wow i'm stunned by the creativity, the masterful playing, the drama, the complexity, and yet the elegance and wit. Truly a masterful performance, and a masterful transcription to boot! thank you for sharing this transcription and video
The way Petrucciani is able to put out chorus after chorus of beautiful surprises always gets me. First tried to transcribe him around 2001 from a couple of tracks on the Promenade With Duke album; it was then I realized that we were dealing with a madman. He just kept upping the craziness as the tunes progressed towards their end. I also tried to steal bits of this performance some years ago; it's just so 'out there', almost overwhelming. Interesting to see the whole thing written out.
As a retired college jazz improv teacher, I want to say it's so nice to see an accurate transcription here. Many of them are rhythmically wrong, and this one is right! I especially like the several places where he obviously mis hit a note and you put down what he meant to hit. That's what's important! Bravo! PS My memory is failing me, and I cannot identify the quote he used in the last several measures. Sounds like it might be derived from the melody, but I don't think that's what he means. Can you tell me if it's a quote from a pop tune or a jazz tune I should know? As I say my memory is leaving me and all I have is vagueness in this case :(
yeah pretty sure that's just supposed to be a clock ringing, it's also used as an intro for If I Were A Bell for similar reasons. He was really leaning to the "midnight" thing here, the beginning sounded like really long bell tolls as well
And lastly, did you use any software to slow it down? The last solo I transcribed was by Dizzy Gillespie, way back in 1979. No software available at that time, I was punching the cassette stop button every 1/16 note!
Oh yeah for sure! Slowing down audio is my super power! I used to use tapes, too, but I would only be able to slow the audio down a little bit, which would cause the pitch to change by a 5th (or whatever). Luckily we now have more powerful tools!
One type of comment I never did like .... why don't you do great things instead of critisizing those who do ? Plus you know we 99% of the people reading this comment section love him so why hurt our taste and feelings ? come on man that's rude ... you don't like him ? that's perfect just listen to someone else . would you go to a chinese restaurant to tell everyone you don't like chinese food ? .... well ... maybe you do ...
@@daltonjoe5771 Я не говорю, что мне не нравиться этот коментарий, а имею ввиду, что он лишён практически какого-то смысла, он просто существует и всё, объективность в нём не заложена
![TEEDEE TADA - DIAMOND NARAKORN X LEGO LYKN [Special Dance Performance]](http://i.ytimg.com/vi/QgtZedFeumA/mqdefault.jpg)
An incredible accomplishment transcribing this master piece!! Well done!
Viewing the transcription while listening to the music makes the performance even more enjoyable and impressive. Thank you.
Cool! Thanks for watching!
wow i'm stunned by the creativity, the masterful playing, the drama, the complexity, and yet the elegance and wit. Truly a masterful performance, and a masterful transcription to boot! thank you for sharing this transcription and video
that quote of "the windmills..." is so beautiful .. thanks as always . great work !! R.I.P Michel
Rip Both Michel
The way Petrucciani is able to put out chorus after chorus of beautiful surprises always gets me. First tried to transcribe him around 2001 from a couple of tracks on the Promenade With Duke album; it was then I realized that we were dealing with a madman. He just kept upping the craziness as the tunes progressed towards their end.
I also tried to steal bits of this performance some years ago; it's just so 'out there', almost overwhelming. Interesting to see the whole thing written out.
As a retired college jazz improv teacher, I want to say it's so nice to see an accurate transcription here. Many of them are rhythmically wrong, and this one is right! I especially like the several places where he obviously mis hit a note and you put down what he meant to hit. That's what's important! Bravo! PS My memory is failing me, and I cannot identify the quote he used in the last several measures. Sounds like it might be derived from the melody, but I don't think that's what he means. Can you tell me if it's a quote from a pop tune or a jazz tune I should know? As I say my memory is leaving me and all I have is vagueness in this case :(
It sounded like the motif that plays before the chiming of the bells on the Big Ben clocktower to me.
yeah pretty sure that's just supposed to be a clock ringing, it's also used as an intro for If I Were A Bell for similar reasons. He was really leaning to the "midnight" thing here, the beginning sounded like really long bell tolls as well
And lastly, did you use any software to slow it down? The last solo I transcribed was by Dizzy Gillespie, way back in 1979. No software available at that time, I was punching the cassette stop button every 1/16 note!
Oh yeah for sure! Slowing down audio is my super power! I used to use tapes, too, but I would only be able to slow the audio down a little bit, which would cause the pitch to change by a 5th (or whatever). Luckily we now have more powerful tools!
wonder!
Please transcribe keith jarret version of this tune!
good
one pianist i never did like
Для чего вы это написали? Какой в этом смысл?
@@jemtheweeknd97 pointless
One type of comment I never did like .... why don't you do great things instead of critisizing those who do ? Plus you know we 99% of the people reading this comment section love him so why hurt our taste and feelings ? come on man that's rude ... you don't like him ? that's perfect just listen to someone else . would you go to a chinese restaurant to tell everyone you don't like chinese food ? .... well ... maybe you do ...
@@daltonjoe5771 Я не говорю, что мне не нравиться этот коментарий, а имею ввиду, что он лишён практически какого-то смысла, он просто существует и всё, объективность в нём не заложена