few years ago, Christ was the name, who had no ego and who commanded quite large audiences, and turned out to be quite successful
@@vivianrfjblaw Full name: Jesus Christ. "For I have come down from heaven not to do my will but to do the will of him who sent me." John 6:38 ... "I do not seek My own glory. There is One who seeks it, and He is the Judge." John 8:50 ... I could go on. The point is, it does not take ego--if one really desires to serve humanity, they can succeed brilliantly without seeking ego gratification, whether in the musical sphere or in another sphere.
I am honored to be in the audience during her performance. Her preludes were extraordinary, I had shivers all the time and the prelude in D flat major no. 15 made me have tears in my eyes. An absolutely magical experience.
Oh Aimi...I fell in love with the way she plays and expresses herself through the music from the first note...and sight. There is something about her that makes me feel these pieces deep in my heart. This is marvellous, full of harmony and beauty and the words are probably unnecessary here...
Never heard any better version of live preludes than Aimi’s preludes here. Absolutely sublime experience, an universe of nuances, emotions. Each piece stands out in its own way, so well controlled given the fact of the suffocating atmosphere at the competition. What an artist!
It's pretty good, but if you want to hear a truly legendary pianist perform the preludes live, I'd recommend Bolet's famous 1974 live recording in Carnegie Hall. There are many other epic live recordings, but the one by Bolet has been a best-selling Sony recording for many years. Highly recommended!
@@j.vonhogen9650 If you must refer to a performance from nearly half a century ago to draw a comparison, by a dead artist no less (no disrespect to Bolet, I think he's great!), then I think Ms. Kobayashi has done quite well.
@@jellospeed- Well, I just wanted to mention one of my favorite live recordings that is still widely available. I could have mentioned other live recordings that are equally impressive by pianists who are still alive, like the great Nelson Freire, but just to be clear, I wasn't making a point against this young candidate at all. She did great. I just thought I'd mention Bolet in case the OP wasn't familiar with his famous Carnegie Hall recording. I'm not challenging your opinion in any way either.
@@j.vonhogen9650 I'm actually thankful you mentioned Bolet. I collect classical piano recordings on vinyl, and while Bolet is well represented (mostly playing Liszt where I feel Bolet really shines), his Chopin preludes from 1974 is missing - something I will need to address!
I´M listening to these a year later and they`re more than a great moment in a competition. They are a a reference performance. She had the courage to take her time and give a unique take for each of these gems. I hope this performance was archived by DDG or another for future generations.
I felt her extraordinary concentration. The audience was as if they were holding their breath and listening. I have never heard a performance like this.
I imagined how hard you've been bracing up for this Chopin competition since the last one. For 6 years. I feel you've come such a long way, even if you were already perfect. Every session, every performance was deeply touching. You delivered your everything with all your might and I could feel it.
I hope she wins. When listening to the others I hope they win too, but with her I hope more that she wins. She makes strength and warmth, power and elegance, form and contence go together. Narciss and Goldmund, Apollo and Dionisus, Steinway and Chopin.
Aimi is by far one of the most talented and emotional pianists I’ve ever heard. I will be surprised if she doesn’t win. And the slightly hushed tone in the opening of Prelude No. 5 is absolutely exquisite, and the No. 6 inner voicing is so rich, it kind of sounds like bells. The last one is so powerful, but somehow kind of delicate that seems to be sprinkled in, and the tone, like with all these pieces, is absolutely outstanding and full of depth. The passage at 54:08 is so rich and deep.
@Floral Tulip I feel the same with her interpretations, she gives each of them everything according to the characters of the pieces, and everything of her own inner experiences, light and shadows … Floral Greetings from Germany 🌸🌸🌸 Thea
Aimi is the best, NO COMPARISON!! She plays with authority, command, perfect interpretations that make you feel the direct presence of Chopin in all his passion, sadness, joy, that sense of longing for the Poland in his dreams. I feel his loneliness, but intense sense of hope running through all his music. Only Aimi conveys this to me in every note, because deep within her she has a profound connection with the spirit of Chopin, perhaps like no other living pianist today. She sets the standard for excellence in this repertoire for this generation. I know she will be a absolutely extraordinary in the concerto round, just as she will be for her entire future! The best!!!!
Beautiful and flawless. You are totally amazing. It seems so many pianists treat the instrument as a beast to be mastered and controlled but Aimi plays it as though she and the piano are one being.
It was fine. The “Hades” is very difficult. And you forget this is a very reverberating hall. I thought Aimi did a good job. Name another in this competition who did it better?
