Thanks for all your enthusiasm and great comments! YOU ARE MORE THEN 100k! I had never expected such an an incredible amount of reactions on such a rare matter as performing some apoyando on an old guitar… Since I was so overwhelmed I took care to answer on many comments and got in to extended conversations. As I had stated repeatedly, this is all about art. And art is insight - and insight is love for life. I am looking forward to the ongoing exchange of ideas and I am planning some more publications on La Leona and the art of guitar performance. All the best for 2023! 🎉
Even as someone who knows absolutely nothing about playing guitar I found this very interesting. Your passion and love for the subject is clear as day and it is clearly a very special instrument too. Thank you for sharing!
Mein lieben Herr Wulfin danke schön for sharing this amazing piece of musical history with us. You're knowledge is pretty amazing, but I guess it's expected from such a reformed lover of art.
@@CaptainPupu Lieber Captain, you put your compliments in wonderful words - thank’s a lot! Yes, art is more than plucking some nylon or animal strings. We get an inner emotional impact from the beautiful sound of the instrument itself. This inspires us to create a vision on the music with this sound. Then “plucking&grabbing” is guided by our brain and once we hear the result we counter check it with our initial vision how to perform. It’s a circle within microseconds, the faster and precise this works, the better. Well that’s it, couldn’t put it into easier words, sorry. Best regards Wulfin
This is absolutely priceless for so many reasons, for musicians, historians, guitar makers, everyone. Thank you so much. I'm not surprised that the lightly constructed but larger bodied Torres guitar sounds better at a slightly lower pitch.
Hi Jaxon, I am very happy you enjoy this unique ToneBase production at my home. Well it’s about what we can consider as playing Chopin if we were pianists. Tárrega was a trained pianist and he genius is that he succeed in recreating this unique and touching spirit on the guitar. Both in his performance and his composition. I can’t get tired of performing his mazurkas in my entire career. All the best for the New Year (with new La Leona videos…) Wulfin
It's not just the attack on the strings or the hand position but also the fact that Tarrega played latter in his life without nails (the sound changes completely, the piercing attack is gone) and the Torres was gut strung (a completely different touch and sound).
Dear Bruno, I do agree absolutely. Still let me remark, that once we go back to the original form of his artistry we have to awake and kind of rebirth what we have enjoyed and learned with our own words and visions. Otherwise we would only need to listen Tárrega’s own recordings and interpretation (if they ever would exist) and art stands still. This is the challenge of all classical (notated) if we want to keep its masterpieces alive. My very best regards Wulfin
@@theodosios2615 well, it’s all possible, see Brandon Ackers video on that matter. Ok,if you are curious, go for it and don’t hestitate (nails will grow again!). But still, if you are not absolutely sure…WHY? Only nails off is not enough: gut strings, old guitars or replicas and a lot of stylistic and, in consequence, technical readjustments…. Ok I do stop! Good luck Wulfin
@@theodosios2615 Tarrega had 2 years to reajust his technique. Pujol met him after his 1st no nails recital. After Segovia it became rare to find no nails guitarists. For a no nails modern practice check Tommy Emamuel, steel strung guitar well amplified, not classical music.
I love Tarrega and this guitar. A few historical errors were made in this video that warrant correction: -The lute right hand position was thumb out (like guitar) for 200 years (1600-1800) which leads directly into classical guitar. He is referring to renaissance lute pre-1600. Common misconception. -Lutenists often used nails in the Baroque period too. - About historical pitch, read "the story of A" by Haynes. Pitch was relative until very recently and people played higher and much lower than 440 for most of history. - You are using synthetic strings and it would be lovely to hear this instrument played with gut as Tarrega would have heard it. It's a shame modern guitarists never experiment in this way. Edit: I don't mean to attack anyone. I like the video and the artist here. I'm just adding corrections to some common misconceptions.
Nope , the never used nails , BTW, you video talking about how beautiful a guitar can sound without nails almost got me a heart attack, because its simply BS..
How did I know Brandon was the author of this post? Great insight as always! I was actually thinking of you when I got to the part about gut strings then saw your name. Thanks!
Dear Brandon, thanks a lot getting into detail. My motivation to perform La Leona since about 1990 more than frequently was both to unlock the secret and to understand the genius concept of its construction and artistic utopia. So after establishing a repertoire of “early music”, such as Francesco da Milano, Luis Milan, John Dowland I was aiming to find new visions for interpretation Bach on the guitar, finding out that for my standards Torres is nirvana. Well finally I ended up performing almost any kind of repertoire including most of my own compositions. It’s the absolute and uncompromising quality of the musical diction which is unsurpassed. No matter if I use gut or nylon string, with or without nails, or 415 or 428 (as I do). It is more about inspired than about historical correctness. And want I learnt with the 1856 Leona I can take to Santos, Hauser guitar as well. She is my best mentor and musical ear-trainer. My compliments for your channel, Brandon and all the best for 2023! Maybe we meet sometime/somewhere Wulfin
My lord; I am a guitarist from Seattle and I grew up listening to and learning Jimmy Page, Brian May, Jeff Beck, etc... Of course any guitarist is aware of the words "classical guitar." But i have never heard a story of a young man in Spain in the eighteen hundreds making the guitar his passion and livelihood in this way. I'm just floored. And thank you so, so much for posting this. P.s., Jesus, as i
P.s., I apologize for abruptly abandoning my previous message, Wulfin. I believe I was going to elaborate upon the grace and ease with which you share such wonderful swaths of knowledge regarding not only the whole of the guitar but that particular instrument that was crafted in the 1800s and that you've owned and performed with over the course of the last thirty years. Your mini documentary, my friend, has reignited the passion that I first felt as a child in the early seventies here in Seattle when I would sit out on my small family's back porch as my mother sang and played at the Maple Leaf Tavern across the street from our home. Elvis Greatest Fifty Golden Hits vinyl LP was the first time I was truly moved in an emotional way by listening to the playing of a guitar. I'd no idea who Scotty Moore or James Burton was. But I had 24-hour access to my mother's nylon stringed guitar, and I learned to tune the instrument by ear, of course, as there was no tablature in the back pages of Guitar Player Magazine. But I spent many an hour reading interviews with Julian Bream, Tal Farlow, Paco de Lucia, Lenny Breaux, Andres Segovia, etc. I'm sorry for rambling. It's been such a pleasure being sent upon this thrilling hunt for knowledge so new to me. Thank you very much.
