I have 5 TH-cam “tutors” whose knowledge and teaching skills I respect and trust. Four are Brits, and 3 of those are women. You, dear Liz, have turned on the light bulb for me after the others did the wiring. I heard what the others said, but it didn’t quite sink in until I saw this and heard your explanation. Finally, I’ve got the message! Thank you for all of these videos you have made. I am busily trying to catch up on them.
Wow, thank you! what a lovely thing to say. May you have many more lightbulbs 💡 PS Would love to know your list of accounts too, so I can check them out. the great thing is that there is always more to learn.
@@LizChadertonStudio There is no problem passing on my list of admired “tutors,” which include, besides yourself, Anne Kerr, Michele Webber, and Oliver Pyle. I also try to keep up with Matthew White; Eric Yi Lin, whose channel is Cafe Watercolor; and Ian Roberts, who works in oil, which I do not, but who is an admirable teacher of composition regardless of your chosen medium. These 3 are all Americans. I am a beginner, 75 years young, and trying to make something good of this time I am “serving in isolation”😆 due to being immunocompromised. I cannot tell you how much I appreciate everyone’s generosity in these extraordinary times. P.S. One more I find very interesting is Mind of Watercolor. I think the man’s name is Steve Mitchell. He has some videos on what he calls “spontaneous landscapes” and they are both fascinating and incredibly beautiful. You may find these very interesting.
Your tutorial came at a perfect time as I’d been struggling making a colour wheel. Thank for this video. It answered all my questions regarding my blah coloured wheel 🤗
By George Liz! It’s finally clicking thanks to your video… well done! This 70 year old is finally understanding the color bias! It’s been a trip but I’m getting the gist of it thanks to you! Thankyou!
Thank You! Thank You! Thank You! I thought I had a good understanding of colour theory and therefore could not understand why I spent hours mixing to get the colours. I would sometimes just go to the art shop and spend a fortune buying all the tints tones and hues of the watercolour pencils. I have even made a grid to start swatching my watercolours because I couldn't see where I was going wrong. Thank you also for plain straightforward explainations without all the noise and buzzes and whistles. Art for so many is a calming thoughtful process so many videos that may have valuable information I swith off because of the noise. You have a new subscriber in me.
Thank you! After couple of years of trying to wrap my brains around the cool and warm, this makes so much more sense! I mean people keep taking about muddy colors and then talk about temperature!! When all they really need to say is exactly what you just explained! 👍🏼👏🏼🙌🏼
If one is wanting to better understand colour theory and how each pigment interacts with the other, This is a brilliant video to describe just that. Often folks don't visually understand why colours get flat or muted. This is a perfect example of understanding that each color has a warm and a cool value. When you see it presented, it just makes sense, it creates that "A-Ha" moment for the viewer. Thank you for a cogent discussion and a visual on the process of colour mixing. I know the visual impact it can have when you just see what happens in real time, with explanation of the "WHY". Thank you for taking the time to explain.😉✨🧡
And thank you for such a thoughtful reply. I remember when it clicked, I couldn’t believe I hadn’t understood it before! People go on about using single pigment colours instead….
OMG - really! The penny has just fallen with an almighty clang!!!! I am new to all this and have been playing with mixing colours & wondered what I was doing wrong??? I am going to go through my palette & look at it with new eyes. Thank you sooo much🙏
Finally I understand. My brain just would not compute before!No confusing warm, cool, leaning more this than that. The way how you describe it is so clear because I can see the tints you are referring to in the colours you are about to mix. Thank you! X
Thank you for making me understand my bad combinations with colors that I didn't want. Thanks for making it so easy to understand. Now I have to find my colors.😍😍😍😍
I'm very new to watercolour, so new that when my colour mixing didn't give me the colours I wanted e.g. your "new" green green, I gave up. Now I have seen the explanation as to why I wasn't getting what I wanted, I'm going back. Thank you, thank you, thank you.
Aha! Finally it all makes sense! Thank you so much! I have been baffled for years, never knowing why "primaries" arent doing what i expected. I will be making my own color daisy first thing tomorrow morning!
@@LizChadertonStudio You were clear & precise, I’m not so sure I’ll obtain the results you did, going by other copies I’ve practiced! It looks so easy done by professionals Putting it into practice is totally different, guess I’ll have to practice more!
