These interviews with people in the business are so valuable. It helps so much how the business works. Thank you for all the work you do. There are many channels with “best tips” for musicians but few actually show you the inside side of the industry.
Thank you for inviting Amphibious Zoo Music, it was great to hear his insights on sync licensing and the industry as a whole. Now that it is after Covid-19, things have changed. Now, also with the union strikes that are happening, it does make a difference to the companies who depend on the film/tv production to provide a service. 🙂
Some useful information was provided in this interview here. More confirmation that there is plenty of opportunity for talented, independent composers to make a living writing music.
Could a possible reason that composers move on, is that the library could not place any songs for a year or two? Did you guys discuss that possibility? It must be the composers just flaking out if they stop submitting music.
Hey Jesse Why would a music library like this one has a studio? Is it because the quality of the demos that they are getting are not up to standard and they have an in-house engineer to remix them to a better quality or is it because they need to create new music for briefs, or both? Thanks so much!
Thank you so much for this presentation. It is very informative. One question. He mentions buying albums/tracks. Is Michael referring consideration fee with sync fee and royalties or just out right buying the music with no further profitability for the writer/composer/producer?
Thank you for the amazing content❤️ Do you think it would be worth mentioning in your email pitch that you’ve worked with other libraries also? To maybe show reliability:)
What audio file formats are preferred for submitting? 16 bit, 24 bit, 44.1khz, 48 kHz, 96khz? Mono, Stereo, 5.1, 7.1, 7.2 Surround? In other words, in your experience, what is necessary and what is preferred? Thanks!
Stucky Kojo here, Sound Designer and Audio Engineer from Ghana. I would like to know if there are great sync opportunities for music from this side of the world, Africa. There are so many great original sync-type music from this side, what's the best way to get them through to top opportunities?
Yes I have members from all over the world that participate in the US Sync Market. My free course will help get you started: www.syncmymusic.com/freecourse
These interviews with people in the business are so valuable. It helps so much how the business works. Thank you for all the work you do. There are many channels with “best tips” for musicians but few actually show you the inside side of the industry.
These interviews are gold. Thank you!
Thank you for inviting Amphibious Zoo Music, it was great to hear his insights on sync licensing and the industry as a whole. Now that it is after Covid-19, things have changed. Now, also with the union strikes that are happening, it does make a difference to the companies who depend on the film/tv production to provide a service. 🙂
Thank You for the informative interview. I will mos def hit up Micheal for some Amapiano submissions.
Some useful information was provided in this interview here. More confirmation that there is plenty of opportunity for talented, independent composers to make a living writing music.
Thanks Jesse and Michael for these valuable insights.
Take care and stay safe.
Video has an amazing value! Thank you!! You think we could get more of those? This one is 3y old, lot of it changed since..
Had the pleasure of meeting Michael in person last year. Good guy, and good company!
Such a great informative video!
Thank you for producing this video on sync licensing!
I enjoyed the podcast! Very enlightening. I really appreciate your gift to share these diamond nuggets, Jessie!
Keep up the great great work!!!!!!!!!!!
Thanks as always. Great content!
Thanks for these videos!
Thanks for sharing your insights Michael! Great content and questions as always Jesse!
Great video Jesse and Michael! Thanks for always bringing valuable content to your supporters, Jesse!
Interviews like this keep me focused and inspired. Thanks Jesse.
You just keep bringing it, Jesse, and that's why I just keep coming back for more. 😎👍
Very informative! Took notes. Thanks!
Thank you so much for this, Jesse!
Awesome, appreciate this video
Thanks Jesse, great information!
Excellent video. I plan to contact Michael in the future. I also checked out their website. They have a very cool vibe.
Thanks, Jesse. Stay safe.
New to this I’m excited to get started with sync licensing
Great info coming from the library owner perspective.
Bro thanks you for these great content
Thanks for the useful information, I just found your channel and will be watching more.
Welcome!
Could a possible reason that composers move on, is that the library could not place any songs for a year or two? Did you guys discuss that possibility? It must be the composers just flaking out if they stop submitting music.
You're the man, Jesse. Thanks for the remarkably useful info, as usual
Hey Jesse
Why would a music library like this one has a studio? Is it because the quality of the demos that they are getting are not up to standard and they have an in-house engineer to remix them to a better quality or is it because they need to create new music for briefs, or both?
Thanks so much!
Thank you so much for this presentation. It is very informative. One question. He mentions buying albums/tracks. Is Michael referring consideration fee with sync fee and royalties or just out right buying the music with no further profitability for the writer/composer/producer?
He's referring to a consideration fee. You would still be earning income from the music they accept from you.
Thank you for the amazing content❤️ Do you think it would be worth mentioning in your email pitch that you’ve worked with other libraries also? To maybe show reliability:)
I loved your "More" song. Nice video for it too.
Certainly!
Intro music is awesome... 👏👏
What audio file formats are preferred for submitting? 16 bit, 24 bit, 44.1khz, 48 kHz, 96khz? Mono, Stereo, 5.1, 7.1, 7.2 Surround? In other words, in your experience, what is necessary and what is preferred? Thanks!
Every Library will have their own standards so you should ask. I've found that 24bit 48K WAVs are the norm for the Libraries I've worked with.
Stucky Kojo here, Sound Designer and Audio Engineer from Ghana. I would like to know if there are great sync opportunities for music from this side of the world, Africa. There are so many great original sync-type music from this side, what's the best way to get them through to top opportunities?
Yes I have members from all over the world that participate in the US Sync Market. My free course will help get you started: www.syncmymusic.com/freecourse
Very very helpful!!! Thanks for this 🫡🎼💯☑️
Great video and very informative. 👍👍👍👍👍