Dear Peter, I am the guitarist speaking…😅 thanks for your compliments! I am aware of many grammar mistakes, still can’t reflect on rules whilst talking. Great that anybody seems to have gotten the message…upppps. Wulfin
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This guitar is an amazing piece of history - not just musical history - and it's so good to see you are preserving it for posterity. Thank you very much for your lecture, insight, and demonstrations!
Wow! What a pleasure to hear you describe all these subtleties related to the Classical guitar as well as this genius composer. Thank you for this very informative video.
Spanish guitarists/composers are the best! I absolutely love Spanish guitar! Very interesting video about instrument construction and technique! One can really hear the difference in technique! Excellent documentary. I'm going to have try to find some of this music on lute which I also love and maybe oud.
Thanks a lot Gordon, I have some great guitars such as Santos Hernandez but Torres is the goddess and La Leona the culmination of art. Almost no more guitar…
When I studied guitar at uni I had an opportunity to play a violin (Strad) which was apparently used by Mozart. I was the worlds shittiest violinist, but stoked none the less to touch such a beautiful instrument, gave me shivers. Playing Tarrega on his own his guitar is legend in the same league.
I might not be able to comprehend all the content in the vid, but it certainly tells me the classical guitar platform we had today are built by musicians, guitar makers back to 18th centry. great sharing
As a very young and very amateur violin student years ago I could only dream of playing on a quality instrument. My parents could neither afford private lessons nor a quality instrument. It would have been much the same if I had wanted to study classical guitar. I gave up the violin to study architecture and I deeply regret not taking up the guitar at an early age. I have been enjoying the works of the many Spanish composers and the many professional musicians who perform their works worldwide. I enjoy these performances immensely. As an architect I was intrigued by the architecture and engineering principles of the design of the Tarrega guitar, and that of others, for that matter. Your discussion of the length of strings, the dimensions and volume of the body and the picking styles and how these things effect the sound is very informative. I did not hear anything about the wood or the string materials but that's another variable. I don't know if Tarrega's guitar or any other can be compared to "Paganini's Guarneri Canon" using these same criteria. However, I am certain that the performance room or hall acoustics would have a lot to do with the overall perception of the sound. A poorly designed concert hall would have devastating effects on any performance no matter how gifted the performer or the quality of the instrument. I have noticed that many artists today perform and record in ancient buildings with cavernous spaces and hard surfaces that can reflect or reverberate the sound. A mixing engineer can mitigate the acoustics of performing in these spaces but a live audience experience would be totally different in my opinion. I have always believed that a good architect orchestrates his designs in the same way that a good composer builds a symphony or a concerto. The same is true about a master craftsman constructing a fine instrument or one a fine piece of furniture. It's all about the principles. My apologies for the lengthy comment!!
Dear Godfrey, your comment is fantastic, thanks a lot! Considering the materials La Leona has a European spruce top and fanstrutting, cypress sides and metallic tornavoz. It has a weight of some 1000 grs with modern machines by Rodgers. I would like to send you a PDF - so if you like to contact me via my website, please feel free to to so and I can send you some more informations. Best Wulfin
Dear Brahim thank you for this great and charming compliment! Did you notice that there is a lot more of my playing and talking about music in the net? Best wishes Wulfin
Primer anglosajón que veo en youtube hablar con propiedad y verdadero conocimiento sobre la guitarra y su historia, nombrando por supuesto a Francisco Tárrega. Thank`s very much.
Thank you Herr Lieske for this fantastic video. I came across Tarrega for the first time almost 22 years ago when I first started studying the Classical Guitar and immediately became a huge fan. I appreciate you differentiating the right hand playing styles between him and Sor. I always thought that it was a bit uncomfortable playing the right hand style of Tarrega but when you put it into the context piano playing it made much more sense! Thanks and looking forward to your other videos!
It is the first time that I learned why rest stroke was an important part of our skillset. I always imagined that rest stroke is some kind of bridging technique to let newbies (like me) to learn to pluck the strings Now I understand, and I will incorporate more of them into my daily practices
Thanks a lot Ronald! Yes, it was a great pleasure producing this tutorial and I was overwhelmed by the immense enthusiastic response I have got. Well, I am going on with this matter…have a look around! Best regards Wulfin
Interesting technical analysis of guitar tone & playing technique. 166 year genuine Tárrega guitar still looks spotless, immaculate! A guitar collectors dream...priceless!
@@WulfinLieske No problem Wulfin & to your question @ 08:36, Yes...'pinchy' is a word in English but it is more associated with the 'pain' of being pinched (ouch!) but also used by guitarist in pinching the strings...lol!
I talked to the Argentinian guitarist Rolando Saad after a concert about his guitar, a Fleta. He played with his fingertips, not his nails. It sounded very good. I bought his CD, A Celebration of the Spanish Guitar. The recording has a very warm sound.
HinDanny, great you enjoy it! In fact La Leona never belonged to Tárrega (nor Julian Arcas, whom Francisco Heard- performing on La Leona). Torres kept it throughout his entire life.
Hi to all the aficionados out there, I would like to post some ideas on sound aesthetics of the classical guitar. Reacting on the entire bunch of your great comments, be them enthusiastic or critical, it’s about tuning, strings and nails. If you play on an Torres type instrument, low weight, low resonance and tune it around 430-435hz, perform romantic music with the “spirit of Tárrega (as I exposed in my substantial ToneBase tutorial, you will have a pretty dark and expressive melodious sound. This will be enhanced by the typically low string tension and action with very easy vibrato, slur, glissando. In my experience this goes perfectly on standard top quality nylon strings. I use SAVAREZ cristal, alliance (only for the 3rd) and Corum standard tension. Maybe you are a bit closer to gut with the good old Jimi Hendrix, sorry Segovia Red Augustine. Nylgut is another cup of tea (better no nails). If you have the right attack both apoyando and tirando (like John Williams for ex. ) and the equivalent perfect nail shape YOU ARE ON THE GOOD SIDE! If you are a nerd burning for authenticity or new adventures cut them off, get the expensive gut (great animals, though!) and here we go. That’s the good thing with all the crazy guitar folks around the planet, lonesome nerds at times - BUT HAPPY! And that’s how this great platform ToneBase and others can exist and are such valuable contributions to our “lonely heart-club-band”. Here we go, thanks for your patience and passion! Have a nice day/night Wulfin🎉
@@WulfinLieske I liked what you said about the gold tone and silver tone of the different 'A' pitch 428 and 440 tension difference and effect on the timbre.
Having been taught the Tarrega’s concept, decade after decade, I gradually and intuitively moved to the lute concept, going through all the intermediate concepts you showed. Oh if you have taught me this precious lesson 40 years ago!