I’m just thrilled one of your videos popped up today!! You are absolutely genius and gifted instructor!! while apparently a extremely talented artist!!! Love, I mean LOVE your giraffe painting!!Hazel Soan also uses those 3 colors her elephants “Ellie’s” as well as other animals. You two are the only ones that have mentioned and shown this! Yahoo!! everything you explain (my 3rd video of yours) is crystal clear, Liz. Mind you, I am 63 and need help as fast as possible…lol If I never paint a beautiful picture I can honestly say it is ok because I just LOVE watercolors and have fun!! I taught myself oils several years ago and never had this excitement… I’ve been searching watercolor tutorials for couple of years and am upset that TH-cam doesn’t put everyone or at least different people in my feed. I’m mad at them!!!! Honey, you just keep going and I’m praying more find you!!! Again, you are gifted AND delightful. Respectfully, Nancy Rolfe Texas
wow Nancy! Thank you so much for such a lovely message. Just what I needed after a trying morning. watercolour is the most wonderful medium. so glad these films are helping you on your discovery.
Thank you for the clearest explanation of colour mixing . I’ve painted along with you to make my colour Daisy and Bingo! It works! I’ve had so much trouble especially with green and now I know why. I’m a follower and look forward to learning more with you.
Bless your heart , Liz, for helping me to better understand color mixing!!! Such an insightful presentation on the subject - the best yet for me out of the many tutorials I have watched & read!!! THANK YOU🖌️🖌️🖌️
Liz I cannot thank you enough for this video! I am sending a huge virtual hug! You explained things so brilliantly that I now completely understand what to do and not to do when mixing! Thank you, thank you, thank you!
@@LizChadertonStudio i've recently discovered that much of what i took for granted (by way of what my 16-year-old son knows), is by no means obvious to him - so i've realised that even though it might sound obvious to me, it may not be apparent to him - similarly, things that we understand intuitively are not always easy to put across to others, but you were able to make clear in minutes what i have been struggling to grasp for ages - not having had any formal art training. and art teachers often take the seemingly obvious things for granted. so thanks again.
@@dudleybarker2273 Hi Dudley - that's so nice of you to say. And you are right, it is easy to assume everyone knows the stuff you know or thinks the same way you think. Really pleased it helped.
I've since found a watercolour chart which lists each colour by group( colour), colour name,temperature,opacoty,staining power ( not sure about that one) and comments. very helpful reference tool. Thanks again for your concise guide
This was great. Thank you. I have just started exploring painting in general and water color. This information is so helpful no matter what paint medium I am experimenting with. ❤
I just discovered you, Liz. Now I have to scramble to catch up on all of your clear, simple, understandable explanations about the serendipitous nature of watercolor! I love the medium, but struggle to use it well. You now have another devoted fan. Thank you, Shelley
Thank you Liz! This is so helpful. I am just starting water colours and in trying to get my head around it, I have started to look at the basic primaries some artists use. One very respected landscape artist uses Cadmedium Yellow, Alizerin Crimson and Cobalt Blue. The Cad yellow is a bit of a surprise to me, in this combination. But I suppose landscape artists need more muted colours? A watercolour book I have from the 70's uses Rose Madder Deep, Naples Yellow and Prussian Blue Deep. Beautiful pictures, but also quite muted I suppose?
I loved this video. I have never swatched all the colors in my limited palette. You motivated me to do so. Now I’m actually looking forward to watching what happens. Thank you for posting. I’m enjoying going through your videos. 🙏💙🌵
A very enlightening tutorial. I've created colour charts but when I finish them, I put them away. I'm going to make a small colour wheel like yours as a reminder of the colour biases in the pigments. I'm also going to try the same experiment with oil and acrylic. Thanks so much for these helpful tips.
Thank you very much Liz for this video! Although I am still at the initial stage of knowing English, I understand very well your explanations about mixing colors. I learn a lot from you about watercolor painting.
Thankyou for explaining which colours are cool and warm. I am going to do my own colour chart. The problem I always have is mixing enough of a colour and then if I run out I can't mix it again. Do you have any tips.
I suggest mixing 30% more than you anticipate using. I also think it’s better to have it creamier than you need. it is far easier to dilute than to take water out..
Thank you so much Liz. Spreading your knowledge to others. Btw, I just received your book, Painting Animals in Watercolor. Still in the process of reading it cover to cover.
