The cabs are gorgeous, wonderful design, and the sound from them are wonderful. I want that set. Now, I just need the money haha. Hartke is also a great bass amp/cab system.
Good demo and yes Jeff's stuff is absolutely top notch (I own a good amount of his gear). One thing to notice, for those who are "new" to Genzler is that Jeff former company was Genz-Benz. Only 'critic' on your demo is I wish there was more use/demonstration with finger technique and not only pick style!
Great video. Thanks for doing the time and editing. I can't even imagine. But it was very thorough. I appreciate that. I was surprised the G3 didn't make it into the bass test line up. That is such a cool bass. I'm working on getting one. This cab setup I believe is the same one that Nathan Navarro uses. Anyway. I'm a huge fan of the 10's. But as of the last few years I did add a single 15 just to warm it up. I also play a wide variety of genre's and 50's to 90's rock. So I'm liking the versatility. I play thru a GK 700RB. I really like the, imo, honest tone that it gives. Anyway. Congrats on a really good video. I was considering these and I've been waiting for a good demo of these cabs. Answered all my questions. ✌️😎🤟
Great video. I would be interested to hear a single 5-string through various stacks. This should highlight the low freq. range. Most only go down to 35hz. These will reach 30hz. Low B string is 31hz.
I was ready to pick up this set except purchasing two 112's but a friend hipped to Aguliar AG500 ( I play the doublebass and I can color the sound myself-Very clean)
I am in Vegas and own the previous gen Bass Array 2x10 and 1x15. I really want to compare them to the new GK Neo 212 IV cabinet. Playing with a GK Fusion S head.
Great review! 👍Did you get the chance to check out the 410-3? I would love to hear your thoughts. Kind of torn between this setup and the 410-3. I have 2 112-3 here and love 'em but I'm really curious about those other cabs.
I've been using the 800 for years now, combined with a Barefaced BB2. If I could change anything, I'd have the gain channel add a bit more growl. Apart from that, it's perfect
What in the world is that custom looking brown bass with a switch and T bird EMGs? Also that whole section of this video was amazing. Loved the Sterling and Jackbacker
I am running a Super Bassman through the gen(1) 410-3 array and I love this thing. I am wondering if my Super Bassman has any issues or if it's one of my pedals, because I can't seem to downtune and get the same tight chords whenever I play the bottom 2 strings. It's oddd. But hitting individual notes, this thing cracked my window.
If you’re not looking for anything and you’re happy with what you got the comparison is irrelevant. The TE stuff is good but Genzler tone is very different and not bad but very different.
Hey fellow bassists! Two parter… First: Anyone got thoughts on the Fender Rumble 500? I’ve had this amp for a few years now, and I think it’s a great amp, but I just don’t know how to eq it properly. Second: How do I eq it properly?
I owned the Rumble 500 ver3. Bought it new maybe 2-3 yrs or so ago. Very nice dependable amp, plenty of power. I never could get the tone I wanted, so gave it to my son and bought a Hartke HD 500. Happy now with my Hartke.
That’s Chris favorite pickup. They make such a wide array of stylings it’s actually pretty great. They’re an amazing company and between the other channel partners like myself (Nordstrand, Bartolini) and everyone else… we get the majority covered. Cheers!
Probably wasting my breath but here is my rationale anyway... EMG has been my favorite pickup manufacturer for years and since about 2017, it's been a goal of mine to have "The Bass Channel powered by EMG" in one way or another. I'm not quite at the desired level of endorsement yet but I'm sure I'll get there. Our "Core 4" basses (P, J, PJ, Stingray) all have passive EMGs. The reason, at least for the P, J, and PJ are that they're relatively consistent from shape to shape in that the wind, magnets, output, etc don't vary too drastically, leaving the tonal differences to shape and placement. The other basses have EMGs for a combination of my obsession with consistency and/or having a "collector mindset" mixed with being familiar with how they respond, better allowing me to dial in the product we're actually showcasing. If we're talking about straight passive, the tone for any given pickup shape/style doesn't differ THAT dramatically. I mean, it does enough to warrant there being countless manufacturers making pickups, of course, but most of the time, a passive P pickup sounds like a passive P pickup. It's like ordering a cheese pizza from 30 different restaurants. I like the way EMG "seasons" their tone (as silly as this analogy is turning out to be) but that doesn't mean it sounds nothing like your passive P pickup. A lot of other cynical commenters like to believe that I get paid buckets of cash for using a given product or that I'm trying to make you buy them so I can Scrooge McDuck it into a pool of sweet commission coins. The truth is I just like it. Simple as that. I also happen to like TASCAM and use their stuff almost exclusively in a recording environment.
