Coltrane was a tenor saxman who bridged the era of pure jazz and modern jazz effortlessly. A great master of the tenor sax ranking with all the greats, Lester Young, Coleman Hawkins, Ben Webster to name a few. I am 87 and lived during the great era of jazz and swing. What wonderful memories.
Hi Donny, I'm 76and I so envy you your extra years to enjoy jazz. Hope you're doing well. Please drop a note and let me know what's happening wth you. Hoping you're in a good place. . Regards and best to you, Diana/Chicago
and so gratifying to see and hear that all this great musical creativity stretching back about 100 years is still going strong. so many amazingly gifted musicians that took advantage of the jazz idiom.
Trane made me take up the tenor sax at the ripe old age of 33. now I'm 64, and since I heard him, I am convinced he was some celestial being who really did change human compassion through his spirituality and art.
Red Garland's chord's behind Coltrane and his own solo are a great reminder of how great an artist he was. And Paul Chambers arco solo is a classic too.
Stardust is a melodic piece of music that I have yet to uncover a bad version of... Instrumentally or lyrically... It certainly connects me to my own musical umbilical chord...
Wilbur Harden (flugelhorn, trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), Jimmy Cobb (drums). rec. at Rudy Van Gelder Studio, Hackensack, NJ, July 11, 1958.
We shouldn't neglect to mention the other contributors in the performance. A nice arco solo by Paul Chambers, fine work from Wilbur Harden on trumpet, Red Garland on piano and the excellent Jimmy Cobb on piano. And of course, Trane! Beautiful.
"Stardust" has such a strong Melody. Improvising on it is difficult. These great players did it by understanding the emotional cadences of the LYRICS. They interpreted the SONG. Jazz is more than clever semiquavers. Let's all slow down and play like we feel it. Coletrain was great...better than that 3/4 "Whiskers on kittens" thing. Now his playing is making sense. Thanks for posting that.
Yes, Coltrane was still within signatures back then. He lost me for a few years , but I came back to understand him 20 years later. As for Stardust, who hasn't done it? Look at Art Blakely.
Great interpretation. But I'm always disappointed when artists just skip the introductory ("And now the purple ...") part of the song. That part sets the tone for the song so unbelievably well. I don't understand why some folks just skip it outright and jump in to the main body.
And there I was, thinking I was the only one that felt this way. As you say, the prelude sets the tone for the piece, providing a build up that makes it all the more satisfying when you finally reach the ‘some…times….I…….wonder’ and the song breaks into its stride. When an artist leaps straight into the main melody of the song, the whole piece just lacks context.
For some reason I've never heard this before. Interesting how he plays the low Bb at the end of his cadenza (lowest note on the horn). Trane rarely plays down there.
Please, do you have some ear? There is no balance here. Double bass is far away, cant't you ear it? Sorry, not in a negative way. That said, I admire and love your music. Who is the bass player? Paul Chambers?
Not 1963!!! It was released in 63 but recorded in 1958! Trane sounds NOTHING like this in 1963 and he never played with any of these people ever again.
I meant what I wrote. This is substandard rendition that passes because ‘Coltrane played it’. But it is pale in comparison to some other renditions. People don’t use their hearing to judge honestly, nir they play the instrument nor know enough about what’s possible, but follow the empty-headed fanboy mentality.
Wilbur Harden (flugelhorn, trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), Jimmy Cobb (drums). rec. at Rudy Van Gelder Studio, Hackensack, NJ, July 11, 1958.
Coltrane was a tenor saxman who bridged the era of pure jazz and modern jazz effortlessly. A great master of the tenor sax ranking with all the greats, Lester Young, Coleman Hawkins, Ben Webster to name a few. I am 87 and lived during the great era of jazz and swing. What wonderful memories.
Hi Donny, I'm 76and I so envy you your extra years to enjoy jazz. Hope you're doing well. Please drop a note and let me know what's happening wth you.