I love your channel and have learned so much from you. I agree that the three pigments in Quinacridone Gold were the problem there. I also think that since Alizarin Crimson is PR 83 which is fugitive that was the problem there. Rather than Permanent Alizarin Crimson I use Daniel Smith Perylene Red PR 149 as a very close substitute. Daniel Smith may be hard to get in the UK but I'm sure there are other PR 149 pigments that would work.
delighted that you are enjoying the films. The fact that a pigment is fugitive won’t make a difference to its colour mixing properties, but of course is really important fir the longevity of your painting. my alizarin has an A permanence rating, so I will double check the pigment. I love perylene maroon and green, but haven’t tried scarlet, so will have a hunt for it! Thank you for the top tip!
@LizChadertonArt i agree. I started using the secondary palette (CMY-phthalo blue green shade, quinacridone rose, and hansa yellow deep along with a red orange color-pyrrol scarlet, green color-phthalo geen BS, and violet color-french ultramarine) I try to stick to 1 pigment, highly saturated paints. I can make a lot of colors, but I still need some convenience colors. RBG, CMY, split pallette, and secondary pallette can't capture everything.
@@donnahughes9575 the joy of watercolour is the colour too! I would with very limited colours within a single painting, but have hundreds to choose from
so well made eye opener, many thanks for that. As a beginner i ask myself now - do pure primary colors exists at all - can i buy them as watercolors, or are all offered yellows, reds and blues biased in one or two directions to another primary? As an exercise i would like to paint a clear color weel starting with only the primary colors, but which one to choose?
Yes you can! you need to Google CMY watercolour and lots of suggestions will come up. c =cyan = phthalo blue, m = magenta, something like quin magenta and y= yellow something like Hansa Yellow, plus black. it has its limitations but the idea is to replicate a printer and will certainly teach you colour mixing.
I am so pleased with the one I made following your video...my previous encounters with colour wheels have been quite messy and I could never absorb the warm/cool idea. Thank you so much for the clear instructions! Do you make swatches/wheels before starting a painting? -to identify the colours & mixes you intend to use..
that’s great to hear. I always plan my colours before a painting and test them out to make sure they play nicely with each other. nothing very formal, just on a scrap of paper, so there are no nasty surprises.
Im wondering if you could tell me how to mix Aqua like the Jo Sonja acrylic variety please ??.....without adding white. Maybe it isn't possible to mix aqua. ?!?!?! TIA
@@lindy2164 as I don’t know the colour personally I can’t help. Jane Blundell is the queen of colour mixing. If you head to her web/blog you might find the answer there www.janeBlundell.com
Is there a video showing what happens when mixing say a yellow with blue undertones to a blue with red undertones, does that make for even muddier colors?
Lizzzzz. !! Why don't they have just a pure yellow. Or pure blue.. or red? 🤯😭 haha, I thought it was just my eyes thinking I saw the cadmium yellow looked a bit green 🤪. I love your videos. They've really helped open my eyes and skill set so much. Thank you sweetie, you're The Angel of Pallets 🥰
Welllll… the long answer is that you can select three colours which are closest to the pure primaries and use them just like your printer does (printer uses black too). There is a brilliant article by Jane Blundell ( the queen of pigments!). Take a look here: www.janeblundellart.com/watercolour-triads.html
@@LizChadertonStudio thank you for replying. I will have a gander at blundell's and have my notebook ready. I love learning and I so very much enjoy your videos. There's so many, I got catching up to do 😉 Keep shining and stay lovely.
I call this the mind the gap theory. First, arrange six primaries in a ring in this order: warm red, cool red, warm blue, cool blue, cool yellow, warm yellow (you have them in the wrong order in places!). Then, when you come to mix secondaries: - adjacent colours make the most colourful/vivid mixes. Maybe too colourful. - if there are two colours between the two you're using, you're going to get a neutral colour rather than a secondary - if there's one colour between your two primaries, you get something in between and sometimes these are the colours you want. If I'm doing a painting (like your giraffes) with one blue, one yellow and one red, I'll make a choice with all this in mind, then test out how the three mix on a piece of scrap paper, just to be sure I've made the right decision.
I love this video. However there is no way known to man that I would actually know that cerulian had those other colours or that lemon yellow had the blue/green. Where does that leave me ?!?!?!?!?
No one knows until they are told! But now you can look at a colour and think is that a greeny yellow or an orangey yellow and you will know whether it is warm or cool. Is your red an orangey red or a purpley red, is your blue a purply blue or a greeny blue. It becomes automatic and will really help with mixing.
@@LizChadertonStudio ok, I will take your word for it. .... but even after you said about the cerulean..I still couldn't tell. That's my problem. I will keep trying. thank you.
