Mr. Winston: Sorry to be dull, but I am puzzled and have little idea of the logic in what you are doing (although it sounds terrific). Let's take an explicit example to illustrate my confusion: G-major (I have ZERO idea of what you are doing with minors, let alone dominants but I'll be patient). Questions: 1. What -- EXACTLY please -- constitutes a quartal voicing for G-major and why do the specific notes make sense? 2. In the video after you play the first quartal G-major (from left to right: F#, B, E, A), you then go down one whole step (E, A, D, G). But then you sort of go down a half step (D, G, B F#) commenting "you need a fifth in there somewhere", and then to (B, E, A, D). Why? Why is this the progression for G-major? 3. And what would be next? I am trying to figure out the rule (or logic) behind closing the notes for a major voicing. Maybe you can then explain the rule/logic for minor voicings. Thank you again.
I've got a lot more coming on this topic. Stay tuned and I'll make this clear in the videos coming soon. The first two chords are basically G 6/9 chords
Great video, Tony.
Looking forward to practicing this in all keys. Sounds great and looks fun. Thank you so much!!! For sharing this and all you do!!
Thank you sir
Thanx, Maestro Tony. Always something useful. 🙌
i love these videos on jazz chords. thanks!
Thank you so much Doc Tony for the lead sheet !!
Awesome tnx for the great video lesson sir...
Amazing!
I enjoyed this video, thank you! #pianocoach
Hi. Tony you have a wonderful voice. My wish, pleas play`s with your Trio.Thank you Tony.
Trank youTony. Grüße aus Deutschland von Reinhard. Schade dass ich ein so sympathischen Pianisten leider nur über TH-cam erreichen kann👍
Danke Reinhard, ich wünschte ich könnte Deutsch sprechen. Was möchten Sie hören?
Hey..Tony...I Very like your technique.
Your sound..is sofisticate..
What your state?..in USA?
I like This..is Very interessant
Hey Tony, could you do a video on the Ahmad Jamal tune "Saturday Morning"? Thanks as always
Mr. Winston:
Sorry to be dull, but I am puzzled and have little idea of the logic in what you are doing (although it sounds terrific).
Let's take an explicit example to illustrate my confusion: G-major (I have ZERO idea of what you are doing with minors, let alone dominants but I'll be patient). Questions:
1. What -- EXACTLY please -- constitutes a quartal voicing for G-major and why do the specific notes make sense?
2. In the video after you play the first quartal G-major (from left to right: F#, B, E, A), you then go down one whole step (E, A, D, G). But then you sort of go down a half step (D, G, B F#) commenting "you need a fifth in there somewhere", and then to (B, E, A, D). Why? Why is this the progression for G-major?
3. And what would be next?
I am trying to figure out the rule (or logic) behind closing the notes for a major voicing.
Maybe you can then explain the rule/logic for minor voicings.
Thank you again.
I've got a lot more coming on this topic. Stay tuned and I'll make this clear in the videos coming soon. The first two chords are basically G 6/9 chords
Shouldn’t it be f# b e a C# .?
He is using two fingers n quarrels instead of. 5
Why do these guys think that they are teachers?