I can only remark that I wish I had been there. I also remark that I doubt if the first is any better than the second, only less familiar in retrospect. Bravo five-plus months later!
Suite 1 - Menuet 2, 1st half - Eb then E-nat, which is the way it's printed in my copy, and the way I like it 😀Others do E natural both times, or Eb both times. Any thoughts?
Hi Stephen - somehow I learned it this way and it just stuck. I'm not a scholar at all! I think I was confirmed in the notes I play because of a book I once read. I was curious after your question and checked to see what Anner Bylsma does. He plays E natural always! Funny enough, in the D minor sarabande, as a tribute to Bylsma - I play some notes at the end of that which I think are most likely wrong.....but I did it as a sort of tribute to Bylsma, who played and defended those notes with tremendous passion. I think of him when that moment passes by - even though in my heart I think there is a good chance they are wrong. It's a strange road to get to the bowings and notes in these suites, eh?
One of the most beautiful moments that a human makes. Thank you.
You’re my hero. Just stellar interpretation and execution. I’m blown away. Thank you so much. PS Courante #1 = ❤️
I can only remark that I wish I had been there. I also remark that I doubt if the first is any better than the second, only less familiar in retrospect. Bravo five-plus months later!
Thank you Phil! I wish you could've been there too. It's a perfect church for Solo Bach.
Love these ❤️
I'm very glad. Thank you :)
Suite 1 - Menuet 2, 1st half - Eb then E-nat, which is the way it's printed in my copy, and the way I like it 😀Others do E natural both times, or Eb both times. Any thoughts?
Hi Stephen - somehow I learned it this way and it just stuck. I'm not a scholar at all! I think I was confirmed in the notes I play because of a book I once read. I was curious after your question and checked to see what Anner Bylsma does. He plays E natural always! Funny enough, in the D minor sarabande, as a tribute to Bylsma - I play some notes at the end of that which I think are most likely wrong.....but I did it as a sort of tribute to Bylsma, who played and defended those notes with tremendous passion. I think of him when that moment passes by - even though in my heart I think there is a good chance they are wrong. It's a strange road to get to the bowings and notes in these suites, eh?
😍😍
20:27 beautiful spiccato here!!!
Alguien sabe como se llama ese estilo de viola ?
Se llama iizuka patterned viola creo