Only a genius is capable of playing so perfectly and transmitting to the audience so much emotion to the point of tears.She is the only pianist who is able to do that and communicate with spirits
Wow!! I didn’t know that it was such a lovely collection of songs Chopin 24 preludes. I’ve never liked it when I was a piano student over 20 years ago. I didn’t feel the value this collection to be honest. Now I’ve pulled out a dusty Chopin preludes score from the bookshelf. I’m deeply touched with turning pages of the score while listening to Aimi.
congratulations he played with great romanticism. A dream described in music. She picked all the flowers in Chopin's garden.💐🌷🌸🌹💐 Congratulations Miss Aimi Kobayashi
I was moved by the youthful and fresh Chopin. I wanted to unravel the Chopin prelude I played 30 years ago. Thank you for the wonderful music. 若さあふれるフレッシュなショパンに心動かされました 30年前に弾いたショパンのプレリュードをもう一度紐解いてみたくなりました 素晴らしい音楽をありがとう😊
It’s kind of emotional that Aimi Kobayashi and Kyohei Sorita grew up together as best friends and finally both make it to the final. Looking forward to our Japanese pianists❤️❤️ 愛実ちゃんと反田さんは幼馴染で大親友のようですね、一緒にファイナルまで進めるなんて素敵です！
Mrs. Ami Kobajashi - you are a wonderful musician, a wonderful pianist, an expert on Chopin. Listening to the Lady brings a lot of positive emotions. You are wonderful.
Дорогая Аими! Это было счастье- слушать твое исполнение Шопена! Спасибо за это музыкальное потрясение и восторг! Желаю победы на конкурсе!!!! Будь счастлива!
２回連続ファイナル・・・・本当に凄い事。そして今回のファイナリストで唯一『24の前奏曲』を弾いた人。 上位入賞する事を信じてます・・・・
前回の時から比べて垢抜けたというか余計なものが削ぎ落とされたという感じです。
貫禄を感じます。
翳りがあり凄みねあるマズルカ。そのようなショパンの集大成とも言うべ本質を突いた語り部のようなプレリュード。
もはやコンテスタントというより風格ある演奏家です。
これタダで聴いていいの？ていうレベルですよね(^^;
この演奏、このままライブCDとして発売してくれないだろうか、と切に願います。
ショパンコンクール… とかではなく、ショパン演奏史において１つの金字塔となるような圧倒的名演だと思います。
まさに神の領域。
確かに
このTH-cam動画があるから、CDいらないのでは？
La
@@takagoody410 さん、アップルミュージックでCD版ダウンロードしましたが、この演奏はさらに凄いですね。CDの売り上げもNo1です。
@@takagoody410 this chopin competition performance
トータルパッケージとして圧巻だったように思います。Preludes No.24の最後では知らないうちに涙が流れてました。ショパンの生きた過酷な時代における訴えようのない孤独、苦しみ、悲しみ、怒り、失望のようなある種現代にも通じる複雑な感情を愛実さんの演奏で感じることができました。ショパンの感情と私たちを彼女が繋げてくれている、これは本当に凄いことだと思います。ファイナルの素敵なコンチェルトも期待しています！きっと大丈夫！
このセミ・ファイナルでの前奏曲の演奏は本当に圧巻だったと思います。
前回のコンクールからの６年間、小林さんがピアノとともにどれほど深く自分の中に沈潜し、奥底にある苦悩をはじめとしてどれだけ多くのことを見つめ、そしてまたそこから出て世界にある喜びをはじめとしたさまざまなものを見つけ出したかが、本当に音としてすべて表現されて聴こえてくる演奏だったと思います。
前回のコンクールでの小林さんが天才少女の面影をまだひきずったさなぎだったとしたら、今回の小林さんは羽化して蝶となり、自分の意志をはっきりもった一人の大人のピアニストとして私たちの前に現れてくれた、そのような思いを私は持ちました。
小林さんがさらにファイナルでのコンツェルトの演奏でどのように羽ばたいてくれるのか、私は本当に楽しみでなりません。
史上最高の雨だれ‼️決して忘れない‼️
こんな抒情的なプレリュードは聞いたことない。
凄まじい気迫と集中力。
ピアノの伝道師の様だ。
美しい弱音と精緻な表現力。
ファイナルでも頑張ってね。
中毒みたいに、また聴きたくなってここに戻ってきてしまう・・・・
Same here
あなたは間違いなく2021年の出場者の中で最高の人です！
プレリュードのスコアを見ながら拝聴致しました。こんな見事な24曲、久しく聴いたことがない。感動しました。
Japan is having a musical battle in Poland .. i love all these young, talented Japanese pianists!