@@WulfinLieske Hi Wulfin, I think the lute concept will be my favourite one the next 20 because I love the soft and sensual way of playing the guitar. For this purpose, I also gave my guitar (cedar top and Brazilian rosewood back and sides) to a luthier to have its nitro finish replaced with shellac.
@@alexbychkov4485 Great Alex! (My second forename is Alexi!!!). Quite a treat to get rid of the synthetic varnish... Next step is playing lute! Seriously: I have no problem with playing softly on one of my Santos Hernández. Sul tasto and not too strong + vibrato if desired, here we go. By the way, what is your current repertoire? Best Wulfin
@@WulfinLieske Hi, nice to hear you again! It's a completely sudden but interesting offer to play lute. I'm gonna think on that. Is it a great difference for your feelings when playing the same piece on the guitar and on the lute? What do you thing about playing guitar lute? My repertoire is simple but soulful music such as Tarrega, Bach and my own compositions. I compose love songs for my wife also. She loves them very much.
It's extremely interesting to many who hold stringed instruments for 100's of hours. Besides hearing an historical guitar! . It's a fabulous informative video. " pinchy" yes it works. It's a word!
Thanks a lot Anthony! There will be a new series THE LEONA DIARIES on my TH-cam in September. Leona is not only good for Tárrega - you will see… best Wulfin
Reminds me of the "Beatles" song "Blackbird". What a wonderful presentation. I'm jus a poor man but somehow this little piece of knowledge makes me feel "sophisticated" Thank you Wulfin !
I thought I recognised the face. Wolfin Lieske, older, more mature after all these years. Live recording was my passion at the time, and I recorded him at the VII Bolívar Hall International Guitar Festival, Venezuelan Embassy, London, 2003.3.26. I still have the recording after all these years on CD Rom, unfortunately, the encore piece he played is now unreadable, it was "Manha de Carnival". Great playing! I remember there was a great debate on "Classical Guitar" magazine in the mid 70s, on who owned the "real" La Leona guitar. Interesting.
Hi Dan, great to meet again! Unbelievable you were in the Bolivar Hall. What are you doing today? Besides guitar I am very much into opera composing...best Wulfin
@@WulfinLieske Hi Wulfin, how nice you still remember me. I retired as an aeronautic engineer 15 years ago, wrote my autobiography (in Chinese), got it published in Beijing in 2016. These days, I am writing a second autobiography. I have a small apartment at the centre of Sevilla for almost 20 years. Now in Sevilla with my wife, back London in early February. I watched a number of your videos on TH-cam a few days ago and I can see that you are keeping yourself busy not just as a performer, and indeed as a composer. In fact, I listened to your Bolivar Hall concert from start to finish a few days ago. You take care!! Wishing you a long and fruitful career.
@@daning9456 dear Dan, thanks a lot! Great you got back to my recital at Bolivar Hall in London some 20 yrs ago! By the way: where did you find the recording, I never heard it. Best regards Wulfin
@@WulfinLieske Hi Wolfin, each time I did a recording at the Bolivar Hall (or Instituto Cervantes), I made something like a dozen copies on CDRom to the then Cultural Attache, Gloria Carnevali (she now resides in Cambridge). It was my impression that she would distribute these copies, including to the performer. A few months ago, I started archiving these CDRom and transferring them into my computer hard disc. Then, I realise that some CDRom are no longer playable. In your case, only the encore piece is corrupted. If you like, I'll try to make a copy of the concert for you when I'm back London. Best, Dan.
Yes!! I play Western and telecaster most the time. When i check any guitar never look at the price or name. Just play any favorite chords of mine. That's it for me. The first moment gotta chill me.
La Leona is my favorite guitar by my favorite historical maker (I even have torres’ headstock tattooed on my forearm). Curious why the title indicates it was owned by Tarrega when it was Torres’ personal guitar and one of a dozen or so in his possession upon his death in 1892
Dear Brian, in fact the chapter title should be corrected - Tárrega played but never owned it, the same as for Julian Arcas. But La Leona was THE guitar Torres never sold and kept as his first genius reference during his lifetime. Best Wulfin
@@WulfinLieske Thanks for your reply maestro! If I recall correctly Arcas attempted to purchase La Leona many times but Torres would only loan it to him for performances rather than parting with it. I hope one day to see you perform on this guitar in person
Dear Viangalli, yes that’s true, still there is no such ONE truth in art. Otherwise we would only list men to Rachmaninov playing Rachmaninov. Transformation ist the goal. So even with nylon you can bring your guitar message out. This is in no way ignorant if we know the authentic thing but we transform it to what we feel appropriate today. Bed Wulfin
There is fascinating information here. Thank you very much for putting this up. I know it is a long debated subject but can one come close to Tarrega’s sound using the attack you describe but with nails. This has probably been asked many times but I am only a few years into learning the guitar and have only recently been introduced to Tarrega Preludes by my teacher :)
So long ago now... Daphne Dobson taught me some of this stuff in New Zealand. Where she got it...? I know she was a student of Segovia, but where else, of whomever else.. I never found out.
Consider also aging of the wood, finish, and glue. Others have noted the gut/nylon string factors. It's also interesting to ponder how people of that time would have heard this instrument, not being conditioned as we are now to so much noise from machines or expectations due to the necessary limits of electrical transmission and reproduction. The consider the sort of situations where one might play for others. Indeed, it's not the same home.
Dear Rabakarabe, thanks a lot for your very sensible and attentive comment. No matter how the mainstream is pushing we are free to choose our own way. Best regards Wulfin
Does the fretboard have a slightly scalloped carve, or is it just an illusion created by the light? It is a simple and functional design, no-frills approach to creating sound. Beautiful.
The idea of just changing the resting knee to change the attack...Wow. I had to get my guitar and try....not even going to try to hide how blown my mind is.
Hi XZ, yes it’s awesome how little things are connected. We tend to explore micro details of movements without regarding the origin. But this can be changed and happens in the brain first. So my congrats you got it! Best Wulfin
Its absolutely fascinating that you tune to A428.. I always feel each guitar has its own tuning it wants to settle with.. forcing A440 to everything is not natural
Absolutely Joe, I had started with 415 for quite a while, then after experimenting I settled down at 428. There is no explicit historical reason besides the fact that there was no standardized tuning tone. The French tuning was around 435 in Leona times, so lower than today anyway. Best regards Wulfin
This is so cool I’m always curious about what happens to famous composers’ instruments after they pass. I guess most of them just stay in the family locked up in storage
Hi Timothy I use SAVAREZ cristal, alliance the 3rd, Corum on the basses all medium tension. Asses are relatively thin and flexible but durable. The better the guitar the better they shine… best Wulfin 🎉
@@WulfinLieske [[ I am an amateur, taking lessons + playing since 1978. I am interested in strings, since they give the guitars a slightly different tones quickly, with less money involved and easy to obtain. . . examples: titanium vs carbon vs polished vs hybrid gut-nylon vs rectified . . . etc.. ]] By the way, your Bach rendition on Siccas Guitars is sublime.
