Recorded live in Tokyo, July 25, 1993 at Open Theater East. Keith Jarrett piano Gary Peacock double-bass Jack DeJohnette drums Solar (Miles Davis) + Extension (Keith Jarrett)
one of trio's best miracles in my opinion. he soloed about 20 chorus, never got old. not to mention the amazing groove they get into out of gary's solo. this one doesn't get old after 100 listens
@@monsterjazzlicksi just watched this tune for the first time ever, although I've been a KJ fan since Koln and Bremen-Laussane recordings since the mid 70s. I experienced the last part as a groove that naturally emerged in the wake of the vibe from the Solar solos. Felt to me like a groove of pure curiosity and willingness to go with the flow of the energy and let it do whatever it wanted to. I love the way it feels untethered to any sort of harmonic structure and leans mostly on the energy of the rhythmic groove. It leaves me feeling grateful for the total absence of "hurry" or responsibility to expectation. I experience KJ listening deeply to what "wants to happen" moment to moment to moment. And I especially love the extremely gentle fade to silence toward the end. It's gets softer as slowly as possible without changing the pace of the softening. Incredibly difficult to do without ever repeating the same exact same volume twice. Like turning a volumn knob to zero as slowly as possible without ever stopping. Just feels rich to me, a great deal of respect for what is possible with 3 improvising musicians all of whom are paying attention moment by moment. I don't if this feels like a helpful response to your question, but it's just how I experienced it.
Keith can just hit one note and it feels like a chord. There's so much depth and emotion connected to his playing. He expresses what is possible to say with his two hands the embodiment , secrets and joy of the human heart.
Was going to say then same thing - long shots and a chance to see Keith’s hands and Jack drumming technique especially- wish there was more of this kind of footage available…
At 5:53 the beginning of the head starts over...in other words the beginning of the melody. They are still in 4/4 just as they have been through out the tune. To find out where ONE is....(the down beat) listen to the bass player. He is the best reference for finding the beginning of the tune, once they start improvising. If you already know the chord progressions, listen to the bass player for the tonic or bass note for the first chord to reference the beginning of the tune or the bridge of the tune. Regardless of what the piano player is doing or the drummer is doing, the bass player almost always is playing the normal rhythm and the written chord progression of the tune. By the way, you might be better off not transcribing but instead just learning the tune and then improvising around the changes using your own creativity. Solar is basically a twelve bar blues in C major...very simple. Copying other players turns you into an imitator which is never as good as the original. Knowing the tune allows you to create on your own, and develop your own voice, your own sound and your own style......and your own identity. Listen to Keith and let him influence you. Trying to copy him will be impossible. I've tried for over half a century. It never works. There are hundreds of Bill Evans note-for-note transcribed copycats. Not one sounds like Bill. Allow the masters to influence you. Trying to copy them note-for note is an exercise in mediocre futility and it does nothing to establish your own musical individuality.
jennifer86010 Thanks for your help Jennifer. You sound like you know what you are talking about for sure. No, I'm ok with the form and piano notes,,, that's not a problem it's the other thing at 5:53 to 5:54 I'm trying to capture.
Fell in love with "Deep Space/Solar" on the Trio's "Somewhere" LP., en.wikipedia.org/wiki/Somewhere_(Keith_Jarrett_album). This version of "Solar" is also rockin'.
Keith takes us on a genuinely creative journey, and no matter how idiosyncratic it is you can feel the humanity in it. That's what makes it compelling, and why people relate to it.
Torticollis is a problem involving the muscles of the neck that causes the head to tilt down. The term comes from two Latin words: tortus, which means twisted, and collum, which means neck. Sometimes it's called “wryneck.” 22:22 [WebMD]
For me, this begins when Mr. Jarrett starts transcendently channeling around 15:30. I don't know of anyone else who has delved into the psychic places he goes.