今大会一番の名演と言っても良い演奏
こんな抒情的なプレリュードは聞いたことない！！
ファイナル進出、おめでとうございます！
愛実さんが雨だれを弾いているとき、気付いたらこちらも雨でした☔
チャットでの雨や虹のメッセージ、一生忘れられません☔🌈
その後大好きな17番の鐘のような音が鳴り響き、
フィナーレのDの３音までずっと泣きっぱなしでした。
今日もずっと雨だれと17番と24番が頭の中で鳴り響き、幸せな気持ちになります。
24の前奏曲を弾いてくださって
本当にありがとうございました。
TH-camのおかげでこんなにショパンコンクールを身近に感じることができることにも感謝します。
コンチェルトも日本から応援します！
頑張ってください！
This was beautiful sentiment. She is ready and will 🏆
I can't help but admire her performance.
6 years of thought.
I want her to win👑
She is both fierce and vulnerable. She said is striving to find Chopin's voice. That's a true artist.
I loved your comment.
小林さんがまだ小学生の頃のショパンを聴いて感動して楽譜買って弾けるようになった者です
一番好きなピアニストです
おめでとう！
動画だし聴けるところまで聴いて、あとはまた時間ある時に…とか思って軽く来ちゃいけなかった。素敵すぎて動けない…止められないです。
流石に貫禄がありますね。
5年前より強いオーラを感じました！
ファイナルが楽しみです👍
異次元の演奏を通り越して、もはや伝説的な演奏。
誇張なしで、彼女が優勝して欲しい。
I hope she will win.
ショパンコンクールのファイナルがコンチェルトなのがショパンコンクールらしくないんですよね。
ショパンの24のプレリュードやマズルカこそがショパンなんで、コンチェルトを華やかに演奏して上位を取る事はショパンを弾くと言う意味では意味のない事です。
小林愛実さんの24のプレリュードが素晴らしいですね。
そういう人こそがショパンコンクールで優勝するべきです。
全く同意します、オーケストラの音量に埋もれて細かなニュアンスが伝わり難く今回の小林さんのアプローチの仕方には合わない物でした、
聞き取りやすくある程度ストレートに揺らし過ぎず簡潔にまとめる方が分かりやすかったのかも知れません、カナダの方がそういう感じで弾かれていました、もちろん素晴らしい演奏でしたが 深さや苦悩の表現では愛実さんの方が好みだと思いました。
同意です。ピアノ自体がオーケストラのようなものだからね。ホロヴィッツはコンチェルトをほとんど弾かなかった理由を「オーケストラは邪魔だから」と答えたそうです。
正にその通りだと思います。
いっそショパンはコンツェルトを残さなければよかったのに、とさえ思ってしまいます。(ショパンのコンツェルト、嫌いではないです。むしろ好きなのですが、ただコンクールのファイナルという位置づけはどうしても納得できない。ピアノの詩人ショパンのコンクールなのですから。)
ピアノだけなら自分でなにもかもコントロールできるし
結果はオール自分のもんだからね
ショパンはコンチェルトとソナタが嫌いだったそうです。当時は作曲家と演奏家の区別がなかったのでショパンは自分を売り出し食うためにコンチェルトを書いて自前で演奏したそうです。
なのでマズルカや前奏曲のようには上手く作れなかったのだと思います。
小林さんの前奏曲、特に17、19番は聴いていて胸に込み上げてくるものがありました。
for the prelude 24, love that she uses her thumb to accentuate the last note of each run. Small hand but big sound!! bravo
Hah! I do that, too.
small hands? didn't we hear how she caught the wide handed preludes.
@@keescanalfp5143 that's why she's great
Thumb fingering is on the score of Jan Ekier version. Just tried it yesterday with my small hands.😃
@@Frinnavier oooo interesting
47:17 Just witnessed the emotional transition from euphoria to despair. She is an amazing interpreter. I really can feel Chopin through her performance.
I can imagine…
All those chords felt joyful to me actually
Amazing pianist. Introvert and sooooo deep. She has so matured. She is an exceptional gem.
これ以上のプレリュードの演奏を、私はこれまで実演でも、録音でも聴いたことが無いです。
本当に同感です。最高の名演でした。私もプレリュードこんなに魅力的な曲だと感じていなかったけど、愛美さんの深い魂の演奏聞いて、改めてこんな素晴らしい曲だと感じました。マズルカも涙が出てしまいました。
@@HA-ll9pk 自分は若きアルゲリッチのプレリュードの実演も聴いていますが、小林さんの演奏は遥かに上空を行きました。というか、小林さん自身もこれを超えることはとっても難しいと思います。
I feel the pain and sadness now for Aimi. For me she was the best. Maybe her playing was not universal, best for everybody, but she is in her own way..special. Her music goes through me and bring me in beautiful and dramatic and colorful world. She should get better than this.. hopefuly she is happy and not sad now..like me.