Thanks for all your enthusiasm and great comments! YOU ARE MORE THEN 100k! I had never expected such an an incredible amount of reactions on such a rare matter as performing some apoyando on an old guitar… Since I was so overwhelmed I took care to answer on many comments and got in to extended conversations. As I had stated repeatedly, this is all about art. And art is insight - and insight is love for life. I am looking forward to the ongoing exchange of ideas and I am planning some more publications on La Leona and the art of guitar performance. All the best for 2023! 🎉
Even as someone who knows absolutely nothing about playing guitar I found this very interesting. Your passion and love for the subject is clear as day and it is clearly a very special instrument too. Thank you for sharing!
Mein lieben Herr Wulfin danke schön for sharing this amazing piece of musical history with us. You're knowledge is pretty amazing, but I guess it's expected from such a reformed lover of art.
@@Targula great words! Thank you very much!
@@CaptainPupu Lieber Captain, you put your compliments in wonderful words - thank’s a lot! Yes, art is more than plucking some nylon or animal strings. We get an inner emotional impact from the beautiful sound of the instrument itself. This inspires us to create a vision on the music with this sound. Then “plucking&grabbing” is guided by our brain and once we hear the result we counter check it with our initial vision how to perform. It’s a circle within microseconds, the faster and precise this works, the better. Well that’s it, couldn’t put it into easier words, sorry. Best regards Wulfin
This is absolutely priceless for so many reasons, for musicians, historians, guitar makers, everyone. Thank you so much. I'm not surprised that the lightly constructed but larger bodied Torres guitar sounds better at a slightly lower pitch.
I wish my old classical guitar teacher was still alive to see this.
I am sorry, I could not publish earlier…best Wulfin
@@WulfinLieske that’s very kind. Thank you.
Man if this video was 10 times as long I still would have been totally captivated the entire time. Amazing stuff.
Hi Jaxon, I am very happy you enjoy this unique ToneBase production at my home. Well it’s about what we can consider as playing Chopin if we were pianists. Tárrega was a trained pianist and he genius is that he succeed in recreating this unique and touching spirit on the guitar. Both in his performance and his composition. I can’t get tired of performing his mazurkas in my entire career. All the best for the New Year (with new La Leona videos…) Wulfin
Herr Lieske, what a fantastic video, very inspirational. Thank you for sharing these videos so valuable. Viele Grüße.
@@mikashb hi Mike, thanks a lot! are you playing actively? Best regards Wulfin
Absolutely fascinating.
It's not just the attack on the strings or the hand position but also the fact that Tarrega played latter in his life without nails (the sound changes completely, the piercing attack is gone) and the Torres was gut strung (a completely different touch and sound).
Dear Bruno, I do agree absolutely. Still let me remark, that once we go back to the original form of his artistry we have to awake and kind of rebirth what we have enjoyed and learned with our own words and visions. Otherwise we would only need to listen Tárrega’s own recordings and interpretation (if they ever would exist) and art stands still. This is the challenge of all classical (notated) if we want to keep its masterpieces alive. My very best regards Wulfin
Oh I didn't know that! Going from nails to fingertip style takes a lot of re-learning technique.
@@theodosios2615 well, it’s all possible, see Brandon Ackers video on that matter. Ok,if you are curious, go for it and don’t hestitate (nails will grow again!). But still, if you are not absolutely sure…WHY? Only nails off is not enough: gut strings, old guitars or replicas and a lot of stylistic and, in consequence, technical readjustments…. Ok I do stop! Good luck Wulfin
@@theodosios2615 Tarrega had 2 years to reajust his technique. Pujol met him after his 1st no nails recital. After Segovia it became rare to find no nails guitarists. For a no nails modern practice check Tommy Emamuel, steel strung guitar well amplified, not classical music.
@@SquirrelASMR Hi Squirrel, that’s the major experience: listening…
I love Tarrega and this guitar.
A few historical errors were made in this video that warrant correction:
-The lute right hand position was thumb out (like guitar) for 200 years (1600-1800) which leads directly into classical guitar. He is referring to renaissance lute pre-1600. Common misconception.
-Lutenists often used nails in the Baroque period too.
- About historical pitch, read "the story of A" by Haynes. Pitch was relative until very recently and people played higher and much lower than 440 for most of history.
- You are using synthetic strings and it would be lovely to hear this instrument played with gut as Tarrega would have heard it. It's a shame modern guitarists never experiment in this way.
Edit: I don't mean to attack anyone. I like the video and the artist here. I'm just adding corrections to some common misconceptions.
Nope , the never used nails , BTW, you video talking about how beautiful a guitar can sound without nails almost got me a heart attack, because its simply BS..
@@AladdinHaddad you need a stronger heart then
How did I know Brandon was the author of this post? Great insight as always! I was actually thinking of you when I got to the part about gut strings then saw your name. Thanks!
@@AladdinHaddad Listen to Brandon's videos comparing nails and gut strings. May change your position.