@@lindy2164 it will come! So with cerulean look and ask yourself is this closer to green or to purple? Put other blues near it. Our eyes are better at colours in comparison. So if you put cobalt blue next to cerulean which is greener for example? Luckily very few women are colour blind! 1 in 8 men are to some degree!
you are correct about printing. I have been meaning to do a film about that triad (good reminder, thanks!) but there are all sorts of issues about applying that to watercolour - one being finding the colours closest to process CMY. The point of this film was to help people understand the colour bias of the paints in their palette and how to mix them
I have 5 TH-cam “tutors” whose knowledge and teaching skills I respect and trust. Four are Brits, and 3 of those are women. You, dear Liz, have turned on the light bulb for me after the others did the wiring. I heard what the others said, but it didn’t quite sink in until I saw this and heard your explanation. Finally, I’ve got the message! Thank you for all of these videos you have made. I am busily trying to catch up on them.
Wow, thank you! what a lovely thing to say. May you have many more lightbulbs 💡 PS Would love to know your list of accounts too, so I can check them out. the great thing is that there is always more to learn.
@@LizChadertonStudio There is no problem passing on my list of admired “tutors,” which include, besides yourself, Anne Kerr, Michele Webber, and Oliver Pyle. I also try to keep up with Matthew White; Eric Yi Lin, whose channel is Cafe Watercolor; and Ian Roberts, who works in oil, which I do not, but who is an admirable teacher of composition regardless of your chosen medium. These 3 are all Americans. I am a beginner, 75 years young, and trying to make something good of this time I am “serving in isolation”😆 due to being immunocompromised. I cannot tell you how much I appreciate everyone’s generosity in these extraordinary times.
P.S. One more I find very interesting is Mind of Watercolor. I think the man’s name is Steve Mitchell. He has some videos on what he calls “spontaneous landscapes” and they are both fascinating and incredibly beautiful. You may find these very interesting.
Your tutorial came at a perfect time as I’d been struggling making a colour wheel. Thank for this video. It answered all my questions regarding my blah coloured wheel 🤗
Just found your lesson. What a revelation! I now understand why so many of my colour mixes hace looked muddy! Thanks!
Glad it was helpful!
By George Liz!
It’s finally clicking thanks to your video… well done!
This 70 year old is finally understanding the color bias!
It’s been a trip but I’m getting the gist of it thanks to you!
Thankyou!
Wow, thank you! You remind me of 'My Fair Lady' by George I think she's got it!!
Thank You! Thank You! Thank You! I thought I had a good understanding of colour theory and therefore could not understand why I spent hours mixing to get the colours. I would sometimes just go to the art shop and spend a fortune buying all the tints tones and hues of the watercolour pencils. I have even made a grid to start swatching my watercolours because I couldn't see where I was going wrong. Thank you also for plain straightforward explainations without all the noise and buzzes and whistles. Art for so many is a calming thoughtful process so many videos that may have valuable information I swith off because of the noise. You have a new subscriber in me.
so glad it helped ☺️!
I love the grungy colors! I always follow the opposite!! 🤣
Your giraffes are so captivating!
thank you!
I feel exactly as Shelley has said. Absolutely love the clarity and simplicity. Now also catching up on all your tips. Thank you!
You are so welcome!
Thank you!
After couple of years of trying to wrap my brains around the cool and warm, this makes so much more sense!
I mean people keep taking about muddy colors and then talk about temperature!! When all they really need to say is exactly what you just explained! 👍🏼👏🏼🙌🏼
so glad it helped. it was an aha moment when I realised
If one is wanting to better understand colour theory and how each pigment interacts with the other, This is a brilliant video to describe just that. Often folks don't visually understand why colours get flat or muted. This is a perfect example of understanding that each color has a warm and a cool value.
When you see it presented, it just makes sense, it creates that "A-Ha" moment for the viewer. Thank you for a cogent discussion and a visual on the process of colour mixing.
I know the visual impact it can have when you just see what happens in real time, with explanation of the "WHY".
Thank you for taking the time to explain.😉✨🧡
And thank you for such a thoughtful reply. I remember when it clicked, I couldn’t believe I hadn’t understood it before! People go on about using single pigment colours instead….
Click! Did you hear that? It was my brain finally grasping this concept! Thank you for this clear explanation!!
Excellent! I love the sound of that cluck!
This is masterful ! Brilliantly explained and demonstrated ... Thank you !
Glad it was helpful!