ショパンのプレリュードを聴くと、ショパンの命が彷徨った空間が再現され、何時も命の愛おしさに気付かされます。
ありがとう・・・
24のプレリュード…惹き込まれました。素晴らしいピアニスト、素晴らしい芸術家ですね。その類まれなる魅力を育み、大輪の花を咲かせて下さい。ファイナルの演奏も楽しみで仕方ありません。
これまで色々な有名ピアニストのショパンの前奏曲聴いて来ましたが、今回の小林さんの演奏で完全に感動の上書きされました。自分的には大袈裟かも知れませんが今世紀最高のプレリュードだと感じてます。コンクール直前に出した同じ曲のCDもこの演奏に負けない位に素晴らしいものでした。
全体を通して、一つの大きな物語を聴いているようです。
ショパンという一人の人間が感じていた様々な感情の起伏や、人生の陰影がリアルに伝わってきて、音楽の素晴らしさに感動しながらも不思議と何か身近に感じました。
ご本人も仰っていたように、ひとつひとつの音が意味を持って、大切に弾かれているのが分かります。
このような演奏を聴くことができて、とても幸せです！
これからも応援しています。
コンクールでプレリュードをこんなに続けて聞けるのが嬉しい。素晴らしい演奏です。
本当ですね🎵これ、ショパン全曲リサイタルを聴いてる様です。神の領域。ショパンの心臓ですね🎵このprogramming‼️(笑)本当に凄すぎて笑えました。まさか、この作戦で来るとは思わなかったので、ドキドキです。恐ろしい勝負しましたが勝ちましたね🎵
This performance of the preludes is going to set the benchmark for generations to come.
There are elements of sadness, darkness and melancholy that connect each piece like they really are a single giant unit. I felt so transported in this uncertain, foggy, almost uncomfortable and beautifully painful atmosphere that kept me so focused throughout the entire performance. At times I couldn't really believe at her magic. This was an incredible experience just sitting on the couch in front of the TV. Imagine being there!
Every person in the world should listen to Ms Kobayashi playing this.
Astonishing!
Also she is very beautiful ;)
Amen bro! 🙌🏼🙌🏼🙌🏼
lol no
Was simply stunning. A historic performance of the Preludes for the ages. And I would add that her Mazurkas were also the only ones that actually moved me in this competition.
@@GarySchmidtPianist I just cannot stop listening to her preludes.... they are out of this world..
@@SunThathong like a chaman
MAGNIFICENT, TRANSCENDENTAL-almost SPIRITUAL-playing! Aimi’s the epitome of GRACE, BEAUTY and SERENITY combined. Never too harsh or aggressive for the sake of showmanship, unless required by the music itself. She serves the music, and not vice versa.
The range and complexity of characters she brought out in the Preludes are astounding. From the paining sorrow and sense of inevitability of No. 4 16:10, the warm gentleness and childhood nostalgia of No. 7 21:23, the heavenly forgiveness and sense of possibility of No. 13 28:51, the natural beauty and loving embrace of No. 15 33:20, the burning anguish and lost glory of No. 20 47:21, the flowing fury of no. 22 51:17, to the conflicting chains of thoughts and unsettling truth of No. 24 53:04.
INCREDIBLE! CANNOT WAIT to see her in the final!
It is spiritual. She has it.
Aimi enter in transe and is able to be connected with the heaven when she plays as a chaman do .
Well said "She serves the music, not vice versa".
Did you looked who is Aimi Now ? Simply GREAT.
Calm down
in my humble opinion, she is the absolute winner of the competition until the final stage. and also the 2nd movement of the concerto was out of this world. but in the first and specially in the last movement of the concerto, she was not "in touch" with the orchestra, playing her own story, sometimes "aganist" the conductor. i also love this kind of "fight" but not the jury i can imagine. Anyway Aimi you're the one who figure out Chopin's music in a totally personal adn different way. I love it. Thank you and take care of your gift. Paolo from Italy
Still, it is watched 100,000 times every day, which is amazing.
Aimi got 2nd highest average score in the third round, but was still behind Bruce. If she did well in the concerto it would probably be 2nd or 3rd prize, to be fair.
前回のコンクールも良かったのですが
今回は更にいいですね。魂が入ってる演奏だ。すごく成長してるのがわかる。
前回入賞していたら、今回のこの演奏はなかったのかも。
プレリュード賞があれば差し上げたい！素晴らしい演奏🤗✨✨✨🎹
This is the best 24 preludes I have ever listened to. I can't help playing this video again and again.
