Writing for Libraries: Music Composition Tips from Mark Cross | ASCAP | Music for Film
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- เผยแพร่เมื่อ 2 ก.ค. 2024
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In this free music composition tutorial filmed at the 2016 ASCAP Expo, Berklee Online instructor Mark Cross explains why now, more than ever, it is important to develop a quick and efficient workflow along with a keen sense of communication with the music library.
About Berklee Online:
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About Mark Cross:
Mark Cross is an award-winning producer, composer, mixer, educator, and author with an extensive discography in both film and television that spans over two decades.
As an engineer and mixer, Mark has worked on numerous projects, including the Grammy -winning Shelby Lynne album I Am Shelby Lynne, Randy Newman's Oscar-nominated and Grammy-winning soundtrack for the Disney-Pixar film Cars, the Meet the Parents original film score and soundtracks, and hundreds of episodes of the NBC prime time series ER. Mark’s additional film credits include Alien: Resurrection, Seabiscuit, and Beavis and Butthead Do America.
As a composer, Mark has created over a thousand registered tracks for use in hundreds of films and television shows worldwide. He was the lead composer for the NBC prime time series Last Comic Standing and has contributed additional music for American Idol, Curb Your Enthusiasm, the CBS Evening News, HBO’s Getting On, and Comedy Central’s Key and Peele. Mark has created musical themes for Nickelodeon's Wow Wow Wubbzy, the Seinfeld Season 8 DVD, as well as producing and performing with Grammy winner John Legend on HBO's: Curb Your Enthusiasm.
Mark holds a Master of Fine Arts in Music Education from Boston University as well as a dual Bachelor of Music in Music Production & Engineering and Music Education from Berklee College of Music. He currently teaches Music Technology and Composition for Visual Media at Berklee College of Music, California State University Northridge, and Los Angeles College of Music. Mark authored the book Audio Post Production for Film and Television, published by Hal Leonard and Berklee Press.
| Music Composition Tips | Free Music Production Lesson | Online Music Production Lesson | Composition Tutorial | ASCAP | ASCAP EXPO | I Create Music | Berklee | Berklee Online | Berklee College of Music
Just finished this guys book. Post Audio Production by Mark Cross highly recommended! 💯
Most useful and relatable talk I've heard for music placement. Great stuff.
After listening to this, I filled in a blank in my music production journey; thanks to Mark Cross and Berklee Online!
Thanks so much for sharing this Berklee!!! As a student, it's exactly what I hoped for and you've gone further by making it public! I hope to see more film scoring tips!
Thank you Mark! "Writing for Libraries" 101 but I never get tired of watching it!! You make it more interesting than anyone out there! Thanks again
Mark is a great teacher! This is a really practical talk..
Thanks for your time and energy.
Well done,he's definitely the real deal. I've been doing this for awhile
This is a great video for those looking to get into the world of library music.
Thanks Mark for this most interesting and informative talk. Easy to absorb. Lots of tips I can use.
Lots of good info here. Though, I wouldn't mix exclusively for my phone, but you could definitely A/B it. Since a lot of this music will be underscore and shouldn't distract from dialogue, I like to mix really quietly to make sure there isn't anything that calls too much attention to itself (too much cowbell!). Another thing to do is mix in mono and make sure you can hear everything clearly and then split and pan things into stereo.
Thanks to the music lovers and music makers out there
yeah, music really take our attentions even when we ignore them at some point
they kept rising to Attention!
Thank you again
Love music (clean)
Thank you so much, this was very cool to hear!!
Very useful talk. Thank you!
Unlike a bloviating panel this is actually helpful and won’t take up an hour of your time. Mark is extremely qualified and has a knack for effective teaching. Time to take notes and get writing!
Thank you for the insight conveyed very well.
Very useful video well delivered. Thank You Mark.
Yeah Chicago represent!!!! So insightful I learned a lot!!
