Everyone focuses on the second (coloratura) part of the aria. O.k., that is the flash. But truly LISTEN to the slower "intro"; THERE is the essence of the tragedy of Mozart. Achingly and heart-breakingly sad and beautiful: the power of music.
Phenomenal singing. Phenomenal artistry. She deserves all the praise she is currently receiving. To all the people who say they prefer a ‘more dramatic voice type’ for this role: this is redundant criticism. Try to assess performances based on artistry not on voice types or fach systems. I probably shouldn’t say this, but I’m guessing this sort of ‘voice type’ based criticism comes from a particular landmass/demographic...
Smaller, lighter voices often sang the Queen. For instance, RIta Streich and Erika Köth. Here's Rita Streich, one of the smallest, sweetest, Queens on record: th-cam.com/video/1nZFolQjf6Y/w-d-xo.html
@@MrAristaeus Here is one of my favorite queens, but I may have a bias, because I've sung in operas (well, one opera, one concert performance, and one New Year's Eve gala; not the Magic Flute, alas) with her. th-cam.com/video/Iw6XKHvF-YQ/w-d-xo.html And this is a curiosity, but IMHO quite an impressive one. th-cam.com/video/lLmcHO3fn6Y/w-d-xo.html
@@ColonelFredPuntridge How exciting!! Sabine Devieilhe is my favorite soprano. Although I enjoy her performances when she looks like herself more than any others (as she is beautiful). It must have been quite an experience to have worked with her.
Velvet and satin in the first part, and shine in the final. It's beautiful. Good command of vocalise 59 rating in 6 seconds from 4'10 minutes. The melodic magic phrases "fa ré la# fa ré ré#" et "la do la fa la la #" is perfectly transcribed, like a spark. Sabine DEVIEIHLE in the future will be the world renowned soprano. Nicolas BROCHET French classical composer. YOU TUBE CHANNEL
Tha onion on the head kind of kills it for me. But if I close my eyes I fly away. She's very good. Those last 2 minutes are truly magical. She is makes a very sweet QOTN.
Who really care what she wears on her head!!!!!!!!!! Her performance is stunning. Such stupid comments below. If you dumb commentators were musicians you would see the sheer beauty of this!
Only in Roberta Peters' version do we see the queen paused (for conscious about her own lying) when uttering Bösewicht twice. This version is also nice, being poetic.
+Daniel Ramírez de Gastón I've hear old records (even mono ones) and the pace is generally much slower. I wonder why since Berstein things sped up? Can you recommend a slower version of the Magic Flute? Thanks in advance.
David Marquez I really like Simone Kermes's timing of this piece (from her version on the "Bel Canto" CD), plus she has a gorgeous voice. You can find it on Spotify, :)
Excelente. Le falta un punto de precisión en las agilidades como el que tenía Dessay, que era perfecta en eso, pero sus agudos son muy fáciles. Ah, y dejemos de pedir sopranos dramáticas de agilidad que alcancen las notas que se le piden a la Reina de la Noche. No las hay. Casos como el de Moser o Deutekom se dan de tarde en tarde.
As with other commenters, I prefer a dramatic coloratura in this role. However, she is technically wonderful with a voice of great quality and even all the way up to the top notes. I would love to hear her as Gilda, Lakme, possibly Manon [the Frensh one] which would better fit her lyric coloratura.
Wonderful singing! But what's with the onion crown? Diana Damrau dresses like a broccoli and now we have an onion head. I guess these producers are trying to remind us to eat veggies!
@@blissinchains No. Just on opera ones that Diana Damrau has done since she is always best!!! No one compares!. Take your bullying attitude and your potty mouth elsewhere👍😇💨 P. S. If you research you’ll find hundreds of thousands of videos that I haven’t said “this s...t” on. Go on. That should take you a life time! (you spelled COMPARES wrong in your first sentence)🤣😂😅
En el libreto original de esta opera, la descripción es que se parten las montañas, todo el escenario se transforma, y así aparece la reina. Si no te gusta puedes oírla sin mirar el video, o puedes ir y ver otra opera.
Alors tant mieux mais elle doit s'y atteler et vite! Ni les aigus ni les graves sont les fondements d'une voix. Avec un medium solide, même pour une Mado Robin, on peut aller loin (mais elle n'avait aucun grave et ne savait pas triller!) Un comble! Bon, bref. Merci.
![จังหวะนี้ - เม้ก อภิสิทธิ์ [ Official MV ] จอนนี่มิวสิค](http://i.ytimg.com/vi/4gQRZCkRyiU/mqdefault.jpg)
What a gorgeous set! And of course divine singing as usual.