+Davis Miller The emergence of this moment, I believe, begins earlier, just following Peacock's second bass solo at about 10:50, where something new fell out the sky into the Trio's lap --- this D note which brought into the tune a new element, albeit one which was always present as the second scale degree in C minor. After a restatement of the head of Solar, Jarrett returns to this D note which becomes the 5th for the G below it; the G in turn becomes the tonal center for the ecstatic flights to which we are witness at the end. For me, this transition as well as the glorious vamp at the end are of a piece. Glad you appreciate Mr. Jarrett like I do.
mastering an art in a moment caught on video in this case music...like watching picasso paint and im not kidding take any flack for it gladly not going to touch the pleasure of watching these guys channel and get out of the way of such music...love when you hear solar again after bass solo and fusion of all 3 its haunting in way following section. So beautiful like metheny said about his other ensemble but feels like applies to anything you arent going to do it better than this let it be and enjoy
Thank you talaverajazz! I sure am glad these guys tap into the Zone of creativity.This music isn't all written out.Well the "Head of the tune" is,but the rest comes from the love of the craft and the interaction of their souls.They were asked in an interveiw where does all this music come from?They each said they really didn't know.That's the stuff of an almost spiritual nature.What a force for good and a place of rest& excitement at the same time.
Tokyo, I thought he was in a mosque=what the heck is with all the hoods? I mean, I just freaked when he did Ahmad jamal@11:00 wooo i mean WOO do I love this guy!~10:58 he says it too! Yeah. He goes "WOOO"
Ωραίος ο τύπος! Χαίρομαι που υπάρχουν και κάποιοι που εκτιμούν το πραγματικό μουσικό ταλέντο και τη μαγεία της τζαζ στην πολιτιστικά υπανάπτυκτη Ελλάδα του Φοίβου, της Πάολας και των λοιπών πουθενάδων...
Evans Voicings and their interior movement is incredible. Has soon has he starts to improvise I generally disconnect. Now he sings now he sobs (full album) Chick Corea and Deer Head Jarrett r some o me fav trio albs.The version of Solar by Mehldau trio 1999 is amazing swinging and very rare here on zee tube. I advise even those who dislike brad to listen to this and his versions of Anthropology, Blame it on my youth, and Paris. You will dig Marc Copland has Harmonically he is 2 much & loves Bill. peace
David velleman No offense, but I can't relate at all. Bill Evans, especially in the the earlier half of his career, had the most clear and structured lines ever played. You basically could've written anything he played down and sell it as an original transcription. His only weak point was swing, I think that's fair to say. But that's secondary because his lines, lyricism, phrasing and, of course as you said, harmony were so incredible. Of course his first and last trio were outstanding but an often overlooked formation is also his trio with Chuck Israels and Larry Bunker. That trio also was incredible. Maybe not as innovative as the former, but the structure, time, arrangements and especially their sound as an ensemble were just incredible. And Chuck Israels had a really great sound of his own. I'd take these three trios any day over Keith Jarrett's Standards trio. Also any Bud Powell, the Oscar Peterson or one of Herbie Hancocks trios. In fact, also the trio Keith had with Charlie Haden and Paul Motian on his first record. I never understood all the fuss about the standards trio because groove and time really is a weak point. KJ's groove is not really his strong suit anyway, so he needs a solid rhythm section but I feel like Gary Peacock is mad rushing all the time, especially in his solos, and rarely together with the great Jack DeJohnette. Also, I don't like Gary's tone at all. Brad Mehldaus trio is also great. I think his rhythm section is playing much better together than Jarrett's. Now he sings, now he sobs is mindblowing, although I think it has a kind of "sterile" quality to it that I don't like. I also enjoy Joey Calderazzo's trio playing and the few trio recordings of Kenny Kirkland. But in the end it all comes down to personal taste, I guess. Every trio and musician I've talked about is outstanding.
Did anyone notice the mistake he makes at the beginning of the first head (0'09'')? Before taking up the second one, he pauses 4 bars, breathes and goes back to it.
![Keith Jarrett trio - Live at Open Theater east,Japan (25.07.1993).[Full show]](http://i.ytimg.com/vi/8Gu4cSETBEw/mqdefault.jpg)
Keith Jarrett - Piano/Vocals
Cosma
adorable in every way this Keith Jarrett amooo de paixao coisa mais querida!!!!!
Laughed way to hard at this
Hahaha that annoys me so much
Haha
one of trio's best miracles in my opinion. he soloed about 20 chorus, never got old. not to mention the amazing groove they get into out of gary's solo. this one doesn't get old after 100 listens
Can you please explain the ending? I was trying to figure out how and why? Thanks.