Hoping you're in a good place. . Regards and best to you, Diana/Chicago
and so gratifying to see and hear that all this great musical creativity stretching back about 100 years is still going strong. so many amazingly gifted musicians that took advantage of the jazz idiom.
Trane's achievments were by no means effortless. He worked very hard to develop his style, and strived hard to avoid playing Parker licks.
I'mbelgian,only 86 and totally agree with you
Trane made me take up the tenor sax at the ripe old age of 33. now I'm 64, and since I heard him, I am convinced he was some celestial being who really did change human compassion through his spirituality and art.
The man’s tone was impeccable. You just can’t help but listen.
What can one say more about Coltrane playing the sax here; just gorgeous.
I swear I could cry it’s so beautiful
This arrangement is so simple and elegant. It suits the music so well.
Red Garland's chord's behind Coltrane and his own solo are a great reminder of how great an artist he was. And Paul Chambers arco solo is a classic too.
Beatiful performance of Stardust in tenor sax, I love this version
It's good to be alive to hear such great music...
Yes it is!
😢😢 aww… time, darn it… time and our hearts ❤️❤️❤️
Wonderful performance here. I love this.
Gives me the chills, he’s so good!
The sky is wonderful can imagine with this masterpice J C IS THE BEST
Stardust is a melodic piece of music that I have yet to uncover a bad version of... Instrumentally or lyrically... It certainly connects me to my own musical umbilical chord...
beautiful :)
"musical umbilical cord." Thats perfect way to describe that. Im going to use this from now on.
all the stars you can give it----just brilliant how he shapes the melody at this tempo is just a work of art----
Wilbur Harden (flugelhorn, trumpet) John Coltrane (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Jimmy Cobb (drums)
Levent Parman THANKS BIG TIME FOR THE BREAKDOWN OF MUSICIANS!!!
Levent Parman
Thanks for that. Red Garland, jeeze, what a great touch.
+Levent Parman yeah thanks for the info... wondering who was on the horn.
Thanks! It’s BEAU-BEAUTIFUL!
Levent Parman , thanks for telling us the personel. Wilbur Harden ? He sounds so much like Miles. ...
When Trane Blows straight ahead, blues or hard bop I could listen non Stop!
3yrs old, (+60yrs ago in Germany), my music box played Stardust 💖
Wow that’s great Linda this is one of my favorite it’s been long tho. Is this one of your favorite Linda?
love all albums trane did for prestige records that rudy van gelder sound in the studio pure smooth sound you know it as soon as you hear it magic,
Absolutely glen I too it’s one of my favorite is this one of your favorite glen?
Extraordinaria interpretación!
Une interprétation que j'apprécie particulièrement car c'est la première fois que j'ai entendu ce titre
Very nice instrumental. Always great to hear Coltrane.
Thanks, @Levent Parman...so many people post great music and neglect to honour the players.
Wilbur Harden (flugelhorn, trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), Jimmy Cobb (drums).
rec. at Rudy Van Gelder Studio, Hackensack, NJ, July 11, 1958.
We shouldn't neglect to mention the other contributors in the performance. A nice arco solo by Paul Chambers, fine work from Wilbur Harden on trumpet, Red Garland on piano and the excellent Jimmy Cobb on piano. And of course, Trane! Beautiful.
Exuse me. Cobb on drums.
Magistral!
A wondrous version of Stardust.
Thanks Mr Parker. this music is my most favorite.
Thank you for enjoying it. No better musician than Coltrane.
FANTASTIC !!
Incredible performance
Gosh. Thank you.
I love jazz
Coltrane sets the mood, but how about that double-bass solo? Fantastic!
Got damn, that beautiful.
wow!!! fantastic
Meraviglioso. Una poesia.
Stardust by a master saxophone player
With a master Trio.
Fantastic
All great! Paul Chambers (bowing) and Jimmy Cobb do a wonderful job!
Who is on piano?