@@TheBassChannelwhat I find interesting is that the basses still sound like themselves with the EMGs in them. The spector and stingray had punch and clarity, the P bass had its classic thump and the Gibsons were muddy garbage as usual. I don't think having all EMGs takes away from these demos at all
Ughhhh....this is not a guitar cabinet demo! Why do bass players keep doing this? Okay, sure, copy people, but guitarist? Putting a directional mic that close to a bass speaker cabinet is pointless, as it will only pic up the frequencies that are come a function of the short distance (inches) involved. Whatever bass response your mics do record they pickup only indirectly and off axis, and a function of the reflected and colored sound off the room; and even then, if the room isn't big enough, the lowest frequencies won't propagate for having insufficient length for the wave to manifest at all, to be heard or otherwise measured. Its physics for God sake. While we're at it, you need to sit, at a minimum, 8 feet away to hear most of the sound, not a couple of feet, and a further 8 feet away to hear the bottom octave. the signal just doesn't exist as a direct signal until it has travelled its own length. The best that can ever be said of this kind of sound evaluation is...'nice sound room/cabinet interaction. Having said that they look cool, if however silly, because their frequency response goes pointlessly beyond the basses ability to generate. Looks like a capable PA speaker, which it is.
I've had a Magellan 800 amp since they first came out. .Many years now. It has been the most bullet Proof amp that I have ever owned and played...
Freaking excellent demo Chris. Great sound representation. 👌
Thanks, Chris! I'm glad you liked it!
The cabs are gorgeous, wonderful design, and the sound from them are wonderful. I want that set. Now, I just need the money haha. Hartke is also a great bass amp/cab system.
That 2x10"/4x3" cab is a beast! Sounds like an 8x10", while being 1/4 the size of an 8x10".
Good demo and yes Jeff's stuff is absolutely top notch (I own a good amount of his gear). One thing to notice, for those who are "new" to Genzler is that Jeff former company was Genz-Benz. Only 'critic' on your demo is I wish there was more use/demonstration with finger technique and not only pick style!
Nice choices for speaker mic up 👌
That Genzler rig is serious low end hifi.
I really like it 👍
Omg.. The spector sound ❤❤
Damn that MD421 sounds so sweet! Excellent video guys
Wow! This is incredibly thorough. Nice review.
Great video. Thanks for doing the time and editing. I can't even imagine. But it was very thorough. I appreciate that. I was surprised the G3 didn't make it into the bass test line up. That is such a cool bass. I'm working on getting one.
This cab setup I believe is the same one that Nathan Navarro uses. Anyway. I'm a huge fan of the 10's. But as of the last few years I did add a single 15 just to warm it up. I also play a wide variety of genre's and 50's to 90's rock. So I'm liking the versatility. I play thru a GK 700RB. I really like the, imo, honest tone that it gives. Anyway. Congrats on a really good video. I was considering these and I've been waiting for a good demo of these cabs. Answered all my questions. ✌️😎🤟
Great video. I would be interested to hear a single 5-string through various stacks. This should highlight the low freq. range. Most only go down to 35hz. These will reach 30hz. Low B string is 31hz.
I was ready to pick up this set except purchasing two 112's but a friend hipped to Aguliar AG500 ( I play the doublebass and I can color the sound myself-Very clean)
I am in Vegas and own the previous gen Bass Array 2x10 and 1x15. I really want to compare them to the new GK Neo 212 IV cabinet. Playing with a GK Fusion S head.
Such a great tone. I wish you could keep them also… so I could “borrow” them 😂
I use 2 of the 12" /4" cabs. really dig it!
12"/4-3"oops
Excellent demo. 🔥 Thanks!
Great review! 👍Did you get the chance to check out the 410-3? I would love to hear your thoughts. Kind of torn between this setup and the 410-3. I have 2 112-3 here and love 'em but I'm really curious about those other cabs.
When the dingwall came out it was like a blanket came off the thing lol
ampeg svt 7 pro. with a 4x10 neo cab. 4 ohms. that handles 1,200 continuous with detachable casters.
I've been using the 800 for years now, combined with a Barefaced BB2. If I could change anything, I'd have the gain channel add a bit more growl. Apart from that, it's perfect
What in the world is that custom looking brown bass with a switch and T bird EMGs? Also that whole section of this video was amazing. Loved the Sterling and Jackbacker
That's my Gibson Thunderbird. I've done a bunch of videos with it. One of my favorites in the bunch for sure.
Oh! Nevermind. I was thinking of the wrong bass. That's a 1987 Gibson IV with two TBDCs
@@TheBassChannel oh cool! Love that tone too
OUTSTANDING!!!!!