@@monsterjazzlicksi just watched this tune for the first time ever, although I've been a KJ fan since Koln and Bremen-Laussane recordings since the mid 70s. I experienced the last part as a groove that naturally emerged in the wake of the vibe from the Solar solos. Felt to me like a groove of pure curiosity and willingness to go with the flow of the energy and let it do whatever it wanted to. I love the way it feels untethered to any sort of harmonic structure and leans mostly on the energy of the rhythmic groove. It leaves me feeling grateful for the total absence of "hurry" or responsibility to expectation. I experience KJ listening deeply to what "wants to happen" moment to moment to moment. And I especially love the extremely gentle fade to silence toward the end. It's gets softer as slowly as possible without changing the pace of the softening. Incredibly difficult to do without ever repeating the same exact same volume twice. Like turning a volumn knob to zero as slowly as possible without ever stopping. Just feels rich to me, a great deal of respect for what is possible with 3 improvising musicians all of whom are paying attention moment by moment. I don't if this feels like a helpful response to your question, but it's just how I experienced it.
This is music from universe
Its incredible
I love it, it makes me glad and happy
Thank You Keith , Gary and Jack
Never stop!
Like Autumn Leaves, this is one of the tune's Keith always gets REALLY deep into. Fascinating.
Each time I watch this video I'm amazed by the amount of talent concentrated in those 3 guys. GREAT TRIO, for me maybe the best of all time!
Keith can just hit one note and it feels like a chord. There's so much depth and emotion connected to his playing. He expresses what is possible to say with his two hands the embodiment , secrets and joy of the human heart.
Bought this on VHS around 1996. This tune in particular changed me. They start lifting off around 11:00. Thanks very much for uploading this.
Love
The Best Jazz Trio ever...
+Dariusz Klimczak The Oscar Peterson Ray Brown ,Ed Thigpen editon
me too
Some of the most compelling and timeless facial expressions in recorded musical history
whole-body expressions 🤌🤌
I really like the video editing on this... those lingering shots of Jack behind his kit with Gary and Keith in the background are great.
Was going to say then same thing - long shots and a chance to see Keith’s hands and Jack drumming technique especially- wish there was more of this kind of footage available…
Keith Jarreth plays in different compound time signatures which is beautiful...
Rest in peace Gary
Is he no longer with us???!!!
That moment between the 14min till the end of the video... omg i'm in trance..!!
Always the highest moment of high quality music. This trio is - I would say - irreplaceable! Good moments to enjoy the best music.
I'm transcribing this,, But I'm stuck at 5:53 to 5:54 ,,,,, can't figure out the note or the rhythm. Any help is appreciated.
At 5:53 the beginning of the head starts over...in other words the beginning of the melody. They are still in 4/4 just as they have been through out the tune. To find out where ONE is....(the down beat) listen to the bass player. He is the best reference for finding the beginning of the tune, once they start improvising. If you already know the chord progressions, listen to the bass player for the tonic or bass note for the first chord to reference the beginning of the tune or the bridge of the tune. Regardless of what the piano player is doing or the drummer is doing, the bass player almost always is playing the normal rhythm and the written chord progression of the tune. By the way, you might be better off not transcribing but instead just learning the tune and then improvising around the changes using your own creativity. Solar is basically a twelve bar blues in C major...very simple. Copying other players turns you into an imitator which is never as good as the original. Knowing the tune allows you to create on your own, and develop your own voice, your own sound and your own style......and your own identity. Listen to Keith and let him influence you. Trying to copy him will be impossible. I've tried for over half a century. It never works. There are hundreds of Bill Evans note-for-note transcribed copycats. Not one sounds like Bill. Allow the masters to influence you. Trying to copy them note-for note is an exercise in mediocre futility and it does nothing to establish your own musical individuality.
jennifer86010
Thanks for your help Jennifer. You sound like you know what you are talking about for sure. No, I'm ok with the form and piano notes,,, that's not a problem it's the other thing at 5:53 to 5:54 I'm trying to capture.
+Plargify =AAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!!!!!!!
