We're so blessed to have such amazing guitarist teachers like borbala. I immediately picked up some ideas and used them from this video. Btw, big plug from me for tonebase, believe me, it's changed my guitar playing life. I highly recommend you subscribe to it, if you haven't already.
No, it is not. Musicality, like intellectual giftedness, is not a technique that can be acquired. It's inherent. Most people don't have it. It's the ability to feel how to interpret different works differently, creatively, effectively, without a teacher or anyone having to put that interpretation there artificially, through analysis, dogma, or imitation. It's a feeling for what to do with each work as a musical individual, as opposed to running against its individuality through generic approaches to technique or allegedly universal notions of expression.
Everything you just said is white noise. It has no meaning whatsoever. It is completely impossible to play music without input from an established system. The simple act of playing music on any western instrument, is already a contract with a set of pre-established rules within music theory itself, and all of it built around the 12 tone chromatic scale. "Passion" and "soul" are nothing but technique. If I bend strings and play slow winey solos you'll tell me I have "soul" and if I play a well constructed arpeggio riff in any harmonic minor scale, you'll tell me the music is haunting, sad, or mysterious, but it's nothing outside of pure technique and scale work.
@@BromanLegion Congratulations. You've been spoonfed since kindergarten. Do you deserve a cookie? There's still a meaningful distinction between the gifted 1% who've never had to be spoonfed and the rest who lie somewhere between being totally unmusical, no matter how much they get spoonfed, and the type of guitarists you'll find on this channel, who are merely competent but no geniuses. There's also a meaningful distinction between the musicianship or "musicality" of the latter two categories that can never be reduced to nothing through teachable "techniques," no matter how much propaganda channels like these pump out.
@@BromanLegion "Pre-established rules within music theory itself:" there, just that tells me you understand *nothing* about music or musicality, at the most fundamental level, and will never be capable of producing convincing performances that move a wider audience than the classic guitar 'aficionados' and schoolmarms who 'judge' musicality by the same, theoretical metrics, without any deeper grasp of the philosophical and psychological assumptions on which they are (mistakenly) based.
I think this is classical guitar and though it is tough playing it, it doesn't sound good enough for me. I like pop music fingerstyle. So why not include it in your course 🙄🤔
She's always made such interesting and great musical choices. I'm so glad she's teaching some of what she knows!!!
Дякую, дуже цікаво!
Great guitarist and teaching🙌🙏👏👏
She is amazing! And tonebase is too! Thanks for this!
Amazing👏
Amazing
We're so blessed to have such amazing guitarist teachers like borbala. I immediately picked up some ideas and used them from this video. Btw, big plug from me for tonebase, believe me, it's changed my guitar playing life. I highly recommend you subscribe to it, if you haven't already.
No, it is not. Musicality, like intellectual giftedness, is not a technique that can be acquired. It's inherent. Most people don't have it. It's the ability to feel how to interpret different works differently, creatively, effectively, without a teacher or anyone having to put that interpretation there artificially, through analysis, dogma, or imitation. It's a feeling for what to do with each work as a musical individual, as opposed to running against its individuality through generic approaches to technique or allegedly universal notions of expression.
Everything you just said is white noise. It has no meaning whatsoever. It is completely impossible to play music without input from an established system. The simple act of playing music on any western instrument, is already a contract with a set of pre-established rules within music theory itself, and all of it built around the 12 tone chromatic scale. "Passion" and "soul" are nothing but technique. If I bend strings and play slow winey solos you'll tell me I have "soul" and if I play a well constructed arpeggio riff in any harmonic minor scale, you'll tell me the music is haunting, sad, or mysterious, but it's nothing outside of pure technique and scale work.
@@BromanLegion You don't understand. Fine. Obviously you're not musically or otherwise gifted. It's okay. Only 1% of us can be.
@@Yann-wu3fk Ive been playing musical instruments since before kindergarten lmao. Just accept defeat. You're wrong. Sorry bud.
@@BromanLegion Congratulations. You've been spoonfed since kindergarten. Do you deserve a cookie? There's still a meaningful distinction between the gifted 1% who've never had to be spoonfed and the rest who lie somewhere between being totally unmusical, no matter how much they get spoonfed, and the type of guitarists you'll find on this channel, who are merely competent but no geniuses. There's also a meaningful distinction between the musicianship or "musicality" of the latter two categories that can never be reduced to nothing through teachable "techniques," no matter how much propaganda channels like these pump out.
@@BromanLegion "Pre-established rules within music theory itself:" there, just that tells me you understand *nothing* about music or musicality, at the most fundamental level, and will never be capable of producing convincing performances that move a wider audience than the classic guitar 'aficionados' and schoolmarms who 'judge' musicality by the same, theoretical metrics, without any deeper grasp of the philosophical and psychological assumptions on which they are (mistakenly) based.
I think this is classical guitar and though it is tough playing it, it doesn't sound good enough for me. I like pop music fingerstyle. So why not include it in your course 🙄🤔