@@fernandopo6399 Red Garland. You find this info on the internet in several sources.
"Stardust" has such a strong Melody. Improvising on it is difficult. These great players did it by understanding the emotional cadences of the LYRICS. They interpreted the SONG. Jazz is more than clever semiquavers. Let's all slow down and play like we feel it. Coletrain was great...better than that 3/4 "Whiskers on kittens" thing. Now his playing is making sense. Thanks for posting that.
Thanks for the excellent input.
grazie
Yes, Coltrane was still within signatures back then. He lost me for a few years , but I came back to understand him 20 years later. As for Stardust, who hasn't done it? Look at Art Blakely.
,(';,'*,'*
''*,''Bella interpretacion de magnifica pieza,$",''* __Gracias__
Mucho bueno ST John
Great interpretation. But I'm always disappointed when artists just skip the introductory ("And now the purple ...") part of the song. That part sets the tone for the song so unbelievably well. I don't understand why some folks just skip it outright and jump in to the main body.
And there I was, thinking I was the only one that felt this way. As you say, the prelude sets the tone for the piece, providing a build up that makes it all the more satisfying when you finally reach the ‘some…times….I…….wonder’ and the song breaks into its stride.
When an artist leaps straight into the main melody of the song, the whole piece just lacks context.
Love
Here because "The Atlantic" 11/5/2023
For some reason I've never heard this before. Interesting how he plays the low Bb at the end of his cadenza (lowest note on the horn). Trane rarely plays down there.
Vorrei tanto conoscere quei quindici personaggi che hanno messo un pollice in basso al brano...giuro. vorrei vederli in faccia...
Brutal
That is my Coltrane. Not so much his later stuff.
ThAt something tone where it’s just cold floating iceberg phrases is far out ... in first segment .it is a realistic sound .
10:31
Does anyone know where to find the sheer music for this?
Spotify..
Please, do you have some ear? There is no balance here. Double bass is far away, cant't you ear it? Sorry, not in a negative way. That said, I admire and love your music. Who is the bass player? Paul Chambers?
🌱🙄☝️
Man I tell ya, I hear the music, but I don't see his fingers movin'!
you freaked me out this is from 1958
its not a bootleg! there is CD of the whole concert. Unissued Seattle broadcast.
Yes, and to my ear this is when the really good music started.
@@JS-dt1tn Fancy meeting you here Joel
Not 1963!!! It was released in 63 but recorded in 1958! Trane sounds NOTHING like this in 1963 and he never played with any of these people ever again.
Indeed. This is 1963, and quite different.......th-cam.com/video/WIZHCfAXOb0/w-d-xo.html
Es más pura la melodía original. Los adornos estropean la canción. Me quedo con los compases silvados del compositor.
コルトレーンのプレイするスターダストは初めて聴く。レアな音源だと思うけど、私の知る限り・・・誰とやってんのこれ
ピアノはレッドガーランド
ベースはポールチェンバース
ドラムはアートテイラー
ラッパはウィルバーハーデイングかと？多分
僕は好みです！
@@津地哲也 ありがとう＾＾・・・ピアノはマッコイタイナーかと思っていたが、違うのね
What an utterly boring performance! Coltrane should have given up on sax, and become a lawyer, librarian or something else.
is this a joke lmao
Actually he did become a house painter in South Dakota for awhile but went back to playing because jobs were to far apart.
I hope your comment is tounge in cheek. If not you are an idiot.
I meant what I wrote. This is substandard rendition that passes because ‘Coltrane played it’. But it is pale in comparison to some other renditions. People don’t use their hearing to judge honestly, nir they play the instrument nor know enough about what’s possible, but follow the empty-headed fanboy mentality.
Nothing quite as ridiculous as the strongly held (but generally ill informed) opinions of a young males.
Wilbur Harden (flugelhorn, trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), Jimmy Cobb (drums).
rec. at Rudy Van Gelder Studio, Hackensack, NJ, July 11, 1958.