OMG - really! The penny has just fallen with an almighty clang!!!! I am new to all this and have been playing with mixing colours & wondered what I was doing wrong??? I am going to go through my palette & look at it with new eyes. Thank you sooo much🙏
You are so welcome! it will all get easier with experience
i am a senior and new to watercolor. I'm so glad to find your channel and really needing help mixing colors. Your art is beautiful.
Welcome! watercolour is such a beautiful medium
Finally I understand. My brain just would not compute before!No confusing warm, cool, leaning more this than that. The way how you describe it is so clear because I can see the tints you are referring to in the colours you are about to mix. Thank you! X
That’s made my day! so glad it helped
Even though I have painted for years and have my favorite mixes , I enjoy learning more . It's really interesting.
Great to hear!
This is a great explanation, thank you! and funny too ‘bloomin heck it works!’ 😂
Glad it was helpful!😀
Thank you for making me understand my bad combinations with colors that I didn't want. Thanks for making it so easy to understand. Now I have to find my colors.😍😍😍😍
Glad it was helpful!
Gosh! This explains sooooo much! I’ve just discovered you tonight and I’m absolutely giddy! Thank you so much for teaching all of this!
You are so welcome!
I'm very new to watercolour, so new that when my colour mixing didn't give me the colours I wanted e.g. your "new" green green, I gave up. Now I have seen the explanation as to why I wasn't getting what I wanted, I'm going back. Thank you, thank you, thank you.
please don’t give up on watercolour. It’s a gorgeous medium
Great video! I've heard other people discussing this topic, but your explanation really made it click for me. Thank you!
that’s so good to hear 😊
Aha! Finally it all makes sense! Thank you so much! I have been baffled for years, never knowing why "primaries" arent doing what i expected. I will be making my own color daisy first thing tomorrow morning!
yay!
Finally a clear explanation of color theory! Thank you Liz!💕
Glad it was helpful!
Thanks for colour explanation hope when I practice it I’ll see it & understand it better. Thanks again.
Hope it makes sense
@@LizChadertonStudio You were clear & precise, I’m not so sure I’ll obtain the results you did, going by other copies I’ve practiced! It looks so easy done by professionals
Putting it into practice is totally different, guess I’ll have to practice more!
@@valeriegehling4358 Doing it is the only way to get better!
I’m just thrilled one of your videos popped up today!!
You are absolutely genius and gifted instructor!! while apparently a extremely talented artist!!! Love, I mean LOVE your giraffe painting!!Hazel Soan also uses those 3 colors her elephants “Ellie’s” as well as other animals. You two are the only ones that have mentioned and shown this!
Yahoo!! everything you explain (my 3rd video of yours) is crystal clear, Liz. Mind you, I am 63 and need help as fast as possible…lol
If I never paint a beautiful picture I can honestly say it is ok because I just LOVE watercolors and have fun!! I taught myself oils several years ago and never had this excitement…
I’ve been searching watercolor tutorials for couple of years and am upset that TH-cam doesn’t put everyone or at least different people in my feed. I’m mad at them!!!!
Honey, you just keep going and I’m praying more find you!!! Again, you are gifted AND delightful.
Respectfully,
Nancy Rolfe
Texas
wow Nancy! Thank you so much for such a lovely message. Just what I needed after a trying morning. watercolour is the most wonderful medium. so glad these films are helping you on your discovery.
Aha! I love the way you explain this. From now on, only color daisies for me! No more wheels, so much more fun! 😂
Glad you enjoyed it!
Thank you for the clearest explanation of colour mixing . I’ve painted along with you to make my colour Daisy and Bingo! It works! I’ve had so much trouble especially with green and now I know why. I’m a follower and look forward to learning more with you.
You are so welcome!
Excellent, thank you. Seems so simple but never realised why!!
Everything is simple once you know it 😊😂😂
Bless your heart , Liz, for helping me to better understand color mixing!!!
Such an insightful presentation on the subject - the best yet for me out of the many tutorials I have watched & read!!! THANK YOU🖌️🖌️🖌️
that’s lovely to hear. Thank you
Liz I cannot thank you enough for this video! I am sending a huge virtual hug! You explained things so brilliantly that I now completely understand what to do and not to do when mixing! Thank you, thank you, thank you!
You are so welcome! and you’ve made me smile!
You are a wonderful teacher! Thank you!
Wow, thank you!
This is exactly what I was looking for, and I didn’t even know it.
Thank you.
Glad I could help!
thank you , very clear and seemingly obvious illustration that not many tutorials will show you.