She does a superb Job, Brava Sabine. We admire and love ya
Oh ! Gut ! Sehr gut!, Danke !
i always find it unearthly when someone actually sings the f, like with vibrato, not just the note. My admiration!!!
Everyone focuses on the second (coloratura) part of the aria. O.k., that is the flash. But truly LISTEN to the slower "intro"; THERE is the essence of the tragedy of Mozart. Achingly and heart-breakingly sad and beautiful: the power of music.
Phenomenal singing. Phenomenal artistry. She deserves all the praise she is currently receiving. To all the people who say they prefer a ‘more dramatic voice type’ for this role: this is redundant criticism. Try to assess performances based on artistry not on voice types or fach systems. I probably shouldn’t say this, but I’m guessing this sort of ‘voice type’ based criticism comes from a particular landmass/demographic...
Smaller, lighter voices often sang the Queen. For instance, RIta Streich and Erika Köth.
Here's Rita Streich, one of the smallest, sweetest, Queens on record:
th-cam.com/video/1nZFolQjf6Y/w-d-xo.html
@@ColonelFredPuntridge wonderful recommendation, thank you!
@@MrAristaeus Here is one of my favorite queens, but I may have a bias, because I've sung in operas (well, one opera, one concert performance, and one New Year's Eve gala; not the Magic Flute, alas) with her.
th-cam.com/video/Iw6XKHvF-YQ/w-d-xo.html
And this is a curiosity, but IMHO quite an impressive one.
th-cam.com/video/lLmcHO3fn6Y/w-d-xo.html
@@ColonelFredPuntridge How exciting!! Sabine Devieilhe is my favorite soprano. Although I enjoy her performances when she looks like herself more than any others (as she is beautiful). It must have been quite an experience to have worked with her.
Of course!! Those creepy fruitcakes can change love into hate or wine into vinegar in a snap.
Oh Wolfgang, you have pierced my heart. 😢😢😢
She's brilliant but the visuals are great too!
Excellent performance!
the onion queen sings so beautiful
Ok, she killed that.
love that stage! and for me.. i like fast queen, fast coloratura.. so for me its just real queen is in the house!!;)
Mozart..! Everything makes sense 🍷
Velvet and satin in the first part, and shine in the final. It's beautiful. Good command of vocalise 59 rating in 6 seconds from 4'10 minutes. The melodic magic phrases "fa ré la# fa ré ré#" et "la do la fa la la #" is perfectly transcribed, like a spark. Sabine DEVIEIHLE in the future will be the world renowned soprano. Nicolas BROCHET French classical composer. YOU TUBE CHANNEL
Sublime!
Tha onion on the head kind of kills it for me. But if I close my eyes I fly away. She's very good. Those last 2 minutes are truly magical. She is makes a very sweet QOTN.
To cover up such a lovely woman should be a crime especially in this dreadful style.
Who really care what she wears on her head!!!!!!!!!! Her performance is stunning. Such stupid comments below. If you dumb commentators were musicians you would see the sheer beauty of this!
I love her
Wonderful graphics. The relationship between the characters is spectacular. Great presentation. The performance is spectacular. Singers are amazing
perfect!!!
woooowwww....
Bravaaaa 👏👏💕🔥
Az "érzelmes bosszúálló" figuráját jól megalkotta Mozart...ha Bíróság lennék, az ilyen bosszúállót felmenteném...Csodálatosan énekel!
Very correct superb coloratura that F!!!
La meilleure!
Only in Roberta Peters' version do we see the queen paused (for conscious about her own lying) when uttering Bösewicht twice. This version is also nice, being poetic.
Wow....nice...
She could’ve been an alternative version of the White Witch from Narnia
My favourite part 3:37
Made me search frantically for the Konigin der Nacht Benchmark performance - Natalie Dessay)))
wowwwwwwwww
wow
Wow
Is there a professional recording of this on DVD/CD?
The recording from which this extract is taken has been made for the French television and no CD or DVD has been made out of it.
Queen of the Onion
Hmm, seems a bit on the fast side for me. Excellent coloratura though, one of my favourites in that regard
한편의 초현실주의 예술작품 같네요 ㅋㅋ 백남준씨 작품에 틀어놔도 잘 어울릴듯~
Si Sabine es la Reina de la Noche yo me declaro seguidor de la Oscuridad!
4:09
3:36
Thank you kind stranger!
Beautiful voice and great technique. However, she is a lyric coloratura and I just prefer a dramatic coloratura in this role.
I prefer lyric coloratura. It is something else. And softer.