You probably need a new Flarkenstein cable for your gazornomplatz coupler. Mine goes out too when I try transcribing KJ.
dont you mean a blues in C minor ?
Creo que el asiento del piano tenía espinas o algo
There is who sing what play, who play what sing and there is Keith Jarrett.
gets deep,yeah
ten deaf people in the world!
It is a pleasure to see the class of these musicians. Thanks for the upload.
Just fantastic synergy! Thanks for this sound quality up! Please like this video!
Love this trio so much, but the camera work drives me bonkers. Keith’s shredding, let’s zoom in on his knee.
Interesting … see previous comments with the opposite view😉… each to their own!
5:52 6:11 I have always associated these type "Keith noises" as a response the band, usually a light "bomb" from the drums.
Not M.Davis!.CHUCK WAYNE's composition,talaverajazz,please.
keith clearly loves playing with gary and jack. keith's face at 11:26 is pure joy.
Fell in love with "Deep Space/Solar" on the Trio's "Somewhere" LP., en.wikipedia.org/wiki/Somewhere_(Keith_Jarrett_album).
This version of "Solar" is also rockin'.
awesome version too, i love it
Keith takes us on a genuinely creative journey, and no matter how idiosyncratic it is you can feel the humanity in it. That's what makes it compelling, and why people relate to it.
Absolutely unreal
Timeless and mesmerizing - each player an accomplished master and together - just amazing! Thanks for posting this great performance.
Torticollis is a problem involving the muscles of the neck that causes the head to tilt down. The term comes from two Latin words: tortus, which means twisted, and collum, which means neck. Sometimes it's called “wryneck.” 22:22 [WebMD]
Spectacular performance! 20:02
We can repeat if you think it's convenient. 1:32 We don't think it's inconvenient!
a 15:29 cambia genere, improvvisa su un pedale, sembra arabeggiante, pazzesco.
another magical moment! nothing match Keith and his trio
For me, this begins when Mr. Jarrett starts transcendently channeling around 15:30. I don't know of anyone else who has delved into the psychic places he goes.
+Davis Miller The emergence of this moment, I believe, begins earlier, just following Peacock's second bass solo at about 10:50, where something new fell out the sky into the Trio's lap --- this D note which brought into the tune a new element, albeit one which was always present as the second scale degree in C minor. After a restatement of the head of Solar, Jarrett returns to this D note which becomes the 5th for the G below it; the G in turn becomes the tonal center for the ecstatic flights to which we are witness at the end. For me, this transition as well as the glorious vamp at the end are of a piece. Glad you appreciate Mr. Jarrett like I do.
Transcendal what???!!!
mastering an art in a moment caught on video in this case music...like watching picasso paint and im not kidding take any flack for it gladly not going to touch the pleasure of watching these guys channel and get out of the way of such music...love when you hear solar again after bass solo and fusion of all 3 its haunting in way following section. So beautiful like metheny said about his other ensemble but feels like applies to anything you arent going to do it better than this let it be and enjoy
An awesome piece, his group at its best. Technical virtuosity and emotion combined in Jazz as only Keith can do
adorable Keith Jarrett
The Cohesiveness of this Trio is Legendary! WOW!
How does one acquire an awesome surname like Peacock?
He was named after a famous jazz tune.
Thank you.... great concert....I love it
Thank you talaverajazz! I sure am glad these guys tap into the Zone of creativity.This music isn't all written out.Well the "Head of the tune" is,but the rest comes from the love of the craft and the interaction of their souls.They were asked in an interveiw where does all this music come from?They each said they really didn't know.That's the stuff of an almost spiritual nature.What a force for good and a place of rest& excitement at the same time.
respect for Keith
dat man should get some singing lessons
10 dislikes, I just want to know, why?
because of his singing technique ...
The camera work and video production.
wowwwwwwwwww!!!!!!!!!!!!!!!
Beautiful thanks
first blurry shot of the crowd i thought "huh? all dudes? in white robes? with headgear? Quatar? Riyadh? oh rain gear. "
........attraversato dalle Sfere piu' alte. Inaccessibili ai piuì... chi ha orecchie per intendere, intenda.
otimo feito perfeito!
Une vraie trance , Champion.