Dear Brandon, thanks a lot getting into detail. My motivation to perform La Leona since about 1990 more than frequently was both to unlock the secret and to understand the genius concept of its construction and artistic utopia. So after establishing a repertoire of “early music”, such as Francesco da Milano, Luis Milan, John Dowland I was aiming to find new visions for interpretation Bach on the guitar, finding out that for my standards Torres is nirvana. Well finally I ended up performing almost any kind of repertoire including most of my own compositions. It’s the absolute and uncompromising quality of the musical diction which is unsurpassed. No matter if I use gut or nylon string, with or without nails, or 415 or 428 (as I do). It is more about inspired than about historical correctness. And want I learnt with the 1856 Leona I can take to Santos, Hauser guitar as well. She is my best mentor and musical ear-trainer. My compliments for your channel, Brandon and all the best for 2023! Maybe we meet sometime/somewhere Wulfin
Best lecture I've ever heard. No ego No vanity just a deep knowledge and love of his subject
Wow Gordon, that a really essential mantra! Thanks Wulfin
My lord; I am a guitarist from Seattle and I grew up listening to and learning Jimmy Page, Brian May, Jeff Beck, etc... Of course any guitarist is aware of the words "classical guitar." But i have never heard a story of a young man in Spain in the eighteen hundreds making the guitar his passion and livelihood in this way. I'm just floored. And thank you so, so much for posting this. P.s., Jesus, as i
Thanks for your great response! Best Wulfin
P.s., I apologize for abruptly abandoning my previous message, Wulfin. I believe I was going to elaborate upon the grace and ease with which you share such wonderful swaths of knowledge regarding not only the whole of the guitar but that particular instrument that was crafted in the 1800s and that you've owned and performed with over the course of the last thirty years. Your mini documentary, my friend, has reignited the passion that I first felt as a child in the early seventies here in Seattle when I would sit out on my small family's back porch as my mother sang and played at the Maple Leaf Tavern across the street from our home. Elvis Greatest Fifty Golden Hits vinyl LP was the first time I was truly moved in an emotional way by listening to the playing of a guitar. I'd no idea who Scotty Moore or James Burton was. But I had 24-hour access to my mother's nylon stringed guitar, and I learned to tune the instrument by ear, of course, as there was no tablature in the back pages of Guitar Player Magazine. But I spent many an hour reading interviews with Julian Bream, Tal Farlow, Paco de Lucia, Lenny Breaux, Andres Segovia, etc. I'm sorry for rambling. It's been such a pleasure being sent upon this thrilling hunt for knowledge so new to me. Thank you very much.
Thank you, it's rare to hear anyone to speak so openly and clearly about the origin of modern classical guitar sound, tone and technique!
Thanks a lot Diogo, I enjoyed the production and I am glad if people do benefit! Best for 2023
This is a really captivating video. I am also amazed how eloquently the guitarist speaks in English, better than a lot of native speakers.
Dear Peter, I am the guitarist speaking…😅 thanks for your compliments! I am aware of many grammar mistakes, still can’t reflect on rules whilst talking. Great that anybody seems to have gotten the message…upppps. Wulfin
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du moment que nous ne pouvons donc vous avez mis le nom sur les photos du in a invité pour la semaine du nouvel ans home cinéma mais ça ne marche toujours dispo pour en profiter de u de temps à autre yo il faut ok je suis dispo le weekend dernier mail je te remercie de m'avoir prévenue et j'ai pas encore ça en fait c'est le ii York a invité pour la qualif yo les outils sont où le temps ne nous permet une fois de suite pour la tester le jeu de mots et des trucs pour les enfants et le ou uuûiiùu u un uuu uuu uui uuûiiùu u uuui iuu uiuiuiiu a pas on est en cours pour les photos des outils toi tu vas voir la vidéo pour vous une date Maé on peut faire une sauvegarde des écrans qui uuui oui c'est pas possible de passer à autre histoire à chaque année je pense à la fois un jour ou vous pouvez proposer une offre pour un poste le courrier ici en fonction du liquide est ce une petite vidéo pour les ok merci pour les enfants sont inscrits sur les écrans de Noël on peut se faire plaisir de te faire des gros gros câlins pour la semaine dernière de notre part à toi de faire le virement sont les meilleurs pour les photos de ton père Noël où il est impossible d'avoir une petite question à la fin d'études et une on ira ou on yoyo pour la qualif et les deux la farine comme je suis à Bob et je te souhaite de très bonne fête des écrans qui sont où les gens sont inscrits pour les ok je te dis quand on se verra ce weekend si oui à la salle à ou la î oui u uuûiiùu uuuuu uu un œil aux autres et que vous offrez il faut ouvrir les photos de votre retour cordialement Mme je viens d'arriver en retard mais nous iooy je vais ouvrir les photos de ton retour et je suis ook i tous le ou uuûiiùu uiuuuuuuuuuu et je vous embrasse bien bien et il a pas eu la confirmation immédiate et toi comment tu es au travail je ou de oo York a la salle à la mairie et je te dis ça quand on ira à Paris on va organiser le voyage à toi pour te faire des trucs et tu as bien raison pour les enfants et la formatrice et les enfants de la semaine du o du message que tu es dispo le vendredi et je suis en vacances de Pâques pour le rendez à il a oo ou iiuii et je vous souhaite également tous les éléments que tu es dispo le samedi matin ou après le rdv à ok et pour les photos et le uùu à toi pour la tester et la jardinière pour les ok merci ok je vais travailler la î on peut être que ça sera pour le on a en vain des crèches il est à côté des outils en cours en anglais mais ça ne va organiser ok merci beaucoup d'accès il est possible pour toi si ça va pas mieux et le oo ou la personne je viendrai à Paris pour la semaine dernière pour un flirt puis le reste uuu uuûiiùu u un uuuuuuuuuiuuuuuuiuuuuuui u uuûiiùu uyuu je ne suis iiuui uiuuiuiuuuuîyiuiiu et le reste des photos et je te dis ça je ne un plus gros gros gros gros câlins pour la qualif on peut faire ça en septembre pour une bonne soirée où je peux finir ce que vous faites quoi faire un petit mail sur la liste du liquide et en attendant la fin d'année est toujours en vente sur ok merci beaucoup et je suis à Bob et la maison a pris la route et la formatrice a fait le tour à Paris ou en or ❤for on peut se voir pour la tester la version finale et la jardinière pour les ok pour les enfants à Paris une pièce pour les photos ou uui uuuiuuuuuiuuiiiiuiiuiuiuuiii et les autres on peut être en forme en plus ôter les ok pour les infos que je suis ook et que vous allez pouvoir faire opposition au courant si on a ii un en
This guitar is an amazing piece of history - not just musical history - and it's so good to see you are preserving it for posterity. Thank you very much for your lecture, insight, and demonstrations!
It’s my pleasure, John! thank you.
A classical guitar geek's dream come true! Thank you for your expertise and for sharing it with us.
Hi Robert, you are welcome. I will go on keeping you updated. Best for 2023 Wulfin
It truly is, for those of us who live in the middle of nowhere, this is such an amazing thing to experience!
Thank you so very much to Tonebase!!!
I really enjoy listening to Tarrega's compositions for classical guitar. Recuerdos de la Alhambra is my favorite. Thank you for this lecture.
OG. The ONE. Birthed so Many. Brilliant
I cant quite describe it but that is the most beautiful sounding acoustic guitar I have ever heard in my life
And the most famous of all classical guitars
The sound of that guitar is incredible…wonderful sharing of knowledge. Beautiful playing. Thank you!
I am glad you like it. Great so many people love the sound of an 166 yrs old guitar from Sevilla😅
This was too short, i need MORE!! Saludos from Spain
Wow! What a pleasure to hear you describe all these subtleties related to the Classical guitar as well as this genius composer. Thank you for this very informative video.
