Definitely, since we upgraded the cam from the pocket 4K and 6k cameras, we had many HDMI monitors sitting around. So we needed to find a workaround to save on the additional cost of more monitors. Our wireless setups we use are all HDMI in/out. With a camera this big, I’m sure they could’ve fit at least 1 HDMI port on it 🤔
I hear ya. If you're able to find the budget, I would suggest going with one of Small HD's new models. The EL zone exposure tool is worth the cost alone. They're much more detailed than the Atamos' too@@unreelcreative
I currently have this same camera and just upgraded from 7.7.2 and wanted to know what changed to 8.1. I guess not much at all? Also are you planning to also get the 12k cine?
*Question: In regards to using the URSA Mini Pro 12K OLPF version with an Atomos Ninja V, can the URSA be set to monitor 4K resolution output from its rear HDSDI in order to record 4K via HDSDI into the Ninja V with the Atomos HDSDI Adapter attached ?*
This protocol should be followed on all equipment with an sdi connection. Even Arri recommends it for their cameras (as do other companies) as this is something that is inherent to sdi, not the cameras/equipment. (actually Arri‘s documentation explains the issue very well)
$400 vs $130 adaptor. For those on a budget this is a great alternative! Personally I’d rather have a less bulky set up for a monitor on the cam. Most wireless systems also use HDMI connections which if we wanted to move to a wireless system, I wouldn’t have to connect to a monitor first. I could just use the Blackmagic converter. Even live-streaming set ups benefit from the converter. I think with the size of the camera they could have fit an HDMI out somewhere.
@@unreelcreative I agree for the price and the completeness I would have expected an HDMI out. I see the non wireless SDI adapter for US$ 199. Are you referring to the wireless SDI adapter for the $400? Not criticizing your setup, just trying to understand. I am at the cusp of getting a cinecam next to my underwater system and was looking at this cam. So any info other than the "brochure specs" are helpful.
@@naturestockfootage we also have multiple HDMI monitors from our BMPCC4K and 6K cameras. So we wanted to find an alternative to utilizing those monitors since they all run HDMI.
I would recommend getting a quality monitor with SDI connectivity.
Definitely, since we upgraded the cam from the pocket 4K and 6k cameras, we had many HDMI monitors sitting around. So we needed to find a workaround to save on the additional cost of more monitors. Our wireless setups we use are all HDMI in/out. With a camera this big, I’m sure they could’ve fit at least 1 HDMI port on it 🤔
I hear ya. If you're able to find the budget, I would suggest going with one of Small HD's new models. The EL zone exposure tool is worth the cost alone. They're much more detailed than the Atamos' too@@unreelcreative
I currently have this same camera and just upgraded from 7.7.2 and wanted to know what changed to 8.1. I guess not much at all? Also are you planning to also get the 12k cine?
*Question: In regards to using the URSA Mini Pro 12K OLPF version with an Atomos Ninja V, can the URSA be set to monitor 4K resolution output from its rear HDSDI in order to record 4K via HDSDI into the Ninja V with the Atomos HDSDI Adapter attached ?*
Does the Ursa 12k SDI connection have the same issue as the Red Komodo? Of burning out the SDI connection if instructions are not followed?
This protocol should be followed on all equipment with an sdi connection.
Even Arri recommends it for their cameras (as do other companies) as this is something that is inherent to sdi, not the cameras/equipment. (actually Arri‘s documentation explains the issue very well)
Excuse my ignorance but the Ninja V comes with an SDI in adapter. So why are you using HDMI adapter?
$400 vs $130 adaptor. For those on a budget this is a great alternative! Personally I’d rather have a less bulky set up for a monitor on the cam.
Most wireless systems also use HDMI connections which if we wanted to move to a wireless system, I wouldn’t have to connect to a monitor first. I could just use the Blackmagic converter. Even live-streaming set ups benefit from the converter. I think with the size of the camera they could have fit an HDMI out somewhere.
@@unreelcreative I agree for the price and the completeness I would have expected an HDMI out. I see the non wireless SDI adapter for US$ 199. Are you referring to the wireless SDI adapter for the $400?
Not criticizing your setup, just trying to understand. I am at the cusp of getting a cinecam next to my underwater system and was looking at this cam. So any info other than the "brochure specs" are helpful.
@@naturestockfootage we also have multiple HDMI monitors from our BMPCC4K and 6K cameras. So we wanted to find an alternative to utilizing those monitors since they all run HDMI.
@@unreelcreative Makes sense. Thank you for your time and effort to answer my questions