ずっと何年も何年も愛美さんを応援してきました。そしてこんなに美しい魂の音楽を今奏でてくださることに言葉では言い尽くせぬ感動があります。誰にも真似出来ない真の音楽。本当にありがとうございます🙏。
本当にストイックなまでにご自分で追及された彼女にしかできない
音楽の世界ですね。素晴らしいの一言。
ポーランドのクラクフ音大で教えている方が愛実小林はもっと上の
順位でもおかしくないと不満そうに言っていました。
彼女がかなりの人達に認められているという事ですね。
그의 연주가 매력적인 이유는, 그가 다음에 올 음과 멜로디를 0.1초라도 앞서 생각하지 않기 때문이다. 너무나도 완벽하게 현재에 머물러있다. 👍👍 AIMI는 이미 우승을 초월했다고 생각한다. 이미 그 너머에 있다. 단 한 번이라도 연주회에서 볼 수 있다면 좋겠다. Love from Korea!
なにこの選曲‼️素晴らしいというか、徹底してます。本気の勝負は、thirdから‼️だったんですね❤️見事‼️選曲からして、全てを制覇してる事を世に知らしめてる🎵最高過ぎて笑うしかない選曲‼️全曲リサイタルみたいですよー❤️最高‼️全曲ブラーヴァ🔥🎵💞💝💝💝AIMI KOBAYASHI💥💥💥💥💝しかも楽器を選定し直したんですね💡さすが‼️
I wish they could publish these preludes on an official album. I'm so addicted to Aimi's version of them - pure beauty. Can't stop listening to them. They stay with you forever.
Dear Aimi lovers, I realized Warner Classics published Aimi's preludes this year ❤️ Check out Chopin preludes piano works 🎶
This live performance is even better than her cd recording
@@marioli5596 I totally agree ❤️
너무 대단하다....실력이 정말 뛰어나고
들어도 들어도 질리지 않는 연주다😭😭
Aimi redefines the Preludes. Extraordinary subtlety of touch. Watch the shallowness of her left hand in gebung, and, perfect control.
Her music gives me a special pleasure in this quarantine life.
Liveは緊張して愉しめ無かった、リピート再生で贅沢に何度も聴いて大満足!
Divina in tutto!!!! Molto Raffinata, Elegante, una vera Signora del Pianoforte, che non ha tic, non deve fare boccucce e occhieggiamenti per esprimere ciò che il Compositore desidera! Qualità Rarissime in un tempo in cui certi pianisti/e sembrano più divi/e e caricature cinematografiche... Questa Pianista è completa in tutto insieme a Sorita, ossia sono i miei preferiti in assoluto 👍🏻👌🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻 Auguriamo con tutto il cuore ad Aimi e a Sorita di essere tra i Vincitori e tifiamo per loro con tutto il cuore ❣❣❣ Anna e Luigi.
Con caricature cinematografiche secondo me ti riferisci a Lang Lang, giusto?
@@ovidiupiceorusbentoi8464 dopo Lang Lang vi è una schiera di seguaci contagiati dalle stesse problematiche, da far persino impallidire lo stesso Lang Lang 😂😂
小林さんのこのショパンの演奏を聞いて、‘’このピアノの音色こそがショパンの音色そのものだ’’と聞いている瞬間から痛感させられました。センチメンタル、哀愁、感情の襞の隅々にまで届く‘’ピアノ本来の魅力’’。私にとって小林さんのピアノがショパンそのものです。
Aimi Kobayashi (Japan)
*18th International Chopin Competition*
*Third Round/Session One*
*Philharmonic Hall*
*Warsaw, Poland 🇵🇱 October 16, 2021*
Frédéric Chopin (1810-1849)
Mazurkas, Op. 30 *(1837)*
00:36 No. 1 in C Minor
02:38 No. 2 in B Minor
04:04 No. 3 in D-Flat Major
07:01 No. 4 in C-Sharp Minor
Préludes, Op. 28 *(1835-39)*
11:50 No. 1 in C Major - _Agitato_
12:35 No. 2 in A Minor - _Lento_
15:08 No. 3 in G Major - _Vivace_
16:09 No. 4 in E Minor - _Largo_
18:36 No. 5 in D Major - _Molto allegro_
19:16 No. 6 in B Minor - _Lento assai_
21:23 No. 7 in A Major - _Andantino_
22:19 No. 8 in F-Sharp Minor -
_Molto agitato_
24:17 No. 9 in E Major - _Largo_
25:51 No. 10 in C-Sharp Minor -
_Molto allegro_
26:26 No. 11 in B Major - _Vivace_
27:18 No. 12 in G-Sharp Minor - _Presto_
28:52 No. 13 in F-Sharp Major - _Lento_
32:35 No. 14 in E-Flat Minor - _Allegro_
33:22 No. 15 in D-Flat Major -
_Sostenuto_
39:52 No. 16 in B-Flat Minor -
_Presto con fuoco_
41:10 No. 17 in A-Flat Major - _Allegretto_
44:44 No. 18 in F Minor - _Molto allegro_
45:48 No. 19 in E-Flat Major - _Vivace_
47:21 No. 20 in C Minor - _Largo_
49:28 No. 21 in B-Flat Major - _Cantabile_
51:17 No. 22 in G Minor - _Molto agitato_
52:01 No. 23 in F Major - _Moderato_
53:04 No. 24 in D Minor - _Allegro_
_appassionato_
55:48 *Applause*
Aimi Kobayashi, piano
My Goodness…. Kobayashi!