Glad it was helpful! I’m afraid most of what I say is obvious once I’ve said it!!
@@LizChadertonStudio i've recently discovered that much of what i took for granted (by way of what my 16-year-old son knows), is by no means obvious to him - so i've realised that even though it might sound obvious to me, it may not be apparent to him - similarly, things that we understand intuitively are not always easy to put across to others, but you were able to make clear in minutes what i have been struggling to grasp for ages - not having had any formal art training. and art teachers often take the seemingly obvious things for granted. so thanks again.
@@dudleybarker2273 Hi Dudley - that's so nice of you to say. And you are right, it is easy to assume everyone knows the stuff you know or thinks the same way you think. Really pleased it helped.
I've since found a watercolour chart which lists each colour by group( colour), colour name,temperature,opacoty,staining power ( not sure about that one) and comments.
very helpful reference tool. Thanks again for your concise guide
that sounds very useful
Please could you give me your reference for that watercolor chart?
Thank you so much for this explanation. It's the first time i have seen this explanation of mixing that made sense to me 😊
Glad it was helpful!
Best explanation I have ever heard!! ❤❤❤
thank you so much!
This was great. Thank you. I have just started exploring painting in general and water color. This information is so helpful no matter what paint medium I am experimenting with. ❤
Glad it was helpful!
Thank you Liz, a great colour mixing tutorial😊
You’re welcome 😊
I love your channel. Such a wonderful teacher!
Thank you so much!
Great video....helping us to understand mixing better. Thanks!
Glad it was helpful!
Thank you so much Liz, I have to learn by heart now which color is warm and which is cold in my palette haha.
not at all! just look at the colours and compare them. As soon as they are side by side it is obvious 😀
@@LizChadertonStudio I just did that, and your videos helped me a lot. Thanks. 🥰
I just discovered you, Liz. Now I have to scramble to catch up on all of your clear, simple, understandable explanations about the serendipitous nature of watercolor! I love the medium, but struggle to use it well. You now have another devoted fan.
Thank you,
Shelley
what a lovely message. glad you find it useful. I love watercolour!
Thanks Liz, this has made a lot more sense while you explain in practice 😊.
Great!
Wow! you’re tutorial was so informative. This is most definitely going to help me going forward in my creativity.
Glad it was helpful!
Thank you Liz! This is so helpful. I am just starting water colours and in trying to get my head around it, I have started to look at the basic primaries some artists use. One very respected landscape artist uses Cadmedium Yellow, Alizerin Crimson and Cobalt Blue. The Cad yellow is a bit of a surprise to me, in this combination. But I suppose landscape artists need more muted colours?
A watercolour book I have from the 70's uses Rose Madder Deep, Naples Yellow and Prussian Blue Deep. Beautiful pictures, but also quite muted I suppose?
there are so many triads to use. I like quin gold, Prussian blue and alizarin, but it all depends on what you want to paint
Thank you. Understand a bit more!❤️🦋
Glad it was helpful!
Thank you! This really makes a lot of sense. So simple but I never even thought of this!
Glad it was helpful!
I loved this video. I have never swatched all the colors in my limited palette. You motivated me to do so. Now I’m actually looking forward to watching what happens. Thank you for posting. I’m enjoying going through your videos. 🙏💙🌵
I'm so glad you are enjoying them and understanding your paints will really help you be in control!
So, so interesting. Thank you for this lesson. Very helpful x
Glad you enjoyed it!
Thanks for the clearest explanation of this I've seen yet!
Glad it was helpful!
This helped me SO very much! Thank you.
You're so welcome!
A very enlightening tutorial. I've created colour charts but when I finish them, I put them away. I'm going to make a small colour wheel like yours as a reminder of the colour biases in the pigments. I'm also going to try the same experiment with oil and acrylic. Thanks so much for these helpful tips.
That's a great idea! there’s a great phrase ‘when you know better you do better’
thank you! you have made me happy!
my job is done!!
Thank you very much Liz for this video! Although I am still at the initial stage of knowing English, I understand very well your explanations about mixing colors. I learn a lot from you about watercolor painting.
Glad it was helpful! and that you could understand…
Thank you. This just answered a question I’ve been asking for 2 days. Perfect!!
glad it helped!
Very helpful Liz. Thank you.
Glad it was helpful!
Great video; thank you so much for sharing your experience and knowledge.
my pleasure!
Very helpful. Thank you for posting this!
You're very welcome!
Excellent so well explained
Glad it was helpful!
