Damn, after reading the subbies along to his fluent German, I really wasn't expecting the sudden switch to native Yorkshire hahaha. Fantastic, really woke me up that!
Wouldn’t it be great to go back to the historic instruments of the1950s at colleges so current performers could lean how a section of small bore straight tenor trombones sound. You know, the ones composers wrote for! So the band lit. war horses would sound as intended. Only the bass trombone would have a trigger. One!
Damn, after reading the subbies along to his fluent German, I really wasn't expecting the sudden switch to native Yorkshire hahaha. Fantastic, really woke me up that!
Fabulous insight and infectious enthusiasm. That trill at 6:02 is masterful: bravo Mr B!
Wow, fascinating stuff! And I had no idea he could speak German.
Where can I find the full performance of the David? I would love to hear it on a periodic instrument!
th-cam.com/video/WRHX8x_Ybp8/w-d-xo.html
Wouldn’t it be great to go back to the historic instruments of the1950s at colleges so current performers could lean how a section of small bore straight tenor trombones sound. You know, the ones composers wrote for! So the band lit. war horses would sound as intended. Only the bass trombone would have a trigger. One!
How would historic embrouchure and breathing techniques influence the sound?