.
She is a beast in a way she brings her inner reflection into the story of the very pieces.. She said the preludes have many “characters” to show, and she really proved it. All the characters she delivered are the truth itself.
.
I especially love it when she takes time in a small reflection: 26:26
.
am immortal performance for the ages. Will be listening again and again. It strikes me that perhaps Gould's relationship to Bach is somewhat analogous to Aimi's and Chopin.
I was moved and cried while listening to Aimi's live performance.
I cried , sobbed over her.
and then u did a poo
You Too? Eeeh.
Jokes aside, I was moved! Aimi played my Soul .
ピアノでこのような世界が描けるのですね！言葉に出来ない心象風景が見えました。
魂のこもった最高の演奏をありがとうございます。
映像が残り続け
歴史が愛実さんの演奏を評価する事に感謝！
演奏会絶対行きます。楽しみです！
Good luck! What a great Chopinist
この演奏がとにかく心に響きました、何度も聞いてしまいす！順位とか関係なく素晴らしかったです！
The best preludes I have heard, ever. Thank you Ms. Kobayashi for you Chopin's music expressed by your interpretation and your soul. Best regards from Warsaw.
Indeed! The slow tempo in some points (Ebm... ), the balance (Ab), the energy (Fm), the passion (Dm).. amazing.
Among the best. But: Grigory Sokolov, Martha Argerich Tokyo 1976, or Pogorelich's. This last one is genius level. You might say you like Aimi's better, but one cannot really say they _are_ better. But she is correctly slowing down the little notes at the end of that last one which is rare for some reason.
@@TheSoteriologist I have to say that I like Aimi’s preludes the best.
Aimi is the best! She leaves the stage and lets her music shine magically! She is the only only who did that during the competition. No ego! Just Chopin's music. FIRST PLACE!
But you HAVE to have an ego playing to an audience.If she didn't have an ego she wouldn' t have done the competition and she wouldn't want to win it.
@@mackiceicukice agreed. ego is what drives people to be successful. its just one should abuse it and use it wrongly for the worst
@@vivianrfjblaw There was one a few years ago, Christ was the name, who had no ego and who commanded quite large audiences, and turned out to be quite successful
@@DelsinM what's the full name? how did you perceive he/she has no ego at all?? 😂😂😂
@@vivianrfjblaw Full name: Jesus Christ. "For I have come down from heaven not to do my will but to do the will of him who sent me." John 6:38 ... "I do not seek My own glory. There is One who seeks it, and He is the Judge." John 8:50 ... I could go on. The point is, it does not take ego--if one really desires to serve humanity, they can succeed brilliantly without seeking ego gratification, whether in the musical sphere or in another sphere.
私が今まで聴いてきたプレリュードの中で最高の作品です✨
物語が明確。繊細かつダイナミックのバランスも完璧！
胸に迫る演奏に、最後は心抉られたような感覚でした。
ショパンの感情とともに愛実さんの感情も溢れ音に全て現されてた、、。
1次から全て惹き込まれました！
弱音の素晴らしさに感嘆致します✨
プレリュードって24のミニエチュードみたいなイメージがあったんだけど、今回小林さんの演奏聞いて、一つの長編作品だと初めて感じた。
I feel this performance is the best of all in the 18th International Fryderyk Chopin Piano Competitio. Thank you Aimi!
Perhaps one ot the best preludes I have ever heard... and under the preasure of a competition! Just amazing.
Her Preludes have drained me. She's exceptional. My absolute favorite.
Still recovering 12 hours later. What a transcendental experience. Simply amazing.
Me too. Preludes!!!!
Yes - Aimee, Sorito, and Gadviev are my favourites
I am honored to be in the audience during her performance. Her preludes were extraordinary, I had shivers all the time and the prelude in D flat major no. 15 made me have tears in my eyes. An absolutely magical experience.
same, tears in my eyes at No.15. Must have been unforgettable listening to her live.
zazdro!… 😭😭😭
@@Frinnavier I had the same. She's a real artist!