What a beautiful eye opening exercise! You showed us the 'true colours' in colour mixing! (Excuse my silly pun) 😅
😁 love a pun!
Thank you so much I loved it and learned from it .
Glad it was helpful!
Greatly explained.... 🙏
Thank you 🙂
So well explained. Thanks!
Glad it was helpful!
Such a clear explanation, thank you!
Glad it was helpful!
Wow. I needed this lesson!!
Glad it was helpful!
Woo hoo. !! Another little treasure trove. So look forward to them..Thanks Liz. Another artistic treat. Always full if inspiration .!! 😍x
glad you found it helpful!
Great explanation!
Glad it was helpful!
Thankyou for explaining which colours are cool and warm. I am going to do my own colour chart. The problem I always have is mixing enough of a colour and then if I run out I can't mix it again. Do you have any tips.
I suggest mixing 30% more than you anticipate using. I also think it’s better to have it creamier than you need. it is far easier to dilute than to take water out..
@@LizChadertonStudioThank you Liz. I'm now working through your brush stroke video.
Brilliant!! What a great job you did illustrating the differences, thanks!
I am pleased it was helpful
Excellent video - best I've seen discussing bias - thank you so much.
Glad you enjoyed it! thank you for such a nice comment.
Brilliant. Thank you.
Glad you liked it!
I'm sure it's already been said but wow you teach so succinctly. I get it now.. lol
🤥🤗
I’m so glad it made sense!
Another excellent video. I've learned so much from your videos. Thank you for sharing!
So pleased!!
Thank you so much. What an eye opening explanation!
Glad it was helpful!
OMG, that sure makes a lot of scenes.😮
so pleased to hear that
Thank you so much Liz. Spreading your knowledge to others. Btw,
I just received your book, Painting Animals in Watercolor. Still in the process of reading it cover to cover.
Wonderful!
Thank you Liz!❤🤗
You are so welcome
Thank you very much!!!
You're welcome!
I love your channel and have learned so much from you. I agree that the three pigments in Quinacridone Gold were the problem there. I also think that since Alizarin Crimson is PR 83 which is fugitive that was the problem there. Rather than Permanent Alizarin Crimson I use Daniel Smith Perylene Red PR 149 as a very close substitute. Daniel Smith may be hard to get in the UK but I'm sure there are other PR 149 pigments that would work.
delighted that you are enjoying the films. The fact that a pigment is fugitive won’t make a difference to its colour mixing properties, but of course is really important fir the longevity of your painting. my alizarin has an A permanence rating, so I will double check the pigment. I love perylene maroon and green, but haven’t tried scarlet, so will have a hunt for it! Thank you for the top tip!
I've found I do much better mixing colors with one pigment versus various pigments which is right on target with your lesson.
Even single pigments have a bias - it is usually easier to spot it that some of the convenience mixes
@LizChadertonArt i agree. I started using the secondary palette (CMY-phthalo blue green shade, quinacridone rose, and hansa yellow deep along with a red orange color-pyrrol scarlet, green color-phthalo geen BS, and violet color-french ultramarine) I try to stick to 1 pigment, highly saturated paints. I can make a lot of colors, but I still need some convenience colors. RBG, CMY, split pallette, and secondary pallette can't capture everything.
@@donnahughes9575 the joy of watercolour is the colour too! I would with very limited colours within a single painting, but have hundreds to choose from
So helpful!!
Glad you think so!
🌟🌟THANK YOU I finally “get it!”🌟🌟
😁
But as a novice how do you know what other colours are underlying? Loved the video, very helpful,thank you 👍😁
it’s helpful to have colours side by side and tgen their bias is a lot more clear
Thank you.
my pleasure
so well made eye opener, many thanks for that. As a beginner i ask myself now - do pure primary colors exists at all - can i buy them as watercolors, or are all offered yellows, reds and blues biased in one or two directions to another primary? As an exercise i would like to paint a clear color weel starting with only the primary colors, but which one to choose?
Yes you can! you need to Google CMY watercolour and lots of suggestions will come up. c =cyan = phthalo blue, m = magenta, something like quin magenta and y= yellow something like Hansa Yellow, plus black. it has its limitations but the idea is to replicate a printer and will certainly teach you colour mixing.
I am so pleased with the one I made following your video...my previous encounters with colour wheels have been quite messy and I could never absorb the warm/cool idea. Thank you so much for the clear instructions! Do you make swatches/wheels before starting a painting? -to identify the colours & mixes you intend to use..
that’s great to hear. I always plan my colours before a painting and test them out to make sure they play nicely with each other. nothing very formal, just on a scrap of paper, so there are no nasty surprises.
