One of my fondest memories from my days of performing was when my band, which was primarily a pop/rock cover band, would slip some jazz standards into the set list. This was one of my favorites of those.
I saw him in 1992 at CARNAGE HALL he was playing the MILES AHEAD album is was one of the greatest shows I have ever seen .R.I.P to one of the great one's.
Joe is and always has been brilliant, and played with the Great Horace Silver a lot, and this sound is right from the Horace Silver Quintet influence playbook to me. Sounds just like it. Beautiful.
Joe Henderson...another master...Wasn't he from the Ellington school? No, my friend says; Lester Young; Joe apparently was too late to play for the Duke, basically...
Note: If "you" are going to play this justly famous tune, only 16 bars long, get it right. DO NOT use the "Real Book" notated head, which is incorrect. If "you" have an ear, it will take maybe 5 minutes to transcribe the accurate head, and thereto to play the tune as intended. For extra credit, get the Joe Henderson harmony line in there, which is in the last 4 bars on the repeat. Also there is the "other" head after the bass solo. More like a background line I guess. A lot of similar tunes have these secondary heads. All am saying is, if you are going to do this tune, put some work into it & get it going in the right direction. Don't rely on the crappy "Real Book".
I've used the Real Book as a bass player, it's extremely helpful seeing the lines, even if they arent "correct" That's the thing about Jazz, it doesn't need to be "right". As long as it sounds good is all that should matter. Yes sure you can learn by ear which is how most musicians back then did. The real book is helpful for musicians who don't have a good ear but still want to learn jazz, i don't think thats wrong to use the Real book. but one shouldn't use it as a crutch. Then again what do i know Mr. Duckett, you could be the greatest musician on earth and i'm just a guy.
Joe Henderson's solo is second to none!!!
One of my fondest memories from my days of performing was when my band, which was primarily a pop/rock cover band, would slip some jazz standards into the set list. This was one of my favorites of those.
Did it as a trumpet player in my first year in a jazz quintet, awesome music!
I saw him in 1992 at CARNAGE HALL he was playing the MILES AHEAD album is was one of the greatest shows I have ever seen .R.I.P to one of the great one's.
Wow that must be an amazing experience, I would love to miles and Handerson performs in person
Joe is and always has been brilliant, and played with the Great Horace Silver a lot, and this sound is right from the Horace Silver Quintet influence playbook to me. Sounds just like it. Beautiful.
I just want to thank TH-cam for uploading all the Jazz Greats in particularly the ones that need to heard. SOLID!!!!
Great tune well played. One of the funnest jazz tunes to jam on! Love this version!
My favorite version of this tune. The epitome of the blue note sound- impeccable,expressive and hard driving.
Piano work is outstanding!
Thanks Henderson
Masterpiece. Thanks.
the bass line puts the dance to this tune
This tune is so popular in Japan as well！
みんな最高にのっていて、私もこの「ブルーボッサ」一ばん好きです。そして、ブルーノートらしいジャズ・サウンドだと思います。
strait ahead groovin jazz so many great jazz musicians time
2:35 henderson solo start
Preciosa y Elegante versión
sí, muy bonito
The is my favorite version
sounds cool!
Kenny Dorham on trumpet never really got the props he deserved a very good trumpeter ! ! !
I do like Kenny""
he also wrote this
He didn't during his career, Because of Miles and lee morgan to name a few. But the end is result is he is well respected!
like other greats, Elmo Hope, Hank Mobley, Harold Land and others.
He left too early, but he his work was amazing, without a doubt.
kenny told me i have a good sound and to stick up for the music, peace
love it
I remember Paris, in '49...
5:20 👌
ﾏｯｺｲとの腐れ縁もしっかりこの頃から!～真の巨人ｼﾞｮｰ･ﾍﾝﾀﾞｰｿﾝ～ﾄﾞｰﾊﾑ"ﾌﾞﾙｰ･ﾎﾞｯｻ"楽曲は永遠のｽﾀﾝﾀﾞｰﾄﾞ! #jazzm
Disco de virtuoses!
Joe Henderson...another master...Wasn't he from the Ellington school? No, my friend says; Lester Young; Joe apparently was too late to play for the Duke, basically...
2:48 holy fuckkkkkk im dying
KENNY,KENNY,KENNY!!
Too bad McCoy is listed as ‘Etc.’ on the album cover. Plenty of space for his name there. Sheesh
@icecreamforcrowhurst
McCoy Tyner was a genius, and he gives so much rythm to this tune. Essential! A shame, indeed!
it is because he was under contract to another label..
Agree!
In fact that is an incredibly poor choice the label made...unconscionable.
how dare...
Note: If "you" are going to play this justly famous tune, only 16 bars long, get it right. DO NOT use the "Real Book" notated head, which is incorrect. If "you" have an ear, it will take maybe 5 minutes to transcribe the accurate head, and thereto to play the tune as intended. For extra credit, get the Joe Henderson harmony line in there, which is in the last 4 bars on the repeat.
Also there is the "other" head after the bass solo. More like a background line I guess. A lot of similar tunes have these secondary heads. All am saying is, if you are going to do this tune, put some work into it & get it going in the right direction. Don't rely on the crappy "Real Book".
Charles Duckett Jr. I’m probably being dumb, but how is this different to the Real Book’s notated head?
I've used the Real Book as a bass player, it's extremely helpful seeing the lines, even if they arent "correct" That's the thing about Jazz, it doesn't need to be "right". As long as it sounds good is all that should matter. Yes sure you can learn by ear which is how most musicians back then did.
The real book is helpful for musicians who don't have a good ear but still want to learn jazz, i don't think thats wrong to use the Real book. but one shouldn't use it as a crutch.
Then again what do i know Mr. Duckett, you could be the greatest musician on earth and i'm just a guy.
Why quotation marks on "you"?
Yes the other head is called a shout chorus
B A K E D...🎶🎶👨🏾🚀
1:20
music hw gang wya
3:20 !!!
!!!!!!!!!!!!!!!!!
that was Liz not Tim
Gary Moore - Parisienne walkways
lmao i realized right away after reading ur comment
one more... to plagiarize part of a great theme to make a commercial sh*t
er, no.
Вот Гари Мур молодец. Из джазового бреда сделал нормальную песню.
0:13
0:25
6:51
7:05