I was watching on youtube live totally mesmerized by her interpretation... I cried many times... so special, vulnerable and extremely intimate.
Brilliant comment. Thank you. How lucky you are to be there. Yes, she changed my life. I cried like a baby over her.
プレリュード圧巻でした！ファイナルも応援してます！
Oh Aimi...I fell in love with the way she plays and expresses herself through the music from the first note...and sight. There is something about her that makes me feel these pieces deep in my heart.
This is marvellous, full of harmony and beauty and the words are probably unnecessary here...
プレリュードで物語りを演奏で聴かせてもらっているようで、場面が浮かんできては変わってゆくように感じ、雨だれでは涙が溢れていました。ずっと聴いていたい演奏。
素晴らしいショパンの音色でした😭😭😭
I think this performance is even better than her CD recording of Preludes
Never heard any better version of live preludes than Aimi’s preludes here. Absolutely sublime experience, an universe of nuances, emotions. Each piece stands out in its own way, so well controlled given the fact of the suffocating atmosphere at the competition. What an artist!
I love her, but that's a stretch. She should get a medal this time though.
She was robbed in 2015.
It's pretty good, but if you want to hear a truly legendary pianist perform the preludes live, I'd recommend Bolet's famous 1974 live recording in Carnegie Hall.
There are many other epic live recordings, but the one by Bolet has been a best-selling Sony recording for many years. Highly recommended!
@@j.vonhogen9650 If you must refer to a performance from nearly half a century ago to draw a comparison, by a dead artist no less (no disrespect to Bolet, I think he's great!), then I think Ms. Kobayashi has done quite well.
@@jellospeed- Well, I just wanted to mention one of my favorite live recordings that is still widely available. I could have mentioned other live recordings that are equally impressive by pianists who are still alive, like the great Nelson Freire, but just to be clear, I wasn't making a point against this young candidate at all. She did great. I just thought I'd mention Bolet in case the OP wasn't familiar with his famous Carnegie Hall recording.
I'm not challenging your opinion in any way either.
@@j.vonhogen9650 I'm actually thankful you mentioned Bolet. I collect classical piano recordings on vinyl, and while Bolet is well represented (mostly playing Liszt where I feel Bolet really shines), his Chopin preludes from 1974 is missing - something I will need to address!
Wonderful performance. Hope she medals this time.
I´M listening to these a year later and they`re more than a great moment in a competition. They are a a reference performance. She had the courage to take her time and give a unique take for each of these gems. I hope this performance was archived by DDG or another for future generations.
Aimi kobaishy is winner of competition 2021
Preludes were absolutely fabulous! It was a rare treat. I wish this girl every success.
圧巻です。鳥肌が止まらない
I felt her extraordinary concentration.
The audience was as if they were holding their breath and listening.
I have never heard a performance like this.
I imagined how hard you've been bracing up for this Chopin competition
since the last one. For 6 years. I feel you've come such a long way, even if you were already perfect. Every session, every performance was deeply touching. You delivered your everything with all your might and I could feel it.
I hope she wins. When listening to the others I hope they win too, but with her I hope more that she wins. She makes strength and warmth, power and elegance, form and contence go together. Narciss and Goldmund, Apollo and Dionisus, Steinway and Chopin.
Bravo!... transcendental playing Aimi.. your prowess in capturing all the facets of Chopin's music is astounding. Good luck in the final!.
Soo true!
Mozart was a genius ,Aimi also both use the same way to make music
Aimi is by far one of the most talented and emotional pianists I’ve ever heard. I will be surprised if she doesn’t win. And the slightly hushed tone in the opening of Prelude No. 5 is absolutely exquisite, and the No. 6 inner voicing is so rich, it kind of sounds like bells. The last one is so powerful, but somehow kind of delicate that seems to be sprinkled in, and the tone, like with all these pieces, is absolutely outstanding and full of depth. The passage at 54:08 is so rich and deep.
exactly
@Floral Tulip I feel the same with her interpretations, she gives each of them everything according to the characters of the pieces, and everything of her own inner experiences, light and shadows … Floral Greetings from Germany 🌸🌸🌸 Thea
Brilliant comment.
@@johndaker9489 Thank you!!!
Thank you for the 65 likes!!! I never thought I would be making one of these thanking comments, but here I am lol.
She’s a true genius, so stunningly beautiful. I’m sure her goal is to get into the first three this time.