If I sing twinkle twinkle fairly well, I feel like I am genius. She is lekker.
Tout à fait d'accords avec vous. Si la grande Callas avait chanté ce rôle...
C'est un rôle pour colorature et non soprano lyrique dramatique !
Robert Lee, Countertenor 9
Is....is that Hodor?
Woah! Brava! Very good voice control! And nice staging. The music is way too fast tho...
+Daniel Ramírez de Gastón I've hear old records (even mono ones) and the pace is generally much slower. I wonder why since Berstein things sped up? Can you recommend a slower version of the Magic Flute? Thanks in advance.
David Marquez I really like Simone Kermes's timing of this piece (from her version on the "Bel Canto" CD), plus she has a gorgeous voice. You can find it on Spotify, :)
fast is better
David Marquez Because Bernstein was American and Americans always want things fast. They cannot stop and smell the flowers along the way.
Tilda Swinton as the white witch vibes, anyone?
elphaba aint got nothin on her
The ridiculous things they keep inventing for the queen to wear on her head!!!
That's an antenna for better signal reception at night
Vous chipotez pour des broutilles alors que l’ensemble est magnifique
I'm still team Brocoli.
I am always loooking for the gayest Queen of the Night EVEEEERRR!!! RuPaul, You better work....... jajajajajaj
She said twice, wrongly, "ein bose wicht . It is ein böse wicht. How come this happened?
Because those dot things fell off the page and landed back in the dark ages.
Excelente. Le falta un punto de precisión en las agilidades como el que tenía Dessay, que era perfecta en eso, pero sus agudos son muy fáciles. Ah, y dejemos de pedir sopranos dramáticas de agilidad que alcancen las notas que se le piden a la Reina de la Noche. No las hay. Casos como el de Moser o Deutekom se dan de tarde en tarde.
As with other commenters, I prefer a dramatic coloratura in this role. However, she is technically wonderful with a voice of great quality and even all the way up to the top notes. I would love to hear her as Gilda, Lakme, possibly Manon [the Frensh one] which would better fit her lyric coloratura.
Recordings of her Lakmé are available on this very channel ;)
Her Lakmé with Marianne Crebassa is phenomenal
Wonderful singing! But what's with the onion crown? Diana Damrau dresses like a broccoli and now we have an onion head. I guess these producers are trying to remind us to eat veggies!
dat F do...
Tremendous knockers.
this guy gets it
rohan212121 funnily enough, that’s probably the first thing Mozart would have said too.
(Although not having heard her sing, I hasten to add... one month later).
Diana Damrau is always best!!! No one compares!
No one cares. Do you say this shit on every video? Go away.
@@blissinchains No. Just on opera ones that Diana Damrau has done since she is always best!!! No one compares!. Take your bullying attitude and your potty mouth elsewhere👍😇💨
P. S. If you research you’ll find hundreds of thousands of videos that I haven’t said
“this s...t” on. Go on. That should take you a life time! (you spelled COMPARES wrong in your first sentence)🤣😂😅
@@GlowingMpd Keep an open mind, you might find more pleasure.
@@katherinewilson1853 I do. I find pleasure in all coloraturas. Mind wide open! Just stating facts. Diana Damrau is best Queen of the Night👍🤷♀️
GREAT singing. Simply dreadful costume!! Plastic garbage bag?! No thanks!!!
LMAO!!!!!!!!!!!!!!!
She almost sounds loud here. Live it is a rather small sound.
Demasiados efectos especiales innecesarios.
En el libreto original de esta opera, la descripción es que se parten las montañas, todo el escenario se transforma, y así aparece la reina. Si no te gusta puedes oírla sin mirar el video, o puedes ir y ver otra opera.
Une voix à la Dessay, qui manque de medium et de graves. Elle ne durera peut-être pas longtemps.
+operabilia Il y a - au contraire - de grandes chances pour que sa voix évolue en bien et prennent de jolis graves et des aigües encore plus beaux !
Alors tant mieux mais elle doit s'y atteler et vite! Ni les aigus ni les graves sont les fondements d'une voix. Avec un medium solide, même pour une Mado Robin, on peut aller loin (mais elle n'avait aucun grave et ne savait pas triller!) Un comble! Bon, bref. Merci.
+operabilia On sent comme une attaque personnelle ...
Euh? Pas vraiment non! Mais l'humble avis d'un connaisseur qui aime partager ce qu'il ressent de manière sérieuse et constructive.
+operabilia Je cherche le sérieux et le constructif dans "Elle ne durera peut-être pas longtemps." ...