Im wondering if you could tell me how to mix Aqua like the Jo Sonja acrylic variety please ??.....without adding white. Maybe it isn't possible to mix aqua. ?!?!?! TIA
hi Lindy, sorry but I don’t know what Jo Sonja is, so I cannot advise.
@@LizChadertonStudio .oh sorry. It's a brand of acrylic paint
@@lindy2164 as I don’t know the colour personally I can’t help. Jane Blundell is the queen of colour mixing. If you head to her web/blog you might find the answer there www.janeBlundell.com
Is there a video showing what happens when mixing say a yellow with blue undertones to a blue with red undertones, does that make for even muddier colors?
No film, but you are right - it would be even more muted.
Is there a book regarding watercolour mixing?
I’ve replied to your email, but I’ll put it here too. Two old books worth looking at: Making Color Sing Jeanne Dobie and Red Yellow Blue John R Koser
Lizzzzz. !! Why don't they have just a pure yellow. Or pure blue.. or red? 🤯😭 haha, I thought it was just my eyes thinking I saw the cadmium yellow looked a bit green 🤪. I love your videos. They've really helped open my eyes and skill set so much. Thank you sweetie, you're The Angel of Pallets 🥰
Welllll… the long answer is that you can select three colours which are closest to the pure primaries and use them just like your printer does (printer uses black too). There is a brilliant article by Jane Blundell ( the queen of pigments!). Take a look here: www.janeblundellart.com/watercolour-triads.html
@@LizChadertonStudio thank you for replying. I will have a gander at blundell's and have my notebook ready. I love learning and I so very much enjoy your videos. There's so many, I got catching up to do 😉 Keep shining and stay lovely.
@@Xenial_Lizzie and you!
I call this the mind the gap theory.
First, arrange six primaries in a ring in this order: warm red, cool red, warm blue, cool blue, cool yellow, warm yellow (you have them in the wrong order in places!).
Then, when you come to mix secondaries:
- adjacent colours make the most colourful/vivid mixes. Maybe too colourful.
- if there are two colours between the two you're using, you're going to get a neutral colour rather than a secondary
- if there's one colour between your two primaries, you get something in between and sometimes these are the colours you want.
If I'm doing a painting (like your giraffes) with one blue, one yellow and one red, I'll make a choice with all this in mind, then test out how the three mix on a piece of scrap paper, just to be sure I've made the right decision.
perfect explanation!
Does it make even more of a difference if the paints are transparent?
Not really. It is all about the bias of the pigment. If you use opaque you will get opaque mixes. Lemon yellow is pretty opaque and I use it here.
❤
glad you liked it
Sorry! I meant to say Perylene Scarlet. Perylene Red is brighter PR178.
great info - thanks!
Why you don’t have 12 zillion subscribers is beyond me!
What a lovely comment to read over breakfast! I’d be very happy with 11 zillion!!
I love this video. However there is no way known to man that I would actually know that cerulian had those other colours or that lemon yellow had the blue/green. Where does that leave me ?!?!?!?!?
No one knows until they are told! But now you can look at a colour and think is that a greeny yellow or an orangey yellow and you will know whether it is warm or cool. Is your red an orangey red or a purpley red, is your blue a purply blue or a greeny blue. It becomes automatic and will really help with mixing.
@@LizChadertonStudio ok, I will take your word for it. .... but even after you said about the cerulean..I still couldn't tell. That's my problem. I will keep trying. thank you.
@@lindy2164 it will come! So with cerulean look and ask yourself is this closer to green or to purple? Put other blues near it. Our eyes are better at colours in comparison. So if you put cobalt blue next to cerulean which is greener for example? Luckily very few women are colour blind! 1 in 8 men are to some degree!
@@LizChadertonStudio Thank you, I will try that.
@@LizChadertonStudio I would LOVE you to do one of your wonderful videos on this subject in depth !!!!!!!
Take a lesson from the printing industry. The colors they load into their printers are Cyan Magenta Yellow and Black. Those are your primaries.
you are correct about printing. I have been meaning to do a film about that triad (good reminder, thanks!) but there are all sorts of issues about applying that to watercolour - one being finding the colours closest to process CMY. The point of this film was to help people understand the colour bias of the paints in their palette and how to mix them
Such a helpful video on colour mixing. Thank you very much! 👍
my pleasure!