Aimi is the best, NO COMPARISON!! She plays with authority, command, perfect interpretations that make you feel the direct presence of Chopin in all his passion, sadness, joy, that sense of longing for the Poland in his dreams. I feel his loneliness, but intense sense of hope running through all his music. Only Aimi conveys this to me in every note, because deep within her she has a profound connection with the spirit of Chopin, perhaps like no other living pianist today. She sets the standard for excellence in this repertoire for this generation. I know she will be a absolutely extraordinary in the concerto round, just as she will be for her entire future! The best!!!!
yes she has a perfect and profound connection with the spirit of Chopin .She is Chopin
I loved your comment. I think she will win. Shes so much better than all the others.
But I see a few people who don't understand her at all, which is very disappointing.
@@makotoda50 Well, hopefully the jury will!!!
Beautiful and flawless. You are totally amazing. It seems so many pianists treat the instrument as a beast to be mastered and controlled but Aimi plays it as though she and the piano are one being.
the last note itself brought tears to my eyes... ;(
She killed me with the last three notes.
How mesmerizing and engaging Preludes 😇🥺😍 I had to recover from this performance for a long time, in a positive sense.
One of the best Prelude sets I've ever heard, and I've heard dozens of them.
24のプレリュードは圧巻です。
This was an epic historic performance. She is by far the very best.
Lets see if the jury has the same opinion
@@jungwirthmartin probably not,. Number 16 was blurry as hell: too much pedalling
@@kzelmer after a performance like that you are quibbling about the pedalling in no. 16? Seriously!
@@kzelmer omg you probably not seen Krzyzowski's 16th prelude, that was real hell
It was fine. The “Hades” is very difficult.
And you forget this is a very reverberating hall. I thought Aimi did a good job.
Name another in this competition who did it better?
I lost a few tears during her concert.
So elegant, beatiful, strong and sad, soul-like.
I hope she wins 🤍
Only a genius is capable of playing so perfectly and transmitting to the audience so much emotion to the point of tears.She is the only pianist who is able to do that and communicate with spirits
Wow!! I didn’t know that it was such a lovely collection of songs Chopin 24 preludes. I’ve never liked it when I was a piano student over 20 years ago. I didn’t feel the value this collection to be honest. Now I’ve pulled out a dusty Chopin preludes score from the bookshelf. I’m deeply touched with turning pages of the score while listening to Aimi.
このあと続いた2分以上の拍手も動画に入れてほしかった！
Amazing pianist, amazing rendition, I loved it very much! Brava! Come play in Rio de Janeiro
congratulations he played with great romanticism. A dream described in music. She picked all the flowers in Chopin's garden.💐🌷🌸🌹💐 Congratulations Miss Aimi Kobayashi
I was moved by the youthful and fresh Chopin. I wanted to unravel the Chopin prelude I played 30 years ago. Thank you for the wonderful music.
若さあふれるフレッシュなショパンに心動かされました 30年前に弾いたショパンのプレリュードをもう一度紐解いてみたくなりました 素晴らしい音楽をありがとう😊
体は華奢なのに前腕と指は凄くしっかり力強い。
だからこの音が出せるんですね。
今回のショパンコンクールは色々検索して聴いてみたんですが、
私は愛美さんの音が1番好きでした。
このように素晴らしい演奏を何回でも聴ける幸せを感じています。
It’s kind of emotional that Aimi Kobayashi and Kyohei Sorita grew up together as best friends and finally both make it to the final.
Looking forward to our Japanese pianists❤️❤️
愛実ちゃんと反田さんは幼馴染で大親友のようですね、一緒にファイナルまで進めるなんて素敵です！
I hope she wins
It would be a happy ending for them if they end up both top 3, since only one can win
宇部出身の者です。小林愛美さんを誇りに思います。
感動をありがとうございます。
言葉には出来ないほど素敵な演奏でした。
応援しています！
私も宇部市出身です。菅直人、庵野秀明、柳井正(ユニクロ社長) とならぶ有名人ができてよかった ^^;
AIMI KOBAYASHI....a genius confession to the spirit of Chopin .... what's more ... there is no such reward for such an amazing playing
이번 대회 최고의 연주
プレデュードを聴いて、何故か幾度も涙が溢れ出てきて仕方なかったです。世界中の人々とこの素晴らしい時間を共有出来て幸せでした🌹本戦も楽しみにしています❤️
Mrs. Ami Kobajashi - you are a wonderful musician, a wonderful pianist, an expert on Chopin. Listening to the Lady brings a lot of positive emotions.
You are wonderful.
Дорогая Аими! Это было счастье- слушать твое исполнение Шопена! Спасибо за это музыкальное потрясение и восторг!
Желаю победы на конкурсе!!!! Будь счастлива!
Amazing and shocking. I have no other words. i wonder what would Chopin did if he heard Aimi. Possibly, would get on his knees.
Wonderful performance. Aimi you should have won. So gifted. Best Chopin preludes I have ever heard. Thank you 🙏