Super helpful and easy to listen to. Thanks
Man I wish I went to this school back in the day.
thank you for sharing this great information
Thank you, Mark, this was very informative in many aspects to the industry of music licensing from knowing what they want to how to produce it...Mixing/Mastering with a cellphone (I just realized not everyone is going to listen to my music on my home studio speakers)
This video actually confirmed every single piece of information in my head that I already know about this biz and it made me certain that I am on the right path. I have 5 accepted tracks with a non-excl. library and I hope to see placements in the future. I am afraid that non-exclusivity is going to perish soon as most of them shifted to exclusivity and the problem with exclusive libraries that they are very picky the most with the mixing and mastering and they need insane quality. On the other hand, I enjoyed the video and the double check info in it.
Berklee I appreciate the wonderful content you keep creating. Thank you so much. AAA+++
awesome infomation,thank you.
Excellent video...great insights.
Great stuff.
Thanks allot for sharing your video.
thanks... really great information
Really good talk!
great information.
Very valuable information thanks for posting this video
This is excellent
i work as an extra and sometimes featured actor, i have an agency that sends me work offers for TV, films and commercials.. this sounds very similar the way how casting will pick you up if they like your work, looks etc
Thanks a lots
Thx a lot. Very useful.
Thanks for the video. Boy, have times changed. Music Sups rarely take any unsolicited calls or emails. There are also many times when a show never fills out a Cue Sheet. I hope it's accidental :-).
As more people watch tv on their phones or tablets, I guess it makes sense to have music sounding good on a phone
Mobile is more widely used than any other device so it makes sense to listen on a mobile.
Geez, "Here I am again a year later still kicken...!"
what are some if the good libraries you guys submitting to?
Does anyone know how to route your monitor signal through your phone? Phones don't really have an input. Is there a way to actually mix through your phone or do you just have to export the audio and AB it that way?
You say "meet their needs". Is it safe to say that those needs pretty much stay the same throughout time?
Since watching this I've been trying to find a way to plug my audio interface straight into my phone so I can AB without having to bounce tracks.
Has anyone found anything? I've found some wireless ones but I'll still have to bounce tracks. I just want some sort of basic software that lets me plug from the interface into my phone and have it play real time as if it's another pair of monitors.
Anyone got any ideas?
Do I need to copyright my songs before submitting to music libraries??
Does anyone know what program his friend was using to mix on his phone?
do I get paid when my publisher sales my music in a music blanket??
Just a quick question, submitting to Libraries, is the thing to do is not publish your work as they want to do it themselves? correct?
Hello everyone, what’s the average amount of money you can charge for you song to be used in a film/movie?
Truly need an answer to the above question
I was approached recently about this and I’m trying to acquire more knowledge about it, thank you
Where can i enroll to learn how to make... Music for film and tv... From scratch... I have no idea... Where to start please... Help me... I need to learn from basic to advanced... I am ready to give myself next three to three years... Dedicatedly. 🙏🏻🙏🏻🙏🏻
Can anyone here recommend any videos or libraries to get started in library music? I have a surplus of music I'd really like to start making an income from, instead of solely earning money from the gig economy.
thanks
I spent $100 for a five disc CD set. Good investment. Surprised some of the cues were originally composed for one of the first hit slick "reality" shows. Nowadays I compose music for my own films using MuseScore. All copyrighted, so I can easily compose for my own library for sale. Just keyboard: simple melody and bass or harmonized 2nd melody and harmonized bass. You don't need guys like this to tell you how to compose music. It's all common sense and keeping your ears open. Hint: once you have a nice melody, you can easily do variations on it: march, pizzicato, samba, thriller. No brainers.
This is no longer applicable, the industry is beyond saturated. Six years is a very long time in this business.
25 mins of wasteful information..
TSDREX it's actually some great info... read the other comments. maybe you weren't listening. also, that's not how you use the word 'wasteful'.
got em