Dear Mr Mandoline, thanks a lot for your comment. It sums up all what is essential for the topic. Great! All the best Wulfin
Spanish guitarists/composers are the best! I absolutely love Spanish guitar! Very interesting video about instrument construction and technique! One can really hear the difference in technique! Excellent documentary. I'm going to have try to find some of this music on lute which I also love and maybe oud.
Beautiful guitar. Fascinating video. Thank you so much
Thanks a lot Gordon, I have some great guitars such as Santos Hernandez but Torres is the goddess and La Leona the culmination of art. Almost no more guitar…
Wonderful explanation about playing the vibrato! Ich lerne Deustch und liebe die guitarre.
Hi mashmans, thanks a lot. Where are you based and what is your guitar backgrounds? Best Wulfin
When I studied guitar at uni I had an opportunity to play a violin (Strad) which was apparently used by Mozart. I was the worlds shittiest violinist, but stoked none the less to touch such a beautiful instrument, gave me shivers. Playing Tarrega on his own his guitar is legend in the same league.
Great comparison! Yes it is about sound music art! Best Wulfin
The prominence of Torres in the guitar world also matches with Stradivarius in the violin world. It is a perfect comparison.
How blessed you are 👍👍
I might not be able to comprehend all the content in the vid, but it certainly tells me the classical guitar platform we had today are built by musicians, guitar makers back to 18th centry. great sharing
Herr Lieske is very knowledgeable about his chosen craft. Very informative segment.
Dear Rolando, thanks a lot for your nice comment. If you have seen the tutorial on ToneBase I would be curious to learn your opinion. Best Wulfin
@@WulfinLieske I'll look for it. Please to make your acquaintance.
@@WulfinLieske send me the link so I don't have to be fumbling about.
Vielen danke, Herr Lieske. Ausgezeichnet.
As a very young and very amateur violin student years ago I could only dream of playing on a quality instrument. My parents could neither afford private lessons nor a quality instrument. It would have been much the same if I had wanted to study classical guitar. I gave up the violin to study architecture and I deeply regret not taking up the guitar at an early age. I have been enjoying the works of the many Spanish composers and the many professional musicians who perform their works worldwide. I enjoy these performances immensely.
As an architect I was intrigued by the architecture and engineering principles of the design of the Tarrega guitar, and that of others, for that matter. Your discussion of the length of strings, the dimensions and volume of the body and the picking styles and how these things effect the sound is very informative. I did not hear anything about the wood or the string materials but that's another variable. I don't know if Tarrega's guitar or any other can be compared to "Paganini's Guarneri Canon" using these same criteria. However, I am certain that the performance room or hall acoustics would have a lot to do with the overall perception of the sound. A poorly designed concert hall would have devastating effects on any performance no matter how gifted the performer or the quality of the instrument. I have noticed that many artists today perform and record in ancient buildings with cavernous spaces and hard surfaces that can reflect or reverberate the sound. A mixing engineer can mitigate the acoustics of performing in these spaces but a live audience experience would be totally different in my opinion.
I have always believed that a good architect orchestrates his designs in the same way that a good composer builds a symphony or a concerto. The same is true about a master craftsman constructing a fine instrument or one a fine piece of furniture. It's all about the principles.
My apologies for the lengthy comment!!
Dear Godfrey, your comment is fantastic, thanks a lot! Considering the materials La Leona has a European spruce top and fanstrutting, cypress sides and metallic tornavoz. It has a weight of some 1000 grs with modern machines by Rodgers. I would like to send you a PDF - so if you like to contact me via my website, please feel free to to so and I can send you some more informations. Best Wulfin
Excellent video!, greetings from Spain!
Thanks Alex!😊
Maravillosas explicaciones. Gracias. Has dado unos minutos de belleza a mi día
🎉😊
Thank you maestro.
I would listen to mister Lieske for days talking and playing.
THANK YOU SO MUCH Tonebase.
Dear Brahim thank you for this great and charming compliment! Did you notice that there is a lot more of my playing and talking about music in the net? Best wishes Wulfin
How amazing it would be to play this guitar, especially one's own favourite pieces by Tárrega. Fascinating insights 👌🏼🙏🏼
Hi Justin. Find out if your favorites are on ToneBase or on TH-cam
Primer anglosajón que veo en youtube hablar con propiedad y verdadero conocimiento sobre la guitarra y su historia, nombrando por supuesto a Francisco Tárrega. Thank`s very much.
Es alemán, no anglosajón.
Gracias por la aclaración.@@GerardoLopez-pt3ig
Absolutely fascinating! Thank you for sharing.
Thank you Herr Lieske for this fantastic video. I came across Tarrega for the first time almost 22 years ago when I first started studying the Classical Guitar and immediately became a huge fan. I appreciate you differentiating the right hand playing styles between him and Sor. I always thought that it was a bit uncomfortable playing the right hand style of Tarrega but when you put it into the context piano playing it made much more sense! Thanks and looking forward to your other videos!
Great you liked the video, Aaron. There are some more videos in the web me playing La Leona. Your feedback is always appreciated. Wulfin
Great video Tonebase Team , and nicely explained by Wulfin.
Thanks a lot, we had great fun during the production. Best Wulfin
I’ve never heard high notes on a guitar remind me of a piano. Amazingly full tone.
Excellent presentation!
This is so interesting, I learned a lot from this, thank you
Hi Alex, learning never ends. Pleasure is the gift…
This is very interesting to me as an amateur guitar player. My teachers never told me these nuances.
It is the first time that I learned why rest stroke was an important part of our skillset.
I always imagined that rest stroke is some kind of bridging technique to let newbies (like me) to learn to pluck the strings
Now I understand, and I will incorporate more of them into my daily practices
Such cool information, thank you!
extraordinario muchas gracias Saludos desde eL Sur de Chile
Mesmerising love this. Thanks for sharing such beautiful lecture
Thanks a lot Ronald! Yes, it was a great pleasure producing this tutorial and I was overwhelmed by the immense enthusiastic response I have got. Well, I am going on with this matter…have a look around! Best regards Wulfin
Valuable instruction and history for guitarists. I'm grateful. Thanks.
In a word, fascinating. Thank you and God bless.
Thanks a lot Dallas, I will keep on going…best Wulfin
I've never before had any explanation of "apoyando"!! Thanks .
Well call it Rest stroke….
Man I just smelled colors and seen sound. Humanities and the the Arts can save the world 🙏
Impresionante!!!
thanks for sharing , amazing content
Interesting technical analysis of guitar tone & playing technique.