This is beyooooond…🤯
Tokyo, I thought he was in a mosque=what the heck is with all the hoods? I mean, I just freaked when he did Ahmad jamal@11:00 wooo i mean WOO do I love this guy!~10:58 he says it too! Yeah. He goes "WOOO"
even better WOOO! at 13:55 and 13:59 ;-)
You're not gonna see any better folks. You get out of it, what you put in. Like Shakespeare.
Maravilha e eu ouvindo aqui em 2020
Wow..... hope I get to see these guys live.
Sadly, it wasn't to be.
Sorry - Paul Motian. The curse of predictive text.
anyone transcribed the lyrics?
"gneee gne gneeeeee gneeeeee" something along those lines :D
Ωραίος ο τύπος! Χαίρομαι που υπάρχουν και κάποιοι που εκτιμούν το πραγματικό μουσικό ταλέντο και τη μαγεία της τζαζ στην πολιτιστικά υπανάπτυκτη Ελλάδα του Φοίβου, της Πάολας και των λοιπών πουθενάδων...
This trio finds the space to explore!!!
Impresionante!
Magnificent of course. But surely the best trio ever is Bill Evans with Scott La Faro and Paul Motion. I suspect Jarrett and co. would agree!
Evans Voicings and their interior movement is incredible. Has soon has he starts to improvise I generally disconnect. Now he sings now he sobs (full album) Chick Corea and Deer Head Jarrett r some o me fav trio albs.The version of Solar by Mehldau trio 1999 is amazing swinging and very rare here on zee tube. I advise even those who dislike brad to listen to this and his versions of Anthropology, Blame it on my youth, and Paris. You will dig Marc Copland has Harmonically he is 2 much & loves Bill. peace
David velleman No offense, but I can't relate at all. Bill Evans, especially in the the earlier half of his career, had the most clear and structured lines ever played. You basically could've written anything he played down and sell it as an original transcription. His only weak point was swing, I think that's fair to say. But that's secondary because his lines, lyricism, phrasing and, of course as you said, harmony were so incredible.
Of course his first and last trio were outstanding but an often overlooked formation is also his trio with Chuck Israels and Larry Bunker. That trio also was incredible. Maybe not as innovative as the former, but the structure, time, arrangements and especially their sound as an ensemble were just incredible. And Chuck Israels had a really great sound of his own.
I'd take these three trios any day over Keith Jarrett's Standards trio. Also any Bud Powell, the Oscar Peterson or one of Herbie Hancocks trios. In fact, also the trio Keith had with Charlie Haden and Paul Motian on his first record. I never understood all the fuss about the standards trio because groove and time really is a weak point. KJ's groove is not really his strong suit anyway, so he needs a solid rhythm section but I feel like Gary Peacock is mad rushing all the time, especially in his solos, and rarely together with the great Jack DeJohnette. Also, I don't like Gary's tone at all.
Brad Mehldaus trio is also great. I think his rhythm section is playing much better together than Jarrett's.
Now he sings, now he sobs is mindblowing, although I think it has a kind of "sterile" quality to it that I don't like.
I also enjoy Joey Calderazzo's trio playing and the few trio recordings of Kenny Kirkland.
But in the end it all comes down to personal taste, I guess. Every trio and musician I've talked about is outstanding.
I hate when people add the word BEST to ART. Why do you need to compare apple and oranges? Who cares ?
Why not just end on , "Magnificent of course"? Why go into that other bullshit people like you go into?
@@skineyemin4276 bastards can't help it
😃🌱💛🌸
Genio
Jarret
Xioo
uns montros sagrados..... demais.......
the oriental miraj in extenso
I hear someone singing too
Respect total.
Mountassir Hamada!!!
You're welcome.
what a song
ほ
❤
9:05
☺️🌲💚
5:55
oh man..
Welcome my friend. Have a pleasent journey...
Did anyone notice the mistake he makes at the beginning of the first head (0'09'')? Before taking up the second one, he pauses 4 bars, breathes and goes back to it.
Jazz anarak!!!
@@monsterjazzlicks I want my money back Keith!
Theres no mistakes..just Life
A treat for the feet and ear and heart to hear serious grooves, smooth moves, takes you there.