I am running a Super Bassman through the gen(1) 410-3 array and I love this thing. I am wondering if my Super Bassman has any issues or if it's one of my pedals, because I can't seem to downtune and get the same tight chords whenever I play the bottom 2 strings. It's oddd. But hitting individual notes, this thing cracked my window.
there really needs to be IRs of these made
How does it compare to a Bergantino ?
Bergantino has not sent us anything despite our efforts. 🤷🏻♂️ we have tried with them many times and nada. Sorry my friend I have been trying though!
@@Therealchuckbailey oh that is weird 🤔 hope they will do in the futur
Are they better than the pre-Kaman Trace Elliot cabs? Those haven't been dethroned yet for me. I wouldn't sell my 2 4x10's for anything.
If you’re not looking for anything and you’re happy with what you got the comparison is irrelevant. The TE stuff is good but Genzler tone is very different and not bad but very different.
wow!!!!!!
Hey fellow bassists! Two parter… First: Anyone got thoughts on the Fender Rumble 500? I’ve had this amp for a few years now, and I think it’s a great amp, but I just don’t know how to eq it properly. Second: How do I eq it properly?
I owned the Rumble 500 ver3. Bought it new maybe 2-3 yrs or so ago. Very nice dependable amp, plenty of power. I never could get the tone I wanted, so gave it to my son and bought a Hartke HD 500.
Happy now with my Hartke.
holy smokes...
EMG pickups everywhere...
slowly turning into the EMG channel. I have two basses with EMGs and i love them but damn.
That’s Chris favorite pickup. They make such a wide array of stylings it’s actually pretty great. They’re an amazing company and between the other channel partners like myself (Nordstrand, Bartolini) and everyone else… we get the majority covered. Cheers!
Probably wasting my breath but here is my rationale anyway...
EMG has been my favorite pickup manufacturer for years and since about 2017, it's been a goal of mine to have "The Bass Channel powered by EMG" in one way or another. I'm not quite at the desired level of endorsement yet but I'm sure I'll get there. Our "Core 4" basses (P, J, PJ, Stingray) all have passive EMGs. The reason, at least for the P, J, and PJ are that they're relatively consistent from shape to shape in that the wind, magnets, output, etc don't vary too drastically, leaving the tonal differences to shape and placement. The other basses have EMGs for a combination of my obsession with consistency and/or having a "collector mindset" mixed with being familiar with how they respond, better allowing me to dial in the product we're actually showcasing. If we're talking about straight passive, the tone for any given pickup shape/style doesn't differ THAT dramatically. I mean, it does enough to warrant there being countless manufacturers making pickups, of course, but most of the time, a passive P pickup sounds like a passive P pickup. It's like ordering a cheese pizza from 30 different restaurants. I like the way EMG "seasons" their tone (as silly as this analogy is turning out to be) but that doesn't mean it sounds nothing like your passive P pickup. A lot of other cynical commenters like to believe that I get paid buckets of cash for using a given product or that I'm trying to make you buy them so I can Scrooge McDuck it into a pool of sweet commission coins. The truth is I just like it. Simple as that. I also happen to like TASCAM and use their stuff almost exclusively in a recording environment.
@@TheBassChannelwhat I find interesting is that the basses still sound like themselves with the EMGs in them. The spector and stingray had punch and clarity, the P bass had its classic thump and the Gibsons were muddy garbage as usual. I don't think having all EMGs takes away from these demos at all
Do you own a bass that doesn't have EMG pickups?
A couple
I can't get past how weak that TA sounded against the other basses...
Ughhhh....this is not a guitar cabinet demo! Why do bass players keep doing this? Okay, sure, copy people, but guitarist? Putting a directional mic that close to a bass speaker cabinet is pointless, as it will only pic up the frequencies that are come a function of the short distance (inches) involved. Whatever bass response your mics do record they pickup only indirectly and off axis, and a function of the reflected and colored sound off the room; and even then, if the room isn't big enough, the lowest frequencies won't propagate for having insufficient length for the wave to manifest at all, to be heard or otherwise measured. Its physics for God sake. While we're at it, you need to sit, at a minimum, 8 feet away to hear most of the sound, not a couple of feet, and a further 8 feet away to hear the bottom octave. the signal just doesn't exist as a direct signal until it has travelled its own length. The best that can ever be said of this kind of sound evaluation is...'nice sound room/cabinet interaction. Having said that they look cool, if however silly, because their frequency response goes pointlessly beyond the basses ability to generate. Looks like a capable PA speaker, which it is.
Ok so record your own demos of bass gear and share them 😊
Wow. You copied and pasted the same stilted bitching comment from the Nate Navarro demo lmao. I almost feel sorry for you😢