166 year genuine Tárrega guitar still looks spotless, immaculate! A guitar collectors dream...priceless!
Thanks, Rick!
@@WulfinLieske No problem Wulfin & to your question @ 08:36, Yes...'pinchy' is a word in English but it is more associated with the 'pain' of being pinched (ouch!) but also used by guitarist in pinching the strings...lol!
Priceless. Thank you.
I talked to the Argentinian guitarist Rolando Saad after a concert about his guitar, a Fleta. He played with his fingertips, not his nails. It sounded very good.
I bought his CD, A Celebration of the Spanish Guitar. The recording has a very warm sound.
Great stuff, thank you 🙏
It's brilliant we can just watch a video of someone just playing Tarrega's guitar.
Beautiful sound the guitar has!
HinDanny, great you enjoy it! In fact La Leona never belonged to Tárrega (nor Julian Arcas, whom Francisco Heard- performing on La Leona). Torres kept it throughout his entire life.
World class video!
Amazing information Thankyou oh so much wow. This is what makes the world go round. Simply amazing Thanks
Thanks a lot Robert, I will go on. Surfing the net will show you more! Best regards Wulfin
Hi to all the aficionados out there, I would like to post some ideas on sound aesthetics of the classical guitar. Reacting on the entire bunch of your great comments, be them enthusiastic or critical, it’s about tuning, strings and nails. If you play on an Torres type instrument, low weight, low resonance and tune it around 430-435hz, perform romantic music with the “spirit of Tárrega (as I exposed in my substantial ToneBase tutorial, you will have a pretty dark and expressive melodious sound. This will be enhanced by the typically low string tension and action with very easy vibrato, slur, glissando. In my experience this goes perfectly on standard top quality nylon strings. I use SAVAREZ cristal, alliance (only for the 3rd) and Corum standard tension. Maybe you are a bit closer to gut with the good old Jimi Hendrix, sorry Segovia Red Augustine. Nylgut is another cup of tea (better no nails). If you have the right attack both apoyando and tirando (like John Williams for ex. ) and the equivalent perfect nail shape YOU ARE ON THE GOOD SIDE! If you are a nerd burning for authenticity or new adventures cut them off, get the expensive gut (great animals, though!) and here we go. That’s the good thing with all the crazy guitar folks around the planet, lonesome nerds at times - BUT HAPPY! And that’s how this great platform ToneBase and others can exist and are such valuable contributions to our “lonely heart-club-band”. Here we go, thanks for your patience and passion! Have a nice day/night Wulfin🎉
Me again, just forgot to invite you to comment and ideas! Wulfin🎉🎉
@@WulfinLieske I liked what you said about the gold tone and silver tone of the different 'A' pitch 428 and 440 tension difference and effect on the timbre.
Having been taught the Tarrega’s concept, decade after decade, I gradually and intuitively moved to the lute concept, going through all the intermediate concepts you showed. Oh if you have taught me this precious lesson 40 years ago!
Hi Alex, accepted, but what about the next 20? All the best for 2023 Wulfin
@@WulfinLieske Hi Wulfin, I think the lute concept will be my favourite one the next 20 because I love the soft and sensual way of playing the guitar. For this purpose, I also gave my guitar (cedar top and Brazilian rosewood back and sides) to a luthier to have its nitro finish replaced with shellac.
@@alexbychkov4485 Great Alex! (My second forename is Alexi!!!). Quite a treat to get rid of the synthetic varnish... Next step is playing lute! Seriously: I have no problem with playing softly on one of my Santos Hernández. Sul tasto and not too strong + vibrato if desired, here we go. By the way, what is your current repertoire? Best Wulfin
@@WulfinLieske Hi, nice to hear you again! It's a completely sudden but interesting offer to play lute. I'm gonna think on that. Is it a great difference for your feelings when playing the same piece on the guitar and on the lute? What do you thing about playing guitar lute?
My repertoire is simple but soulful music such as Tarrega, Bach and my own compositions. I compose love songs for my wife also. She loves them very much.
It's extremely interesting to many who hold stringed instruments for 100's of hours.
Besides hearing an historical guitar! . It's a fabulous informative video.
" pinchy" yes it works. It's a word!
This is the coolest video I've seen today. Awesome!
Great Ryan, still we enjoyed some 21 degrees Celsius 😅
Thanks Ryan, what about the videos you saw today?
Amazing information! I am a classical guitarist, and it would be amazing to actually be able to play that legendary guitar.
Do you know the name of the introducing guitar piece?
@@carlose.johansson739 “Lagrima”
What a fabulous video fantastic stuff what a beautiful sound guitar stunning
Thanks a lot Anthony! There will be a new series THE LEONA DIARIES on my TH-cam in September. Leona is not only good for Tárrega - you will see… best Wulfin
Очень интересный рассказ и прекрасное звучание гитары!Спасибо!
Well played. Fantastic lecture. Great description of the tonal qualities and the subtleties of the playing positions. Thank you.
I am glad, you had a benefit! best Wulfin
Thank you it's fascinating to know i been playing the guitar a long time just wonderful thank you for your time 🙏🙏🙏🙏🌹🌹
Great, I am happy you enjoyed it. Soul & spirit…
Very important moment in musical history!
¡ Bello!
Thanks a lot!
Reminds me of the "Beatles" song "Blackbird". What a wonderful presentation. I'm jus a poor man but somehow this little piece of knowledge makes me feel "sophisticated" Thank you Wulfin !
Sehr interessant und lehrreich, Danke.
BELÍSSIMO!!!!
I thought I recognised the face. Wolfin Lieske, older, more mature after all these years. Live recording was my passion at the time, and I recorded him at the VII Bolívar Hall International Guitar Festival, Venezuelan Embassy, London, 2003.3.26. I still have the recording after all these years on CD Rom, unfortunately, the encore piece he played is now unreadable, it was "Manha de Carnival". Great playing!
I remember there was a great debate on "Classical Guitar" magazine in the mid 70s, on who owned the "real" La Leona guitar. Interesting.
Hi Dan, great to meet again! Unbelievable you were in the Bolivar Hall. What are you doing today? Besides guitar I am very much into opera composing...best Wulfin
@@WulfinLieske Hi Wulfin, how nice you still remember me. I retired as an aeronautic engineer 15 years ago, wrote my autobiography (in Chinese), got it published in Beijing in 2016. These days, I am writing a second autobiography. I have a small apartment at the centre of Sevilla for almost 20 years. Now in Sevilla with my wife, back London in early February. I watched a number of your videos on TH-cam a few days ago and I can see that you are keeping yourself busy not just as a performer, and indeed as a composer. In fact, I listened to your Bolivar Hall concert from start to finish a few days ago. You take care!!
