Jazz Piano College 204 IMPROV All The Things You Are

Tutorial - Improvising a solo line over the changes (chords) of the song All The Things You Are.
The song: goo.gl/KCtsSl
My notes: goo.gl/K3RfwQ
My website: goo.gl/8dVoM6

[@robertgloverjr]

There is a spot in heaven reserved for world class jazz piano teachers who freely share the secrets of the world's best music. Your place there is assured. Thank you for your PRICELESS, yet free, teachings.

[@aitorgarcia1147]

One of the neatest explanation of soloing"All things you are"! This video deserves 10 likes, unfortunately I can only give one!

[@Nniseko]

You are so great teacher for me . This song is so difficult . But your you tube is so useful. Thanks;)

[@m.c.jackson]

I love you Tonny Winston; you really changed my jazz style. God bless you.

[@cns7139]

Great ideas, clearly explained. Very helpful; thanks so much!

[@nikopapadopoulos1244]

Excellent breakdown. ..thanks very much!

[@rnick821]

Thank you so much for this video. I've been working on this tune using 3 and 4 note rootless voicings and it's going well, but was really having a hard time with improv ideas. I can't wait to get home and try some of your tips!

[@jessepearson5579]

Nicely done...Thanks

[@eternalrainbow-cj3iu]

Very smart strategy. The bebop scale sounds so nice..also this way the fats tempo is sooner doable for beginners...

[@David-pe9rp]

Merci Monsieur😊

[@marclhernandez]

DUDE YOU'RE AWESOME! THANKS!

[@anilec333]

I am looking for this long time!thanks

[@TonyWinston]

I will do another one on this song tomorrow...thanks!

[@Xemi84]

Thank you very much. I am a very beginner and I find these videos very insightful

[@richard9480]

This is terrific. Thank you very much.

[@bmulato5921]

Very good thanks 😊

[@marinduque-theheartoftheph]

thanks for graciously sharing your gifts! all the best in 2018!

[@arreglosdesalsaytropicalni8291]

Mil gracias ...Excelente

[@adonesdesouza]

Gracias

[@richard9480]

Brilliant. Thank you.

[@penkal1981]

6:19 isn't it an augmented 7 (C+7) , or we call it dominant anyway? Thanks for the lesson! Greetings from Greece!

[@bmulato5921]

Wao thanks.....thanks.....waooool good.

[@christophcloren4740]

Than k you very much for this great lesson and tutorial !! Is there any chance to buy a transcribed solo of this wonderful song ?

[@cagdeorok]

Helpful🌷😎 great 🤓😍 carry on

[@jerrodbell3937]

Hi Tony is there a book that tells you which scales to improvise with over chords

[@fingerhorn4]

Modes are useful (sometimes) to identify. But obsessing with them detracts from the task in hand. You don't need to constantly be aware of modes to know what to do. They are an analytical afterthought. I can't think of a single good jazz player who routinely improvises with a conscious reference to what mode he or she is in, unless the piece is specifically MODAL (Flamenco, Arabic, Chinese, Indian, Ethnic etc etc). The scales implied by the chord progressions give you all you need and mental energy is much better served by being creative within those chords. The modes automatically are present without needing to think about them.

[@TonyWinston]

I make that same point over and over again, just know what key you're in and you don't have to think about a mode for every chord. Pay attention!

[@robviolin1]

Thanks for the great video. Do you have any of the bebop scale licks on paper. It would be nice to study them. 👍

[@lijothomas8398]

hi. very informative thank you. Have done the part 2 video ?

[@Malcolm.Y]

At 9:30 you called descending scale in groups of four a "Tchaikovsky." Which of his pieces is that a reference to?

[@TonyWinston]

I think the William tell overture.... near the end

[@sheilamacdougal4874]

@@TonyWinston Except that the William Tell Overture, as well as the opera of which it is the overture, is by Rossini.

[@davesnow7133]

have you made a video on the altered scale? I'd love to learn more about it!

[@TonyWinston]

coming soon!, thanks

[@khoiduy1151]

5:47

[@orgbahamazzz2182]

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