Wishing you a long and fruitful career.
@@daning9456 dear Dan, thanks a lot! Great you got back to my recital at Bolivar Hall in London some 20 yrs ago! By the way: where did you find the recording, I never heard it. Best regards Wulfin
@@WulfinLieske Hi Wolfin, each time I did a recording at the Bolivar Hall (or Instituto Cervantes), I made something like a dozen copies on CDRom to the then Cultural Attache, Gloria Carnevali (she now resides in Cambridge). It was my impression that she would distribute these copies, including to the performer. A few months ago, I started archiving these CDRom and transferring them into my computer hard disc. Then, I realise that some CDRom are no longer playable. In your case, only the encore piece is corrupted. If you like, I'll try to make a copy of the concert for you when I'm back London. Best, Dan.
Masterclass!
The sound is sweet like candy
Great video, and the sort of thing I love discussing with my students.
Yeah, tell them the truth…! 😇
Ive been wanting to know more about Tarrega for a long time. There are very little sources about him. Thanks for this video
There are some in the meanwhile. But feel free to embark on my tutorial on ToneBase. A lot of stuff. Best Wulfin
Excellent thank you!
love it.. Thanks for the great information
Thank you!! 🙌🏻⚡👏🏻
You know the guy knows his thing when he instinctively just holds the guitar with a Bb7/9 chord.
Yeah bro!
Yes!!
I play Western and telecaster most the time. When i check any guitar never look at the price or name.
Just play any favorite chords of mine. That's it for me. The first moment gotta chill me.
took the words outta my mouth
La Leona is my favorite guitar by my favorite historical maker (I even have torres’ headstock tattooed on my forearm). Curious why the title indicates it was owned by Tarrega when it was Torres’ personal guitar and one of a dozen or so in his possession upon his death in 1892
Dear Brian, in fact the chapter title should be corrected - Tárrega played but never owned it, the same as for Julian Arcas. But La Leona was THE guitar Torres never sold and kept as his first genius reference during his lifetime. Best Wulfin
@@WulfinLieske Thanks for your reply maestro! If I recall correctly Arcas attempted to purchase La Leona many times but Torres would only loan it to him for performances rather than parting with it. I hope one day to see you perform on this guitar in person
Very interesting. Tarrega played on gut strings without nails. Without nails, the sound and the music in general is completely different.
Dear Viangalli, yes that’s true, still there is no such ONE truth in art. Otherwise we would only list men to Rachmaninov playing Rachmaninov. Transformation ist the goal. So even with nylon you can bring your guitar message out. This is in no way ignorant if we know the authentic thing but we transform it to what we feel appropriate today. Bed Wulfin
Nice video👏Thanks for sharing it. I wish you all the best. Keep it up! 👍
Very nice history lesson
Thanks Joshua, tried my best. It a bit story-telling with a lot of truth
There is fascinating information here. Thank you very much for putting this up. I know it is a long debated subject but can one come close to Tarrega’s sound using the attack you describe but with nails. This has probably been asked many times but I am only a few years into learning the guitar and have only recently been introduced to Tarrega Preludes by my teacher :)
So long ago now...
Daphne Dobson taught me some of this stuff in New Zealand. Where she got it...? I know she was a student of Segovia, but where else, of whomever else.. I never found out.
Consider also aging of the wood, finish, and glue.
Others have noted the gut/nylon string factors.
It's also interesting to ponder how people of that time would have heard this instrument, not being conditioned as we are now to so much noise from machines or expectations due to the necessary limits of electrical transmission and reproduction.
The consider the sort of situations where one might play for others.
Indeed, it's not the same home.
Dear Rabakarabe, thanks a lot for your very sensible and attentive comment. No matter how the mainstream is pushing we are free to choose our own way. Best regards Wulfin
yes....incredibly interesting...fascinating fellow!
Thanks a lot Greg!
fascinating. What a beautiful instrument.
Esto es increíble!
2:34
in case you were wondering it's a super weird sounding but fairly uplifting chord. Maybe good for transitioning from an A side to a B side?
very interesting
Does the fretboard have a slightly scalloped carve, or is it just an illusion created by the light? It is a simple and functional design, no-frills approach to creating sound. Beautiful.
Yeah, less is more. Like a violin. Still Torres could do differently and proved it…
The idea of just changing the resting knee to change the attack...Wow. I had to get my guitar and try....not even going to try to hide how blown my mind is.
Hi XZ, yes it’s awesome how little things are connected. We tend to explore micro details of movements without regarding the origin. But this can be changed and happens in the brain first. So my congrats you got it! Best Wulfin
Its absolutely fascinating that you tune to A428.. I always feel each guitar has its own tuning it wants to settle with.. forcing A440 to everything is not natural
Absolutely Joe, I had started with 415 for quite a while, then after experimenting I settled down at 428. There is no explicit historical reason besides the fact that there was no standardized tuning tone. The French tuning was around 435 in Leona times, so lower than today anyway. Best regards Wulfin
Thanks for posting ! Best Wishes from Athens !
La Leona is tuned to 428Hz - best resonance ( 3:53 4:36 )
Gran vídeo
Gracias
This is so cool I’m always curious about what happens to famous composers’ instruments after they pass. I guess most of them just stay in the family locked up in storage
Beautiful guitar.
Thanks for the fascinating video. You haven't talked about the strings and string tension....
Well it’s SAVAREZ cristal g is alliance and corum basses, all normal tension, tuning 428hz
Mate you know everything
Amazing clip. - I wonder if the Maestro is picky about strings , tensions and / or Brand ?
Hi Timothy I use SAVAREZ cristal, alliance the 3rd, Corum on the basses all medium tension. Asses are relatively thin and flexible but durable. The better the guitar the better they shine… best Wulfin 🎉
@@WulfinLieske (( Thank you very much, Maestro. Most kind of you to reply so early. . . 2 Cheers from Canada ! ))
Hi Timothy, are you professional or amateur player?
@@WulfinLieske [[ I am an amateur, taking lessons + playing since 1978. I am interested in strings, since they give the guitars a slightly different tones quickly, with less money involved and easy to obtain. . . examples: titanium vs carbon vs polished vs hybrid gut-nylon vs rectified . . . etc.. ]] By the way, your Bach rendition on Siccas Guitars is sublime.
@@ironmantran thank for the info. I will do a video on gut vs. nylon on my own channel soon. Best Wulfin